Tag Archives: Reflection

Guest Post: I’ve been thinking about Ghosts or What I’ve learned about the power of mentors…and time by Elizabeth Oosterheert

“That version of the story–that version of my life without my husband in it–is a ghost I carry around with me. It’s always there, beneath the surface of my real life. I feel…so grateful that this big, messy, joyous life isn’t a ghost life, but mine…”
Kate Hope Day for The New York Times
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Joe & Toby after a performance of the 2018 play, Merlin’s Fire

If you’re like me, when the end of the school year arrives, you entertain the ghosts of what might have been. These lingering ghosts are questions like:  What if I had spent more time conferencing with that student? What if I had found this mentor text a little sooner? What if I had done more mini-lessons about . . .

And the list goes on.

I learned a few lessons during this past year I hope will have a positive impact on EVERY facet of my readers’ and writers’ workshop for next year. My teacher’s soul already knew this, but I recognized more powerfully than ever before that the right mentor texts at the right time, combined with enough space to explore craft moves and to write about things that matter, makes all the difference.

My students love what I call food literature (thanks to @KarlaHilliard for this amazing idea!),  a writing study we do after Christmas composed entirely of reflections about food. This takes the form of food narratives, poetry, listicles, or critical reviews.

We study mentor texts, and then students choose a direction based on the ideas they’ve developed in both handwritten and digital notebooks.  After discussing many mentors, and highlighting craft observations, students list powerful descriptive words, make notes about the writer’s voice,  and practice composing complex sentences based on passages in the mentor pieces.

I encouraged my students to consider food in the context of specific flavors and seasons. 

Childhood and adolescence have unique tastes. December has a far different flavor than July. What we quickly noticed is that food literature is about so much more than what is on our plates. It’s about savoring cherished memories.

Another frame that worked well for food narrative that is also very effective for other kinds of autobiographical writing is an idea adapted from Penny Kittle that I call Then and Now:

Then I thought, but now I know. . .

When we write Then and Now snapshots, we admit that our understanding of everything from food, to sports, to relationships evolves as we age and learn how difficult it is to be a human being.

Three new mentor texts spoke powerfully to my students. One was “Carrying the Ghosts of Lives Unlived,” published in the Ties section of The New York Times, written by Kate Hope Day. While this piece is NOT about food, it is about how, in Day’s words, “There are hinge points in time when life could be one thing, or another.” My students applied  this mentor to our food study, writing about different life seasons, and how sometimes seemingly small decisions have a BIG impact.

Another New York Times piece that was very helpful to us  was “Christmas Fudge and Misremembered Snow Cream” by Rhiannon Giles.  I composed a piece for my students based on this mentor about the flavors of my childhood.  An excerpt is linked here.  Students then wrote about their own life flavors, recipes, or memorable meals.

Finally, we studied “Ode to Cheese Fries” by Jose Olivarez. What I love is that my discerning, sensitive, wondering students used that poem to create beautiful reflections on some of their fears about adolescence and daily pressures assailing them. In his poem, “Pack of Ranch Sunflower Seeds,” Toby, one of my eighth grade authors, wrote:

 

What if I’m the small seed

With a big shell

Waiting in the bag

Pleading not to be eaten up

By the mouth

Called life

And my inner seed gets revealed

And my outer shell is thrown out and trampled

By reality

 

Maybe I should chew more bubble gum

 

The rest of Toby’s poem is linked here. 

Our food study is a ghost that haunts me, because I hope that I can continue to make it more authentic. For now, though, I have to remember to be grateful for the time and the writing that was — and in the words of Mary Oliver, give thanks for my “one wild and precious life” and the students’ lives that intersect with mine every day.

 

Elizabeth Oosterheert is a middle school language arts teacher and theatre troupe director at Pella Christian Grade School in Pella, Iowa. She loves writing, and sharing the stage with seventh and eighth graders. Her favorite stories are Peter Pan, The Outsiders, & Our Town. You can find her on Twitter @oosterheerte

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Getting “There:” The Narrative Behind the Grade

Suddenly, there is snow on the mountain range that encircles Salt Lake City and the first quarter has come and gone.  Even after spending 11 weeks together, I confess that we, my students and I, aren’t “there.”

You know, there, that elusive place in education where students are investing, taking ownership, engaging, and enjoying thinking.

We have engaged in the elements of workshop, but our classroom feels like we are on a 10 mile per hour train to “there” that is frequently derailed.  Reading as a community was a high point, but the momentum has since stalled.  My old bag of tricks–student-created due dates, “go to” YA books that may shock or surprise, favorite mentor texts–aren’t reaching a far too large chunk of my people. 

Students are being compliant, but they’re not engaged.  

I am not okay with this.  It feels…I feel…mediocre.  

Was it me?  Is it me? The stress of junior year? Too much choice?  Not enough choice? Other teenage things I don’t know about? In an effort to figure out what was going on, what the story behind the data was, I asked students to write the narrative of the student behind the grade. 

I simply wanted to know:  Who is the student behind these grades?  Who is the human behind the numbers?  

Throughout my 100+ students, the reflections were consistent and their honesty certainly made the case for continuing to cultivate a workshop classroom.  Thankfully, we are heading there.  Summatively, these are the three take aways from their data-driven reflective narratives.

  • Stress and anxiety:  Junior year seems to unkindly smack students in the face.  I have seen it for eight years now. The ramped up, seemingly casual yet threatening chats about the looming college process sits heavy on their shoulders.  Increased course demands eat up time that used to be spent with friends or participating in activities without sacrificing academics. Aside from school stress, there are two-sport athletes, thespians, part-time workers, and family child care providers struggling to balance.

