Tag Archives: Readers Writers Workshop

Try it Tuesday: Taking a line

My AP Lang and Comp students have been writing. A lot.

We’ve analyzed arguments and written short analysis essays. We’ve read powerful OpEd pieces like this and this and this, and we’ve written responses and modeled these writers’ craft moves. We’ve written arguments on our blogs and had a bit of fun modeling Neil Pasricha’s Awesome writing as we practiced using figurative language and specific examples in our essays.  We’ve read about the importance of serious reading, and written one-pagers to defend, challenge, or qualify. Lately, we’ve studied the work of Bryan Stevenson in Just Mercy and watched his TED talk.

I sensed my students needed something a little different, but I needed to keep them writing. So with just one class last week, instead of using a full mentor text to inspire great writing, we used a sentence.

I pulled this quote from Stevenson’s talk:

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And then I asked students to write anything they wanted: poems, essays, stories, whatever. The only requirement? Use that line somewhere in your own writing.

Then, on Friday, students moved to our “writer’s chair” and shared their writing. Our community responded with sticky note blessings.

Several students were reluctant to share. “Mine isn’t good,” more than one student said.

“We are a community of writers,” I encouraged. “This is a safe place, and we all want to know what you have to say. Truly, no pressure.”

After a few volunteers, Martina finally rose to share her response to Stevenson’s quote. Her voice was soft yet powerful:

It’s the sigh of relief and relaxed muscles from knowing you did the right thing. It’s liberating and lightweight–the world suddenly doesn’t seem to be positioned heavily on your shoulders. It can be the doubt and little knock of guilt on the back of your head knowing you did the wrong thing. It’s the tempting feeling of doing correct actions, but not being able to when you’re being held against a wall by your own conscious.

It’s difficult to see greener grass on the other side of the horizon when it’s fertilized with the negative aspects of your actions. Learning to realize and move on from what cages you in is the only form of developing into a healthier person–sometimes this ends up being all it takes for it to be “The right thing to do.”

“Always do the right thing even if the right thing is the hard thing”

As kids we grow up with love from family, the goodnight kisses from your parents after a bedtime story, the reassurances of  “It’s Okay” after a tumble on the playground, and the form of love that lingers in the atmosphere when you’re around the individuals that raised you. As we grow our love transforms into something deeper, something more emotional, something dangerous. It might have started with a crush on the new individual at work, the butterflies twisting and turning in your belly are a pure indicator that you’ve deeply fallen in a midst of hearts and dazy clouds of love.

Often times, things go wrong. Abusive relationships exist and they are common amongst the men and women in our society. Nearly half (43%) of dating college women report experiencing violent and abusive dating behaviors, Nearly 1.5 million high school students nationwide experience physical abuse from a dating partner in a single year, and one in seven men age 18+ in the U.S. has been the victim of severe physical violence by an intimate partner in his lifetime.

The right thing in this case is following your heart. Men and women trap themselves in abusive relationships because loving the one person that hurts you seems to be the right thing. Other times, allowing yourself to step away from the relationship/situation is not an option and it becomes a tough obstacle to get out of the arms that hold a restricting grasp on you. There’s always help, there’s always somebody there. Reach out for the right motives even if it’s the hard thing to do.

Never let a person of interest degrade your actions or make themselves superior to you. The most damaging thing to do–and often hardest–is staying in an abusive relationship. Love is a beautiful thing, don’t let anybody damage that for you. Instead, do the right thing for your health, mind, and body without the harm of anyone or anything. 

Two students shared poems, others shared why they think that quote is important, and others wrote arguments of a sort like Martina’s. All were important reminders to me to let students choose how they show they are learning.

Of course, the shared experience of reading their work was pretty fabulous, too.

One of the best things I can do as a teacher of writers is to offer opportunities for students to share their writing. I know the more we share with one another, the better our writing will become. If I remain the only audience (or even mostly their only audience — my students do write on their blogs and leave feedback for each other), some students may never make the connection between writing and truly conveying meaning. Too many just care about the grade.

