Category Archives: Community

A Rebuilding Year – Growth Mindset for the Weary Educator

It’s been a solid decade since I taught freshmen, but those babyfaced, wide-eyed foundlings and I are on a long overdue reunion tour this year.  Such youth. Such innocence. Such…incredible chaos. I’m straight up exhausted. It’s a late February tired in early October on this homefront and wow, do I feel a heck of a lot older than my (insert inaudible mumbling here) years.

But, I’ve got a contingency plan, my fellow workshop enthusiasts, and it goes a little something like this:

Keep at it.

Keep at it for the ones whose names you learned first, out of necessity to rein in their testing behaviors. Keep at it for the ones who just can’t seem to get their curiosity, listening ears, and class materials in the same place at the same time. Keep at it for the ones who have fought you on every book selection you’ve slid ninja-style before them without yet hearing the sweet click of a kid who is hooked on a great book. Keep at it for the ones glued to your book talk, but still “too cool” to ask the teacher about something to read. Keep at it for the long haul…we’ve only just begun.

Sometime a few months back, in the blissful noncombative expanse of summer, I must have had a premonition of the deep need I would have to hear these words and repeat, mantra-style, this cadence of pushing forward to what can and will be better because of my efforts.

I was putting a cover together for my writer’s notebook so I’d have something personal to show my students, my 9th graders especially when it came to creating a notebook that invites exploration. I had been cleaning out a closet in our office/playroom, sorting through mementos I was saving to document my daughter’s latest art projects, and I came across two seemingly disparate items that sparked a theme for my writer’s notebook, and my year.

The first was a collage that hung in my locker when I was in high school. A random conglomeration of magazine clippings that spoke to some of my extremely adolescent aspirations.

growth.jpgThe other, a stack of unrelated photos from when my grandparents built their house in the early 1950’s. The tiny black and white photos cataloged the creation of a home that I would come to know as a place with countless memories, but in these photos, it was an unfinished, stark-looking shell.

The kitchen I would learn to bake in did not yet exist. The trees I would climb and swing from had not yet been planted. The four-lane highway that runs before it now, was then, just a dirt road.

But in those pictures, beyond the unfinished walls and barren yard was something even greater than it’s current state of general chaos – potential.

From those photos, I selected one and went on a mission to gather other illustrations of potential and growth. I added to my cover a picture from my wedding day, another of Ellie on one of her first days of daycare, a daily behavior chart from those same early days of “school,” and a sample of her earliest “stories.”

Together, these pieces helped me share with my students a purposeful personalization of my notebook, and shed light on part of my goal-setting process for the school year:

Overcome the fear (The freshmen are coming! The freshmen are coming!) and keep at it. Push forward through what’s hardest. Look for signposts of small successes along the way. Always travel in packs – collaborate, seek feedback, lean on others for support (Huge shout-out here to my fellow English 9 support team who have kept me afloat these first few weeks). And these pieces of advice are as true for the educators, as they are for our students who are just gaining their footing as readers and writers.

So, as my freshmen file in today, I will look past my tired and the somewhat frustrated, and instead, remind myself of the big goal I set for myself and their potential for growth. I will look to the young scholar I have had to speak to in the hallway on more than one occasion already about his disruptive behaviors sidelining the entire class. I will look to the young woman who rarely even makes it to class, and I’ll capture each time I see her as an opportunity to try and get her to come back. I will look to the socially awkward young man whose first speech of the year suggested he likes online video games to make friends so he can avoid people judging what he looks like in person. And for each of them, and all the rest, I will focus on what my conversations with them one on one can accomplish. Conferring is where the magic really happens, and if you’re too tired or overwhelmed to talk with kids, as I have sometimes already felt this year, then it’s time to reprioritize. Quickly.

It’s for those students who have admitted they haven’t completed any books since about the 5th grade. It’s for those students who say they love to write, but never want to share that writing with the group. It’s for the students who loved reading at one point and somehow that love was stomped out of their lives. It’s for the compliant ones, almost most of all, who need a spark instead of a dying fire to light their way back to the beauty of being readers and writers.

It’s because they can grow, they need to grow, and so do I, that I do this work every day. And though that road sometimes seems very long, often thankless, and sometimes overwhelming to the point of mental breakdown, it’s where this work will take us that’s important. So…I’ll keep at it.

