Tag Archives: Readers Writers Workshop

If You Can Talk About a Book, You’re Not an Average Kid

I wish the library had a door that had one of those big misting foggers. You know, the ones at Six Flags in the summer where the water gently washes over all the sweat and grime of a hot day at the park? I’d like a mister to wash away all the negative feelings my students have about books–or at least dilute it, so I have a chance to baptize the kiddos into the wonder of the written word. So far they fight me like they are scared of water.

I don’t get it. My students are 14 years old. When have they ever been exposed to books enough to know that they hate them? Couldn’t be those evil slacking middle school teachers, could it? The ones some of my colleagues complain about: “What do they DO in middle school? These kids don’t know a thing!” Or, maybe the problem goes back to elementary: “If we don’t get this book read, we won’t get to play outside.” Hmmm.

Now, before teachers in lower grades than me get in a tizzy, let me be clear:  I KNOW you work your tired feet to the achy-breaky bone. I am sure at the end of the day, you are as weeping weary as I am. I am quite simply trying to figure this reading thing out. There has to be a reason why my freshmen hate books.

I’ve been giving this a lot of thought, and here’s what I think:

1. My kids only think they hate books. They don’t really hate them because they haven’t read enough to know if they like to read or not.

2. My kids think that reading is not cool. The experiences that they’ve had with books in the past have not been positive enough to make them risk the “nerd” factor in high school.

3. My kids will never love books if I (and teachers like me) don’t show them that there’s something to love between the pages.

4. My kids are lacking reading role models. Few in their families are readers, so they have no idea of what a reader does, or what she says.

This is where my job gets real. Real life can change for my kids, if I can get them to read.

How do I present scenarios that show the advantages readers have over non-readers? How do I introduce them to stories that mirror life and non-fiction that expands their world? Because their world is often the 10 square blocks in which they go to school, shop, play, and live.

First, I have to talk about books. I have to talk about books ALL THE TIME. Seems like for the past two years I’ve started off the year quite well. I line my whiteboard shelves with new YA titles and hold one up for a book talk every day for the first two weeks. Without exception, every book I’ve introduced is in a kid’s hand by the end of the day. Why do I stop? Why do I let the testing trolls make me think that practicing other skills is more important that independent reading? I must stop their incessant mutterings.

Next, I have to hold students accountable for their reading. I’ve tried Let’s Read the Most Books Contests between classes. They don’t care. I’ve tried threatening “If you don’t read, you’ll fail.’ They don’t care. I have to somehow change my idea of accountability. It’s not like I ever have to record a grade because a kid read a book. Wouldn’t it be better if I just found out that a child enjoyed reading it?

A teacher friend suggested I conduct Book Chats like she does. While the majority of the class reads silently, she asks one student at a time to come sit in the “blue” chair where she asks specific questions about the book they are reading. She says students clamor for the opportunity to have one-on-one time with her. I see the value in this. In my classes of 30 plus students, the teacher-to-student ratio prohibits much individualized talk. I bet I can learn a great deal about my students if I sit and talk with them. Maybe saying we’re talking about books is how I’ll give myself permission to take the time. And maybe through these conversations, kids will come to know that reading is cool because if you can talk about a book with a teacher, you’re not just an average kid.

Finally, I need to read more. Seems funny because I read ALL THE TIME. Ask anyone who knows me. I just don’t read the kinds of books that my students will get lost in: those urban settings with real-life teen scenarios. I work with teens all day, I don’t really want to read about their [drug, sex, gang, crime] lives outside of school.

But I will.

I will if it will help me match books to students’ interests. I will if it will help me show kids that books can help them solve their problems. I will if I can get kids to stop saying they hate books.

Honestly, I wish I would have had a teacher who loved books as much as I do. Maybe I did, but she never invited me to have a chat about reading. She never showered me with book ideas or helped me see myself through the voice of a character. I would have camped out in that blue chair and counted the minutes until we could talk.

Who knows? Maybe my plans are too simplistic. Maybe the classroom library I’ve built will continue to gather dust, and my head will get mushy with too many teen stories, but guess what? There is no magical misting device that’s going to wash away students’ negative feelings towards books. There’s nothing that’s going to convince them that books contain knowledge and learning and friends. If my students are going to have a chance at all of learning to love books, it’s going to have to be me talking about titles and chatting about characters.