By just taking a line last week and then asking students to write whatever they wanted, and then sharing… we built trust in our community and we celebrated that we really are on our way to becoming better writers.

What have you tried lately that improved some aspect of your classroom community? Join in the conversation and share in the comments.

 

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Mini-Lesson Monday: Friendly Competition

Having just watched my beloved Green Bay Packers hand the game to the Atlanta Falcons, my belly is full of delicious chili, but my heart is heavy. Now, I’m watching the Cubs possibly beat Cleveland and getting an odd thrill over a game I have absolutely no stake in. I’m not usually such a sports enthusiast, but all the excitement has me thinking.

img_6450The thrill of competition, win or lose, can make the ordinary far more fun. This typical Sunday night, for example, involved good friends, good food, and a good amount of jawing about a sport none of us have ever played, but still feel the need to critique. Any other Sunday night would find me waist deep in student papers. A different kind of fun, for sure.

Competition in the classroom puts a spin on the ordinary as well. It’s been my experience that a little friendly competition can turn the most aloof high students into passionate, enthusiastic, albeit candy-crazed participants. When the “prize” is stickers, watch out. The stakes are suddenly cutthroat.

For this relatively ordinary mini lesson on narrative techniques, I took advantage of the fact that I have a class of 28 students. While there are countless techniques that a writer can use in order to advance the chronology of his or her piece, my sophomores were going to be focusing on the basic idea that chronology can be linear or nonlinear, utilizing techniques like foreshadowing, flashback, building suspense, and reflection.

One of my collaborative team members came up with the idea to have the kids make the anchor charts for the lesson (thanks, Weston!), and I ran with that img_6454idea for the active engagement section of the class.

Objective: After researching in small groups, students create anchor charts for narrative techniques related to chronology and use them to determine which techniques could apply to their own stories during revision of their current draft.

Lesson: Having researched their randomly chosen terms in small groups, students pooled their findings and created an anchor chart that included the name of the technique, a definition, a purpose for using the narrative tool, and an example or two. 

With a larger class, I was able to have two groups work with each term, meaning we could have a little friendly competition.

img_6448Students completed their charts and we distributed them around the room. With their small groups, students traveled to each poster pairing and took notes on the techniques, discussing with their classmates places in their own stories they could utilize the technique. In addition, students were deciding which poster they felt more accurately covered the technique and would fit in well with the logical detail needed for our classroom anchor chart wall.

There was a lot of great talk that followed and students writing notes and ideas down in their notebooks too. I loved listening to their ideas of how the technique could be incorporated in their stories and where/how it might best fit.

The voting process even made me smile. The class suggested that they should have an official delegate from each group come forward to vote and then hang the winning poster on the wall. It was very…democratic.

Follow-Up: Students worked during workshop time to identify the chronological steps taken in their papers already and then strengthen the purposeful inclusion of chronological techniques in their pieces. Next class period, we’ll be doing some peer editing involving the specific inclusion of these elements. That exercise and their final submissions will both involve assessment of the writing (peer assessment and self assessment) using the same rubric I will use to grade this portion of their papers.


Proficient Level Narrative Chronology:
The text creates a logical progression of experiences or events using some techniques—such as chronology, flashback, foreshadowing, suspense, etc.—to sequence events so that they build on one another to create a coherent whole.

How do you utilize friendly competition to engage students? Please feel free to share in the comments below. 


Thanks for the Great Read #FridayReads

I think it was a “thank you,” of sorts.

My associate principal, the ever-smiling, ever-supportive, Anita Sundstrom, had asked at the end of last school year to borrow some books to read over the summer.

I sent her home with Kristin Hannah’s The Nightingale (and I swear to the heavens and Nicholas Nickleby that Ms. Hannah isn’t paying me to write about her book. Though I may have mentioned how it made me weepy here, and how I broke the law to read it here,  and how the lovely Erin Doucette – who is so very lovely that she helped me with the title of this post at 7:31 a.m.- and I book talked it for the whole school here).

