Category Archives: Community

Trigger Warning – Whole Class Novels

Ideas don’t sneak up on me. They hit me from just beyond my peripheral vision like a swift backhand to the kneecap. I can’t possibly go on as I had been only moments before. The ideas explode onto my consciousness, and then my to-do list, and then leap onto my calendar, and then to most of my waking moments until I actually do something about them, or surgically remove them somehow from my obsessive brain.

Translation: I had been happily proceeding about my merry workshop way with the start of the second semester, until this weekend when I met Kate Roberts from The Educator Collaborative via her recent blog post “The Healthy Skeptic.”

And now I can’t stop thinking about whole class novels. Or the brilliance of Kate Roberts. Or whole class novels. Or nostalgically gazing in the rearview mirror of my career at some whole class novels.

However, it would be disingenuous of me to paint my work with whole class novels, even The Scarlet Letter, with rose-colored glasses (Sorry. Hester has enough to deal with. I shouldn’t try to make this punny). Self-reflection and engaging students in honest dialogue, often reveals that my students, like most students, were experts in the art of fake reading. We were experiencing texts together, in many cases for far too many weeks at a stretch, but few were reading.

So while the merit of the texts in and of themselves might be harder to shake, it was easy to admit that the value to my students was relatively low in comparison to the amount of time we took, form writing we constructed, and smiling/nodding (on a good day) that was had.

I wasn’t teaching the readers, that’s for certain. And if students aren’t reading, I’m not really teaching reading either. We’re unnaturally drawing out the process for avid readers at best, turning young people off to or supporting preexisting negative feelings about reading at worst, and going through the motions far more often than our nation’s tenuous relationship with literacy can afford.

Yesterday, I found myself in a nearby district sitting around a huge conference table with two administrators, one reading specialist, and a dozen or so high school English teachers. I had been asked to come in and talk about Franklin’s experiences with high school workshop as this department weighs their options in moving forward with balanced literacy, daily practice, and all the options to start parting ways with traditional, and explore the unknown. This group of educators had incredible questions, a healthy amount of skepticism I think, and most importantly, a sincere desire to do right by their students.

We talked a lot about the nonnegotiables of workshop, considerations when structuring daily lessons, the difference between engagement and compliance, fake reading, assessment, classroom libraries, and the notion that teaching students to be English teachers leaves far too many students on the sidelines, nodding along or possibly disengaging from reading once and for all.

Mostly we talked about control. How hard it is to let go. How necessary it is to work to balance the power in your classroom. How creating a “reading love fest” as one cross-armed gentleman yesterday suggested, really is the best way I have found to get kids seriously, joyously, consistently reading. Is it a personal savior for every single kid? Sadly, no. Does it solve some problems and create countless more, absolutely. But here is the bottom line in my book: Letting go of some control to hand it over responsibly to the students whose education we are entrusted to support is one giant step toward getting our students to value that education that so many take for granted, can’t afford to really embrace, or think they don’t need for one societal reason or another.

Letting go of some control and embracing the very specific needs of the students can come in many forms. Right now, I’m thinking about how it might impact the selection of a whole class novel.

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This needs to look different and it must be intentional in every class, and my estimation of what my students need is only going to take me so far. Selection of a whole class text must serve the purposes of addressing the specific needs of the students in front of me.

My ninth grade teachers know, from speaking directly with their students, that most read, but don’t necessarily challenge themselves. Additionally, many have had longer texts read to them (excellent!) but have rarely finished a longer piece independently (not good!). In this case, the team feels that starting the year with a pointedly chosen whole class text is needed to really help students see what they can be looking for, thinking toward, and discovering when they read on their own. Many simply don’t have that skill developed deeply enough yet, to really do the type of critical thinking we’re asking them to do. And if that’s the case, the changes that their skills will develop independently are markedly lessened.

At the upper levels, I now have students who have been working in the workshop for over a year. As evidenced by students with books across campus, there is more reading happening now than in years past. However, the push toward challenge is spotty and in some cases, the real depth of understanding when challenge is pursued seems even spottier. In this case, our AP Language classes are considering using Between the World and Me by Ta-Nehisi Coates to not only tackle some recent unrest in our own school community but to work carefully together to analyze author craft across the main ideas of this dynamic text.

The key is to choose with purpose. To invite student input into that choice. To spend a reasonable amount of time working with the text (3-4 weeks is a general recommendation based on my recent experience and the advice of those far more seasoned than I). To have student-centered goals in mind. To celebrate the text without covering every inch of it, and possibly killing the book AND a student’s hope of becoming a reader in the process.

Our students deserve what our careful analysis of their needs would suggest we best use our limited class time for. The unifying study of a text can be just such an activity. Your professionalism, the unique make-up of your classroom, and the social events/factors that should drive national discourse – these are some of the most important factors in selecting any curriculum; however, the goal should always be the same. We want our students to value the power that comes with better understanding the human experience. Powerful books can take us there. Let’s read them together.


Lisa Dennis teaches English and leads a department of incredible English educators at Franklin High School near Milwaukee. Her personal mission statement is a work in progress but needs to involve equal parts readers, writers, thinkers, believers, and dreamers. Follow Lisa on Twitter @LDennibaum. 