All the more case for carving out time to read for pleasure.  These students’ lives are just as busy as adults. Giving time to read, even 10 minutes at the start of class, can be “therapeutic” as Emily said: “This student found reading at the start of class each day to be therapeutic.  She is sad on odd days when the class doesn’t read.” Our students need time to pause. More importantly, they need to connect with characters, settings, and challenges that mirror their existence. They need to read that sometimes things work out, sometimes they don’t, but you will get through these tough years.

  • True choice is new:  While students now admit they really like being able to choose books, choice in August was scary.  I believe it was scary because they didn’t know themselves as real readers, just readers who were assigned chapters due on certain days.  Aria, who is reading through everything that is on Netflix or will soon be a movie, reflected: “This student, who read three books last quarter, loves being able to choose books without judgment.”  

All the more case for exposure to new titles.  While my school is a college prep school and many teachers, from theology to science, assign books to read outside of a textbook, it isn’t a culture of readers.  Students struggling with choice lack a knowledge of what genre or story they prefer versus what they don’t like. My developing readers need exposure via student recommendations, book talks, library displays, topic journals, or ANY other medium, so they can continue to curate a “To Read” list with meaningful titles.  

 

 

  • Writing voices are still developing:  Elliot wrote:  “This student has never been asked to write anything besides school stuff.  This student has a writing voice, but it is quiet and shy, only the notebook knows it now, but the voice is gaining courage.”  Wow. Check out that voice! Many times, I feel my students don’t trust their ideas or analysis as being “right,” just as they don’t yet trust themselves as writers, frequently asking “Is this what you want?” or “Is this good?”

All the more case for writing, writing, and writing more.  Writers need practice just like athletes. Aside from developing confidence in their ideas, students need to develop confidence in trying out elements of voice to develop the craft of writing by writing beside mentor texts, infusing craft into formal writings, journaling, and closely reading for craft in their choice books.  

Boiling it down:  students need time, exposure, confidence so we can get there.  

I will keep at it, as Lisa encouraged, because the work is not easy, but we know it is worthy. As some keep resisting, fake reading, or simply not reading at all, I will keep conferencing and book talking.  I will give reading time As students doodle instead of write, stare at the ceiling instead of revise, ask “Is this good?” instead of trust their skill, I will keep modeling writing and encouraging.  The culture I create this year will create momentum for next year, then into the following, speeding up the train to take us to that special place of learning.

The train may not be speeding ahead, but it’s chugging along.  At least I know we are on the track, heading in the right direction.

Maggie Lopez teaches American Literature and AP literature in Salt Lake City.  She is anxiously awaiting the start of ski season in Utah and NCTE in Houston next month, while reading Girl, Interrupted and scouring for flexible seating furniture on a budget. You can follow her on Twitter at @meg_lopez0

 

Guest Post: A Houston Teacher’s Heart

What do you do when a hurricane slams you in the face after four days of school?Clear Creek ISD June 2017 (1)

This was the best first 4 days of school I’d ever had. Tuesday saw us independent reading with self-selected books for the first 10 minutes of class. A habit we will cherish through June. We were moving in and out of our notebooks by Wednesday. Groups were discussing and reporting their thoughts back to the whole class. A community was rising in all four of my senior English classes. My inclusion para-professional and I had worked through the mountain of paperwork and conferred about this student and that one. I had plans to video a class for a whole week to use for who knows what. Who could believe that senior English students could move so far so fast. Our potential was limitless.

My district sent out a message Thursday evening that school would be cancelled on Friday. Some coaches met up at school that evening to stow away hurdles, high jump mats, and benches. We lamented our missed football scrimmage and wondered when we would resume school.

The hurricane projections said it would hit hundreds of miles away and would only be a category 3. We knew the “dirty side” of a hurricane was not a fun place to live, but a few days of rain and maybe a little wind was all I mentally prepared for.

Friday, I went to school to grab my laptop and a couple of teacher books so I could finish my lesson plans, review the game plan for next week’s game against Pearland, and whatever else needed attention. Having been through hurricanes and heavy rain before, I thought maybe we would go back to school on Tuesday at the latest.

Our football staff has a group text that is mostly silly memes and rude jokes. Now it reads like a timeline of the storm.

As I look back on the text threads, there is a definite change in tone on Friday evening when the rain started. We went from making fun of each other to being seriously concerned for one another. The rain fell Friday night but none of us had water in our houses or were flooded in. I even got out of the house to drive around on Saturday. I went to the grocery store for eggs and drove around a bit to see what was what. We spent the day planning for our week one football game and watched the news as the storm worked its way closer.

Saturday night was when it started getting scary. A flood, a deluge of water fell on our city. My wife and I didn’t sleep. It was one of the scariest most nerve wracking nights of my life. 15 inches of rain fell in 3 hours and we were constantly up and down watching the water levels in the street rise and making sure our flooded pool wasn’t about to merge with our kitchen. The coaches’ group chat filled with pictures of rising water and reports from all over south and west Houston. I’m sure we are all too macho to admit it, but we felt that fear collectively and it was a relief for us to know that we weren’t alone in this storm.

