Category Archives: Readers Workshop

Missing Pieces by Meredith Tate

24903132I love receiving e-mails from students—not the “Is this due tomorrow?” or “Why do I have a zero in PowerSchool?” e-mails—but the ones that are written bleary-eyed, late at night (or sometimes early in the morning) from students who have just finished a book. Recently, Alyssa, one of my Advanced Composition juniors e-mailed me at 10:30pm after finishing Missing Pieces. She wrote:

“Wow, I just finished the book and I am completely shocked! Was definitely not expecting…[Can’t put this in because I don’t want to spoil it!]…I am extremely happy the way it ended! This was most certainly one of my favorite books that I read this year and if any of my friends ask for a recommendation I would without a doubt recommend it.”

As a teacher, finding a book students can connect with is a victory! But in this, case the victory was even sweeter. I grew up with Meredith Tate, the author of Missing Pieces, and even as children playing in the sandbox at our tiny four-classroom elementary school, Meredith knew how to weave a story.

Missing Pieces is the story of Tracey (Trace) and Piren, two best friends growing up in a dystopian world where they are matched with their spouses at six years old based on genetic compatibility. Despite Trace and Piren’s undeniable friendship and eventual attraction, they are paired with different partners. It is a fight between fate and free will.

While the plot might sound generic, resembling the many dystopian romances novels we’ve seen lately, Meredith succeeds in weaving together a distinctly unique story. Trace and Piren are flawed and frustrating and real. They live in a world of messy mistakes. As a social worker, Meredith doesn’t skirt around issues of alcoholism and abuse—instead she confronts them head-on, addressing the harsh, debilitating nature of addiction. I love that this book doesn’t cleanly fit into any distinct genre—it’s a romance, but it isn’t mawkish; it’s categorized as “new adult” but it begins when the protagonist is 14 years old; it’s dystopian yet it distinctly resembles modern society. Despite the numerous questions posed throughout the book (including those in the excerpt below), we learn that life is a series of difficult decisions; it’s the pure beauty of this rawness that makes this book relevant to teenagers.

“What if the one you’re supposed to be with, and the one you want to be with, are two different people? My entire life was mapped out for me before I was born. Is my only choice to silently follow the course already plotted? To blindly accept my future and walk that trail until I die? To smile and pretend everything is okay and I’m happy and in love with my Partner when I’m spiraling downward and drowning in my loneliness? I’m drowning, like in my childhood nightmares. Only this isn’t a nightmare; I can’t wake up from this life.”

Guest Post: How a High School Improved Reading by Building Little Free Libraries

busLast summer, I became a Penny Kittle convert. I originally didn’t know what I was signing up for, but something kept driving me to be sure I was where she was. Turns out, it’s been the best hunch of my teaching career. The mind shift I was searching for. A complete game-changer. And this is year eighteen.

After 2 ½ days with Penny, I spent the rest of my summer trying to keep up with my churning brain. I wrote more than I have since I was a slightly over dramatic, totally drowning-in-love teen. I read. And I read. And I read. I rediscovered that lust for story I had almost forgotten. I freed myself from the idea that pleasure reading was fluff and gripped the concept of reading what speaks to me as a means of improvement – just like I would soon ask my students to do.

In the midst of my mid-career crisis (maybe crisis is too harsh?), I found a tweet about the site littlefreelibrary.org. The various clever wooden boxes built for books captivated me. I loved the idea of a take-one-leave-one system designed to build community. What fun! I wanted one! Maybe a home project with my own children? Then, I had a thought. What if we put these book boxes in the hallway at our high school? What if this could be the reading take-over Penny Kittle encouraged? So, on my wild whim, I retweeted the link with that very suggestion.