The Power of Self-Reflection

For the last 9 years, I have been living proof that dreams come true. Once I decided to become an educator, all I would do is picture my ideal classroom, inspiring kids and motivating them to learn. For any new teacher, the excitement to begin our futures is so powerful; I wanted to bottle that up and keep it forever. However, the first year was all about survival. I devoted every waking moment to my job because that’s what I always thought “good teachers do.” I was like the Energizer Bunny; I never stopped planning, grading, copying, (did I mention grading?), etc. It wasn’t until 3 years in that I realized that teaching was different than what I thought it would be. I still loved everything about being in the classroom (okay, maybe not the paperwork), but I still felt that something was missing.

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I poured through a plethora of professional books and signed up for every type of professional development out there. While I was (and still am) appreciative for the feedback from colleagues and leaders in my district, I couldn’t get that image out of my head – the one where my hypothetical students were smiling, learning, and coming back to tell me all of the lessons they learned in my classroom. I was convinced those “lessons” in my dream classroom had nothing to do with participial phrases or thesis statements. Desperate to fulfill my vision, I did something I had never done formally before. I began to reflect on my own performance as a teacher.

Some things that came to mind were;

What do I want students to gain from being in my class?

How can I connect with every student?

Was I doing enough to ensure my students felt safe to take academic risks in my classroom?

Would I want to be a student in my class?

Am I the kind of teacher I would want for my own children?

As the years went on, I continued to ask myself those questions constantly. I saw a difference once I was open to growing and changing to fit the needs of my students. The connections I had with my students strengthened, as did the confidence I had in my classroom and willingness to accept constructive feedback from my colleagues and administrators. However, my teaching assignment changed, and now, I was up against high school students a.k.a teenagers.face

Quickly, I learned that my motivational “talks” and individual conversations with kids were not enough to keep their attention and frankly, I was doing all of the work. That also meant I was doing all of the learning, and I was NOT okay with that. I remembered seeing something on Twitter about “Growth Mindset,” so I decided to give it a whirl. I put together a fun presentation, had my students reflect on their mindsets and even create motivational posters for my classroom. They became involved in their learning in a way that I had never experienced or expected.

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This picture is of a bulletin board in my classroom. We choose the best ones as a class at the beginning of school and refer to them throughout the year.

I knew this wasn’t something I would only do at the beginning of the year. Shifting a mindset is a continuous process; It can be difficult, frustrating, and make you question every single choice you make. For most adolescents, this is something they don’t do, or don’t know HOW to do.  This year, I have had a tough time lighting a fire in my students the first semester. No matter what I did, I felt as if my students were just going through the motions. I took our “Growth Mindset” further by having them check their own progress. I created a simple 5 question survey that would help me target the real issues my students were up against

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As we talked through these reflection questions as a class, I reminded them that self progress is not limited to English class. They were free to reflect on whatever they felt they needed to improve on.

The questions weren’t rocket science, but they were the questions I wanted to ask each and every student. After all, they were questions I ask myself all the time! That is when it hit me. How many chances do I give my kids to be involved in their own learning? Shouldn’t they have a voice, a chance to explore and identify what causes them to be successful or not? Shouldn’t they have a place to figure these things out in a safe environment, free from judgement, rather than for them to be left to fend for themselves? Shouldn’t I be the one to model this openly for them?

One of the reasons I became a teacher was because I fully believe that what we do in the classroom transcends far beyond the mere 187 days we spend together. It is my purpose. Yes, I am passionate about learning, about reading and writing, etc., but my #1 priority will always be on valuing who my students are. Being able to show them that their progress (or lack of) is controlled by the choices they make, and that I truly care about the people they are becoming helps clear the way for them to take ownership of their learning. Once they see that their needs matter to me and they are encouraged to share them, they become open to change. They begin to see their obstacles as opportunities for growth.

Shana Karnes recently wrote about the power of conversation. She expressed that,

“Speaking and listening are much more than just standards for us to cover – they are the tools our students need to change themselves and the world for the better.”

I wholeheartedly agree. However, this doesn’t only apply to students. As educators, we should be the ones to model our own growth mindsets. Our students need to know that these conversations aren’t just one-sided; they have a voice, and how they choose to use it will help define who they are. We just have to give them a chance to do that. More importantly, we are the ones who need to be willing to listen.

What are some ways you encourage growth mindsets and reflection in your classroom?

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Gena Mendoza is a proud wife, mom of two little princesses, and teacher of high school English. Her students are well educated in the fine art of disinfecting their hands when they enter her classroom and appreciate her aversion to fluorescent lighting. She is an excellent re-tweeter and is currently working on her goal of reading 50 books by the end of the school year! Find her on Twitter and Instagram at @mrs_mendoza3.

 

A Reading Conference with Tom Romano

I am fortunate to be on friendly-emailing terms with the great Tom Romano, from whom I’ve learned much about good writing instruction, multigenre, and student voice.

So when I received an email from him the other day, asking for book recommendations, I laughed aloud. My most excellent writing mentor, asking me what to read next?

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I admit, I balked a little at first. This was like having Tiger Woods ask you what golf club to try next. But then, I fell back on my tried-and-true reading conference strategies, which I’ve used countless times over the years with reluctant and prolific readers alike.

As with any student, I had much of what I needed in order to give a good recommendation between the request itself and my background knowledge of Romano. When students need help finding something to read, we’ll often meet at the bookshelf. As they stare blankly at the wall of books, one of the first questions I ask is:

“What are you in the mood to read?”