I am up for the challenge, and it begins now: I’ve got 55 new YA books in the trunk of my car. It’s time to get reading!

Yes, You Can Do Workshop in an AP English Class

I sat listening to Donalyn Miller the author of The Book Whisperer talk about how she gets her students to read an average of 60 books a year. She talked about student choice in selecting books. She talked about reading herself in order to match books with kids. She talked about creating readers and not just teaching reading. I thought:  “Cool, but how do I do that with MY students?”

I’d just been assigned to teach AP English Language and Composition the next fall, and I was trying to get my thoughts aligned with the expectations from the College Board. At the same time I was in the middle of my three weeks National Writing Project summer institute, and I kept hearing that I must give students time, and more time, to read and write. My head swam.

At one point, I asked Donalyn: “This is all great, but how does student choice and all this reading work in an AP English class when the focus is on students passing the exam?” Honestly, I was put off by her response:  “It’s not all about the test. Is it?” Yes. Yes it is.

Or so I thought at the time.

It took me three years to figure out how to use Workshop in my AP English class, but I have. Mostly.

My Definition of Reading Writing Workshop:  Students do more work than me!

Weekly Schedule

Monday Tuesday Wednesday Thursday Friday
Flex Instruction/ Writing Workshop: Timed Writing Debrief

HW: blog post due

Reading Workshop:

Multiple Choice/Critical Reading

Direct Instruction/ Reading or Writing Workshop as needed Writing Workshop: Timed Writing

 

HW: blog comment due

Alternate Weeks:

Topic & Theme Flood/Vocab & Current Events

The table shows a typical week in my AP workshop classroom. Of course, there are always interruptions to my well-planned schedule.

Blogs:  Student Own and Class

One of the best instructional practices I have is mandating that my students create and post to blogs. Some kids truly take ownership and write more than I assign; some do the absolute minimum. Some refuse to blog at all. Those are the kids who miss out on the practice it takes to become an effective writer, and most of those do not get qualifying scores on the AP exam. My class blog is Citizen Scholars. You can see how I post prompts that students respond to either in the comments or on their own blogs. To see student sample blogs scroll down my blogroll and click on a few. Some are better than others: Joseph, Sarosh, and Simina’s are quite good. When I give students choice about what they write on their own blogs, I consistently get better writing.

In the fall of this past year, I had students find and read current events of their choice. On their blogs they had to write a response to something within the article they read. I scored their writing based on whatever skill we worked on in class that week, using a generic version of the AP writing rubric. Spring semester I tried something new: students were to move through the modes of writing. They got to choose their topics; one week they were to write a description, another week a compare/contrast, etc.

My students write more than I can ever grade. I might grade one in three blog posts, but the more feedback I give, the better the writing. Using Google Reader and the Flipboard app on my iPad is a simple way to read student blogs. I give feedback on sticky notes. Or, if you get your students using Twitter, they can tweet their blog urls every time they post. Again, using my iPad, I can read their blogs and leave feedback quickly via my own tweets and re-tweets of student blog posts.

Multiple Choice Practice/ Critical Reading

Historically, the part of the AP exam that my students do the worst is on the multiple choice section.  As a result, I’ve tried to include more targeted practice with critical reading. My goal is for students to complete 30 multiple choice practices per year. This is difficult (I think I got through 24 last year) but is proving to be worth it as students’ scores improve. Some variations on multiple choice practice (all can be done in small groups or with partners) include:

  • Students read and discuss the passage, finding rhetorical devices and explaining the effect they have on the piece
  • Students use question stems to write their own questions and/or answers for the passage
  • Students receive the multiple choice questions without the answer choices and must answer the questions in short essay format
  • Students receive only the answer choices and must compose the questions that go with them

When students engage in the “work” of reading, they are absorbed in what I called Workshop. The challenge for me was learning to trust that my students would find everything important within a passage. They surprise me every single time!