Only a few days later, I received a text from Anita. Something about reading until two in the morning and then not being able to fall asleep for fear of Nazis.

As I said…I think it was a thank you.

She couldn’t put the book down and immediately wanted another recommendation.

Translation: A book captured a reader and fueled a desire to keep reading.
Further Translation: The deepest desire of each and every English teacher fulfilled.

However, it wasn’t until I went to book talk The Nightingale for my current students a few weeks back, that I noticed the Post-it stuck to the inside cover of the book: “Thanks for the great read. – Anita” 

It made me smile. And want to pass on the book love.

So, when I did the book talk, I shared the brief reading story above and showed that Post-it to my students. I joked that Mrs. Sundstrom’s note added street cred to the book. After all, she’s a former science teacher.

Translation: The book has a wider appeal than just a tearful (though sincerely passionate) English teacher.
Further Translation: I now had an idea to help “sell” more books.

Next to the book return bin in my classroom, I placed a stack of Post-its and a few pens. I introduced the idea that we could all help each other better understand the books in our library and their appeal by leaving each other notes in the text. 

These quick little reviews could reach out to readers in search of a book. Those souls searching for a little connection to the readers that have gone before them. Swaying back and forth in front of the bookshelves. Staring. Now, they would have the recommendation of fellow readers right there in the book. The book that would already be in their hands.

Sometimes those Post-it notes can recommend a book I’ve not yet book talked. Sometimes those notes can recommend a book before I can get over to the shelves and help a student select a text. Sometimes those notes lend cred to book when a cover/title/description doesn’t do it justice.

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So…
Read a book.
Love it.
Leave your name and your thoughts on a sticky note.img_6677

Simple, right?

Helpful too.

Now I tease kids that their old school Post-it note reviews might find their way to Mrs. Sundstrom’s office, which is better than finding themselves in Mrs. Sundstrom’s office.

My hope is that the inside covers of my books end up looking like our writer’s notebooks: colorful, messy, informative, creative, and full of inspirational, deep thoughts.

So, thank a peer, thank a friend, thank a reader, thank a book. #FridayReads and then pass it on.

How do you capture students’ thoughts on books they love? Please share your ideas in the comments below! 

Knowing Where to Look by Amy Estersohn

I’ve discovered a way to pack more reading conferences into my day.

No, I do not possess the ability to extend class time (though I wish I did!) and no, I am not able to talk to multiple students at once (though I’m sure my students wish I could!)  

4816266197_7805b15db2_z1However, I have been able to sharpen my powers of observation, and through these observations I’ve been able to deepen my sense of the readers I work with.

I begin observing before the Pledge of Allegiance.  Who is using the minutes before the bell to read?  Who comes to my classroom looking for a new book because he finished one on the way to school this morning?  Who approaches me in the hallway to ask if I have the sequel to a book finished long ago?  Who remembers that she owes me a book?  Who mumbles apologetically because he loaned the book that he borrowed to a younger sibling?

I continue observing the hallways.  Who is carrying a book?   Who brings comics to lunch?  Who brings books to a school assembly?  On a field trip?

student-147783_1280When students have an opportunity to read in class, I observe body language.  Different readers have different methods of getting physically “into” a book.  Some fold the book in half like a newspaper and bring the book inches from their eyes.  Others put their heads on their desks.   To the untrained eye, teen readers can look slouchy, lazy, or inches away from napping.  These are students who have entered what Nancie Atwell calls “the reading zone” — they are so immersed in a story that they are lost to the outside world and are unaware of how others are perceiving them in that moment.

The conclusion of independent reading time gives me another time to collect observations.  Who is eager to close the book?  Who is reading to the end of the page for a sense of closure before placing a bookmark?  Who doesn’t hear the first warning and needs additional cueing away from the reading zone?  Who softly moans, “Noooo”?