Soon (which means mere seconds in the Twitter world), my teacher peers of all disciplines — math, sharkscience, history, technology, world languages — responded with enthusiasm! They wanted to build wooden cubbies! They wanted to donate books! They were all on board! So, the fun began…

In an August inservice session, I presented the idea to the full faculty, highlighting the importance of choice-reading in ALL classrooms. I used so many of Kittle’s words in an effort to begin a movement. We have to get all of our kids reading – the rich, the poor, the gifted, the challenged, even the ones who don’t eat their vegetables. And, in a school as diverse and unique as ours, we couldn’t wait another second. Of course, there was one small glitch; I didn’t know or have the means yet to build the little libraries. But I knew we could.

Following my first session, our new theater tech teacher immediately approached me, and he offered to have his tech class build the first set! I cried. I usually do at most sentimental things, but I just didn’t expect this outpouring. Books began to appear in my classroom from teachers and then parents. Some opted to write an inscription inside their favorite books, explaining to the future reader the special significance of that particular tale.

#hebronreads was born.

The theater tech class created the first five Book Nooks, as they are now called, from lumber and Slide2supplies donated by our community. In true theater style, the Nooks have flare – a shark, an Alice in Wonderland, a school bus, the Parthenon, and, of course, a book! All student created! All on pedestals in various niches in our halls. At our fall open house night, books poured in from parents who heard our call to promote literacy, and books continue to appear in my classroom like gifts from the Tooth Fairy.

Students in our advertising and marketing classes competed to create a campaign for the program. On World Read Aloud Day in March, we paused to read to our students, and we passed out bookmarks and talked books during lunches. Students have daily choice-reading time in math classes and business classes in addition to English classes. Another book drive is slated during our spring football game in May. A spring literacy night with former Hebron High School grad now YA author Lindsay Cummings is in talks.

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This is only the beginning.  

In my hopes and dreams, we will build more Book Nooks and litter the building with choices. We will continue the book drives until all classrooms have some sort of libraries. We will keep talking reading and promoting ideas via @hebronreads. And one day, when we are feeling pretty confident in our literacy push, we will make Nooks and take them filled with books to neighboring schools who need more stories in their lives too. Hebron High School is now a thriving community of readers, and it is truly glorious!

Parent quote:

“My son has always loved to read (‘loved’ is probably an understatement), so when he found these books in Hebron’s hallways, he was very excited.  He came home telling me what a neat thing this was — books for the taking, any book, all kinds. Once he understood the program, he commented on what a great idea . . . read a book, replace a book, or just bring it back. Great idea, Hebron!”    Carolyn Sherry

Donna Friend teaches at Hebron High School in Carrollton, Texas. She is making readers out of English III students and leads her department into the chaos of educational risk-taking. Currently, she is honored to be her campus as well as the Lewisville Independent School District’s Secondary Teacher of the Year, an accolade that, despite her 18 years of teaching, she doesn’t yet feel old enough to have earned! Her current favorite book is Jandy Nelson’s The Sky is Everywhere, and she is practicing being a regular reader and writer along with her students. She has a 9 year old son, a 6 year old daughter, a hubby, two cats, and a few fish. She once dreamed a young adult novel and still regrets not writing it down immediately after waking. Find Donna on Twitter @mrs_friend

Yes, I’ll Share my Reading List

Awhile back I wrote Aim Higher™: A Case for Choice Reading and a Whole Lot More in AP English. I am pretty sure I thanked everyone individually for the comments. If not, thank you for helping me think through this pedagogy even more. One reader asked for my reading list, and I’ve been derelict in posting that. I am sorry.

Since my classroom instruction centers on helping students identify themselves as readers and writers, I being Readers and Writers Workshop on the first day of school. We read and workshop a short piece — sometimes my AP English Language syllabus one-pager. We write and usually do a short revision workshop. Students learn quickly that writing requires revision.

In years past I’ve even provided each students with a writer’s notebook — just so we could get started taking ownership of it on the very first day. (That was the year composition books were 10 cents. I haven’t seen them so low since.)

I give students the following list of books and tell them that at each quarter they will be responsible for getting their hands on one of the titles. They may purchase the book, borrow it from a library, download it to their device, or in extreme circumstances, check out one of the few copies of each title I keep in my room.

We are a classroom of readers, so reading is the only option.