When the sun rose on Sunday, my house was still dry and the electricity was on. Others weren’t so lucky. Neighborhoods within a quarter mile of my house were completely flooded out and many of our students don’t have a home to go back to anymore. I’m sure you saw reports on TV of water rescues happening in League City. Those are our kids. I see those families at parent night and sub varsity football games. We shop at the same grocery store and order pizza from the same place. My twitter feed filled with images from our community of families who were rescued in boats and won’t see their houses for weeks.flood

Despite the destruction we endured this weekend, I can’t help but think toward the future. It will take some time, but the flood waters will abate and the roads will clear. At some point, we will reopen our schools. We will ask the students and teachers to come back and the process of building will resume.

Even those whose houses didn’t flood will bear the scars of this terrifying natural disaster. And those whose houses did flood will be consumed by it.

Where will that process even begin? What will I say to them? What can I reasonably expect them to produce?

I have no idea how to answer most of these questions. All I know is that I’m going to tell them that I love them over and over. My classroom will be a refuge from the aftermath of the storms. We can be safe together. We can write about our pain and share our fears. My Student Council class will work to bring some normalcy back to people’s lives whether through food drives, donations, or lending a hand to those who need it. I’m going to give my linebackers the biggest hugs they’ve ever gotten and I’m going to tell those boys, who think they are men, that I love them.

Harvey’s footprint will always be seen on this school year for these students and teachers.

Maybe we can learn about survival and community and love. I think my classroom is the perfect place for those lessons. I hope I’m up to it.

Charles Moore is the senior English team lead at Clear Springs High School in League City, TX. He enjoys leisure swimming, reading, and coaching linebackers. Follow Charles on Twitter @ctcoach

10 Things We Did That Invited Initiative — and Growth

It is 6:00 am. I stayed up all night playing with this blog and our Facebook page and Pinterest and Instagram and exploring this app and that extension and whatever else called on me to click on it. I didn’t even realize I’d blown the night up until my Fitbit buzzed telling me to get up and workout. Thank God it is a holiday!

I cannot help but think (besides about how tired I will be all day) about engagement. I remember a while ago I read Danial Pink’s book Drive and then watched the RSA Animate video on motivation. We really will spend time, lots of time, doing the things we want to do be it reading, writing, learning a new skill, climbing a mountain, or sinking into the social-media–abyss. We just have to want to.

So how do we get our students to WANT TO do the things we know will make a difference in their lives, namely, read more, write more, communicate better, think more critically?

We keep trying.

i just finished a semester with my students. I wish I could say that every child read more than he ever has in his life, wrote better than she ever has since she held a pencil, learned to speak with ‘proper’ English and clear eye contact, and thought like a rocket scientist trying to get a man to the moon.

Some did. Some did, and honestly, the first few days of school, I didn’t think they would. But I kept trying.

Here’s a list of the top 10 things I kept doing, even when I was tired, even when I thought they weren’t listening, even when we all wanted to hide behind dark curtains and ring a bell for a cup of tea. (That will be me later today.)

We read at the beginning of class every day (almost — we had about six days throughout the semester when something somehow got in the way of that, i.e., fire drills, assemblies, wonky bell schedules, my car dying on the way to school).

We talked about books A LOT. Book talks, reading challenges, reading goals, tweeting book selfies, and more.

We wrote about our books enough to practice writing about our books. Theme statements, mirroring sentences, analyzing characters and conflict and plot — just enough to keep our minds learning and practicing the art of noticing an author’s craft.

We wrote about topics we care about. With the exception of the first essay students wrote, which was all the junior English teachers committed to as a pre-assessment, students chose their own topics or wrote their own prompts. Donald Murray in Learning by Teaching says the hardest part of writing is deciding on what to write about, yet we so often take that hard thinking from our writers. The worst essays my students wrote was the only one in which I gave a prompt, and before you think it’s just because that was their first essay, nope, I asked them. They just didn’t care — and that is the worst way to start off the year in a writing class.

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We read mentor texts and learned comprehension skills and studied author’s craft. I chose highly engaging texts about current events in our society:  police shootings and being shot, taking a knee during the national anthem, race relations, our prison system, immigration issues — all topics that make us ask as many questions as the writers answer. Inquiry lived in our discussions.

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We talked one-on-one about our reading and our writing. I conferred more than I have in the past, taking notes so I wouldn’t forget as students told me about their reading lives and their writing woes. We spoke to one another as readers and writers. We grew to like each other as individuals with a variety of interests, backgrounds, ideas, and dreams.

We shared a bit of ourselves — mostly in our writing — than we ever thought we would. Abusive mothers, alcoholic fathers, hurtful and harrowing pasts and how we grow up out of them. We talked about respect within families and how we can hurt the people we love the best when we ignore their love because it’s masked in fear and strict parenting.

a slice of Daniel’s semester exam essay

We celebrated our writing by sharing what we wrote, by performing spoken word poems, reading our narratives, or reading our quickwrites. We left feedback on sticky notes and flooded our writers.

We grew in confidence and that showed in our work. I held students accountable with high expectations — and lots of mercy. Most rose to the challenge, even those in their first AP class and those far behind who needed to catch up. Most exceeded their own expectations.

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We joined communities of readers and writers on social media, building a positive digital footprint that shows we are scholars, students who care about their literacy and want to go to college. We wrote 140 character book reviews and explored Goodreads and shared covers of the books we were reading. #IMWAYR #readersunite #FridayREADS #FarmersREAD

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I will miss the juniors in my block class who are done with English for the year. They were a joy, although a challenge, pretty much every day. And my AP kiddos, they are ready for the kind of learning we will do to face down that exam come May.

We will keep doing what we do: Whatever it Takes to Grow as Readers and Writers (even if it means a lack of sleep.)