When students browse for a new book, how do they navigate your classroom library?  Is there a section that they zoom towards?  Do they pick up the first book in their field of vision, or do they spend time weighing and considering their next book choice?

The data to help us build better readers is all around us when we learn how to look.

Amy Estersohn is a middle school English teacher in Westchester County, NY.   She also reviews comic books for http://www.noflyingnotights.com.   Follow her on Twitter at @HMX_MSE.

Try It Tuesday: 7 Ways to Shake Up Notebooks

October is nearing its end, and you know what that means…’tis the season of needing inspiration! The back-to-school spark of fierce, creative lesson planning has ended, and now we’re all just praying Thanksgiving gets here ASAP.

So, if you’re getting a little worn out from reading the same-old same-old genres in your writer’s notebooks, try these seven ways to shake them up.

Write down the language you hear around you.  From quotes in independent reading books to funny things our friends say, the act of noticing language helps us think like writers and expand our linguistic repertoires.

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Annotate a booktalk.  Instead of a focused craft study, or a question-and-response to a booktalk, try just taping it into your notebook and noting what stands out.  This, too, helps build the skill of reading like writers.

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Write in someone else’s notebook.  Shake up page after page of your own handwriting by switching notebooks with someone else when responding to a prompt.  Here, my friend Bethany wrote in my notebook as we wrote about invoking wonder.

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Try beautiful note-taking.  Sometime, somewhere, everyone needs to just jot down some notes…whether it’s in for readings from a class or in a staff meeting, try to beautify those notes with some doodles or colors.

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Attempt some literary analysis.  I love the classics, and I bet many of you do too–but sometimes we beat their beauty to death when we spend hour after hour analyzing them with our students.  Try pasting in a page of whatever you’re reading and just responding to how amazing the writing is.

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Jot down fun vocabulary words.  I love to note down both words that I don’t know and words that I just love, with no pressure to define them or use them in a sentence.  It helps me notice wordplay and attempt it myself.

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Paste in things you’d like to remember.  It’s too easy to throw keepsakes in boxes or delete emails that flatter us…so glue them into your notebook and flip back through when you need a lift.

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Shaking up notebooks in these seven ways will help your students curate a scrapbook of sorts–a place to return to and look back at long after it’s been filled up and the year has ended.  A notebook is a wonderful place to practice reading and writing skills, but it becomes most effective when it’s an authentic placeholder for growth, play, and memory.

How do you shake up notebook time with unconventional genres and prompts? Please share in the comments!

Mini-Lesson Monday: Do Teens Read Seriously Anymore?

It’s the end of our nine weeks. Well, kinda. I have one class of English 3 students that are at midterm since they are on accelerated block, and I’ve got two classes of AP English Lang who I share with AVID every other day in a year-long class, so they are at about the 4.5 weeks mark. Talk about crazy trying to keep the pacing straight and everyone moving.

One thing I know:  All my readers need to revisit the goals they set for themselves the first week of school. We’re going to start with independent reading. I’ve seen a little too much of this lately:

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Taken after exams when I suggested students use the time to read.

and not enough of this:

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Daily routine: 15 minutes of independent reading

I set the standard high and ask my students to read three hours a week. This is difficult for busy teenagers who are not used to reading (and if we are honest, many are not used to completing any type of homework).

We will read this article this week “Do Teens Read Seriously Anymore?” and create our personal reading challenge cards. But before we do, I want to get students thinking about themselves as readers and what reading can, and should, mean to them and what they hope to accomplish in their lives.

Objective:  Interpret a quote on the importance of reading and connect it to my own reading life; construct a plan to help me meet my reading goals.

Lesson:  Students will select up two literacy/reading quotes and glue them into their writer’s notebooks. They will then think about their reading habits over the past several weeks of school and write a response to the quotes that connects their reading experiences (or not) and begin constructing a plan on what they can do differently in the upcoming weeks to either continue to grow as readers, or start to.

