How to Make 28 Teens Feel Special Immediately and Simultaneously: Or How I Manage Conference Notes

One of the most difficult parts of setting up a workshop was figuring out how to use and organize notes.  Those videos that show elementary school teachers walking around at leisure, seeming to write a paragraph on each child?  Not even possible, not even under the best circumstances.

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Wall space can also be temporary storage for conference notes and for giving you a “status of the class” picture of student progress.

What follows is a step-by-step guide to How I Workshop.

  • Figure out what you, as a teacher, are out to accomplish.  Are you trying to do a quick check in with each student, or are you going to do extensive work with 2-3 kids?  You need both kinds of conferring styles, I’d argue, but you also know which mode you are using, when, and why.
  • Write down 1-2 words in conference, add notes later if you need to.  When I sweep and chat to each student, as I did today, I’ll scribble in a few more notes after class if I need to.  
  • Notice patterns.  I like using my post-it notes to “snapshot” where students as a whole are and where I need to teach something the following day, especially if I find myself repeating myself over and over again in conferences.
  • Diagnose and select students for extended follow up.  If I notice that a student is working on an issue that involves more conversation, I’ll prioritize them for the next day.
  • Save and document information.  I can pop these post-it notes into a plan book.

How do you manage your conference notes?

Amy Estersohn is a middle school English teacher in New York.  She never met a Post-It Note she didn’t like. 

 

Light Bulb Moments: Igniting Students Interest in Their Own Learning

What is it you love about teaching? I have a few favorites.

More than anything I love to see the light bulb moments. You know what I mean — you see them, too. The thinking becomes almost visible like a thought bubble above a student’s head, then the thought spins a cartwheel, lands on both feet, and ignites some insightful murmur.

“Ohhh, I get it,” sighs the student.

I long for these moments.

I get them with my students, sure, but lately it’s teachers who have warmed my heart as they’ve come to embrace the philosophies of readers-writers workshop.

In December, I facilitated a workshop training in a district in my home state of TX. A little while later, I exchanged some messages with Candice Thibodeaux, an English department manager and English III teacher in Clear Creek ISD who attended that training. I asked if I could share her comments (although I am late in doing so) because I think they may speak to many of our readers who are new to implementing the moves of workshop in their classrooms.

Candice:  I wanted to say once again that it was a pleasure to meet you. I think why it was so easy to hear your message is because there was no doubt you understood where we were because you are in the same trenches we are each day. I was already convinced that I wanted to move my department to the workshop method, but you cleared up some fuzzies and gave me a lot of confidence. I feel like I am in the infancy stages of implementing it, but you have me so excited. I am worried I may not implement my thematic idea well, but I am going to jump in and take note of what works and what doesn’t. I feel it has the possibility to ignite the students interest in their own learning.

Me:  Your ideas for the thematic units are fantastic, and I think you will be so pleased with the responses you get from your students. And once your teachers see the kind of engagement and work your students produce, they will be more apt to want to join in the thinking and planning for workshop. Remember to be patient with yourself. There are just a few things that really matter: choice, time to read and time to write, lots of talk around books and writing, talking to kids one on one about all of it. I know we focus on the standards a lot in Texas, but really, good reading and writing requires skills that are reciprocal — and practice is what matters most.

Candice:  Thanks so much for the response! I am so anxious to get back to school because I

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Ready for student talk. Candice’s new classroom set up invites collaboration.

did a whole lot over the break that will be so much fun to put into action. I changed my room so we can do group work easier. I cataloged all of my classroom library so students can check out online. I bought more books (which hubby was thrilled about and a little blown away as he helped me catalog almost 1,000 books, lol) and I created a quick PD for my teachers tomorrow based on my time with you and the reading I have done. I am very excited to see if I can light a fire with my teachers. My department is on board but for the most part is still very unsure what it all looks like.

Candice:  The themes I picked [for my units] are war, race relations, technology, self image, and a catch all of society issues (depression, teen pregnancy, drug use, crime, violence). I expect to get a lot of discussion, reading, and writing out of all that; plus, students will do their own video PSA and print ad. I am very excited and have written letters to parents reminding them about free choice reading and telling them about thematic units, and encouraging them to discuss what their child is reading/writing/thinking. So we shall see….