Often, students can give me a feeling–something fun, lighthearted, serious, or challenging–or a genre–romance, nonfiction, adventure. It’s even better when they can give me specific titles that relate to their preferences. I usually glean these titles by asking:

“What’s the last book you read that you loved?”

In his request, Romano gave me all the information I needed–he wanted something literary, something like The Nightingale (which I’d read after Lisa recommended it to me), Atonement, or All the Light We Cannot See. He’d also answered another question I usually ask readers:

“What’s your reading plan?”

Knowing where a student will be reading this book–at work in short spurts, at home in long stretches, or on a crowded bus on the way to an athletic event–impacts my recommendation as well. Here, Romano told me he’d be reading for long, uninterrupted stretches of time in airports, so I knew I could suggest something all-consuming.

So, I stuck with my usual formula:

I recommended three titles.

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Exit West is a title I’ve heard a great deal about and would love to read, but haven’t gotten to yet; The Secret History is an amazing hidden gem by Pulitzer Prize-winning author Donna Tartt that I read about 15 years ago; and A Man Called Ove is a new viral title that made me sob hard over Girl Scout cookies and coffee as I finished reading it. My three recommendations usually consist of something old, something new, and something I haven’t read yet.

I wrapped up my pitch as I always do, with a clincher:

A promise of what the book will do for the reader.

A week went by, and last night at 11 pm, I received another email from Romano:

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“Loved Ove.”

A successful end to a successful reading conference, if you ask me…but of course, like any other conversation about books, I couldn’t let it end there. I just had to throw in one more recommendation, which I always do for my students when they return a book:

“If you liked that book, you should try ______________.”

This quick exchange of emails, like so many off-the-cuff conversations we have with students, was packed full of powerful data about a reader’s interests and abilities; a teacher’s knowledge of texts and titles, and most importantly, the transaction between the two parties–a shared endeavor to find a just-right book at just the right time.

All our words are imbued with purpose and power when we are discussing literacy. Reading conferences don’t need to be formal, sit-down conversations all the time. They have just as much weight when they’re held standing at the bookshelf, passing in the hallway, or from afar via email. This reading conference with Tom Romano reminds me: never take any of our talk about books for granted.


Do you have a what-to-read conference “formula?” What other titles might you recommend to Tom and me? Please share in the comments!

Shana Karnes is eagerly awaiting the end of flu season so she can go back to work without worrying about her two tiny daughters getting sick…again. When her family is actually healthy, she teaches preservice educators at West Virginia University, goes for long runs while listening to even longer audiobooks, and tweets about reading, writing, and school at @litreader.

What do colors have to do with teachers writing? Today, a lot.

When I read You Don’t Have to Say You Love Me by Sherman Alexie, I knew I’d found mentor gold. Infused with stirring poetry, this memoir tells the story of Alexie’s less than ideal relationship with his mother and how he grieves the loss of her, what was, and what could have been.

I reached for this book Monday as I began a session of PD. On a whim, I flipped the pages and landed on the poem, “Ode to Gray,” thinking it may spark some kind of response in my audience. It’s simple enough. And lovely.

Ode to Gray

This isn’t the complete poem. I just wanted you to get the idea. There’s one more stanza. Really, get this book.

After I read the the poem aloud, I asked listening teachers to write in response.

“Think of a color, and write about that. Write your own poem, or a paragraph. Doesn’t matter. Just write about your color.”

After writing five minutes, which is rarely long enough, I asked these writers to read over their words and do a bit of revision, challenging them to add an appositive phrase somewhere in their writing. This is a directive I often use with students:  We write. We read our work. We revise, often with a singular purpose that ties to a specific skill or craft move.

I walked the room, peeking over shoulders, listening to conversations — and noticed about a third of the group didn’t write a thing. Funny how some teachers are so much like some students, huh?

Maybe they didn’t get the simple task. I guess that makes sense if they’ve never been asked to write like this. I do not think that’s the case though. I heard one too many sigh and saw one too many eye roll to know I wasn’t the first presenter to ask this group to think and write.

It didn’t matter. We cannot make people eat. We can keep inviting them to the table.

Writing teachers should be willing to write.

Accountability in RWWorkshop

Some teachers in that session wrote a lot — and they wrote beautifully. Adam showed me his piece about the color black. I should have asked for a copy. All I remember is the line “Little black lies.” It’s a great line.

Of all I wrote, one line holds a bit of promise:  “Orange, the color of sunsets, why are you so lonely?”

And then there’s Mary. She took that little quickwrite and turned it into something tender, touching, real. She published it on Facebook and said I could share it here:

An Ode to Red
Workshopping With Amy Rasmussen
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Red is the fire of your cheeks as you demand to be heard in the morning before school, on a day I was supposed to get to sleep in late. Red is the fire of mine as I scream back, frustrated, unsure of how to solve this trembling toddler enigma. You want red grapes, I gave you purple. In your mind, they are not the same.
“What’s your favorite color, Mommy?” you ask. You expect an answer.
“Purple,” I say, knowing the question that comes next. We do this daily dance, aware of each other’s rhythm.
“And what else?” you ask.
“And orange.”
“That’s good, Mommy. Mine’s red. Red and blue. I love red and blue.”
Red is the sucker, no, the second sucker you negotiate for after getting your hair cut. Just one of the many tricks/bribes that I’ve learned along this short parenting trip we’re on together. Sticky, stained red lips, sticky, stained red teeth and sticky, stained red fingers.
“Go wash your hands before you hug me!” I yell as we walk in the house. “5, 4, 3, 2, 1…”
Red is the color of the bath water after you dump the entire bottle of finger paint into the tub.
“Bubble bath!” you shriek excitedly, giggling, red steaks strung along the sides of the just-washed tub.
Red is my heart each time I leave, and each time I return. Red is the love. All of the love, engulfing me in flames.