Note:  I didn’t facilitate four book clubs this year. We only had time for three, and we never got to the first list of books below. It took me a long while to learn how to fit my instruction into the schedule at my new school:  a 90 minute period where I see my students every other day and then every other Friday. I lost some time figuring it out.

Next year, I am going to put this list first, and we will analyze author’s craft as we learn about argument. I’m also thinking of only introducing Gladwell’s books. I’ll add David and Goliath:  Underdogs, Misfits, and the Art of Battling Giants, and maybe What the Dog Saw: And Other Adventures after I read it this summer. That way students will still have choice as to which book they select, but all students will be reading books by the same author. This should work well as we study the moves of one writer, something I waited way to late to do this year.

Book Club One:

Outliers, the Story of Success by Malcolm Gladwell

Blink, the Power of Thinking Without Thinking by Malcolm Gladwell

The Tipping Point, How Little Things Can Make a Big Difference by Malcolm Gladwell

Freakonomics by Steven D Levitt and Stephen J Dubner

Quiet:  the Power of Introverts by Susan Cain

 

Book Club Two:

Extremely Loud and Incredibly Close by Jonathan Safron Foer

The Glass Castle, Jeanette Walls (non-fiction)

Swamplandia by Karen Russell

The Curious Incident of the Dog in the Night Time by Mark Haddon

Girlchild by Tupelo Hassman

 

Book Club Three:

The Namesake by Jhumpa Lahiri

Little Bee by Chris Cleeve

Sarah’s Key by Tatiana de Rosnay

The Kite Runner by Khaled Hosseini

A Thousand Splendid Suns by Klaled Hosseini

 

Book Club Four:

The Yellow Birds by Kevin Powers

Room by Emma Donoghue

Where Men Win Glory by Jon Krakauer (non-fiction)

The Bell Jar by Sylvia Plath

The Things They Carried by Tim O’Brien

Billy Lynn’s Long Half-time Walk by Ben Fountain

I am always reading some piece of compelling literature, always on the look out for the next book to add to these book club lists. My students did not enjoy The Bell Jar, although many students chose to read it, and no one chose to read The Things They Carried, even though I made as big a deal out of it as all the other titles. I just added Swamplandia this year, and then I forgot to talk about it, so it is still not vetted with students.

If you have any suggestions for compelling, complex, rich literature that engages adolescent readers, please share your titles in the comments. Thank you.

 

©Amy Rasmussen, 2011 – 2015

Dumpster Diving for a Book Shelf

shelfieMy husband called, “Hey, there’s a book shelf by the dumpster. Do you want it?”

Funny that he asked. I know he knew I’d say yes.

I put the tall black shelf by the door to my room, which was pretty much the only open spot. But most of my classroom library sat cozy on the opposite side of the room. I did not know what books to put on this new shelf.

It sat empty waiting for three months.

There’s nothing quite so unsettling as an empty shelf in a bibliophile’s classroom, but my husband made me promise not to buy any more books. This is hard.

Finally, I got smart and labeled the shelves “1st period Suggests You Read,” “2nd Period Suggests You Read,” etc.

Slowly, I started moving books that students talked about, the ones they told me they liked. Then I Favorites book shelvesnoticed that a few students started returning their books to these shelves, and after we did Speed Dating with a Book a few weeks ago — we put all of our to-read-next titles on these shelves.

Now, instead of having most of our book choices on the bright green wall across the room, students walk past this shelf as they come and go.

Pretty good deal for a dumpster find.

©Amy Rasmussen, 2011 – 2015

Behind Barbed Wires

sticker,375x360.u1In honor of the recent Holocaust Remembrance Day, I find it befitting to share Room 382’s shelf comprised of pieces in which those, who experienced the nightmare, share their stories.  Each piece on this shelf is dedicated to bringing awareness, and hopefully shed light on how history truly can repeat itself, if we do not prevent it.

While this shelf hosts stories of tragedy, suffering, and insurmountable pain and loss; it serves a purpose. Aside from the devastating, these pieces share with us the true essence of humanity.  Often, this is the first time students are diving into this 80-year-old genocide and trying to make sense of it. Many times we can’t; and other times we are able to connect over the beauty that surfaced. It’s all very complex.