Direct Instruction/ Reading or Writing Workshop

I learned from Penny Kittle the value of using professional authors like Leonard Pitts, Jr. and Rick Reilly as mentors. Craig Wilson, USA Today columnist, and Mitch Albom are also favorites. These authors write about high interest, contemporary topics, and their writing is chalk full of the rhetorical devices I want my students to include in their own writing. Some weeks we read like readers–reading articles as we focus on content and comprehension. Some weeks we read like writers–analyzing articles as we identify and discuss the effects of the language the authors use to create their messages. Like Kittle, with students I create anchor charts that hang in the room, which detail the different techniques authors use in the majority of their pieces. In years past I’ve had students write process papers on topics of their choice, modeling the writing of one of our mentors. These are often students’ favorite pieces of writing.

Since time is so limited, students write their drafts outside of class. (Of course, I have to teach them the difference between a draft that they are ready to get feedback on from peers and their pre-writing that they quickly sketch during the period prior to mine. Drives me crazy.) In class, students read, evaluate, and give feedback on one another’s writing as I wander the room and conference with as many students as possible.

Conferencing is the key to creating better writers.

During my larger classes, it is difficult to conference with each student. I often post a sign up sheet with time slots for before or after school. Students may choose to meet with me for a more in-depth discussion about their writing. Depending on the student’s needs, I might make this additional conference time mandatory.

Book Clubs

Since I want my students to become lifelong readers, I try to introduce them to books that they will be compelled to read. The AP English Language exam, unlike the Literature exam, does not require students to be well-versed in any specific pieces of literature. It would be easy to delete full-length books from my syllabus, but in my heart I am still a literature teacher, so I want my students to read good books. I also agree with Penny Kittle:  students must be prepared for the rigorous reading they will have to do in college. If I can get students to spend time reading books they enjoy, perhaps they will be better prepared for the time demand of college reading.

I got the idea of student book clubs from a colleague in a neighboring district. She introduced me to the novel Extremely Loud and Incredibly Close by Jonathan Safron Foer (before the movie) and told me that once I read that book and felt the need to talk about it–because I would, I would understand how Book Clubs could work with my students. She was right. When students read something that is interesting and requires discussion, they will read (instead of Spark Note), and they will be more likely to read more.

My students read a minimum of four books outside of class (not enough, I know.) They choose titles from my short list. While this does not allow for complete student choice, it does allow for a little. I try to select books that have complex themes or subject matter yet are engaging enough that teenagers will find them interesting. Students meet in Book Clubs during class once a week for about three weeks to discuss their books. Then, our focus changes from reading to writing. Students continue to meet with their Book Clubs, but now the clubs become writing groups. Once the books are read, students must write process papers in which they address some aspect of the book they read and write an argument about it, using evidence from the books as their support. Many students find these essays difficult; they are very college-like in that students must “read the book and write a paper about it.”

I conduct many mini-lessons while students are writing these essays, i.e., structure of an essay, semi-colon and/or colon use, periodic sentences, embedding quotes, etc. Students know if I teach a mini-lesson, I expect to see evidence of mastery of that skill within their essays.

Topic & Theme Flood/ Vocab & Current Events

The topic & theme flood is something my team is going to try this year. We got the idea from a trainer from AP Strategies we’ve been working with for the past year. She suggested that since most students know so little about the world in which they live, we need to bring the world inside our classrooms more. Every other Friday students will engage in a discussion about a specific topic, e.g., integrity, belief, power, success. They will read a short passage that focuses on the topic, identify the theme, and then have to “hunt” via the web for current events that relate to that topic and/or theme. Then they will engage in some kind of activity wherein they share the articles that they find. We hope this will help build student background knowledge for the variety of passages that might appear on the exam, and build their knowledge of the events happening in the world around them. We plan to include vocabulary instruction that corresponds to our topics, but that is still a work in progress. Most recently we used a vocabulary list of SAT words, but we feel that focusing on words that would describe tone might be more beneficial–not sure how that will look yet.

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While I do not have Workshop at an AP level all figured out yet, I love the challenge of trying. I know that students like to think, and they like to be busy in class in a way that forces them to figure things out. Workshop is the best avenue I have found for getting there. The best comment I heard all year came from Daniel, a genius of a kid with a knack for cutting up and getting under my skin. He said, “Mrs. Rasmussen, this is so hard. You make us think so much.”