I see red a bit differently today.

Thank you, Mary. My kids are grown, and now I get to watch them practice parenting. It’s hard and noble work, and you will feel every color of emotion — sometimes all on the same day and sometimes more than once. But it’s that “love. All the love” that turn these emotions into rainbows. And sometimes just writing about them helps us see every moment just a bit more clearly. Thank you.

In an article by Tim Gillespie, published on the National Writing Project website, he sums up what I believe and have experienced myself as a teacher writer.

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Here’s the thing, you teachers who refused to even try:  It doesn’t matter if you think you can write. Just write.

What does matter is that our students see us working at it. Just like we must be readers in order to help our students find the “just right” book, we must be writers if we want to know the struggle our students face when writing.

We learn when we are vulnerable. We learn when we practice.

So I am challenging myself as much as I am challenging you:  Write beside your students more. Let them see your thoughts, your mistakes, your struggles. Ask them for feedback.

If I truly want a community, where we all work to grow as readers and writers, I need to do more to get us there.

Amy Rasmussen began writing in journals at age 8. In addition to this blog, she now writes in notebooks and on sticky notes. A lot of sticky notes. She also tries to write the assignments she gives her students. She wishes she would have had teachers who wrote with her, but she does not remember one K-12 teacher ever doing so. Follow Amy on Twitter @amyrass and @3TeachersTalk

Moving My Desk to Move Readers and Writers

Happy New Year!!!

What an interesting time of year this is.  The Christmas break offers so much opportunity in the way of reflection, thinking, and development.

I think back on the Fall semester and wonder where it went so quickly.  It’s as if one day I stood with my Student Council kids staring up wonder of the eclipse, and the next day I sent them off for the holiday break.  I must have told them how much I loved them thousands of times.  So much happened this fall and I have so much to think about.

Somehow the stack of books I’m currently reading grew massive this fall.  I’m determined to finish so many that are half read.  The Last CastleA History of WolvesReady Player OneLincoln in the BardoThe Glass Castle are staring at me like unloved puppies.

Reading is important to my teaching life but my thinking is about my classroom as a learning space.  Specifically, I reflect on how I’ve arranged it in the past and how I think that arrangement is antiquated and isn’t optimal for how I want to teach.

An article written by Paul Viccica and Lois Goodell and published in the October 2017 issue of University Business clearly states, “Classrooms that activate experiential and project-based learning approaches reflect the modern workplace by providing social and quiet work spaces, by offering breakout seating, and by creating technical stations where students can collaborate, focus independently and work technically, as they would in an office setting.” This sounds to me like its promoting authenticity in the classroom; something of a mantra for me this year.

I wonder if there is evidence that shows any positive effects of the teacher cordoning off a section of the classroom to create a fortress of solitude into which no student shall venture.

I hate what my teacher desk has become.  I hate that it, like so many others, is a great wall covered in papers, writing utensils, binders, books, note pads, a computer screen, and all the flotsam and jetsam that builds up in a teacher’s daily existence.  I hate that I sometimes find myself sitting behind my desk when the kids are furiously writing or deep in a text.  I despise the disconnect that happens when I steal a minute to answer an email or take the attendance.

Why is the siren song of that momentary mental break so alluring?  How many times has a student looked up to find me sitting at my desk and swallowed their question because I looked too busy to be bothered? I’m confident the answers to the questions are “not often.”  I hardly step behind my desk during classes and that just solidifies my need to make a big change to start this new year.

I’ve written before about the constant conferring that needs to happen in our independent reading and we all know those habits are crucial in teaching writing as well.  There shouldn’t be an opportunity for me to disconnect from the students.  Reading, writing, discussing; those are all activities that I should be completely engaged in, even if my role is just as the listener.  So, I ask myself, when are they doing something that I can disconnect from?  The answer should be: NEVER!

I made the decision to shove my teacher desk against the wall; abandon it.  Like an anchor, its holding me back and I want it out of my way.  I don’t need it anymore, nor do I want it.  It’s a symbol of a bygone era.  It’s one of those things I cling to for my comfort at the expense of students.

 

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This is my big move to start 2018. I hope it makes my instruction more effective.  I need a change and so do the kids.

I think it’s important for teachers to encourage other teachers to innovate and throw away the practices or procedures that no longer reflect their teaching styles. Is anyone else making a big change in their teaching life?

New Year, New Classroom!!!


Charles Moore has succumbed to the creativity of his Student Council students and their aesthetic is now his. He can’t stop thinking about how to maximize his classroom space with design and decoration.  He recently lost to his 7-year-old daughter at Clue and catches up on reading in the parking lots of dimly lit soccer fields around League City, TX waiting for his son to finish practice. His almost daily musing can be found on his twitter page @ctcoach

What’s the right way to book club?