What do you do to motivate your learners? Please share your ideas in the comments.

 

Amy Rasmussen lives in north Texas and teaches AP English Language and English 3 to the Fighting Farmers at Lewisville High School. She adheres to the words of Emerson: “We aim above the mark to hit the mark,” and Jesus Christ: “Love one another.” Imagine a world if we all love more than we think we can. Follow Amy on Twitter @amyrass.

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Finding Solace in our Students

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End of the year pics with friends and books.

The shooting in Orlando this weekend has weighed heavily on my mind for the past few days; it has settled into the back of my brain, penetrating my thoughts whenever I get a moment to rest between the hectic last days of school.  While I only know victims through six degrees of separation, I can’t help but see the images of friends, family, and students in the 49 faces of those murdered.

I’m not sure if it is the lockdown drills at school that make these tragedies feel all the more chilling and real, or if it’s the targeting of LGBTQ+ populations when I, oftentimes for the first time, watch young people finding their true identities in my classroom, but this time I feel nauseous and weak and powerless.

To think that this is the world my students are graduating into and growing up in, is frightening.

But as I scrolled through the profiles of the deceased, I found a statement from the father of victim Mercedez Flores.  He wrote, “We must all come together, we must all be at peace, we must all love each other, because this hatred cannot continue for the rest of our lives.”  That is what the workshop classroom allows me to share with my students—a corner of this peace and love.  It opens a door for me to connect with them on a personal level, allowing them to find not only acceptance but also stories, understanding, and success in their books.  Allowing them to open up to new literature and explore themselves as a reader sends the message that I not only value them as learners, but I value them as diverse people with a wide variety of needs, curiosities, and interests.  This avenue may only be minor, but in the wake of all the hatred and fear, I hope my classroom is a respite from the world.  A place where students can learn to at least respect one another’s differences without judgment or condescension, a place where we can explore the difficult themes and navigate challenging conversations in safety.

IMG_2693Everyday gives me a little more hope that this next generation has begun thinking about the innumerable struggles they will have to face.  As one of my students wrote about the universality of To Kill A Mockingbird, “For an innocent man to be found guilty is a miscarriage of justice, but for an innocent man to be found guilty for being black is a result of bigotry and prejudice, and shouldn’t happen…Sadly, as seen with Trayvon Martin, Mike Brown, and others, racism still does exist in this country. To Kill A Mockingbird is a constant reminder of how far we have come and how far left we still have to go when it comes to overcoming racism.”  Charlie’s words remind us that stories show us both the fallibility and overwhelming strength of the human condition.

Yesterday morning, as I prepared for my last day of classes (we still have three more days of exams), I reminded myself that teaching allows me to model a life of acceptance and love, of caring and compassion, of concern and advocacy.  It may not be much in the general scheme of things, but it is the most productive way I can handle the tragedies our country continues to face.  Between cramming in grading and pulling together final assessments, I spent invaluable time writing notes to my classes, collecting ice cream toppings for our last day parties and signing the backs of photos of my students with the books they read this year.

The best part is that the love is returned as graduating seniors from years prior show

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Ice cream parties to finish up our yearlong adventure together.

up at my door to hug me good bye and have me sign their yearbooks.  College students visit to update me on their lives, current students voluntarily help me pack up my room, and former students spend their first summer afternoon organizing my bookshelves for future students.  For all the hate that exists in this world, there is far more kindness, far more compassion, and far more love.  I know because my students remind me of this every day.

 

#3TTWorkshop: End of the Year

Conversation Starter: What kinds of reflections do you have for your year? Let’s start with celebrations.

Amy:  Before I celebrate, let me say this:  I have two whole pages of notes written on the back covers of my writer’s notebooks with reminders of what to do new and differently next year. Why is it always easier to focus on the negatives that need improving versus the positives that worked well?

Lisa: This was a year of experimentation and excitement, and my celebrations come from student reflection and collegial collaboration. Our district has a clear vision that they want to move workshop from K-8 to K-12, so it was a year of exploration. Last year, workshop loomed. We had very little knowledge of what it would look like at the high school level, so I naturally…Googled. Having read Penny Kittle and talked with a few colleagues who were already embracing elements of workshop, I was excited. I loved the idea of choice and set about organizing some notes of “how to.” I knew, as department leader, I would be tasked with spearheading the shift with my colleagues, so I wanted to have some solid ideas of how best to proceed.

Original_5000If you Google “Readers workshop for high school English,” guess who comes up? Ta-da. I had found Three Teachers Talk. Specifically, Amy’s post with resources to make the move to workshop. I had struck gold. I read. And read, and read, and shared the blog with our literacy coach, and read, and started quoting sections of the blog and taking notes, and read some more. Real teachers, in real classrooms, with honest reflections on the work. I was elated.

Our district leaders moved forward, rolling out workshop with UBD training, visits to the middle school to see workshop in action, and reviews of Penny Kittle’s key principles. And while valuable and necessary for our progress as a department, it wasn’t until February when Amy and Shana came to Franklin, professionally developed us by teaching us in the workshop just as they would their own students, and let us experience workshop firsthand that workshop really took off. The department was excited. There was wild planning, replanning, reading, purchasing of books, collaborative meetings on the fly (five minute passing periods afford more than enough time for drive-by enthusiastim). And talk. So much talk. Though we weren’t expected to make the “official” move to workshop until next year, we were all trying new things (book talking, setting up writer’s notebooks, and shopping on thriftbooks.com), seeing incredible responses from students (readers spread out all over the building and students writing something, anything, every single day), and basically diving into the work to see what would help us float.