Yep. Something is working.

Writing Workshop: Assessment and Hope

Students should write more than teachers can ever grade. I heard this first from Kelly Gallagher, author of the book Readicide, a book, among others, that helped me frame my curriculum around Workshop. If I remember correctly, he said that his students write four times more than he grades. Really?

I pondered this for a long while, and I still struggle, but I think I have some of it figured out. I thought for a long time that my students would not write unless I graded what they wrote. Every assignment:  “Is this for a grade?” Every answer: “Yes, everything is for a grade.” The refrain got old.

Then I tried something new: I began writing with my students on the first day of school, and I had some kind of writing activity every single day. I don’t remember where I read it, but when I was researching the work of the reading writing workshop gurus a couple of years ago, I know I read:  if you struggle with time and have to choose between reading or writing, choose writing.

It’s the complete opposite of what I thought:  My students are struggling readers. How do I give up reading when I know they need it? I thought about it more and realized: If I teach writing well, students will be reading. And they will be reading a lot.

So let me explain how this works for me. Remember, I teach AP English Language and Composition (that’s the top 11th graders) and English I (that’s on-level freshmen)–two extremes.

Writing Every Day

There are many ways to get students to write every day. Of course, some ways will get them to take their writing more seriously than others. I find that when I give them an audience, students will put a lot more effort into what comes out their pens. Audience matters!

Topic Journals. Following the advice of Penny Kittle, author of Write Beside Them, I created “topic journals” that students write in once a week the first semester. I bought composition notebooks and printed labels, using various fonts, of the topics: love, conflict, man vs. man, man vs. self, man vs. nature, war, death, gender, hope, redemption, family, romance, hate, promise, temptation, evil, compromise, self-reliance, education, friendship, guilt, doubt, expectation, admiration, ambition, courage, power, patience, fate, temperance, desire, etc. I created 36 notebooks; one for each student in my largest class.

I introduced the topic journals to my AP students first. I set up the scenario:  “I will be teaching 9th grade. I need your help. Do you remember what it was like to be new to high school? nervous, anxious, a little bit obnoxious? I created these notebooks so you could write and give advice to my younger, less advanced students.”

The first task was to turn to the first page in the journal and define the topic. Many looked up the terms in the dictionary or online. They wrote a quickwrite explaining what the topic meant. Then on the next page they wrote about anything they liked as long as their writing fit the topic. I had them sign their posts with their initials and the class period. I told them that they could choose their form (a letter, a narrative, an advice column) as long as they remembered that their audience was 9th graders, and whatever they wrote had to be school appropriate. “If you write about bombs or offing yourself or anyone else, you’re off to see the counselor or the police.” These are good kids, most of them in National Honor Society. They took my charge to help my younger students seriously. This exercise often worked as a lead into our critical reading or class discussion that day, and sometimes students chose a piece they’d started in a topic journal to continue exploring for a process piece.

You can imagine how I introduced the journals to my freshmen. I began by saying, “You know I teach AP English, right? That’s the college-level English class. Well, those students would like to offer you advice about high school, life, and whatever else you might have to deal with the next few years. They are going to write to you in these topic journals. Your job when you see these notebooks on the tables is to choose the one that “calls” to you. First, you will read the messages the older students wrote for you, and then you will respond. Remember to use your best writing.” I then set the timer and had students read and write for 10-15 minutes, depending on the lesson I planned that day. Sometimes I had students share out what they wrote; most often we tucked the notebooks away for another week.

Students constantly fought over a couple of the topics:  love, death, and evil were their favorites. I am certain that is telling (and it did help me when selecting titles for book talks.)

While students wrote in topic journals, I read what students had previously written in the notebooks kids did not select. I’d write a quick line or two in response to something in that notebook. I always used a bright orange or green pen, so students could tell I’d had my eyes in that journal. They knew I was reading them, but they never knew when or what entry. This helped hold them accountable for not only the content of what they were writing but also the mechanics of how they were writing it.

Assessment? Formative. Students have to think quickly and write about a topic on a timed test for the AP exam (11th grade) and STAAR (9th grade).