Follow-up: Later in the week we will also read “The Insane Work Ethic of Mark Cuban, Jeff Bezos, and 15 Other Powerful Leaders” and write a synthesis-type response using the two articles and their personal goals for reading.

Please share in the comments your ideas for getting and keeping students developing their reading lives.

Why I Love My Writers (and some book suggestions, too) #FridayReads

 

Maybe you see this, too:

I’ve got truly brilliant, fun-loving, willing-to-learn students this year, but when it comes to writing, they are as sloppy as a room full of toddlers with their first plates of spaghetti.  Missing periods and capital letters, too many commas (or not enough), and the makes-my-eyes-bleed lower case i. That one’s all over the room.

And I keep seeing this new thing:  the missing “it.”

Take this for example, all sentences from a self-evaluation students completed last week:  “My reading’s good, is something I do to release stress,” or this one: “Is the same thing as going somewhere,” or this: “My reading improved is better because I tried more.”

What?

Do I worry about mechanics over ideas? Never. Do I worry that my students know better and are just not paying attention? Always.

I teach juniors in AP English Language. This string-your-spaghetti-anywhere-you- want-punctuation should not be happening.

So we slowed down a bit. Took a step back. Searched in our in our independent reading books for sentences that struck us as interesting.

Students wrote their sentences on notecards. Here’s some they chose:

“It’s easier to jump out of a plan — hopefully with a parachute — than it is to change your mind about an opinion.” Think like a Freak by Levitt and Dubner

“We looked over toward the echoes of burdensome chimes, the slip and boom of the clutch and rasp of gears as the ice cream truck entered the dead-end streets and curves of Las Lomas.” Always Running by Luis J. Rodriguez

“They played basketball the way basketball is supposed to be played, and in the end they lost — but not before proving that Goliath is not quite the giant he thinks he is.”  David and Goliath by Malcolm Gladwell

“The barber gazed in amazement at this man with long-thick and black hair and beard, which gave his head the appearance of one of Titan’s portraits.” The Count of Monte Cristo by Alexander Dumas

“When he smiles, she notices that he has a dimple on only one side, and there’s something about this that makes him seem endearingly off-balance.” The Statistical Probability of Love at First Sight  by Jennifer E. Smith

“At the end of the hallway is a boy so powerful, so fearless, that he’s set up shop in the middle of a sacred site and renamed himself Goliath.”  Vivian Apple at the End of the World by Katie Coyle

“I felt a hot, tingly sensation spread spread over my skin as I slid down a few inches against the bench seat, wishing I could just melt directly into it’s crusty upholstery.” We Should Hangout Sometime by Josh Sundquist

“This is an ordinary Monday morning school day.A Stolen Life by Jaycee Duggard

“You see, Cinderella and I know what it’s like to look in the mirror and not recognize the reflection.”  Skinny by Donna Cooner

Then, in small groups we categorized sentences long and short, many punctuation marks or few. And we discussed the whys:  How does that mark help create meaning?

We could have spent days on this lesson. I should have allotted more time, and we will certainly return to it (maybe next week — it’s that pressing).

Then, yesterday as a way to join in on the National Day on Writing, I asked students to create a slide that explained why they write. Their slide needed to contain an image, a beautifully crafted sentence that included at least one of the literary or rhetorical devices we’d focused on recently, AND everything had to be correct: capitalization, spelling, punctuation. You might call me out on Olivia’s, but I think it works.

The ratio for correctness on this voluntary assignment was 22:6.

Here’s some of their tweets, evidence of why I love my writers. And also the reasons I hope we can take a little more care as we write. They have such amazing things to say.