Oh, yes, you shall see! You’ll see more reading, more writing, more engagement, and tons of learning — for students and for you as their teacher.
That’s another thing I love about teaching:  I learn with my students. We share our thinking as readers and writers in my workshop classroom. I am not the sage on the stage, nor the keeper of the knowledge. We all are. We are all discovering the world through the texts we read, and writing about our world through the texts we write.
Last week Jessica wrote Readers-Writers Workshop: But, Does It Work? and Lisa wrote Looking to the Future: Students as Changemakers. Both address the needs of the students who sit in our classrooms every single day.
Candice is like them, and her light bulb moments moved me at that workshop training back in December. She is like many other teachers who know her students need more. And I cannot wait to hear how her thematic units go as she shares her love of all things literacy with her students. (Hey, Candice, are you ready to write that guest post yet?)
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photo by Jayden Yoon

If you have ideas for articles, poems, videos, or more Candice might be able to pair with other texts in her units, please add your ideas in the comments. (Oh, there’s an idea for some pretty cool collaborative text sets. I’m gonna have to think about that.)

 

Amy Rasmussen lives in north Texas and teaches AP English Language and English 3 to the Fighting Farmers at Lewisville High School. She adheres to the words of Emerson: “We aim above the mark to hit the mark,” and Jesus Christ: “Love one another.” Imagine a world if we all love more than we think we can. Follow Amy on Twitter @amyrass.

 

Down and Dirty Diction

My AP Language and Composition students have been waist deep, nay, armpit deep in literary analysis these past few weeks. Of the three types of essays my AP’ers will write, this is always the one that gives them the most trouble. Students are asked to read a piece of prose and then write an essay in which they analyze how the rhetorical strategies the author uses help to achieve his/her purpose.

Though students are familiar with literary analysis, they are often most familiar with analysis that gets at the “what” as opposed to the “how.” I explain to them that deep literary analysis involves what the author is trying to achieve with the writing, as opposed to only what the content itself suggests.

Once we get into it, students often have a lot to say, but lack the developed analysis skills to artfully communicate what they’re seeing. We work to expand and deepen the analysis with specifics.

Early in our study of analysis, we utilize two key acronyms to hone our craft study. DIDLS (which makes everyone giggle) and SOAPS.

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Amelia provides suggestions to a peer on diction analysis of an AP practice essay

Students can use analysis of Subject, Occasion, Audience, Purpose, and Speaker to provide context to their essays and justify the purpose sandwiched in the middle of this acronym. Then, in terms of which rhetorical strategies we can analyze that achieve that purpose, we jump into Diction, Imagery, Details, Language (as in figurative), and Syntax. Our discussions focus on adding the elements together to comment on, for example, how diction contributes to imagery, pathos is built through details, or how various elements create an overall tone for the piece.

Of all the DIDLS (mmwahahahah) components, however, diction is the one that students struggle with year after year. Case in point, a claim about diction submitted on a post-it note after our first look (without direction from me) at diction:

The author uses diction to achieve his purpose.
Ok…You’ve zeroed in on one element. Good. But you are telling me the author uses words. I’m not sure that’s exactly the specificity the AP readers are looking for.

To combat (or encourage, if you are feeling friendlier) such insight, I’ve developed several components to diction study.

  1. Detail with students what their options are. They need to be specific in relating how the diction is used, so we start with something basic like fill in the blank.

    The author uses __________ diction in order to ____________. 

  2. Then, they need the tools to fill in that first blank. I provide a list of terms that could be used to describe diction. We define a few they are curious about, discuss some they are already familiar with, and then choose several to brainstorm around.

    Nostalgic might be used when the author wants to fondly remember the past. 
    Patriotic would be found in political speeches or Fourth of July gatherings. 

  3. I then have students practice focusing their own writing using these words. During quick writes, students choose a specific type of diction and purpose, then set off to match the two in a quick piece on a topic of their choosing.

    Technical diction to write about a process for downloading an app. 
    Curt diction to decline an invitation to prom with a jerkface.

  4.  Next up, my students are going to be analyzing some actual AP prompts specifically for diction and for homework, locating an editorial they can analyze for the same purpose. We’ll be doing quick 1 minute speeches that consist of analysis of the editorials purpose and specific words used to achieve it.

Other practice comes from analysis of diction in their independent novels, some work with Nancy Dean’s Voice Lessons on diction, and quick table discussions around taking famous lines with specific diction and changing that diction to completely change the connotation or meaning of the selection.

It was the laziest of times, it was the craziest of times. (A modern diction twist to reflect senioritis in the classroom).

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Amanda provides feedback to a peer on her AP Analysis practice 

All in all, students are swimming in words and I love it.