Elie Wiesel’s story (and bravery) is shared via his trilogy starting with Night then moving us through Dawn and eventually through the Day.  See what he did here?

Anne Frank shares her experience as a young woman budding into adolescence in a time where her beautiful spirit defeated the confines of her attic.  Various types of literature have been compiled so IMG_20150424_083609students (and all readers) can experience Anne’s story in various ways: her published diary, actual footage restored via the Anne Frank House (a gift from a friend’s visit to Amsterdam), the play, and many others.

Maus, an incredible two-part graphic novel, utilizes the “Cat and Mouse” metaphor to portray the Nazis
vs. the Jews during the Holocaust.  This two part series is detailed and brings to life the realities of the inner workings; the emotional turmoil yet amazing perseverance of those living through this moment in history.

Those are three pieces among many.  There are books here (and ones that are currently signed out) that chronicle voices of the children of the Holocaust, novels that use real-life situations yet tell a fictional story, perspectives from a Nazi’s Jewish wife, the bravery of a journalist who swapped places with a Jew to ultimately expose the hidden…

Students are typically surprised, fascinated, uncertain, saddened and sometimes hesitant when it comes to this shelf.  Understandably.  This shelf asks us to inquire and then sit with our findings.  Yet, the conversations and rich discussions that float around this shelf are beautiful; truly beautiful and strengthen our understanding of what it truly means to be human.

 

 

In Search of Hope

mariane pearl book coverI first fell in love with Mariane Pearl’s writing when I read her memoir: A Mighty Heart where she chronicles the events leading up to her husband’s murder in the Middle East.  It was devastating.  Tragic, really.  Yet, her voice sang from the pages even while sharing the most intimate moments associated with a murder that was so incredibly public.

So, to no surprise, when I came across In Search of Hope: The Global Diaries of Mariane Pearl,  I was thrilled. Pearl, a journalist for Glamour Magazine, took on the world – visiting twelve different countries. She was escorted through these countries by powerful women that are all on missions to bring positivity, safety, and change to countries that are broken.

Pearl visits with courageous women who share the most private details of their work – and passion.  She learns about a Cambodian sex slave’s liberation; Liberia’s presidency from the perspective of President Ellen Johnson Sirleaf (2006); an AIDs orphan turned healer in Uganda; a New Yorker who leads children needing guidance; how justice is getting a voice in Mexico…and so much more.

As you read these short stories full with dynamite photographs, writing that is powerful, and experiences that shed light on women fighting through the injustices associated with their countries, culture, and neighborhoods; you can’t help but to feel as though you are on a year long excursion around the world – one that authentically changes your core as a human being.

Students love this piece.  They are awed by the bravery of these women; Mariane for exposing truths that do not get adequate recognition and the women who are willing to risk their own safety in order to save others.  For every reader, Pearl puts life into perspective.

The richness found within these pages comforts you.  It makes you believe that anything truly is possible.  Well, because it is.  It provides students access to beautiful moments experienced within other cultures and propels them to reflect on their own morals and values – what are they really willing to fight for?

In Search of Hope is a piece that leaves you feeling compelled to explore.  Travel.  Find your own truth.  And when you do, write about it.

Keeping Them Reading: Speed Dating with a Book

Confession:  I have never been speed dating.

I just love the idea of it.

In 2012 I wrote about an activity we did in my AP English class that got everyone talking as we prepared for the AP exam. I hadn’t even thought about that, until I started to write about our latest foray into the talkative world of speed dating with books.

Neydy and LauraI know many teachers have tried some version of this activity. I want to add my voice to theirs:  this is a F.U.N. way to get students talking about what they have read and what they might want to read — both important factors in helping students of all ages develop their identities as readers.

How to Speed Date with a Book

As students entered my classroom, I asked them to

1) find a book from the shelves that they had read and liked enough to share with another person,

2) find a second book that they thought they might like to read — maybe they liked the cover or the title; maybe they had heard someone talk about this book. Didn’t matter.