Lisa Dennis teaches English and leads a department of incredible English educators at Franklin High School near Milwaukee. Follow Lisa on Twitter @LDennibaum 

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Lesson Cycle: How to Teach Collaboration

When I wrote several weeks ago about how we went about building a reader/writer workshop, one of the traits we focuses on was “Collaboration.” Our Lesson focus for that day was, “I want you to know that members of this workshop community…”

We started our 55 minute class with reading, briefly visited a poet moment, and then dove into three practical rotations with texts where we explored ways collaboration can help us be better readers and writers. We used three short excerpts that we had already explored in building other parts of our workshop.

First Rotation: Talking is rehearsal for writing.

Text: You Don’t Know Me excerpt from Sherman Alexie

1st Move: Read the following excerpt and think about what the author does that you don’t do.

2nd Move: Starting with desk 1, take one lap around your group, sharing what you noticed.

3rd Move: Find a place in your notebook near this piece and write about what you shared with your group.

4th Move: Think about how hearing from others before you write serves as rehearsal for your writing. 1 or 2 students share out to the class.

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A poet moment from one of the texts

Second Rotation: Writing is a rehearsal for talking.

Text: If I Were in Charge of the World

1st Move: Read the following poem and think about something in it that surprised you.

2nd Move: Find a place in your notebook near this piece and write about what you noticed in this poem that surprised you.

3rd Move: Starting with desk #2, take one lap around your group sharing the ideas about which you wrote.

4th Move: Think about how writing about something serves as a rehearsal for you to share. 1 or 2 students share out to the class.

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A different poet moment

3rd Rotation

Text: Ready Player One excerpt

1st Move: Read the following excerpt and think about how the last line of the third paragraph makes you feel.

2nd Move: Starting with desk #3, take one lap around your group sharing how the words in the third paragraph affected your feelings in relation to the piece.  Share in the opposite direction this time.

3rd Move: As a group, construct a sentence using Earnest Cline’s sentence as a model, that mimics the complexity of the feelings.IMG_4626

4th Move: Think about how working together can take us further than we can go by working alone.

 

Quick Write:

Write about how you can use collaboration to support your growth as a reader and writer.  Write so fast that your inner critic can’t slow you down.

This lesson cycle was all about teaching the students about collaborating, a crucial skill in a workshop.  Eight weeks later, they can zip around their groups, sharing their thoughts, asking questions, blessing each other’s writing, and they do so effectively and efficiently. This may not be the best way to accomplish our goal, but it worked for us.

Please comment below if you’ve had success teaching collaboration or if you just want to chat.

Charles Moore loves working with his students in their reader’s/writer’s workshop.  His divides his time between school, home, and his son’s robotics practices which are three days a week for a total of 11 hours.  He is currently doing a terrible job keeping his grass cut and his pool pristine.  He promises to work harder.  If you’d like to see his somewhat nicely written book reviews check out his book review blog and if you want to see his numerous and random tweets, check out his twitter.

Every Child Matters and Sharing the Stories that Matter

residential-school-books-display_origEarlier this week we observed Orange Shirt Day at my school. Orange Shirt day is a day to recognize, remember, and reflect on the many Indigenous children who were taken away from their homes to live in residential schools. The residential school system has a dark legacy in Canada and the United States and the after effects still ripple through Indigenous communities today. In fact, the last residential school located in Saskatchewan did not close its doors until 1996 – a fact that is always shocking to my students when I share it with them.

The tagline of Orange Shirt Day is Every Child Matters and it is a tagline that has resonated with me as I participated in Orange Shirt Day, as we ran in the Terry Fox run as a school to raise money for cancer research, and as I plan with my student council for National Coming Out day on October 11th. While we promote the message that Every Child Matters and we hope our students feel that way as they leave our classrooms, the reality is that in the current world political climate and with the news stories our students are surrounded with each day, it is so easy for our female students, our LGBTQ students, our minority students, our refugee students, or any of our students who feel a little different to feel like they do not matter.

Last year I had the privilege of seeing author Thomas King speak at a conference. Thomas King is an American-Canadian First Nations author who has written numerous novels dealing with the First Nations experience. In his session, King was asked if he believed that story has the power to enact change in the world and his answer resonated with me. King answered that if you had asked him that question years ago, he would have answered with a firm yes, but now that he is older, he can not answer the same way. He was, like so many First Nations people, angry and fed up with the government’s inaction to follow through with promises they had made during the last election. He said that story is powerful, but often not enough and sometimes you just need to get angry and speak your mind. His final point was that if you are going to use story to change the world, you better find those voices that are strong, angry, and give voice to the voiceless because those are the stories with power.