It’s how this happens: 

The author uses diction to achieve his purpose.
Ok…you are telling me the author uses words…
The author uses colloquial diction to achieve his purpose.
Better…the specificity of the diction gets you closer, but why use that type of diction?
The author uses colloquial diction to talk with his son about sex.
Interesting. Why would the author want to do that? 
The author of this passage, a father who wants to connect with his teenage son, uses colloquial diction to try and ease the awkward nature of a conversation about sex. Not surprisingly, this attempt to be super hip backfires when his son realizes this false “cool” is not at all hip, let alone effective.
Boom!

How do you help students explore an author’s use of diction? Please share some ideas in the comments below! 


Lisa Dennis spends her school days teaching AP Language and Honors/Pre-AP Sophomores, while also leading the fearless English department at Franklin High School, just outside Milwaukee, Wisconsin where she lives with her husband Nick, daughter Ellie, and beagle Scout.  She is a firm believer that a youthful spirit, a kind heart, a big smile, and a good book can ease most of life’s more troublesome quarrels. Follow Lisa on Twitter @LDennibaum.

 

Readers-Writers Workshop: But, Does It Work? by Jessica Paxson

1444217.pngThere are many things that are frustrating about teaching in general, and teaching SENIORS.  They are almost adults who think they are already adults, and say they want to be treated as such, but show that they want to be treated like a child for just a little while longer.

Me too, guys.  Adulting is HARD.

This makes for quite a few venting sessions during our PLC time.  A few days ago, a fellow teacher was venting about our Shakespeare unit.  She and another colleague noticed that the feedback from walkthroughs seemed to be nudging us more toward skill teaching rather than teaching whole works, especially in Shakespeare.  She then began to vent about college readiness.  They will HAVE TO read whole works in college.  If they’ve never read anything cover to cover, they will never survive in college!

Obviously I began to feel my Reading/Writing Workshop senses going off.  They’re much like Spidey Senses, but possibly even more dangerous.  These topics are often thin ice with teachers, and if you stomp too firmly into the conversation, you’ll break right through and be left to freeze on your own in the frigid pool of, WHAT DO YOU MEAN YOU DON’T WANT TO TEACH SHAKESPEARE?  In an effort to be heard and not misunderstood, I gingerly began to ask questions.

  • But will they need to have read THESE works, specifically?
  • Do you think non-liberal arts majors will encounter an entire work of Shakespeare during their time in college?
  • Do you think what they need to know is the stories of Shakespeare, or how to parse difficult language in general?

Then, finally, quietly, with the shaky hands I often get when I’m about to make something dear to me vulnerable to scrutiny, I asked: Have you ever read Book Love by Penny Kittle?

I’m surprised how many issues have come up this year during PLC to which the best solution would be, emphatically, give them choice on what they read; write more than you can grade; give them choice on what they can write; start where they are and gradually encourage more challenge and nuance.

I thought it would be helpful to write about some of the most Frequently Asked Questions I’ve received about RWW, even with less than a year under my belt of these practices.  Here they are, in no particular order:

  • How do you make sure your students are reading challenging books?
  • How do you test their knowledge?
  • What if they lose your books?
  • What do you mean, use mentor texts?  Are you talking about your Creative Writing class?
  • How do you grade if they all do different stuff?
  • Why are you making this so hard on yourself?

I have to tell you, I don’t know a definitive answer to all these questions.  By no stretch of the imagination have I perfected Reading/Writing Workshop.  (If you have, I’d love to borrow your brain for a day or five.)  

What I do know, is that it works.  

Don’t other things work, too?  Maybe, but it depends on your goal.  If the goal is for students to know facts about the plot of a handful of works, and know how to fill in a graphic organizer, sure.  

 

Now, if only I could figure out how to answer questions on the spot, we might be in business!

Jessica Paxson is an English IV and Creative Writing teacher in Arlington, TX. She also attempts to grapple with life and all of its complexities and hilarities over at www.jessicajordana.com. Follow her on Twitter or Instagram @jessjordana.

Looking to the Future: Students as Changemakers

As teachers, we have a unique opportunity, and I would say responsibility, to see our students not only as the beautiful (challenging, curious, and occasionally perplexing) people they are, but also as the adults we want them to be: consumers of information, thoughtful citizens, empathetic neighbors, considerate collaborators, creative problem solvers, and kindhearted souls.

Specifically as English teachers and workshop practitioners, we lay a foundation for these futures with classrooms rooted in a sincere passion for reading, writing, speaking, and listening. We advocate for our students through literacy, because their futures depend on a capacity to actively engage with the human condition.