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Try it Tuesday: Revising a Goal…Card

Part of being relatively new to the workshop model is acceptance of personal limits on time, resources, and physical strength (I carry a lot of books around these days, but my twig arms persist). What workshop instructors can’t be short on is creativity, sales skills, or copies of  All the Light We Cannot See

So, as I start my second year exploring workshop, I find that some things need major overhaul (my capacity to read all of the books I want to read and share with kids) and some need tweaking (I’m going to try not to tear up while book talking The Kite Runner next year,..but no promises).

Last spring, I wrote about trying to motivate my readers with a visual reminder of the goals they were setting for their weekly reading. We created goal cards and placed them in our choice reading text at the point we wanted to read to (and beyond!) in the coming week. The card looked like this:

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Great. Except…not so great.

The goal card, meant to be inspirational, looked like a standings report at a track meet. Numbers, checkmarks, and most hideous of all, math. 

So, in the spirit of innovation, I went back through our former posts to find one I remembered from Shana about self-monitoring reading homework by calculating reading rates and then making bookmarks out of paint samples to inspire her readers. Beautiful shade progressions to symbolize change, quotes to inspire reading greatness, and reading rates, all tucked neatly in a text: IMG_9336

Great. Except…not so great.

Wisconsin hardware and paint stores now seem to only carry single color swatches or detailed color wheels in elaborate weekend warrior pamphlets, neither of which hold a place in a book in influential fashion.

Enter, my revised goal cards. A marriage of inspiration, functionality, and good old fashioned visual cues:

Students spent a few minutes finding quotes about books and reading that spoke to them. With my sample under the document camera as a guide, students created goal cards that reminded them of the importance and power of reading, and of not only setting goals, but keeping those goals visible in their daily reading.

Instead of using these cards as bookmarks, however, we calculated our reading rates (How many pages did you read during our ten minute reading? Multiply it by six and then double it for a two hour goal in your current text.), wrote them on the first page of our writer’s notebook under our text goals for the year, and then put the goal card in the book at the approximate place we’d reach in the text when we’d read for two hours.

Goal setting is important. As I tell the kids, it’s so important that we need to get our goals in print and on our minds to see them daily and make reading a habit.

Visual cues can help. In fact, sometimes they make the difference between passive participation (Sure, Mrs. Dennis. I’ll read for ten minutes in class…) and the active engagement we all seek.

What tweaks have you made to your workshop practice this year? Any major overhauls? Please share your ideas in the comments below. 

Mini-Lesson Monday: Developing Social Imagination by Making Connections

imgresI’ve been reading Peter Johnston’s excellent Opening Minds with my preservice teachers, and it’s a must-read.  One of the skills Johnston says the most open-minded students possess is that of social imagination, or being able to understand “what others are feeling, to read people’s faces and expressions, to imagine different perspectives, to make sense of abstract ideas, and to reason through this.”  In other words–empathy on all levels.  It strikes me that this is both a reading skill and a life skill.

To have your students practice social imagination, as well as grapple with a complex issue, try the following mini-lesson–which I believe I’d stretch out over two class periods.

ObjectivesDistinguish the differences between meaningfulness and happiness according to the article; Connect the concepts of meaningfulness and happiness to yourself, the characters in your independent reading books, and people in the world.

Lesson: First, I’ll emphatically booktalk Viktor Frankl’s 1946 classic, Man’s Search for Meaning.  This book, written in just seven days while Frankl was imprisoned in Auschwitz, argues that life is always worth living as long as one feels they have a purpose.

Next, I’ll distribute copies of The Atlantic‘s article “There’s More to Life than Happiness,” which pairs Frankl’s book with current research on happiness vs. meaningfulness.  To give students a purpose for reading, I’ll ask them to read the article with a pen in hand, noting the differences between a happy life and a meaningful life.  

To get kids synthesizing the information, I’ll ask, “Once you’ve finished the article, answer this in your notebook for a quickwrite: which do you think is more valuable–a happy life or a meaningful life?”