Everyone needed two book.

Then, we tried this “speed dating” thing.

First, we formed two circles, one inside the other. One circle faced outward. The other faced inward.
Students stood in front of one another, and I with the easy job stood with the timer and the camera.

“One minute,” I said, “You’ve got to stay on topic, and talk about one or both of the books in your hand for one minute. Your goal is to ‘sell’ the other person on why they want to read these books.”

GO!

 We talked books for as many minutes as it took for every student to talk one-on-one with every other student. It was exhausting. And wonderful.

After we completed all our rounds, we set all of the books out on one table, and students picked up their writer’s notebooks and turned to their “What Shall I Read Next?” lists, adding any titles they might want to read during the last two months of school. Every student wrote down at least one book. Some wrote down several.

Why Talking About Books Must Be a Constant

I teach juniors in high school. Before this year, most of my students did not consider themselves readers. They have had to learn what it means to

a. like books,

b. like to read books,

c. like to talk about books,

d. know how to find books they like.

The moment I stop holding up books at the beginning of class, reading a bit, and encouraging them to give it a try, many they stop reading.

They are one year and a couple of months away from graduating high school, and they are Baby Readers, fledglings not ready to leave the roost and fly off on their own. (In more ways than one, I know.)

I don’t know if my readers will be strong enough to keep reading when they leave me the first week in June.

I hope so.

In the mean time, I will keep up the talk and keep up the expectations:

You must read if you are a student in my class.

You are a reader who reads every single day.

 

What are some activities you do to keep your babies reading?

 

©Amy Rasmussen, 2011 – 2015

Persepolis by Marjane Satrapi

persepolisIn honor of ALA’s recently released 2014 Banned Books List, I can’t help but recommend the second most banned book Persepolis by Marjane Satrapi.   Persepolis was one of the three graphic novels that made the top ten list this year. The book is criticized for its use of gambling, offensive language, and political viewpoints as well as for being “politically, racially, and socially offensive” and for having “graphic depictions.” In reality, this graphic memoir isn’t afraid to tackle the horrifying and at times comedic realities of growing up in a community faced with political turmoil. After all, Satrapi wanted readers to recognize that Iranians are normal people, just like everyone else. They enjoy music and parties and clothes; the difference is that the characters in Persepolis are living during the Iranian Revolution. Satrapi begins her narrative at six years old, relaying the stories of every day life as the Shah’s regime is overthrown, the Islamic Revolution takes hold, and the war with Iraq destroys her community.

What I love most about Persepolis is its ability to attract my reluctant readers, particularly my students who would otherwise steer clear of the international shelf in my classroom library. These students are drawn to the simple black-and-white cartoons and the rebellious teen protagonist. They love her quirky sense of humor and her obsession with American music icons like Michael Jackson. Like many of our students, she is an angsty teen coming of age. The difference is that she grows up during political conflict and war. Her world is changing around her, war has becomes standard, and she, as a teenager, is attempting to find normality in completely abnormal circumstances. But it’s Marji’s ability to navigate this morbid world and go through complex transformations that make her come alive on the page.

I tend to use graphic novels towards the beginning of the year when my students are becoming acclimated to analyzing writer’s craft (or even when they need a refresher on it). Oftentimes students are more in tune to looking at the details of drawings than of writing; they find it easier to pick out the eccentricities of images yet rarely do they question why the artist made the choices they did. Graphic novels give them the opportunity to do just this.

I have students work in small groups to analyze the artistic decisions of the illustrator. For example, in Persepolisthe scene to the right, Marji has been taken into custody by the Women’s Branch of the Guardians of the Revolution, a group in charge of monitoring women’s wearing of the veil. When they stop to study the images, students notice the repetitive stern expression of the guardian and the way Marji’s face appears to melt into squiggly lines as the frames progress. They notice the transition of the lines surrounding the word bubbles from smooth curved lines to sharp zig-zags. They recognize changes in font size and effects as well as the underlying narrative strand at the bottom of the frame that shows internal dialogue. As they analyze these details, they also begin questioning the choices that lead to the depictions of these conversations and emotions and what they ultimately mean in the context of the story. By the end, the graphics take on a more complex tone. The images come alive, the artist’s intentions become clearer, and they have immersed themselves in a new lens that allows them to take a second look at literature.