P. David Pearson,  founding editor of the Handbook of Reading Research and professor of Language and Literacy and Human Development at the Graduate School of Education at the University of California, Berkeley, said that “a teacher’s job is always to bridge from the known to the new.” We work each day with students whose experiences, beliefs, passions, and preferences vary as widely as our own, but together we take what is fixed and challenge it to stretch, bend, and grow.

In the process, we end up with countless stories of students falling back in love with reading, challenging their opinions through talk with fellow classmates, digging into their writing to push past self imposed limits of where words and expression can take them. I shared a quote from Barbara Kingsolver with my students the other day, specifically for diction analysis, but probably more importantly for talk:

“Art is the antidote that can call us back from the edge of numbness, restoring the ability to feel for another.”

We discussed the far reaching definition of “art” (including literature and composition) and the suggestion in this line, art not only speaks to us, but heals us and build empathy within us. Several students throughout the day noted the need for this type of beauty in our current politically turbulent times.

“Congress should have a book club,” one student suggested.
“The whole country needs a book club,” another chimed in.
“Yeah, make them talk about feelings and stuff like Mrs. Dennis does.”
“Well,” I smiled slowly, “if they used our small group discussion rubrics for assessment, they would have to provide text evidence for their opinions, politely disagree with other members of the group and support their contrasting ideas with more evidence when necessary, and work to show leadership skills by actively engaging all members of the group. Sounds like a good place to start for all of us.”

See, even high school students know that art can be the mirror we need to lift up in order to carefully consider our actions and how those actions impact others and the community at large.

It is with this in mind that I share a few brief stories to further inspire your commitment to and passion for the work we do. Students that internalize the power of words, communication, and concentrated energy for making the world a better place become living mentor texts that we desperately need in order to motivate current students to keep pushing, keep questioning, and keep believing in their own capacity to make a difference.


Sam Kraemer was my student twice, and was the type of kid you’d like to fill your whole classroom with: thoughtful, inquisitive, charming, hard-working, funny, and smart. Having made the decision to be a newscaster in the sixth grade, Sam now finds himself as the weekend anchor for the 5:30 and 10:00 o’clock news at NewsCenter 1 in Rapid City, South Dakota, a position he was promoted to after less than a year on the job as a reporter. sam-2

Sam recently came back to school to visit and, of course I could believe the confident young man standing before me, but what struck me was the depth of understanding he already had about the role he is playing in this world. Having asked him where this passion for reporting came from, he said firmly, “the storytelling.”

samHe knows that his reporting efforts can show “the American people what is actually going on” and  that “the world is a better place when facts are clearly established and people have the right to think for themselves. I guess I just enjoy my role in presenting info & stories for people to use in that thinking process.”

How often do we all preach about the importance of clear and careful thought? And here is a young man, in an age when journalists have become a group too often mistrusted and maligned, whose believe in the power of educating the opinions of others, makes my heart swell.

Sam goes on: “A lot of people don’t have time to follow government closely, pay attention to how things happening nationally or internationally affect them, or even know about crime/incidents just down the street for them. Through ample & clear communication, I can be that trustworthy source of information. I can present the facts — not with opinion, but with context — for the viewer to consume and formulate an opinion on.”

What more could we want from our kids than for them to realize that their role in the future matters? That writing and storytelling and communication that ensues matters.

 As Sam concludes, “I know I can share relevant information that either gets people thinking or even spurs action. And that right there is how I try to make the world a better place.” (Shared with me like all of the convictions that truly make a difference in the world, via Facebook message at 3:15 a.m. Classic).

Here is one of Sam’s recent broadcasts. A piece, where as he says, that presenting both sides of an issue with national implications,  “let [his viewers] decide whose argument had more merit.” Fair and balanced news reporting? Sign me up.


Sarah Matuszak graduated from Franklin in 2012 and to say she was passionate doesn’t do her soaring spirit justice. A deep thinker with a kind heart, Sarah finds herself as a paramedic in North Dakota and recently took her “constant obsessive preoccupation with sarahthe world’s bleeding” to Standing Rock. Having worked with the United States Army, firefighting, and in law enforcement, Sarah says that “being a paramedic comes close to what sets my soul on fire, but I’ve found that activism is where I belong. I use all the skills I’ve learned from those aforementioned fields, and apply them to activism.”

Now, just as we’ve all encouraged our students to do, Sarah has taken her passion to print with an article for The Huffington Post detailing her position on and work at Standing Rock.