I belong to a lot of book clubs.  Probably too many, if I’m being perfectly honest.  This book club habit, though, allows me view a range of activities that can be considered “book club” and has opened up the way I teach book clubs in my classroom.

Book clubs are valuable experiences in and of themselves and there is no one right way to “book club.”   Book clubs enrich the lives of readers and allow students to see a thought about a book go somewhere new with a friend.

We’ve all had those moments where we think, “Sure, I could run this unit as a book club, but how do I know the students are really reading?”  As much as it pains me to write … we know the students aren’t reading regularly and consistently anyway.  Penny Kittle’s Book Love gives a detailed account of the various deceptions and misdirections that high school students regularly go through when they “fake read” assigned classics for English class.  The concern is most certainly worth raising, but we also shouldn’t assume we already have a perfect solution.

And book clubs are not a perfect solution, either.  They are messy, they take time, and sometimes the teaching we do in a book club unit is more the teaching of life and human relationships than of actual content and reading strategies.  But to hear students arguing the role of fate in one’s life?  To see a gaggle of girls attempt to stymie me with a version of The Trolley Problem that they developed based on a book club conversation?  To see students become obsessed with the Berlin Wall because of a book club?  To listen in on how students work out interpersonal conflicts when they think an adult isn’t listening?

I’m telling you, it’s all worth it.

While there are no right ways to book club, here are some things that have worked for me:

  • Give generous choice in partner selection.  I maintain final say over groups, but I encourage students to indicate the classmates they want to work with on a survey.  A colleague encouraged me to add a space for students to include a student that they haven’t worked with yet but would like to work with in order to encourage students to branch away from just indicating friends.  If students look forward to talking to their conversation partners, I find they are more likely to read and more likely to have better conversations about the book.
  • Steer students towards books they might not otherwise pick up.  One of the hidden beauties of book clubs is that I can steer groups towards books they might not otherwise pick up.  Groups of students are more likely to branch out of genre or try an author they hadn’t heard of before if they have a group to do it with.  I use this opportunity to introduce racially diverse authors and authors whose works are set in other countries.  It delights me to overhear students discuss the role of Choctaw culture in the magical realist tale How I Became a Ghost or mull over the levels of privilege in Piecing Me Together.
  • Provide activities to get conversation going and flowing.  One of my favorite activities from this past unit was having each student write down five significant events from the story, one event on each index card.  Then, in book club groups, students sorted their cards into piles and labeled their piles.  If you look at this picture, you’ll see that some of the piles from this student group are about setting (“orphanage”), others are about themes (“bravery,” “hope,” and “family”) and another is an observation about craft. This activity allows students to notice their noticings and realize they are not alone in their thoughts.
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Once by Morris Gleitzman is the first of an incredible series. Bonus to a book club choice!

If your school has a traditional canon-based curriculum in place, there are areas where I would see book clubs falling flat.  I would not assign Hamlet or Macbeth in book clubs.  (I might, however, think about assigning excerpts to small groups after some whole class teaching.)  I might instead start book clubs in a lower-stakes medium.  Maybe your book club reads poetry.  Maybe your club members are obsessed with the Dallas Cowboys and each member finds an article on the Cowboys to bring to the meeting.  Or maybe your book club loves superhero comics, and you read the new Superman comics together.

Wherever you are and whatever grade you teach, I encourage you to give book clubs a go.

What about you?  What are some of your favorite book club rules and routines? Or what are your book club roadblocks?

 

Amy Estersohn is a seventh grade English teacher in New York and is a halfway decent trivia team member.  She collects her book and graphic novel reviews at teachingtransition.wordpress.com

 

 

Sit Down Next to a Child

The closing of a semester is a stressful time.

Exams are looming for both students and teachers, papers are stacking up behind, on, and under my desk, and I’m certain that my desire to crawl headfirst into a hole (with a book?) isn’t a positive indicator of mental stability.

It’s also usually the time of year (one time at least) that I look back and wonder:

Did I guide them toward appropriate challenge?
Did we study enough mentors to shine a light on the path of reading like a writer?
Did I book talk a variety of books wide enough to hook readers at all interest levels?
Are these students better scholars and citizens for walking into my room every other day for the past four and a half months?
Will they remember any of what we did, thought, explored together?

Did I do enough?
Was our classroom experience together ENOUGH for these kids? 

Often, I fear the answer is no.

With half the year gone, I sense a blur behind me and a haze in front of me, and here I sit wondering how I can do more without killing myself in the effort, because despite all the hopeful posts of great tips and tricks and successful tidbits to help kids become better readers, writers, thinkers, citizens…I don’t feel the warm satisfaction of someone who knows it’s been enough.

  • Several students are in danger of failing.
  • My struggle with manageable methods to hold students accountable for their work/thinking hangs over my planning, and reflection, and lack of free time.
  • There is a persist voice in the back of my brain that tells me there just aren’t enough days in the school year, hours in the day, or minutes in the history of the universe to meet the diverse needs of my students, the administrative demands of documenting student progress, or the expectations I have of myself to provide the timely feedback to students that will most benefit their authentic learning.

And then…

I sat down next to Leila.