It hasn’t been easy, but as I wrote yesterday, the small (and for some of us BIG) moves we are making have us enthusiastic about what workshop will look like across our department. It’s been a great year to grow and see some incredible enthusiasm from students as choice changed their minds about the written word and its power.

The big takeaway from workshop this year? Do it. Now. You won’t regret it.

Shana:  This was a weird year for me, and I’m wistful.  I was just telling my mom that I feel like I barely taught this year, and I think I mostly feel that way because I didn’t have a firm end of the year (I was out on maternity leave from mid-April to the last day of school).  Instead of doing reflections alongside my students, studying their self-assessments and working with them on the year-end MGPs, learning from my own thinking and my reading of my students’ thoughts, I just…slowly drifted away from my classroom and saw most of my students for the last time at their graduation instead of for a celebratory last-day-of-school photo.  It made the end of my teaching career feel really nebulous.  I hated that.

But, there were lots of great things about this year.  I looped with my students, so I began the year knowing most of their likes and wants and needs already.  I was able to dive right back into helping some of my reluctant readers find new books, help my new students assimilate into a workshop culture more seamlessly, and leap into newer, more complex writing tasks with more confidence.  I loved that so many tenets of workshop were already norms in our classroom in September–book talks, conferences, notebooks, and just book love in general.  It was transformative to begin a school year without having to gain students’ trust with the workshop model, instead having the trust already established.

And my students did and wrote and created great things.  Carleen reassured me that workshop structures made her fall in love with reading again.  Jak showed me that having choice in reading helped him advance as a reader far further than any assigned text could have catapulted him.  Tyler showed me that even the most reluctant reader can fall in love with a complex classic.  And countless other kids helped me re-fall in love with reading and writing and teaching every day in my classroom, when they had miniature successes and failures and highs and lows.  I celebrate that act of falling in love with literacy all year long.

Amy: My biggest celebrations came in the form of one-on-one moments with students. I wrote about an experience with Diego previously. He ended up writing a well-constructed
and extremely personal multi-genre piece about his brother’s drug addiction. Our final conference was a powerful moment. Diego opened up about his love for music and showed me how to find his YouTube channel. He is a talented musician. His ability with poetic language suddenly made sense. I wish I had a do over with this talented young man.  I would have done things differently.

Another celebration came from a conference I had with Emerita in the spring. She was a Screen Shot 2016-06-07 at 9.10.40 PMtough student: smart, outgoing, talkative, eager — but she didn’t like that I wanted to
push her into writing even better, reading even better. We locked horns, and sometimes her silent attitude made me feel inept and out of sorts. (I know we shouldn’t take things personal, but I struggle with this. I want everyone to like me.) Finally, in a moment of
divine inspiration, I gave students to opportunity to do some extra credit. Anyone who wanted to improve their grade could research
the work of Carol Dweck on mindset and then write up an essay that answered specifics about the characteristics of Dweck’s work and how it relates to their attitudes in school. Emerita changed after that. She understood what I’d been trying to get her to see all along:  we can always work on our craft and improve. After our conference reviewing her extra credit essay, her work improved as did her attitude towards everything we did the rest of the year. I share a copy of her conferring notes here.

What are some things you know you want to do differently?

Amy:  Well, like I said, I have two pages of notes. Some of them relate to things I’ve done successfully in the past and just forgot to do this year like taking more time to allow students to decorate their writer’s notebooks. I’ve always allotted sufficient time for students to do this in class, but I didn’t this year, and as a result, I noticed quite early on that students did not have much attachment to their notebooks. They still represented “just another composition notebook for class” instead of a place to capture ideas and notes about themselves as writers. I’ve already got NOTEBOOKS clearly outlined on next year’s calendar.

I also need to be a better Reading Teacher. That might sound strange since I teach AP Lang, but many of my students struggle with reading, not to mention critical reading. I need to utilize strategies that will help them not only read more, which I already do quite well, but read better. I’m re-reading Cris Tovani’s books, and I will introduce Beers & Probst Notice and Note next year. I’ve used both in the past, but not with AP students. After two years in this position, I’ve learned that we’re going to need to practice some basic comprehension and some thematic work before we can go too far into rhetorical analysis.

Shana:  My hubby spilled an air freshener on my notebook yesterday, so from its ruined depths I’ve turned to my “teaching ideas galore” section for this question.  The first thing I’d like to shift into thinking about is ways to write or respond to reading nonlinguistically.  For years, much of my students’ writing was about reading.  Then I shifted away from that and toward making reading and writing activities independent and celebratory, while still asking what we could learn from one and apply to the other.  I’ve kind of gone back toward writing more about reading this year, but next year I’d like to see how we might tell stories through visuals, or write book reviews in doodles, or create collages to illustrate patterns in a text, or diagram similar story arcs across independent reading books.  I’ll be on the lookout for this theme during my summer reading of journals and books.

The obvious change I’ll be shifting to is toward working with preservice teachers rather than high school students.  Still, I’d like to keep many similar structures in place.  As Tom Romano began every class with two poems, I think it’d still be valuable to begin classes with two booktalks.  Writer’s notebooks are a must, as are things like book clubs, wide reading, and writing with an eye for mentor texts.  I’ll be asking myself, though, how to prepare a new generation of teachers for the wild world of high school learning.

Lisa: Give me a second, I need to gather the seven million post-it notes I have scattered across my existence and I can tell you the six million things I am ready to improve for next year (the other million notes are on books I want to read).  