When she published her piece, “December 5th Is Not the End Of Standing Rock,”  Sarah posted it to Facebook and tagged me. Years ago, right before she took the AP Language test, I gave Sarah a note of encouragement, telling her that I not only knew she had no reason to be nervous for the test, I also knew I would see her writing in the New Yorker someday. Little did I know, she would keep the note all these years and dedicate her first published piece to me.

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To say that Sarah is invested in the betterment of our planet, would be to shortchange the depth of her character and the depth of her commitment to humanity. Sarah was destined to take her educated opinions and make the world think about them long before she ever walked into my classroom, but the encouragement she received along the way, meant something. And just as she says, “firsthand experience makes it real,” seeing the potential of our students makes their dreams that much more real too.


Austin Bohn spent some time with me in the classroom last year. He inspired several of my students to challenge themselves, specifically Bennett Dirksmeyer. I wrote about it in a post about students inspiring students. Both young men credit our shared class IMG_0123experiences, and the books and essays they’ve read as a result, with teaching them how to think. Bennett, I’ll be writing about again in a few years when he becomes the first President of the United States to listen more than he talks, but Austin is already putting his passions to good use through writing.

His two published pieces appear on Medium, an app designed for “readers on the go.” Both selections, “New popularity for unpopular opinions…and new a responsibility for the unpopular” and “Dissonance of the Day: Is Twitterspeak Orwell’s Newspeak?” use Austin’s charismatic voice and probing curiosity to challenge readers’ thinking. In fact, I just went back and reread his piece about Twitterspeak and his insights from last January on Orwell’s 1984 are feeling eerily familiar as the novel is once again a bestseller in our age of alternative facts and fake news.


Our students listen.
Our students internalize our enthusiasm.
Our students have big dreams, and we can give them mirrors in the form of books, time to write, and safe places to develop and share their ideas, that allow them to see themselves more clearly.

If we’re lucky, they turn those mirrors around and hold them up to the world, so we can see each other more clearly too.

 

How do you encourage your students to be changemakers? Share some stories in the comments below of students and former students who are out there making a difference! 

 

Lisa Dennis spends her school days teaching AP Language and Honors/Pre-AP Sophomores, while also leading the fearless English department at Franklin High School, just outside Milwaukee, Wisconsin where she lives with her husband Nick, daughter Ellie, and beagle Scout.  She is a firm believer that a youthful spirit, a kind heart, a big smile, and a good book can ease most of life’s more troublesome quarrels. Follow Lisa on Twitter @LDennibaum.

Mini-Lesson: The Simultaneity of Instants by Jessica Paxson

I am an anti-bandwagon jumper.  I tend to think if everyone is flocking toward something, I’m likely too cool for it.  I attribute that to my father, and I’ve discussed it before, but that’s beside the point.  

18143977.jpgThis year, as I made the venture to RWW, I knew I would need to read lots of buzz-worthy books, simply for the purpose of recommending.  Needless to say, I have slowly been broken down from my rigid ways. It’s because of this anti-bandwagon mentality that I am so late to the Anthony Doerr party, particularly in respect to All the Light We Cannot See.  

I decided to tackle this novel over Christmas break because of how many people had recommended it to me.  I was reluctant, but of course, Doerr drew me in with his utterly gorgeous descriptions of difficult cultural situations, the relationships between characters, and the flawless knitting together of a nonlinear storyline.  

So.  I’m a fan.  Likely at least two years after everyone else, but better late than never, right?

I was specifically intrigued by one of the chapters near to the end, entitled, “The Simultaneity of Instants.”  This chapter reminds me a little bit of the montages that occur at the end of a movie or a season finale in which all characters come together for a final appearance.  The only difference with this chapter is that they did not come together in the same place, but simply in the same moment.  I thought this would be a great way to coach my students through describing an important moment with a bird’s eye view.  

Objective: Students will describe an important moment in their life by also providing a glimpse into that same moment for other “characters” in their story.

Mentor Text

Lesson: First, students will begin by writing about a specific moment that they remember vividly.  You could draw from many different forms of pre-writing for writing about memories, but a few of my favorites are Writing Territories and Blueprinting.  After students decide on a moment that was important to them, we will do a quick draft for about 10 minutes.  

Next, students will begin to brainstorm about what other people might have been up to at that very moment.  The key here is for students not to get hung up on what actually happened, but to simply imagine that moment in time from a broader scope.  

Finally, after brainstorming simultaneous instants, it’s time to weave them together.  This is the moment in which Doerr’s writing as a mentor text will be unequivocally valuable.  Students will ask, “Well, how do I know which moment to put where?”  And I’ll say, “What does the mentor text do?”  And on and on until we have pieces of writing of which the students never imagined they would be capable.