Blogs

At first I only set up a class blog, and I had students write in response to posts I put on the front page and in response to an article I put on an article of the week page (another Gallagher idea). It didn’t take me long to realize that students would write more and take more ownership of their craft if they created their own blogs. The first year I had students set up blogs I taught gifted and talented sophomores, and I was nervous. Nervous that something would happen:  they’d post inappropriate things, they’d do something to get themselves and me in trouble, they’d be accosted by trolls out to hurt children through internet contact. I chose Edublogs.org as the platform because I could be an administrator on the student blogs, and I had my kids use pseudonyms. This was overkill. Yes, I did have to change two things that year:  one student called his blog Mrs. Rasmussen. I told him my husband didn’t appreciate that much. Another kid used a picture of a bomb as his avatar. Not funny. All-in-all my students did great, and they wrote a lot more (and better) than they ever did for me on paper. I was a stickler for errors and created this cruel scoring guide that said something like: A=only one minor error, B=two minor error, C=three minor errors, F=four or more errors. Students that had never gotten a C in their lives were freaking out over F’s. “Sorry, kiddo, that’s a comma splice. That’s a run-on.” I had more opportunities to teach grammar mini-lessons than I ever had in my career. But see, these kids cared about their grades.

My 9th graders now–not so much. They care about a lot of things, but if I punish them for comma errors or the like, they shut down and stop writing. I learned to be much more careful. Now, I work on building relationships so they trust me to teach them how to fix the errors themselves. It takes a lot more time, but in the end, student writing improves, and students feel more confident in their abilities. I am still working on getting my 9th graders to be effective writers. So far, I have not accomplished that too well, as is evidence of their EOC scores this year.

This past year my AP English students posted on their blogs once a week. I told them that I would read as many of their posts as I could, but I would only grade about every three. I wouldn’t tell them which ones I’d be grading. I let students choose their topics, but since I had to teach them specific skills to master for the AP exam, I instilled parameters. They had to choose a news article that they found interesting, and then they had to formulate an argument that stemmed from that article. The deadline was 10 pm on Monday–every week. This assignment accomplished two of my objectives:  students will become familiar with the world around them, and students will create pieces that incorporate the skills that we learn in class. When I turned to social media to promote student blogs, I got even more ownership from my students.

Assessment? Formative or Summative. Students apply the skills they learned in class regarding grammar, structure, style, devices, etc. Scored using the AP Writing Rubric for the persuasive open-ended question.

Twitter in the Classroom

One of these days I will write a post about the many ways I used Twitter in class this year. For now, let me just tell you:  Twitter was the BEST thing I added to my arsenal of student engagement tools. Ever.

When I began asking students to tweet their blog url’s after they wrote on Mondays, I started leaving quick and easy feedback via Twitter. It was so easy! Kids would tweet their posts; I’d read them; re-tweet with a pithy comment. Within minutes of the first couple of tweet exchanges, students were posting and tweeting more. They were getting feedback from me, and they were giving feedback to one another. They began building a readership, and that’s what matters if students blog. Just because they are posting to the world wide web does not mean anyone is reading what they write. But, a readership, especially one that will leave comments, that’s a whole new story.

Assessment? Formative. Students share their writing and make comments about their peers’ writing. Critical thinking is involved because students only have 140 characters to express their views.

Student Choice. Sometimes.

In a perfect writing class, I am sure students get to choose what they write about every time. This does not work in an AP English class where I am trying to prepare students for that difficult exam. Once a week my students complete a timed writing where they respond to an AP prompt. The guidelines for AP clearly state that the essays are scored as drafts; minor errors are expected. My students must practice on-demand writing. There is no time for conferencing or for taking these essays through the writing process. Unless–we revisit. And sometimes we do. Students are allowed to re-assess per our district grading policy if they score below an 85. 85 is difficult for many of my students, so lots of them re-assess. To do so, students must come in and conference with me about their timed writing. I am usually able to pick out the trouble spots quite easily, and it’s through these brief conversations that I get the most improvement from student writing. Often, instead of conferencing with me, students will evaluate their essays with one another.

I show several student models of higher scoring essays and teach students how to read the AP Writing Rubric. Then, in round robin style, students assess their own essays and at least three of their peers. I remind students not to be “nice” to their friends and give a score that’s undeserved. This will not help anyone master the skills necessary for the AP exam. Rarely do students give themselves or their peers scores higher than I would.