King’s answer has stuck with me as I feel like too often I have used the empty platitude that “stories can change the world” with my students, but then I look at the stories they are being shared and the voices are often so heterogenous and not reflective of their voices and their concerns.

So, I have started a quest to diversify the stories I introduce to my students and to find those angry voices, those suppressed voices, and the voices that speak for them. In this post I will introduce you to a few of these powerful stories and will share others I discover in later blog posts.

The Inconvenient Indian: Thomas King

This powerful work is King’s reflection on what it means to be Native in modern North American. He discusses the historical events that have so impacted his people, but also ruminates on how popular culture has served to frame the narrative that many First Nations people are stuck in. King does not shy away from exploring the darker parts of history in this work, so it would be most suitable for Grades 10-12 students.

We Should All Be Feminists: Chimamanda Ngozi Adichie

Ngozi Adichie’s name may sound familiar. Perhaps you have seen her powerful TED Talk The Danger of a Single Story  (I love to use this TED talk to spark discussion about the missing voices), or have read her beautiful novel Half a Yellow Sun. Her work We Should All Be Feminists is a short piece, an extended essay, but it is an important exploration of the need for Feminism in the 21st century and how 21st century feminism must be one of inclusion and awareness. In fact, the Swedish government felt that this book held such an important voice for today’s youth that in 2015 they decided to give every 16 year old in their country a copy. We have used this book with Grades 8-12 students at our school and how found content accessible to all age levels in the range.

These are just two of many amazing books that share the voices and stories of people with powerful and important messages. Over the next few months, I will share some more I have come across and I would love it if you could share some of your own suggested titles in the comments below!

To read more about harnessing student voice in a time of political unrest and fear, check out Lisa Dennis’ powerful post.

Pam McMartin is a Senior English Teacher and Senior School Teacher Librarian in Tsawwassen, British Columbia, Canada. She is currently on a quest to help empower student voice through reading and writing and welcomes any suggestions you may have in regards to either.  Find Pam on Twitter @psmcmartin.

Utilizing Every Square Meter

We’ve got them in every class… those students who love to sit in the back of the room or in the corner that’s difficult to get into once chairs are out, backpacks are on the floor, and drawers have been opened, etc. The corners and spaces that present challenges to navigate, and without being aware of it, make it so we let things slide. Maybe we don’t check in as often during notebook work, maybe we don’t see what’s on the computer screen as much during our writing work time, maybe we don’t always see what page they are on during independent reading time.

Maybe you all have figured out how to prevent these “dead spaces” from being a thing in your classrooms, but I was still working on it at the beginning of my twentieth year of teaching.

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It was a concept I had first started thinking about when reading Doug Lemov’s Teach Like a Champion a number of years ago (the updated version can be found here).

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I remember having a conversation with colleagues about “owning the room” based on what we had read in the book. I knew then that I had dead spaces, and I’ve worked on eliminating those spaces ever since.

This year I wanted to think about my classroom differently. I didn’t want to “eliminate dead spaces” as much as I decided I wanted to utilize the space to its fullest potential. I wanted each student to have a front row seat for at least part of the class time every day. I feel that this is inclusive; the students who often stay under the radar in the quieter spaces of my classroom can still find the spotlight, and the students whose personalities require constant attention sometimes find that they aren’t in the limelight for a little while. I want to spread my attention evenly and fairly, and I think that utilizing our space deliberately is one of the answers to this issue.

While nothing is every perfect, I think I’ve stumbled upon some good solutions.

I started by figuring out where the traditional problem areas are. I’m sure many teachers can relate: it’s primarily the corners and the walls. So I first focused on the perimeter of my classroom.

I looked at the corners and made sure that each of the four corners has a specific purpose.

  • One corner has the TV screen and rug so that students can come up to participate in mini-lessons.
  • One corner is where students enter and exit, so I used the wall space for student work and my currently reading notice. I also re-purposed my podium — I turned the front of it to the wall and am using it as a place for students to sign in when they leave class or come in tardy. There are also handouts for students on the lower shelf.
  • Another corner has a cupboard in it, which is always accessible. It’s for students — they can find extra supplies as well as their textbooks (we use them more as anthologies, to be honest).
  • The last corner is the most popular. It’s the reading corner. It’s next to the classroom library, has the comfy couch, and also showcases student work as well as our reading agreements.
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This corner has the TV/computer set up for mini-lessons.

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The corner with my door showcases student work, has a spot for handouts and the bathroom/tardy sheets, and has my “currently reading” notice on the door.