One thing I am really looking forward to is the idea of total immersion. We’ve done a lot of standards based planning around this move to workshop, and I’m excited to blend the skills focus with the choice I’ve already dipped into.

I’m also excited about the creative aspect that Shana talked about above. While more and more skills based over the years, my instruction, up until recently, had really still focused on reading and then writing about that reading. Analysis is obviously important, but there are so many more authentic, thought-provoking, student-driven assessment tools and just plain exploratory modes of expression, that I really want to delve into. To think, I taught through a few years there where poetry was almost lost in my classroom. Thank goodness I rediscovered it for mentor work and had my students writing powerful verse over and over. What amazing modes discourse will I discover next year that I will eventually be appalled to have missed before? Geek alert. I am so excited to find out. 

Finally, better time management. A wonderful colleague of mine, Mrs. Leah Tindall (co-organizer of our high school’s incredible Literary Showcase) said of this year that we were stressing out because we were trying to balance new work with an old workload. This was so true. The work I need to be doing is talking with my students, reading with my students, getting organized enough to have conferences lead to more pointed minilesson work, and provide ongoing feedback that doesn’t require every extra minute of my existence to “grade.” Certainly, workshop is no easy way out in terms of time invested, but it’s time invested differently. Time invested with one-on-one feedback at the forefront and building our students up by our own examples as readers and writers. This certainly takes time, but it does so in a way that makes so much more of an impact than just red pen on paper. It’s honest communication. It’s investment. It’s caring.

I need to stop using reading time to take attendance, and get out there and confer with my students. I need to stop putting off the reorganization of my library, because really, how can I make solid recommendations if I can’t find the book I’m after? I need to stop providing the bulk of my feedback with a pen at all and start using my ears more – feedback after careful listening and reflection. That’s what I’m after next year. I want to hear my students talk from their hearts and their minds and on paper in ways my previous teaching didn’t account for. I can’t wait to hear all that they have to say.

Do you have topic ideas you would like us to discuss? Please leave your requests here

What Teachers Need

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Love this meme Mike teased the students with!

I’m thinking of Taylor Mali’s “What Teachers Make” this morning, but I’m thinking about what teachers need.  I know I need something right now, because this job has me in the winter of some serious discontent, as Shakespeare says.

After this year, I am leaving the high school classroom.  I am starting to get very nervous about it.  Perhaps part of my anxiety comes from the fact that I’m seven months pregnant, but I think the majority has to do with the fact that a big part of my identity is teacher…and when I’m no longer one, who am I?

Next year holds lots of promise for me–motherhood, PhD work, teaching some Education courses, presentations, and more time for writing.  But I know that I’ll miss working with the teens in my classroom.

Right now I’m struggling with finding things to sustain me, because I have an excellent student teacher.  He’s teaching all six of my classes, doing all of the grading, and generally thriving on his own.

I get to plan with him, but then I sit in the back of the room and observe.  There’s always something that needs to be taken care of, whether it’s editing pages in the yearbook, running copies, or filling out paperwork.  But I am still so bored.

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Running into two of my students at the gas station was the highlight of my day yesterday.

I miss conferring with kids–our daily meetings at the bookshelf to talk about what to read next, or poring over their notebooks together, or sharing an exciting mentor text.  I miss the active work of discovering texts that I want to share with my students and urge them to reproduce.  I miss doing booktalks every day.  I miss conducting the symphony of rustling notebook pages, shuffled piles of books, or scribbling around poems.

A former student teacher observed that my typical day only consists of about 50% teaching.  The other 50% is made up of grading, making copies, lesson planning, running errands, going to meetings, and all of the not-so-fun tasks of our jobs.  They’re all essential to being prepared for the big show–the lesson–but I’m learning that I really hate those parts of my job when they don’t lead up to the ultimate experience of teaching.  It seems that they are mindless and pointless, and it makes me wonder about how teachers who have mandatory curricula, or who choose to teach straight out of a textbook, sustain themselves in this profession for decades.  I worry about their health!

I am craving the autonomy I’m accustomed to in my teaching.  Choice, independence, and purpose are just as important for teachers as they are for our students.  They sustain us in our quests to create lifelong readers and writers.  Without them, we’re just going through the motions of any job that doesn’t require creativity and energy and dynamism.

authenticityWe teachers need everything our students need:  timely, specific feedback (a great deal of it positive); the resources to do our work well; someone to listen to us and thus validate us; choice in what we teach and how we teach it; an identity as a teacher who is part of an authentic community of educational professionals.

It’s not every educational community that offers those conditions.  We often must go beyond our own school walls to fulfill those needs.  I’m thinking of Meenoo Rami and her excellent work to connect and sustain educators through Teacher2Teacher, and her important championing of the needs of teachers in Thrive and through #engchat.

I am depending upon Meenoo’s wisdom to get me through this winter–a winter both literal and figurative–and upon the wisdom and inspiration I find in my friends on Three Teachers Talk, Twitter, and more.  If you find yourself struggling, too, remember what teachers need–and do whatever you can to get it!

How do you sustain yourself in the winter of your teaching?  PLEASE share in the comments–I, for one, am dying to know!

An Honest Reflection: No Ugly Crying Required

I just finished an ugly cry. You know, the kind where you sob until your eyes close so tightly that you wonder if you might hurt yourself? The delicious, exhausting, purge of a cry that leaves you breathless and wholly satisfied at the same time? In my humble opinion, it’s the type of weep-fest that only great writing can deliver, and I am delighted to report that I just slobbered my way through another story’s end that left me wanting to pick up the book and start right over again. On the recommendation of colleague, I picked up A Monster Calls on Friday afternoon during last period and finished it by Sunday afternoon.