I hope to do this along with my students, and I’m particularly imagining a Simultaneity of Instants starting with the Presidential Inauguration, or Obama’s farewell wave, or something to that effect.  I may already be blubbering as I brainstorm.  

Follow Up:

I teach Seniors and Creative Writers.  While my CWers will work on this concept soon, I may save this for my Seniors until their end of year MGPs (anyone want to help me plan?).  I think an imaginary Simultaneity of Instants as they walk across the stage.  This will end up resembling an end-of-an-era-montage, and I can’t wait to see what they come up with!

Jessica Paxson is an English IV and Creative Writing teacher in Arlington, TX. She also attempts to grapple with life and all of its complexities and hilarities over at www.jessicajordana.com. Follow her on Twitter or Instagram @jessjordana.

Nothing Compares to an Email Like This #WhyITeach

In the future, whenever I question myself, my pedagogy, my lessons, my reasons for teaching, I will revisit this email I found in my inbox this morning. This is why I teach. This is why I advocate for choice. This is why I advocate for readers-writers workshop every chance I get:

Hello Mrs. Rasmussen,

There’s a good chance you won’t remember me, but it’s NK from your AP English class…two years ago. I’m now in my second semester of UT Austin as a biochemistry major, but I continue to find myself thinking about how deeply indebted I am. Your class got me excited to read and discover new books. I lose track of time while studying until the sun comes up, and I forget to eat as often as I forget to water my plants, but I still find comfort in books– I look forward to reading even on an unforgiving schedule. I’m grateful for the freedom of choice you allowed us, and I’m grateful for how understanding you were as a passionate teacher and book enthusiast. Your passion for getting students to read at their own interest was so intense and pure that it inspired me to soak myself longer and deeper in this vast sea of literature. Both your willingness to give us the chance to grow as readers and your swelling collection of books played massive roles in my newfound appreciation, and I just wanted to tell you, 

Thank you.

I have an essay due in a few hours, but while I was reading an article on middle eastern warfare, my mind wandered and started to reminisce about The House in the Sky (I think I finished it in three days over winter break), and of course, that reminded me to finally write to you about my overflowing admiration, appreciation, and gratitude. Thank you for inspiring and encouraging me as a student and reader. I have no doubt your current and future students will feel the same. Again, thank you, thank you, and thank you.

~NK

Book Talk in a Blog Post: Scar Island by Dan Gemeinhart

Too often book reviews focus on personal opinions of a book, but as teachers of readers, it’s not all about us.  This post is one of some in an occasional series in which I review  and recommend books for student readers.

 

Scar Island by Dan Gemeinhart belongs in a middle school teacher’s literature repertoire for “what’s hot.”  My students come in to my classroom familiar with Gemeinhart’s first book, The Honest Truth, so it’s easy to get them reading a book by an author they already know and love.   

 

This book takes a darker turn, as it takes place on a prison island for teen boy detainees.  All of the adults are conveniently killed off, and what results is a Lord of The Flies-like scenario.  Gemeinhart is not the first to write about teens surviving in a world without adults, but he’s one of the first to do it in under 250 pages.  This is the kind of book that’s perfect for a reader who wants a plot-heavy adventure, but isn’t patient enough to read through the 400+ pages of some teen books.

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How to booktalk it:

 

Jonathan has been sentenced to Slabhenge, a prison reform school for teens.  At Slabhenge, the adults get to eat bacon and eggs for breakfast while the prisoners eat oatmeal and a common punishment is kneeling on the Sinner’s Sorrow, a device that’s designed to cut into your knees.   

 

One day, at roll call, lightning strikes a puddle that all of the adults are standing in.  The adults are dead; the prisoners are alive.

 

[Read out loud from page 53 to the break on page 55]

 

Cheering and Steering Readers:

 

Some readers might find the early pages a little slow, particularly because there are a lot of character introductions.  Readers have to wait 50 pages for the adults to die off, which might be frustrating for the reader who wants to get to the “real” story right away.

 

Kids who have background knowledge in escape stories and who can visualize gloomy prison-y settings from movies and TV shows will have a much easier time reading this book than students who don’t have that kind of knowledge.  

 

Encourage students to draw out scenes from this book and to make character lists.  Some characters are important and pronounced;  others pop up only once or twice.

 

Supporting Conference Questions

 

What are some of the problems these characters are facing?  How would you like to see these problems resolved?  (Note: this is a great book for exploring conflict/resolution, as there are some very obvious problems and others that are a little more subtle.)