My students also write process papers. For AP reading workshop students choose a book from my short list. After reading and discussing the books with their Book Clubs, students have to write an essay that argues some topic from the book. I model how to structure an essay. I model how to write an engaging introduction. I model how to imbed quotes and how to write direct and indirect citations. I model everything I want to see in this type of writing.

I allow several weeks in my agenda to take these papers through the writing process, and students do most of the work outside of class (not so with my 9th graders).

  • Day one students generate thesis statements, and we critique, re-write, and re-critique.
  • Day two students bring drafts that we read and evaluate in small groups. (I have to teach them that a draft is a finished piece that they are ready to get feedback on–not a quickwrite. So many students type up their rough draft and call in good. This makes me crazy! And I tell them that I will not read their first draft unless they come before or after school or during lunch. They must work on their craft before I will spend my time reading it.)
  • Day three students bring another draft that we read and evaluate again. Sometimes, depending on where my kids are in terms of producing a good piece, I will take these up and provide editing on the first page. Never more than the first page!
  • Day four students turn in their polished papers. I score them holistically on a rubric that aligns with the AP Writing one, or if it’s my 9th graders, I score them on the appropriate STAAR writing rubric.

My freshmen students need a much more hand holding, and we do a lot of writing on lined yellow paper. Most often, especially at the first of the year, they get to choose their own topics. However, I have to give them a lot more structure because on the new Texas state test. 9th graders have to write two essays (about 300 words each): a literary essay, which is an engaging story, and an expository essay, which explains their thinking about a given prompt. Students use the yellow paper to draft during class. I wander the room, answering questions and keeping kids on task. I also try to write an essay every time I ask students to do so. I use these essays as mentor texts in addition to mentor texts I find by professional authors.

Usually I begin class with some kind of mini-lesson if students are in the middle of drafting. I might show students a paragraph with a description that uses sensory imagery and instruct them to add some description in their own writing. Or, I might teach introductory clauses and have students revise a sentence to include one or two or three. This way I am able to get authentic instruction that my students need right there in the middle of their writing time. When I score these student papers, I specifically look for the skills I’ve explicitly taught. If I do it right, I will have read my students papers one or two times during their writing process, prior to them ever turning in their final draft.

Notice I said “if I do it right.” I rarely do it right. I am still learning to budget my time and get to every kid. I am still learning to get every kid to write. I am writing English I curriculum this summer, which I will use in the fall. I hope to get some of my challenges with my struggling students worked out as I focus more purposefully on the standards. I realized this year that while I am teaching writing as a process all the time, I am not necessarily targeting the standards that fit into the process. I am thinking about this a lot lately.

This is still my burning question:  how can I get kids who hate to read and write to participate in writing workshop so their writing improves and their voices are heard?

I am turning to the gurus as I research and think this summer. Jeff Anderson’s book 10 Things Every Writer Should Know has been an excellent start.

Turning Discovery and Learning Over to the Student: That’s Workshop

On occassion, teachers ask me to explain what I mean when I start talking about my reading/ writing workshop classroom. The following is a response to an initial request on Twitter, which later expanded to questions and answers. Tweet: “I am thinking of switching to a workshop approach. Does anyone have any pointers?” Well, yes, actually, I do.

First of all, there are many definitions of “workshop.” Some gurus like Donalyn Miller go with an all student choice approach, while others like Kelly Gallagher and Nancie Atwell incorporate some whole class reading and instruction into their workshop classrooms. While my district is working to implement workshop into the curriculum this summer, we are trying to define what workshop means to us. This is what we’ve deciced so far:

Reading/Writing Workshop means students have a say in the titles and topics in which they read and write. Students read, discuss, write, and share in small and large groups. Teachers continually hold “book talks” and introduce new books, so that students have numerous titles in which they may choose self-selected reading. Teachers may also have short lists (perhaps 5-6 titles) in which students may choose titles and form small book clubs or literature circles. Students gain the pleasure of reading about topics and events that interest them; teachers focus on skills that help students become more critical readers. Students develop as writers as they choose topics that relate personally to their lives. They learn to take pride in their work as they take their writing thoroughly through the writing process and practice the habits of published authors. Teachers introduce mentor texts in which students analyze and model an author’s craft and style. Ultimately, students publish their writing and find pleasure and satisfaction in potentially getting feedback from their audiences.

