Tag Archives: Mentor Texts

Maybe the Best #MentorText I’ve Found Lately

Don’t you just love to find mentor texts that make your head spin with ideas? Okay, maybe it’s just me.

But take a look at this one and see what you think:  The 25 Songs That Matter Right Now, published in the NY Times.

I’m not sure how I’ll use it yet — I’m still trying to get my head wrapped around teaching seniors everything they can possibly need to know to be successful as readers and writers beyond high school when I only have them in class one semester. (We are on accelerated block.) But this text is way cool, and I think most of my students will like it.

It’s got music and images and music started playing without me even doing anything.

It’s got analysis and commentary and reflection. It’s multi-modal!

As I begin thinking and planning for what comes next in my instruction, I’m moving this to the top of my mentor text stack.

I’d love to know your ideas on how students might write beside it. Please leave your ideas in the comments.

 

Amy Rasmussen teaches senior English at a large suburban high school in North Texas. She loves her school, her students, and adding mentor texts to her ever-growing lists of “We Could Do This to Learn That.” She’s a bit of a fanatic about matching readers to books and writers to whatever it takes to help them amplify their voices. Follow Amy @amyrass — and if you’re reading this, our team would love it if you follow this blog if you aren’t already.

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Mentor Texts: Lifting Lines and Elevating Self

When working with mentor texts in notebooks, lifting a line–pulling a line or phrase or sentence for its aesthetics and using it as a launching point to generate writing–remains such an important strategy, as Ralph Fletcher notes here. Of course, we want our writers to work with parts of a text that will help them learn to not just write their ideas but to craft.  But I think these lines, these (where appropriate writer-selected) lines, can also elevate the writer somehow. These lines just might move writers in ways where they’re compelled to study themselves just as closely as the craft.  These lines can tug writers into the stratosphere. 

I felt myself lifted as I read Sara K. Ahmed’s Being the Change this summer (This book about how to teach social comprehension offers numerous mentor texts.). One line in particular heightened my summer reflection: “Understand that everyone’s identity is at stake.” Whoa. 

The urgency of this challenged me to think and write and think and write and ultimately create; the best lines to lift should compel writers to create! In this case, my co-coach and I worked to plan professional development for our returning teachers. In Ahmed’s words, we wanted to “make way for the voices, emotions, and experiences of others,” so we centered our time on identity–individual and the staff’s, the students’, the building’s. And then, in our efforts to use story to promote digital literacy, we used America Ferrera’s Ted Talk My Identity Is a Superpower Not an Obstacle. As staff watched, we encouraged them to respond in their notebooks, ultimately suggesting that they choose a line and reflect on how they can carry it into the year with them. 

My hope is that as staff scans their notebooks during our next professional development, they will see this line. They will consider themselves and others, identities at stake. And this line will lift them toward possibility. 

Kristin Jeschke is an English teacher turned Instructional Coach in Waukee, Iowa. After nineteen years as an English teacher, she’s currently re-imagining her identity. But she’s excited for all that’s possible.  Follow her on twitter @kajeschke.

Hope Thrives in Courage

Today is the third Friday with my senior English students. Yep, I did it. I’m back in the classroom, learning alongside some amazing young people.

I have a billion goals for myself — enough to weigh me down, certainly — but one that keeps floating to the top is this:  Thrive in hope. (Yeah, I don’t really know if that’s a goal, but stay with me here.)

When I left the classroom two years ago, I’d lost a lot of it. Personal struggles. Professional struggles. The state of the world struggles. All of it. But lots of self-reflection, rest, writing, paint, dirt, good friends, family, and growing things –probably most of all growing things — changed me. My hope is back. It’s thriving, just like the plants that add energy and life to my home and my new classroom.

And while I teach literacy skills to seniors in high school, what I really want to teach is hope. Hope in humanity and our ability to thrive — together and as individuals.

So, like you, I’ve started with relationships. Every text we’ve read together, every task WritingBesideDwyaneWadeI’ve asked students to complete, every book I’ve matched to a reader’s interest has given me insight into who these young people are as individuals with backgrounds, cultures, fears, failures, dreams and desires. Just like me, they cling and pounce and clamor after hope.

A few years ago, after a sniper killed five police officers in downtown Dallas, I read this commentary by Chequan Lewis. The last line still resonates: “My sights are simply set on what is possible when we are courageously human.”

Courageously human. That’s what I want for myself and for my students — to practice courage as a means of becoming better than we were when we walked in the door. So moving forward into senior English plans, I’ll invite students to step into the vulnerable spaces that require courage: reading texts that challenge the status quo, writing honestly about ourselves, our learning, controversies, and convictions; and communicating in ways that validate, clarify, empathize, and challenge.