Do you think this book realistically shows off teen behavior?  Why or why not?

 

What lessons do you think the author wants you to take away from this book?  

 

Where to get it:

 

Scar Island is available through Scholastic Reading Club (https://clubs.scholastic.com/), so if you would like a deeply discounted classroom copy, you can purchase one here.

 

Amy Estersohn is a middle school English teacher, comic book reviewer, former admissions officer, and a recipient of the NCTE/ALAN Gallo Grant.

Clickbate Goes to College: Challenging Readers Daily

With my daughter Ellie fast approaching the age of four (when did that happen?), we watch a fair amount of Sesame Street these days and we are working on letter sounds (“N, nah, Narwhal” makes me smile every time), so at our house, C is for cookie. However in my classroom, with the start of the new semester, I’ve been telling my students that C is for Challenge.

Choice has been at the forefront for most of the year so far, and while it’s a workshop non-negotiable I have personally seen the power of, we need to step up the challenge portion of our programming.

For some, this means simply getting through a text. Yes, workshop breeds excitement around reading and an increase in the number of students consuming books is sure to follow, but there are always holdouts (Shana has a list of books to hook those holdouts, so have at it). I have several holdouts this year. Some are too busy, some are too easily distracted, and some are too downright stubborn. As a result, their reading has stalled.

Other students are entrenched:
Dystopian novels or bust.
Jodi Picoult or nothing.
Nicholas Sparks is the only one who can speak to my soul.
John Green is my God. 
I’m allergic to nonfiction.
This book has more than 300 pages…so, yeah…that’s a no.

Now, don’t get me wrong. These kids are reading, but even though my book talks are riveting (I’m sure) and full of variety, and we explore countless texts together through mini lessons, and, and, and…they are still reading only what they know already. For this group, and for all, I’m going to try Amy’s Personal Reading Challenge. 

However, if you are anything like me, sometimes the long game is…long. To maintain momentum for all, I am constantly on the lookout for pieces that will both interest and challenge each and every day. Sometimes the successes need to be a bit more bite sized. Thought provoking essays and articles, as opposed to entire novels.

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Enter: Arts and Letters Daily.

My AP Literature colleague Kevin Nettesheim shared this resource with me a few weeks back and I love it, love him, love it all.

Much like Amy’s post about using The Skimm as an easy way for kids to stay informed about major current events (and as she puts it, to just be smarter), Arts and Letters Daily is a one stop shop for pieces from, as the website states, the “Chronicles of Higher Education.” Started in New Zealand in 1998 by  Denis Dutton (university philosopher…sounds like a thought provoking post), the website was created as a place for people to go for a “daily for a dose of intellectual stimulation.”

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A quick glance across the homepage, proves to be a feast for the intellectually curious (or those we hope will be). Articles, reviews, and essays from all over the web are organized by Articles of Note, New Books, and Essays & Opinions.

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Beneath each of those three headings is an extensive collection of recently published works, each summed up in about 20 words meant to pique your interest:

  • Fake news is not a new phenomenon. Indeed, fake news is older than real news. As facts recede, the power of concocted stories will only grow
  • What’s to blame for the death of the Western artistic tradition and the beginning of something entirely new? The dangerous idea of creative genius
  • How did Wallace Stevens, who lived an excruciatingly mundane and superficial life, write some of the most inventive poetry of the 20th century?
  • Science’s biggest dilemma isn’t funding, replicability, or lack of public respect. It’s language. Science has an English problem, and that means a lot of lost knowledge
  • The power of “yuck!” and “ew!”. Disgust, which comes from our evolutionary fear of germs, goes a surprisingly long way toward explaining our manners, morals, and religion

As for research opportunities, just glance down the lefthand side of the page. Links to:

  • 26 world newspapers
  • 16 television news websites
  • 107 major magazines
  • 52 book reviews
  • 54 links to other collections of content specific media, blogs, and ideaspaces

So far this year, I have used ALDaily in several ways:

  • Quick Write response – I asked my AP students to spend a few minutes searching the site for an article that intrigued them. I gave them several minutes to read the piece, reflect on it in their notebooks, talk at their tables about what they found, and then share out some of the interesting topics. We ended up talking briefly about procrastination, Arthur Miller, stem cell controversies, and Freud.
  • One Pager – Students needed to chose an article from ALDaily, read it, select a quote that struck them, and write about their expanded thinking related to the selection.
  • Article of the Week – I’m not as faithful to this practice as the name would indicate, or as Kelly Gallagher would likely advocate, but we do study information texts and practice skills involving main idea and word choice analysis, summary skills, and bias identification. My most recent article of study was with my sophomores. We read and discussed “Shame on You,” a piece with a hook that asked “What would Plato tweet?” We discussed the perceived freedom and catharsis of social media against the dangers it poses to honest reflection and conformity.
  • Beefing up my own quippy wit – This week, I’ve already talked with various groups of kids about science, poetry, an obscure language of the Amazon, and Emily Dickinson. I’ve also been able to share with kids that I am practicing what I preach : “Spend some of your time reading what matters. What matters to you and what matters to those around you.” 