As you can tell, we’ve combined several different “workshop” models into what we think might work best for our kids. When I first learned about workshop I read Atwell’s book In the Middle, which was great, but I quickly realized that her idea of a student-centered (and self-motivated) classroom would not work with the majority of my sophomores. I knew that I needed to offer more direction. My kids either jump off task and topic quicker than I can take a breath, or they are lumps of lard waiting for something exciting like the monthly fire drill. There’s no way Atwell’s “divide-the-class-into-groups-and-have-them-work-through-center-type-activities” would ever work with my on-level students (my AP kids another story). I had not attended Penny Kittle’s training yet, nor had I read her book Write Beside Them. Once I learned from Kittle, I knew I could create a workshop model that would work for my students.

I’ll try to answer your questions, and then really, you’re right– jump in with both feet! You’ll learn through trial and error, and if nothing else, your students will be reading and writing and engaged.

Q: Normally, we think of each grade level by the books students read. Juniors read American Lit (Huck Finn, Scarlett Letter), Seniors read Brit Lit (Beowulf, 1984). If we move to a workshop, what defines each grade level? What makes sophomore year different from junior year? Is it just a constant reinforcement of the skills?

A: Yes, it’s a skills-based focus. Pull out the standards and decide which are the most important. Texas now does this for us with our Readiness and Supporting standards. We did not join with the National Core, and I am not sure what those look like at different grade levels. I’m pretty sure that no matter there are some standards that must be much more recursive than others. Those are the ones we return to over and over again with reading and writing workshops. For example, our new state mandated test (STAAR), which starts this coming year, will include narrative & expository writing (9th grade), expository & persuasive writing (10th grade), persuasive & analytical writing (11th grade). Obviously, the skills needed to write in these forms will be taught throughout the year, ideally through the use of mentor texts, teacher modeling, and delving deeply into the writing process, which must be the focus–process–more than the product.

I believe it is still possible to move through thematic units with American Lit at 11th and Brittish Lit at 12th. My district still mandates a few “required” texts at each grade level, and the new workshop curriculum will reflect the same American Lit then Brittish Lit as you mention; we just now have the freedom to either do all of the text or just excerpts, and the approach is different– student-centered learning instead of the ‘ole Sage on the Stage: teacher at the front of the room doing all the talking, and kids glaring at their eyelids trying to remember what they read in Spark Notes so they can pass the end-of-class quiz.

Q: We have partial block. Monday-Wednesday are 50 minutes.. and then we block 90 minutes Thurs/Friday. So I only see my students four days a week. How would you recommend we organize the workshops with those time limitations?

A: I work within the constraints of 47 minute classes five days a week. I’d love to have your 90 minutes on Thurs/Fridays, but I’m not exactly sure how to tell you what I’d do with them. I think your organization will come naturally as you play with what approach to workshop feels right to you and works best for your kids.

Q: How do students keep everything organized? Do they have a reader’s notebook, writer’s notebook.. and then some way to publish their finished products?

A: Yes, all students have writer’s notebooks. We use the hardbacked composition books because they hold up so much better and are less of a hassle than spirals. Make sure to work in time for students to decorate and take ownership of their notebooks. This is vital. Also, teachers must create a notebook and model writing for their students as often as possible.

We made our notebooks “interactive” because our science department had great success with students cutting and pasting all handouts in their science notebooks. Students liked the Kindergarten-ness of scissors and glue…oh, and foldables, kids love foldables!

Q: I was thinking the publishing would be perfect on a blog. What do you do for that?

A: I have a class blog http://rasmussena.edublogs.org/, and my students all have their own blogs. My AP kiddos do great at publishing pretty much once a week. Three kids are even getting published as student samples in Tony Romano and Gary Anderson’s book Expository Writing. I’m proud! (a Twitter connection–another testament to PLN). I was not as successfull getting my 10th graders to take ownership and publish on their blogs. My fault. I expected more than they could give without more time in the lab and instruction from me. I will handle blogging differently with my on-level students next year, but so far, blogging is the best thing I’ve found for students to publish to a world-wide audience, and I’m determined to make it work with all my students.