Though I could go on for pages about how amazing this book is, and how excited I am to 8621462book talk this story tomorrow, and how transformative I think this text could be for some of my kids, it’s what led me to this text that I find really important right now. As a result,  approximately eight minutes after finishing that book, seven minutes after shoving a copy of it into my husband’s hands and insisting he “Read this. Read this immediately” (thankfully we’ve been married long enough that he can recognize a literary induced meltdown and not fear for his own safety), five minutes after texting half my department to tell them of my ugly-cry recommendation, and three minutes after blowing my nose one more time and pulling myself together enough to see the screen clearly, here I am. Counting the minutes until school starts, so I can tell students about this text. It’s the best feeling and it’s fueled by what I have deemed A Workshop Whirlwind.

A Workshop Whirlwind. And that’s not just cutesy alliteration either. It’s representative of an urgent and necessary flurry in my teaching career. And I, for one, could not be more excited. You see, it was this past week that Workshop came to knock on the door of the Franklin High School English Department in a real and meaningful way. And this is the story of how we’ve started down a path that I believe will change our practice and lead our students to see themselves as both readers and writers in a way we would not have thought possible.

Our journey with workshop is a unique one. We are going to be moving to this new delivery method as a whole group in one glorious leap. Thankfully, by a bit of divine intervention, we have had the support of the lovely and overwhelmingly talented ladies at Three Teachers Talk. It was TTT that gave us a place to land and see that workshop is not only possible at the high school level, but it can make a world of difference for our kids. And it was a little over a year ago, with the knowledge that my department was being asked to drastically change our day to day practice, that I pored through post after post on this blog searching for guidance. How to plan, how to assess, how to hold kids accountable, and how to organize, but most importantly…how to inspire our students. How to help them see that reading and writing could be so much more than an assignment. That our study of English could be a study of what it means to be. What it means to feel.

Now, change is rarely easy. In fact it sometimes leads to a brand of ugly-crying that is reserved for just these circumstances, where you feel the happy ship you’ve been sailing on has hit something substantial and the band has already started playing “Nearer My God to Thee.” Everyone find a lifeboat! We’re never going to make it out of here alive! I liked this boat a lot better before you put this big hole in the side.” And that, my friends, is what change does to a person. What change can do to an English department. Like the seven stages of grief, change too has its stages, and I’ve both felt these stages and watched my department try to stay afloat as this major shift comes our way. See, we aren’t individual contractors, coming at this move to workshop only out of our own desire to do so. This is a district level move that has led to the following:

Shock They want us to do what? I can’t even. I just…can’t.
Denial This isn’t happening. This isn’t happening. This isn’t happening.
Anger Nope. Just nope. You people are crazy. We should just set  the place on fire, while we’re at it.
Bargaining I can still teach __________ right? I’ll do this workshop thing, but only if I can still    teach ________.
Depression Whatever. It’s fine. More change. Not like we aren’t used to it. What does it matter, anyway? What does any of it matter? I’ll be in my room, reading __________ (please see stage above).
Testing Well, I guess I could give them time to read at the start of class. That makes sense to me. I love books too, so, natural move.
Acceptance I too am a reader and writer. I can do this.

And now, I am happy to report an eighth and amazing stage to this move – genuine enthusiasm.

In the last week, since Amy and Shana came to lead our department in two incredible days of professional development, I have felt a surge of excitement at everything I want to do in my own classroom and I’ve seen my entire department rally around this initiative in a way I would not have thought possible. In the last week, the halls of Franklin High School have echoed with book talks, students are curled up in corners with texts, and  teachers are chatting about trying out new strategies and putting together mini lessons. In the last week, the Wisconsin  “Bleak Mid-Winter February” has been anything but.

The teachers I am privileged to work with have been doing phenomenal work for years, since long before I joined their team. Their skill and passion, which has long fueled their sincere desire to help students learn, makes this an incredible place to work. And so, while my team would collectively injure me if I announced that everyone feels totally relaxed and ready to hold hands and sing Kum Ba Yah, I can confidently say that our journey has begun. We are poised and now also excited, to continue learning with and inspiring our students in new ways.

No ugly crying required.

Lisa Dennis is the English Department Manager at Franklin High School in Franklin, WI. Her energetic leadership and insight leads her department into the wonderful world of workshop instruction. TTT appreciates Lisa’s candor and drive to do right by her colleagues — and all their students. We thank God for teachers like Lisa!

Writing My Wrongs: How I’m Learning From My Mistakes

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A student caught sneaking his independent reading book into his lit circle novel…this is a first.

Every year I arrive at the second quarter with a new approach, idea, or plan.  This will be the solution! I think.  This will sustain momentum.  This will help us make it through the slump.  This will be the difference between dreading quarter two and praying for quarter three, but year after year, I am wrong.  For the past three years I’ve convinced myself it is the book—Lord of the Flies is too boring; they can’t appreciate Bradbury’s language in Fahrenheit 451.

The problem isn’t with my students though—it’s with me.  I am doing it wrong, and while I am ashamed to admit the honest truth, I realize now the error of my ways.