The motto at Arts and Letters Daily is “Veritas odit moras.”
It means “Truth hates delay.”

Challenge your readers without delay, every day.

Arts and Letters Daily can be found at aldaily.com

Have you used Arts and Letters Daily? How might you use a collection of intriguing works to challenge your readers? Please comment below.

 

 

Lisa Dennis spends her school days teaching AP Language and Honors/Pre-AP Sophomores, while also leading the fearless English department at Franklin High School, just outside Milwaukee, Wisconsin where she lives with her husband Nick, daughter Ellie, and beagle Scout.  She is a firm believer that a youthful spirit, a kind heart, a big smile, and a good book can ease most of life’s more troublesome quarrels. Follow Lisa on Twitter @LDennibaum.

How Can I Create a Culture of Reading?

Guest Post by Alex Murphy. I’m sure Shana, Lisa, and I have a ton of ideas for this new teacher, but we’d like to know your ideas. Dear TTT Reader, please read Alex’s post and share your thinking:

We have a chant in my English I classroom.  Every class before we begin our day’s work, I summon my best Nick Saban bellow and ask my students, “What’s our theme?”

“Stories have power!” they respond, sometimes with gusto, other times a bit more sluggishly.

Regardless of the level of enthusiasm, I have taught the kids to respond this way because I believe it to be deeply, potently true.  Drawing on the teaching of my all-time favorite author, J.R.R. Tolkien, I believe that stories indeed have more power to communicate truth and combat lies than even the best-structured arguments our expositors have to offer.  As Tolkien said in “Mythopoeia”:

In Paradise perchance the eye may stray

from gazing upon everlasting Day

to see the day-illumined, and renew

from mirrored truth the likeness of the True.

As Shana Peeples reminded us in her keynote speech at the Texas Council of Teachers of English Language Arts Annual Conference [this weekend], stories—“mirrored truth,” as Tolkien calls them—indeed have power to combat the Doublespeak we hear so often from the halls of power.  “Stories are political tools,” she reminded us.  It is a lesson well worth remembering.

But dearly as I hold these principles about the unmatched power of stories, the Friday afternoon workshop hosted by Holly Genova and Amy Rasmussen convicted me that I have not yet created a culture of reading in my room—a community of readers in which students devour books with purpose and swap stories with joy.  As I listened to Holly and Amy discuss the power that reading choice has in their classrooms, the desire to cultivate a similar culture in my own classroom washed over me.  Indeed, I was inspired to start right away.

It took about seven seconds for my inspiration to dissolve into fear.  I froze, half-way through tossing Monday’s lesson plans off the balcony, as the scenarios hit me one after the other:  What if I can’t convince my students that reading is important?  What if I don’t have time to encourage independent reading and also teach the standards sufficiently?  What if my administrators don’t get on board? What if my own inadequacies as a reader start to show through?   What if I fail?

This is my first year teaching; I don’t even have a decent classroom library.  It feels like an awful risk to undertake a paradigm-shift from assigned reading and direct instruction to instructing through independent reading, especially when the English I STAAR test is seven instructional weeks away. However, if my mission is to convince my students that stories have power, nothing could be more important.  So, to the wonderful educators at Three Teachers Talk, I have several pressing questions:

  1. How should I start the work of creating a culture of reading in my classroom this deep into the year? What should be my first step in the transition?
  2. How can I undertake this shift and still ensure my scholars are equipped to perform well on the skills-based assessments they will take in so short a time?
  3. I want to show my administrators the benefits of this shift while also acknowledging the risks. How should I communicate this plan to them?

Amy and Holly put together a career-altering professional development session this weekend, and now it’s time to capitalize.  Any thoughts you have on the best way to do this will help me.

Sincerely,

Alex M.G. Murphy

Alex M.G. Murphy teaches English I and U.S. History in the beautiful community of southeast Fort Worth, where he lives with his wife Rebekah and pit bull Sullivan. He is a graduate of Rice University.