Other publishing resources- Teen Ink, Teen Ink Raw and lots of online writing contests. Google it. I also want to compile a class anthology that students publish at the end of the year.

Q: Are there some things you can do as a full-class? For example: Macbeth with my seniors. I have the Folger book with the Macbeth activities that I love doing where the students act out portions of the play. Normally, I devote a month to Macbeth. Obviously, that would need to be drastically cut down in a workshop. How do you incorporate some of those whole-class studies that would be too challenging for the students to do on their own?

A: As stated previously, the definition of workshop is different to many people. Whole class instruction can still happen and be called workshop. Are students reading? talking about texts? problem solving? analyzing? Are students writing? responding to challenging texts? learning from one another? Yes?? You’ve got a workshop!

I attended a training last summer where Sheridan Blau of National Writing Project fame now a professor at Berkley (I think) held several “workshops” in the course of the afternoon. Blau called the following a workshop:
1. Read the poem.
2. Respond in your notebook.
3. Share response in small group.
4. Discuss and analyze poem in small group.
5. Share out in whole class.
6. Respond in notebook to whole class discussion.

I love the simplicity of this. I learned a similar approach from Penny Kittle. Basically, it’s turning the discovery and learning over to the students. It’s allowing and teaching them to think and share their thoughts. In my experience, students always find the literary elements and devices that I want them to learn. They might not know the term, but they can “find what’s interesting.” The interesting thing leads to me teaching them the skill.

Okay, that’s a lot of information, and I hope it’s clear. Questions? Ask away. I’m happy to help

ok, @heathercato and @amyrass, now talk to me….

Ok, so how do you use Twitter in education? Everyone is all a-buzz about how it can be a valuable part of education. The networking I get – the rest? What do you do? How do you use it? What kinds of projects in PBL would align with the use of Twitter? And how does it enhance literacy/writing/etc?

Do tell. With all due haste.

well, well, well, ladies…. tweet this.

@finchgirl10 - Twitter account

Through a clever mix of peer pressure by my fellow 3teachers and procrastination on my part, the impossible has occured.  I started my blog, and set up a Twitter account (@finchgirl10).

I have now set up followers and felt awed and humbled by the people who responded, my distant teachers like Troy Hicks and a few others, who chose to follow me in response.  Wow.  Cool.  I also have blogged.  My own inquiry is different from this site – we meet in the middle here, and in our own “chop shop” of ideas.  My inquiry is about the marriage of project based learning and the writing project emphases and tenets.  My blog will attempt to explore this idea.  Join me here and there, and let’s figure out how to become even better teachers than before.

Regardless of whether we read all of our emails or messages, that may or may not have said, “hey, we’re actually presenting at this thing and we need you.”  Much love, girls, much love.

Why you Really Need to be on Twitter, Molly

So Heather and I are presenting at Edcamp Plano today. Molly’s not here because she never got the message–or so she says. But we did send her the message: links through email, posts on Facebook, (maybe even a message on her phone).

Heather and I heard about the “unconference” through our PLNs on Twitter. Our ever-learning selves jumped on the chance to connect with other passionate educators. And here we sit, eager to learn and share-one chair empty without our friend.

So, Molly, here’s the deal: you need to be actively on Twitter because our previous methods of communication just aren’t working. And here’s five more reasons why:

1) Twitter is easy. No account? Set one up for free in less than a minute. (uh, you have an iPhone, and the app is free)
2) Twitter means access even when your Internet is down, which seems to happen a lot in the backwoods of East Texas.
3) Twitter allows for connections, not just with us, but with others who share your same interests. Follow hash tags. Think: #Rangers and #Frogs.
4) Twitter makes professional learning fun and engaging. Join #edchat, #titletalk, #rwworkshop, #engchat, #pbl and build your own Personal Learning Network of like-minded educators. Lots of support and ideas here.
5) Twitter keeps you in the know–like what the score is at the stadium or when the next edcamp is. We’d really like you to be there, too.