The article is lengthy, and I’ll allot 30 minutes for students to read and respond in writing before we debrief.  As a whole class, we’ll have a discussion in which we focus on what the article argues, what the students believe, and how culture may have nudged us to believe those things.

imgres-1The next day in class, we’ll refer back to the article before beginning independent reading time.  “As you read today, pay attention to the characters in your book–are their lives more happy, or more meaningful?”

When we wrap up silent reading time, I’ll ask students to turn to a neighbor and tell about the characters in their book, and whether they’re happier or more purpose-driven.  This time will double as peer book recommendations as well as a quick assessment of the text-to-text connection.

After asking students to share out any really great characters they heard about (to give the class more reading recommendations), I’ll ask students to open their notebooks and quickwrite about a text-to-self connection–“is your life right now filled with happiness or meaning?  Or both?  What do you want for the future–happiness or meaningfulness?  Freewrite about this issue in general.  These responses will stay private.”

After writing, I’ll ask students to grab a post-it note and make a text-to-world connection–from their parents to friends to public figures to entire communities, countries, or cultures.  I’ll collect the post-its for a quick assessment.

Follow-Up: I’d like to return to the idea of meaningfulness vs. happiness with a reading or writing unit on the issue.  We could collaboratively study almost any novel, poem, story, or article in reading workshop through the lens of identifying purpose vs. happiness, or explore the issue further in a writing workshop geared toward either narrative, informative, or argumentative pieces.

How might you have your students consider the issue of meaningfulness vs. happiness?

 

Using a “Traffic Light” System to Explore Readers’ Interests and Sensitivities by Amy Estersohn

9kThis summer my social media has been clamoring about content warnings and safe(r) spaces within an academic community.  To what extent do we as educators bear responsibility for how our students respond to the material we may present to them?

I’m sure some educators probably feel that such gestures are a product of an over-coddled generation at best or somehow reduce literature to mere plot points at its worst (spoiler alert: Johnny dies), but I decided that I wanted some way of understanding my students’ emotional lives and some understanding of what topics upset them or get them excited.

On the first day of school this year, I introduced and modeled a traffic light system in response to independent reading:

Green — topics I like to read about and topics that interest me.

Yellow — sometimes I like to read about these topics, and sometimes I don’t

Red — topics that upset me.  If I come across this topic in an independent reading book, I stop reading.

I modeled a response for my seventh graders, using touchy subjects that often come up in middle grade fiction.  I described divorce as a red topic for me, autism as a yellow topic, and illness as a green topic.  

Reader responses were fascinating.  Death and illness books were by far the most divisive, with some readers describing death as a green topic and others as a red topic.  Holocaust books were similarly divisive.  Many readers described enjoying books that were “sad, but not too sad.”  Some readers identified red topics that I would have never identified on my own as a potential tough topic (e.g. car accidents, physical disfigurement.)

imgresAlso interesting was that what I know about my readers’ personal lives didn’t always square with what they wrote about their reading topics.  Some of my readers seem to want to read books that mirror their real-life struggles.  Others want to veer far away from those topics.

Based on these responses, I adjusted some of my lesson plans slightly.  I had been planning to use parts of Lisa Graff’s phenomenal Lost in the Sun as a whole-class model for character, but based on these responses, I’m not sure all of my readers would appreciate reading about survivor’s guilt as much as I did.  Instead, I’ll use parts of Jason Reynolds’s As Brave As You to teach the same concepts.

I don’t see myself swooping in to warn a student before starting a book as lovely and potentially upsetting as Ms. Bixby’s Last Day by John David Anderson or The Seventh Wish by Kate Messner.  However, I want to continue the conversation about red, yellow, and green topics. As independent readers, we have a right to establish limits, and when we read a part of a book that approaches or goes over our limits, we have a right to put it down and talk to somebody about what’s upsetting us.


Amy Estersohn is a middle school English teacher in Westchester County, NY.   She also reviews comic books for http://www.noflyingnotights.com.   Follow her on Twitter at @HMX_MSE.