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A quiet, but determined student, Leila and I have sometimes struggled during the year to let her insights shine. From anxiety to a difficult home situation, there have been tears after a graded discussion when Leila couldn’t bring herself to speak, writer’s conferences where the draft was so muddled with tangents that the heart of her message was lost, and plenty of weeks when reading goals were nowhere near met, because life and the chaos it could bring her got in the way.

But we’ve grown together. Slowly.

Leila is the type of student that packs up methodically after last period. Sometimes she has a question. Sometimes I can tell she just wants to softly say goodbye without the bustle of 27 other students in the room. Sometimes she’ll shyly ask if I’ve read her draft yet or how she did in discussion that day.

She wants to connect.

And often, we do – chatting for a few minutes before she needs to catch the bus.

But shame on me, there are times I feel rushed – hurrying to a meeting, wanting to sit down and get to a stack of papers, resisting the urge to pack up and run screaming from the building after a day of craziness (not often, but sometimes).

Yesterday, however, I got the end of semester reminder that I needed. Leila asked if she could talk to me about a personal problem. Family struggles were weighing heavily on her slight shoulders, and could I listen for a few minutes because she needed to “talk to an adult I really trust”?

I put down the stack of books I was distractedly organizing and looked Leila straight in the eye. She smiled weakly and I came out from behind my desk to sit right down next to her.

Her struggles are the struggles of countless students: split family, terrible treatment by a parent, a struggling single mother, a student who wants to succeed from a deep need to exist as something positive in a world that has shown her far too much negativity in her 16 short years.

And as I listened to Leila struggle through and very carefully chose my words to let her know I really heard and appreciated her, a buried spark was re-lit. The soft glow inside when you feel truly connected to another human in this vast expanse of brisk passings, hurried exchanges, and impersonal interactions.

It had been exactly six school days since I had had a meaningful sit down with a student. In the name of providing time to “do work,” I had not conferred with kids, talked up a book, or written a word with them. They were working. I was working. We were coexisting and it felt…cold.

A few weeks back, I had a big, fat, slam a door fight with my husband.

It had been a few days (weeks?) during which we had let the hectic schedule of daily life hollow out a growing gulf between us. From the depleted shells we can all become after a day at work, to the endurance needed to weather the willful meltdowns of our spirited daughter, to the dog who needs to be walked despite windchills below zero, to the painful universal truth illustrated by conversations centered around, “I don’t know, what do you want for dinner?”, we were operating in triage mode almost each and every minute.

As a result, we were successfully coexisting, forging ahead, making steady progress, and maintaining stasis. We were not, however, connecting or particularly enjoying the experience.It wasn’t until we sat down next to each other and took the time to engage in meaningful conversation, that we fully realized how empty the very “full” days had been.

Such is the way of it with our students. Not the dinner conversations and toddler meltdowns, obviously, but the need to reconnect…or work to sustain the connections we’ve forged before too much stress, distraction, work time, or any sort of “other” gets in the way and makes it awkward.

So as this first semester comes to an end, I am trying to avoid the nagging questions of whether or not I have been, done, or provided enough in class so far this year.

When you become the trusted adult to any child who needs you, you have not only done enough, you are enough. 

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Sending anyone and everyone that needs it, a virtual hug today. Whether you find yourself at the end of the semester, or jumping headfirst into the new term, your work is important and valued.

Each and every time you sit down next to a child, it’s an opportunity. How blessed we are to have it.

So take a seat. You deserve it and your kids need it.


Lisa Dennis teaches English and leads a department of incredible English educators at Franklin High School near Milwaukee. Her new semester will start with State of the Union conferences for each student to reflect on the semester passed, set goals for the upcoming term, and connect. Follow Lisa on Twitter @LDennibaum. 

May I have your intention please?

I am borrowing my word for 2018 from my friend Whitney who in her wisdom spoke right to my heart:  “My word for 2018 is “intentional,” and I see that manifesting as spending quality time with quality people engaging in quality pursuits…being conscious about what I choose to do. I’m tired of being spread too thin and being so stressed out and/or exhausted that I can’t enjoy the moment I’m in.”

Ever had that moment when someone says your words for you? Thanks, Whit!

My father instilled in me the habit of setting goals. He taught me how to write them down and then see them to fruition. I am pretty good at it (most of the time.) But lately, (like the past three years) I, too, have spread myself too thin, and it’s taken a long while for my inner voice to shout loud enough for me to hear it. Poor hoarse thing.

This idea of intention resonates like an echo from the canyon of my soul. This voice is serious and a little scary. See, I’ve operated intensely in the extremes for decades. How can I do this and this and this? How can I be more, do more?

But I have not always practiced intention. More is not always better. Duh.

I am reminded of a conversation I had with my friends and colleagues Amber and Mary. I had the privilege of mentoring them as pre-service teachers several years ago. They told me the best word to describe me then was intense. Of all the words in the world. . .

I get it. And these friends will agree: I have come a long way. But I’ve got miles to go.

So I am going to be a little more honest with myself. A lot more patient. A lot more sincere. I am going to set myself free. Free to explore and relax and play.

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To be able to do this more effectively, I am also going to take some advice I got from Adam and not just take a break from social media but detach from it — a lot. Maybe I will read a lot more of the books Adam recommends and make a bigger dent in my books-to-read-next pile.

I found this article 6 Simple Questions to Set 2017 Intentions, and I’ve played around with my own questions and answers in my notebook. I am a year late to the party, but I’ve got the pointy hat on now.