Hoping to See Some Damn Good Sentences

I am thinking about sentences.

For a few days now, I’ve been scoring stacks of essays. (If you teach English, I know you’ve been right here with me. Shana wrote about her disdain for grading and some solutions here.)

Reading student essays can be a joy or a chore. A really long never-ending chore. This time around, it’s like scrubbing the tub with a cotton ball after a team mud race.

With almost every essay, I’m scratching my head wondering how a student gets to be in 10th or 11th grade without learning how to write a clear, concise, complete sentence. Just give me one I want to say.

We could work with that.

So today, I am thinking about sentences and how to help students think about what they want to say before they ever lift their pens. And how talking about their thinking will help with their writing.

I am reminded of the importance of reading. Students must read and read a lot. We must teach them to notice how writers construct meaning by linking words into sentences. We must encourage them to talk about what they notice.

I’m thinking there’s more than one meaning here.

I am reminded of the value of mentor sentences. We must expose students to a variety of single sentences and help them talk through what moves the writer makes in each of them. Word choice, structure, details, figurative language: we must help our students understand how and why writers make intentional choices as they craft meaning.

Then, we must encourage them — and give them time — to practice crafting with intention on their own.

I am reminded of the need for conferences. We must make it a habit to talk with our writers one-on-one, regularly. The more we speak with them as writers, the more they will develop the identities of writers.

Writers take time to craft their sentences.

I recently read this post “5 Ways to Write a Damn Good Sentence,” and I am going to work these tips into my instruction the next few weeks as my students work on their final writing project. I am also going to find some mentor sentences that model each of the first four tips. We’ll practice the fifth one.

Next fall, I will not wait so long.

1. Insert facts.

2. Create images.

3. Evoke emotion.

4. Make promises.

5. Practice, practice, practice.

©Amy Rasmussen, 2011 – 2015

Anatomy of a Misfit by Andrea Portes

18340210This young adult novel was recommended to me by a fellow teacher of reading workshop who said it was immensely popular in her room. I downloaded it on my Nook and began to read it late one night before bed, and stayed up all night to finish.  I laughed on one page, clenched the covers in tension on the next, then cried, then laughed again, thanks to Portes’ masterful narrative skill.

The narrator, Annika, was a unique take on the typical YA protagonist, describing herself as the “third most popular girl in school,” whose Romanian father she calls “Count Chocula.”  Still, Annika finds herself in a number of classic YA conflicts–torn between two boys (Logan, who is unique and thoughtful, but social suicide, and Jared, who is magnetically attractive and popular) and torn between two friend groups (Becky Vilhauer and her evil “mean girls”-esque clique and the victims of that clique’s hurtful gossip).  Annika authentically struggles with these choices in a way I think most teenagers would, so this felt much more real than a John Green book, for example, to me.

As Annika’s unique voice kept me laughing and intrigued, the story grew darker, spiraling into a series of painful climaxes, as the book progressed.  While reflecting on one of these situations, Annika writes:

We tried to be less self-involved.  We tried to look up from our dumb obsessions and notice other people.  We tried to be open, for once.  We tried not to be just another vaguely racist family.  We tried to be enlightened.  We tried to be good.  We tried to be all of the things…we are not.

This beautiful excerpt reflects not just on Portes’ cut-to-the-quick analyses of common situations, but also her writing skill.  My students and I looked at that passage for craft and they created beautiful imitations filled with similar repetitive phrasings.

Portes’ beautiful language made me love this book, but I loved it even more when I read the afterword, which explained the inspiration for the book–Portes’ own high school experience.  Once you read the heart-wrenching conclusion, you’ll understand why I so vastly admire Portes’ blend of autobiography and gorgeous writing skill.