I “gave up” traditional teaching three years ago, when I transitioned to a workshop model of education.  I carved out time for reading, instated notebooks, poured over workshop guides, and asked countless questions of my mentors and colleagues.  The bare bones were in place, and I was convinced that I had the structure necessary to shift from a teacher-centered classroom to a student-centered classroom built on choice.  In many cases I did; every start of the school year began smoothly with excited readers and passionate writers.  We told stories, read poetry, shared quick writes, and analyzed craft, but I dreaded quarter two, the quarter when together, we would read our first of three required whole class novels.

Quarter two was when I lost their voices, their attention, and their passion.  With whole class novels, our focus shifted from “who are you and what are you thinking?” to “who is your author and what is he thinking?” 

Under the weight of scaffolding, curriculum standards, core competencies, and competency based rubrics, my mini-lessons focused on literary terminology instead of literary exploration.  To me, reading mini-lessons meant teaching the same terms I’d grown up with: symbolism, Freytag’s pyramid, direct and indirect characterization, round and flat characters, etc.  This meant my lessons shifted from writing-centered lessons that started with the question, “What do you notice about the author’s craft?” to terminology-centered lessons, that started with, “Apply your understanding of (fill in the blank) to the book.”  The latter produced significantly less empowering results.

So, I asked and probed my students.  I peppered them with questions during study halls and extra help; I snuck in questions with the straggling Writer’s Club members after meetings, gave out surveys, and chatted at lunch with colleagues.  And while I was convinced that it was because I was “forcing” them to read unrelatable classics, I couldn’t shake the fact that I was missing something bigger.

By the time I sat down with my living mentor Linda Rief at a coffee shop in Exeter, I realized I was doing it wrong in quarter two.  The pieces gradually added up—I knew the three reading options I had given them for literature circles weren’t choices at all.  I was hoping they would read the books in their entirety, but I knew that this year would lend itself to additional groans, frustration, and abandonment.  At the end of the day, I was a workshop teacher defaulting to a traditional methodology or worse, was I a traditional teacher pretending to run a workshop?

The two greatest pieces of advice came first via my special educator mother, who asked, “Why not just teach them good writing?  Isn’t that what classics are?” And second through Linda Rief, who pointblank asked me why I needed to teach plot triangles anyways.

Were there successes in my literature circle unit? Most definitely.  Sure, the vast majority didn’t fall in love with Golding, and it breaks my heart that they couldn’t revel in the beauty of Bradbury’s language, but in final surveys, nearly every student appreciated the time they had to discuss the novels in small groups.  They enjoyed talking about the stories with peers, and while not all of them loved the books, many pointed out that this was the first time they engaged in authentic conversations about literature without a teacher moderating the discussions.  They learned; they just didn’t learn the way I had hoped.

Part of me feels like I lost four weeks that we could have spent more effectively growing together as readers and writers while looking at the beauty of craft in book clubs centered on young adult lit of their choosing.  The other part of me feels like I failed my students in providing this idealized version of what I hoped our class would be and then slamming them back to reality with the same sort of stock analysis I question.

I am impatient when it comes to growth, particularly when it comes to my teaching.  While I understand my students’ needs as developing readers and writers, I am quick to judge my own struggles.  Even as an intern, one of my personal goals was “to be at the level of a second year teacher.”  I repeated this mantra knowing full well that the only way to be at the level of a second year teacher was to be a second year teacher.

All I can promise my students is that I will continue to reflect, move forward, and become the teacher they deserve.  But alas, growth takes time, trial, and error.  It requires me to unravel years of traditional education, analyze what works, what doesn’t, what I should carry with me, and what I can discard.  It will take time for me to unwind my own brain just as I ask my students to unwind theirs.  I am still learning to be a writer, a reader, a student, a teacher, and that takes time, time that sometimes feels all too precious when I only have one year with my kids.  Fortunately, teaching is like writing.  Every day, I begin the process of drafting a new story, and every year, I get the chance to revise my work.

Simplify, Simplify: An Invitation

We’re six days deep into the school year here in West Virginia, and I am so happy, fulfilled, and content.  The start of this year has been the smoothest of my seven years, and our readers and writers workshop is coming together more quickly than it ever has.  I think it’s because of all of the invitations and welcomes that have been flying around our classroom, rather than the commands and directives of years past.

Amy’s post on inviting students to just talk helped me simplify the structure of my first week of lessons.  I strove to make our first days together as inviting as possible–as laid back, relaxed, and caring as I could.  Students were drawn to our classroom library with an invitation to check out whatever book they’d likethoreau-simplify.  They were intrigued by an invitation to write daily–nulla dia sine linea, in the words of the inimitable Donald Murray–as we set up our writer’s notebooks.  I invited students to just read for pleasure, to just listen to a poem to enjoy it, and to just write for fun.

My invitations all centered around simplicity.

I want to slow down my thinking this year.  It seems my brain is always flying at a hundred miles a minute, and I bet my students’ minds are too.  I will invite my students to simplify their thinking–to streamline their thought processes, open their minds, and just write.  Just read.  Just talk.

This year, I’m inviting everyone in our classroom–adults and students–to put away their phones.  We read this article to understand why that may be necessary, as our devices can distract us without our consent.  Part of this conviction came after I read M.T. Anderson’s Feed, an award-winning YA novel about the mindlessness technology can fill our lives with.

I’m inviting learners to resist letting their lives be frittered away by detail, to simplify, simplify.  We will do more with less, and we will do all of our reading, writing, and thinking more deliberately.  These first six days have been marked by that simplicity, and I hope to continue that trend all school year long.

What are your goals this school year?  What do you hope to achieve with your learners?

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