I also found a list of beautiful poems at the Center for Mindfulness, a place I should probably rent a room. I’ve printed them out and will paste these poems in my notebook and write around them. (I remember Penny Kittle saying one time that she does this:  pastes poems in her notebook that she can write beside while whiling away in faculty meetings.)

Poem I Said to the Wanting Creature Inside of Me

Will this intention transfer into my teaching? into my relationships with students? No question. Here’s how I rewrote those questions above to fit with my quest to be more intentional at school:

  • What are 1-3 experiences I want to have with students this spring?
  • Who are 3-6 students I want to deepen my relationships with this semester?
  • What are 1-3 things I want to try in my classroom that I’ve put off trying?
  • What are 3 way I will take care of myself more effectively during the school day?
  • Who on my campus can I get to know more meaningfully?
  • What one word do I want students to describe me?

We all know the benefit of boundaries. I don’t know why it is so hard for some of us to set boundaries for our own well being. As teachers, we take on a lot, don’t we?

My hope for myself — and for all of you — is that we can stop a spell, consider the moment, think about what matters in the long run, then, and only then, take a step toward whatever it is we want to accomplish.

There we will have a solid place for our feet. I like that.

What are your intentions for the new year? I’d love to know.

Amy Rasmussen is the mother of six grown children and two naughty Sheltie puppies. She’s married to her best friend of 32 years and teaches at an awesome senior high school in North Texas. She hopes this is the year she can stop everything else long enough to write that book. Follow Amy on Twitter @amyrass and @3TeachersTalk 

Remembering How Good Readers Read – Guest Post by Brandon Wasemiller

Happy New Year, Three Teachers Talk! We hope your new year is off to a magnificent start. Hot off the presses from Franklin High School, my colleague Brandon Wasemiller writes about challenging our toughest students to value their voices and embrace the opportunities that reading can hold in their lives and their academic experiences with participation in The Global Read Aloud. 


We often talk about sparking the love of reading in our students. It is our daily, yearly, and career-defining struggle. Over the past few weeks, I tried something new because I was really struggling with a Tier II Intervention class (A class I have taught in the past but was reassigned to this year). I was giving book talks, getting to know the students, helping them with their books, teaching them how to be readers; but nothing was sticking. Most of them didn’t even try.   

It wasn’t until the second week of class that I came to a realization through a reading engagement survey, a pre-assessment, and a set of conferences. It was an idea that slapped me across the face and helped me guide the class. They’ve been nonreaders for so long that they have forgotten what it is to BE a reader.I have to re-teach these kids how to read.

And with that, I was off.

A fellow teacher, collaborator, and 3TT All-Star told me about a great project–The Global Read Aloud. A way for teachers and students in different classrooms (and most of the time different states) to collaborate and talk about the same book at the same time. So what was the chosen book? A Monster Calls by Patrick Ness.

(Listen, quick aside here,  but if you haven’t read A Monster Calls yet, what are you even doing?)

And so we began reading A Monster Calls. I tried to think of as many ways as possible to teach this book and make it fun and interesting. I started teaching them about active reading and about thinking while reading. I modeled for them how I read, and I had them track questions and comments throughout, but honestly, I felt like I was spinning my tires.

Then, one day, I pulled out the good ole Audible app and I played the audiobook. The chapters (The Wildness of Stories”, “The First Tale”, and “The Rest of the First Tale”) all feature two distinct characters. Conor, a young boy who is suffering through his mother’s battle with cancer, and a gigantic Yew Tree that turns into a monster at 12:07 to tell Conor stories. At the end of listening to all three chapters, we had a discussion as a class. To my sheer amazement, every single student discussed what happened and had amazingly in-depth responses to my questions.

So what was different? Why did the audiobook reach them better than some of my other activities?

And it hit me.

They are listening and experiencing a real and authentic reading experience.

They are actively engaged and plotting along with a READER who is emphasizing words, speaking in different voices for multiple characters, and emphasizing italicized and stylized words, all helping us as readers paint a picture of the novel in our heads. These are the qualities that good readers do independently. These are the qualities my students needed to re-learn.


I have a memory that I don’t think I will ever forget. I was probably six or seven, and I was at my grandma’s house. Every day, after nap time, my grandma would have story time and she would read from this book of Disney short stories. She would read us a few and she always did the voices. My grandma was Br’re Rabbit and talked in a thick southern accent, she was Mickey and squeaked her voice. My brother, sister and I were her captive audience. Our favorite story, however, was the Tale of the Headless Horseman.

One dark, rainy afternoon (I’m being serious, it really was dark and stormy) my grandma stepped out of the bathroom and her head was tucked inside a jacket and the jacket was zipped all the way up. The effect was that she seemed to have no head. She sat down to read the tale of The Headless Horseman as the Headless Horseman. She performed the tale of Ichabod Crane and his race to get across the bridge before losing his head.

That was not story time, that was an experience. I was there on the bridge racing to save my life, I was looking at the evil horseman careening towards me as I begged the horse to ride faster, I was there as the Horseman drew his sword and prepared to strike….

The idea for this unit came to me as I remembered that sometimes enjoyment in reading is lost because we lose what it is that makes us readers.