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The corner with the closet isn’t off-limits to students. Extra supplies and textbooks (we’re calling them anthologies this year) are accessible to students at any time.

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Student work is displayed in the reading corner. Currently on the walls are some grade eleven one-pagers. These also provide ideas for what other students might want to read next.

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The reading corner is a popular spot; it’s right next to the classroom library and has the comfortable furniture.

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Mrs. Swinehart is currently reading…

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Students come to the rug for mini-lessons in this corner of the room.

After looking at the corners, I examined the purpose of each of the four walls.

  • One wall is our classroom library, which is always a popular place to be. We use it and love it every day, in every class. It’s organized, at eye level, has a rotating display, and most importantly, includes titles that will appeal to my students.
  • Another wall is what would traditionally be the back of the room. It already had bulletin boards on it, so I hung anchor charts that are relevant on a daily basis. I refer to them, I walk to and through the space, and kids actively turn their bodies to look at them.
  • The next wall is what would traditionally be the front of the room. It’s where the white boards are, so it’s naturally where I put our daily agenda, and where I write the things that don’t need to be digital or saved on a chart. Books are displayed on the marker tray, monthly book talk lists are on one of the bulletin boards to the side of the white board, and it’s where we can go for “spur of the moment” lessons that aren’t created digitally in advance and don’t use the document camera.
  • The last wall is a wall of windows, and where a teacher might put a desk. My “desk” is there, but it’s pushed up against the wall and serves as a supply table. Next to it is our conferring space, which is used when I’m not circulating the room, and is even as a space for completing our Running Records. When I’m circulating the room, it’s another space for students to complete the learning in our classroom.

 

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Our classroom library is constantly in use.

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The white board wall is also used for book displays, a daily agenda, and unit goals.

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The “teacher desk” is also a supply table. I’ve reserved a student desk behind it for the “teacher stuff” – including the obligatory year-round-use Christmas coffee mug, stack of loose papers, and Norton Reader. (I’m assuming every teacher has something like this?)

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The conferring space/extra space for student learning

 

Lastly, I had to look to the inside of the room. The perimeter is important, but the students tend to “live” towards the center of the room. I’ve tried to make it so the desks aren’t pointed in one particular direction so that each space feels important. I’ve moved desks so students have partners, I’ve had arcs facing different directions in different parts of the room, and sometimes the desk arrangement feels random or messy. I think that’s okay. The point isn’t to have orderly desks. It’s to have students who are engaged in their learning.

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While I’m sure I’ll still have days when I don’t visit every square foot in each and every class period, I think it’s an improvement on what my classroom set up once was. I don’t think there are any spots for students to “hide” and I feel comfortable walking around in each corner and cranny of the classroom. Because I circulate throughout more of the room, and because my students get up and move more often to the spots where they need to be, I interact with my students on an individual level more often than before. It helps to build relationships, which leads to trust, which leads to learning. This makes for a more inclusive, learning-focused classroom, and that’s our ultimate goal.

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A panoramic view from one of the conferring chairs. On the right side of the photo, behind the fan controls, is the closet. The rest, I think, is self-explanatory.

What do you do that ensures that every corner in your classroom is used for the power of learning?

 

Julie has been teaching secondary language arts for twenty years, spending the first fifteen in rural Central Oregon, and the last four in Amman, Jordan. She’s thrilled to report that she and her family have moved across the world to Managua, Nicaragua this year, where a new adventure has begun.

Follow her on twitter @SwinehartJulie

It’s About More Than Just the Skills

91w70Ax2LhL.jpgThe reading arc of a school year is a lovely thing to witness, but an even more enjoyable journey to participate in. We begin the year falling in love with reading: a first quarter of high-interest, riveting works that match each reader where he or she is. The first days of school are filled with YA, novels in verse, pithy nonfiction, and short-but-powerful texts.

Second quarter, we begin the stretch toward more challenging texts, whether because of their difficult vocabularies, unfamiliar genres, or tough emotional or intellectual subject matters. My booktalks nudge students toward books that will push them to become stronger, more widely-read thinkers. Our reading ladders begin to incorporate themes of choice as well as challenge.

So, as September wound down, I picked up Neil deGrasse Tyson’s Astrophysics for People in a Hurry. This outside-my-comfort-zone book sent me to Wikipedia many times during each reading as I attempted to make sense of some term I’d newly discovered (dark matter, the Fermi paradox, the multiverse). I found myself down the rabbit hole of Wiki-links many a time, landing on pages like this a little too frequently for my furrowed eyebrows’ liking:

There is no question that anyone who encountered this book might have done the same, and as such, I have ample Internet history evidence to support my claim that reading this book made me a stronger reader. I doubtless practiced reading skills like summarizing, re-reading, decoding complex vocabulary, integrating new ideas into existing schema, looking for outside information to aid my understanding, paraphrasing, learning about new text features and signposts, noting quotes, and more.