When you’re a kid, your parents read to you in different voices. When you read out loud to your parents or to teachers at a young age, they encourage you to read like they do. They help you sound out words, understand what a comma does in a sentence, what it sounds like to read a sentence as a question or exclamation; and then at some point–after the training wheels are off–we no longer read out loud.

So we have students who hate reading because it has been force fed to them for so many years. We get them into Workshop and spark the passion of reading, but they have forgotten how to read. My hope for this unit is that it will help those students.

And so, with this new realization, I decided to have my students tell a tale of their own using A Monster Calls as my mentor text.


Prep: Find chapters that will challenge the students to be readers.

I decided to use chapters featuring two distinct characters. Conor and the monster. Students had to create two distinctly different voices (yes, having a monster voice was a requirement) and they had to deal with sarcasm, anger, frustration, and other emotions throughout the chapter. brandon1

There were three chapters all about seven to eight pages long, so I made three groups of seven to eight students per group. Each group was responsible for a chapter, BUT each individual student had to read–out loud–one page. (Huge selling point here, I just kept telling them “It’s only one page!”)

Mini Lesson – Active Reader Annotating

I told my students that the goal for our first class was to focus on how characters speak throughout the chapter. However, for me, this was an opportunity to teach them how to be an active reader and note taker. I did the first page myself under the document cam.

brandon2I annotated after each line of dialogue for how the character spoke. “What emotions are being expressed here?”  I also told them that we needed to pay attention to italicized words and what they are there for.

We looked at the line “‘He’s been very good, Ma,’ Conor’s mum said winking at him from behind his grandma, her favorite blue scarf tied around his head” (41).

“So why is the word VERY italicized?” I asked. The class then talked about sarcasm and how his mom says it that way as an “inside joke” between her and Conor. “It’s so that Conor’s mom shows him that she gets that this is hard for Conor to handle. She wants him to know she is on his side” one student amazingly pointed out. These are the kinds of things I want them to notice. Not so much content, but style and sentence fluency.

Then they set off on their own! It was time for them to work in their small groups and annotate their chapter–together. I knew that I wanted them to collaborate together so I printed out each chapter on extra large (11×17 to be exact) paper, and set them up in areas that they could circle up and all work together. I gave them the space to work it out and let them discuss the dialogue. If they couldn’t get it, I encouraged them to read it aloud to each other and discuss.

I was amazed at how well they did in their chapter prep work. Often there are students who will push back because they are scared to read out loud, but I found that having only one page, and six other students doing the same thing helped them through their stage fright.

The last step of that day: I let them chose the page they will be reading aloud for the audiobook chapter.

 

Practice (Group and Individual)

I opened the next class by reading a chapter to them. I did my deep intimidating monster voice, I did my frustrated Conor voice, and I did my mean grandmother voice. I put myself out there and it made the kids smile (and yes laugh) but that is the point. Model for them what you are looking for, voices and all.

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I told them that they need to practice and become comfortable with their reading of the page and now is the time to do that. Armed with Screencastify (an easily downloadable Chromebook extension for most computers) and a copy of their individual page with annotations, I send them out to record themselves. After they turn the recording into me, I listen and give feedback. I did my best to coach them away from monotone reading, whispering, reading too fast, or too slow, or most importantly, NOT doing a monster voice.

Clearance and Final Recording

The students were set to go.  As one final step, I called each group into the hallway and had them rehearse the whole chapter, as a full group, for me. I gave them my last bits of feedback and sent them back into the room to do a final recording.


I am already looking forward to revising this unit–make it even better. I feel that it can work in any and all classrooms. So much can be learned by understanding how a book is meant to be read and it is our jobs to help the students learn that.

What do you think of reading aloud and making group chapters come to life? Do you see your students struggling to be authentic readers? How have you encouraged students to have authentic reading experiences in your classroom?


Brandon Wasemiller has been teaching a Franklin High School for the past four years. He graduated from the University of Milwaukee-Wisconsin where he majored in Secondary English Education. When he is not teaching, Brandon coaches multiple sports (Girls XC and Baseball) and enjoys listening to audiobooks while at the gym.

 

And The Winner Is…

Greetings to you from the last day of school (Help me. Please, someone send help.), first (or second, you lucky devil) day of Winter Break, or the day you may be wearing two different color shoes. shoes

All of us here at Three Teachers Talk wish you the merriest of holidays, most enjoyable of breaks from school, and a fun, festive, and largely literary 2018. May the time you have with family and friends the next few days recharge your spirit, soul, and heart.

Leave a comment below with what you’ll be reading in the coming days! My to read list is four miles long, but a good recommendation is hard to pass up!

I am finally savoring the tragic beauty of Jeff Zentner’s Goodbye Days. It’s gorgeous, heart-breaking, and so cleverly phrased that I can’t wait to curl up and fly through the rest.

We are also tickled with holiday spirit to announce the winner of our signed copy of Tom Newkirk’s Minds Made For Stories!

winner

Derek Rowley – Maplewood Richmond Heights High School, St. Louis, MO

Congratulations, Derek! Thank you SO much for reading, sharing, and learning along with us.

Look for another giveaway in the coming weeks: Tom Newkirk’s Embarrassment is a must read on “the true enemy of learning – embarrassment.” Who will the lucky winner be?

Heartfelt wishes to you and yours for a joyous, and well deserved, break. See you in 2018!