But reading isn’t done solely for the purpose of practicing skills. In fact, the purpose of reading is as far from skills-focused as we are from the edge of the universe (pretty freakin’ far, in case you haven’t recently read about astrophysics). Consider, for instance, this passage from the final pages of Astrophysics for People in a Hurry:

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Beautifully written, no doubt, and I’d use it with my students as a mentor text in a heartbeat. Look at that parallel structure, that use of one-sentence paragraphs, that thoughtful choice of diverse verbs! Lo, the effect of repetition, the deft uses of the dash, the pristine placement of commas! All of these are worth studying alongside our students, but they are mere stepping stones on the path to the true purposes of reading and writing:

Joy, engagement, transcendence, learning, growth.

The expansion of our minds, of our perspectives, marching onward as relentlessly as the universe itself (yep, it’s forever expanding, knowledge I have thanks to Neil deGrasse Tyson). This passage–this argument, for looking at life from the cosmic perspective–is valuable for so much more than the way it is written. The meaning is in what is written, and how the reader makes meaning of it.

Looking at our teaching, our students, our lessons from the cosmic perspective, we must consider our small effect on these students’ lives in the grand scheme of things. Why would we insist students read a certain book, or a certain number of books, or write a certain number of pages, when we consider our real goal for students: to help them access the vast wealth of reading and writing they can do in the world to achieve their true callings.

books-to-read-before-you-hit-30980-1459253850_980x457As we plan instruction for the second quarter, we must center our students’ reading and writing experiences on the highest purposes of those endeavors, and not remain too focused on the skills, structures, and rubrics we often get caught up in. We must not fall into the trap of sharing a passage such as this one with students solely to practice craft study, asking our students to replicate Tyson’s structure without appreciating what he’s trying to say to us by crafting it.

Let’s confer with our readers about not just how a text is doing what it’s doing, but also what their feelings are about that text, what they’re learning from a text on a holistic level, how they’ll insert this reading into their larger life philosophy.

Let’s coach our writers not just to become proficient in certain genres, but also toward authentic, purposeful, meaning-filled writing that they proudly craft and publish.

Let’s remember to harness the cosmic perspective in our work with students, as we consider not just what we know of them as readers and writers, but what we know of them as young adults who will go forth and change the world in some small way with their lives.

Let’s embrace the cosmic perspective when we consider reading and writing: those hallmarks of our intellect that make us uniquely human.

Shana Karnes is a lifelong reader and writer who daily tries to embrace the cosmic perspective in her work as a teacher, wife, and mother. She lives in West Virginia with her husband, two daughters, two cats, and five bookshelves. Connect with Shana on Twitter at @litreader. 

Please share your higher purposes for teaching, for reading, for writing! Let us know in the comments, on Twitter, or on Facebook.

Good books — and a teacher’s expertise in using them — can do it all

On Sunday, my friend and extraordinary literacy-leader, Billy Eastman, and I got to giveBookTweet away books. We presented at the Coalition of Reading and English Supervisors of Texas (CREST) fall conference, and Follett Learning gave us 30 books, six signed by the authors, to raffle off to our audience. It was kind of an Oprah moment: “You get a book, and you get a book.” Oh, the thrill of book giving.

But giving books is just part of the thrill. We know this. We ‘give’ books to readers and students we hope will become readers often. We model our reading lives. We read aloud. We line whiteboard rails with new titles. We do book tastings and speed dating with books. We celebrate our readers and exhaust our arsenal of book-loving ideas.

And some would-be readers still don’t read. What’s a teacher to do?

Here’s three ideas that have worked for me:

1. Never give up. When we set high expectations, when our students know we are serious about Book Love, when we practice keep-on-keeping-on with all the things I listed above– and we relentlessly share our joy, passion, and commitment to their reading lives– even if we never get a student, or a handful of them, to read a book, we have succeeded.

2. Believe in #1. Often we focus on the one student who just won’t budge. She chooses books, flips a few pages, fakes reading a chapter, bluffs her way through a conference, and we get discouraged. Keep trying — but do not let her be a black hole. So often we find ourselves gravitating to the one over and over again when we need the energy to keep encouraging, moving, and celebrating the many.

3. Make it okay to not read novels (yet). Anthologies are awesome. Sometimes

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“… this anthology empowers the nation’s youth to listen, learn, and build a better tomorrow.”

students who don’t like reading just need to enjoy a good piece of writing. Many will then want to read more by a particular author. One title many of my students dabbled in, and often read in its entirety, is Flying Lessons & Other Stories with authors Kwame Alexander, Jacqueline Woodson, Matt de la Pena, and more. I’ve recently purchased Fresh Ink, which is similar and looks equally engaging. It’s got authors Nicola Yoon, Jason Reynolds, and more! And I just read about this one this morning:  We Rise, We Resist, We Raise Our Voices. It’s now in my shopping cart.


In our session at CREST, Billy and I discussed implementing the new ELAR standards for Texas (We both served on the teacher committee that wrote them), and we shared the transformative role investing in teacher expertise and authentic resources has made in his district (We wrote about some of it in this English Journal article.). Access to engaging books like the ones we gave away in our session is just part of it. Knowing how to use them to teach thinking, reading, writing, speaking, and listening skills is the other.

Good books — and a teacher’s expertise in using them — can do it all.

Billy Eastman at CREST

We know the real thrill isn’t in getting a new book but in the knowledge, the empathy, or the know-how that books gives to us. This is the thrill we want for our readers. It’s the reason we do what we do.

 

Amy Rasmussen is a mother, grandmother, reader, writer, and wannabe sleeper. She spends a lot of nights thinking about growing readers, encouraging writers, and talking to her writer’s block. She’s back to working on that book she started five years ago, so if you’ve got any extra luck hanging around, please send it her way. Follow Amy on Twitter @amyrass 

Choice Reading Shouldn’t be a Choice Not to Read

I love that silence that permeates our reading time. A certain peace settles over the room as thirty souls lose themselves in the pages of their books, the only sounds: rustling pages, tapping feet, or contented sighs.  I also love that groan they emit when, after ten minutes, an eternity of silence, I implore them to mark their page and pause their reading for now.  That’s exactly what I say to them, “Alright kiddos, lets pause our reading and get out our reader’s/writer’s notebook.”

While we’ve practiced that transition dozens of times, they still plead begrudgingly, “Can we just have more reading time!!!”  “You can,” I tell them, “on your time.”  Some of them, the truly committed, make time for their self-selected independent reading, but most, for now, do not.  This reality, jarringly disturbing to committed readers like you or me, is something that keeps me up at night.  It prompts old teacher/football coach friends to text me on Sunday morning, asking for some kernel of knowledge that might help them move readers.  For this problem, though, there is only one short and fast answer: Hard Work.

I wrote about the difficult task of moving seniors into reading lives last year: here and here. The results, transformative for some, middling at best, and woeful for many, read like a Picasso.

I promise you this: We can’t afford not to give them everything we’ve got.  That thought spurred this tweet from me earlier in the week:

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We know reading and writing dovetail to form literacy.  If we instruct using whole class novels, we run the risk of alienating many who can’t engage with something in which they have no interest and as a result, we get nothing. If we encourage choice reading and we allow the kids to choose not to read, we get nothing.

We must engage in their self-selected reading lives and I believe that I can’t do that if I’m reading while they read.  While they read, I’m moving around the room, tracking pages read, asking the reluctant about their reluctance, asking the readers when, where, and why they are reading on their own, simultaneously serving both ends of the reading spectrum.  You won’t ever find me sitting behind a desk, because my desk is shoved up against the wall, relegated to table status, as a place where papers pile.

It’s hard work, like everything about our roles as literacy advocates.  It takes planning,  reflection, and intention to match every kid to the perfect reading conference question.

That’s part of it too.  One question does not fit all.  If a student isn’t reading, they can’t reach into their reading experience to share with me their opinion on the effectiveness of setting, for instance, in their selection.

Also, I have to give them the sobering news that this lack of reading life may hinder their writing life as well, and while I don’t take grades for self-selected reading, I do take grades for writing and their engagement from one directly affects their success in the other.  I need to tell them that, before their grades do.

Charles Moore loves conferring with readers, even struggling ones.  He loves concerts with his wife and when his son texts during the concert, he texts back, “We are having fun without you.”  He’s loving the new adventure with Pre-AP students and his freshman are growing on him; they are adorable.  Check out his book review blog at www.mooreliteracy1.wordpress.com and his far too frequent twitter rants at @ctcoach.

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