I’ll step there, too, because the more I think about it:  Hope thrives in courage.

Here’s a few of the texts we’ve used thus far to write beside and spark our thinking on this journey. Perhaps you’ll find them useful as you begin your own.

My Honest Poem by Rudy Francisco

Famous by Naomi Shihab Nye; the poem here

“This Bud’s for 3” — Dwyane Wade

If you have ideas for more resources that fit our theme, please share in the comments.

 

Amy Rasmussen teaches seniors at a large high school in North Texas. She’s a #houseplantcollector, writer, reader, gardener, watercolor-artist wannabe, bicyclist, and grandmother to eight courageous little people, the newest little man born today! Follow her @amyrass and @3TeachersTalk

Guest Post: I’ve been thinking about Ghosts or What I’ve learned about the power of mentors…and time by Elizabeth Oosterheert

“That version of the story–that version of my life without my husband in it–is a ghost I carry around with me. It’s always there, beneath the surface of my real life. I feel…so grateful that this big, messy, joyous life isn’t a ghost life, but mine…”
Kate Hope Day for The New York Times
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Joe & Toby after a performance of the 2018 play, Merlin’s Fire

If you’re like me, when the end of the school year arrives, you entertain the ghosts of what might have been. These lingering ghosts are questions like:  What if I had spent more time conferencing with that student? What if I had found this mentor text a little sooner? What if I had done more mini-lessons about . . .

And the list goes on.

I learned a few lessons during this past year I hope will have a positive impact on EVERY facet of my readers’ and writers’ workshop for next year. My teacher’s soul already knew this, but I recognized more powerfully than ever before that the right mentor texts at the right time, combined with enough space to explore craft moves and to write about things that matter, makes all the difference.

My students love what I call food literature (thanks to @KarlaHilliard for this amazing idea!),  a writing study we do after Christmas composed entirely of reflections about food. This takes the form of food narratives, poetry, listicles, or critical reviews.

We study mentor texts, and then students choose a direction based on the ideas they’ve developed in both handwritten and digital notebooks.  After discussing many mentors, and highlighting craft observations, students list powerful descriptive words, make notes about the writer’s voice,  and practice composing complex sentences based on passages in the mentor pieces.

I encouraged my students to consider food in the context of specific flavors and seasons. 

Childhood and adolescence have unique tastes. December has a far different flavor than July. What we quickly noticed is that food literature is about so much more than what is on our plates. It’s about savoring cherished memories.

Another frame that worked well for food narrative that is also very effective for other kinds of autobiographical writing is an idea adapted from Penny Kittle that I call Then and Now:

Then I thought, but now I know. . .

When we write Then and Now snapshots, we admit that our understanding of everything from food, to sports, to relationships evolves as we age and learn how difficult it is to be a human being.

Three new mentor texts spoke powerfully to my students. One was “Carrying the Ghosts of Lives Unlived,” published in the Ties section of The New York Times, written by Kate Hope Day. While this piece is NOT about food, it is about how, in Day’s words, “There are hinge points in time when life could be one thing, or another.” My students applied  this mentor to our food study, writing about different life seasons, and how sometimes seemingly small decisions have a BIG impact.

Another New York Times piece that was very helpful to us  was “Christmas Fudge and Misremembered Snow Cream” by Rhiannon Giles.  I composed a piece for my students based on this mentor about the flavors of my childhood.  An excerpt is linked here.  Students then wrote about their own life flavors, recipes, or memorable meals.

Finally, we studied “Ode to Cheese Fries” by Jose Olivarez. What I love is that my discerning, sensitive, wondering students used that poem to create beautiful reflections on some of their fears about adolescence and daily pressures assailing them. In his poem, “Pack of Ranch Sunflower Seeds,” Toby, one of my eighth grade authors, wrote:

 

What if I’m the small seed

With a big shell

Waiting in the bag

Pleading not to be eaten up

By the mouth

Called life

And my inner seed gets revealed

And my outer shell is thrown out and trampled

By reality

 

Maybe I should chew more bubble gum

 

The rest of Toby’s poem is linked here. 

Our food study is a ghost that haunts me, because I hope that I can continue to make it more authentic. For now, though, I have to remember to be grateful for the time and the writing that was — and in the words of Mary Oliver, give thanks for my “one wild and precious life” and the students’ lives that intersect with mine every day.

 

Elizabeth Oosterheert is a middle school language arts teacher and theatre troupe director at Pella Christian Grade School in Pella, Iowa. She loves writing, and sharing the stage with seventh and eighth graders. Her favorite stories are Peter Pan, The Outsiders, & Our Town. You can find her on Twitter @oosterheerte

I’ve Been Thinking…About Heroes (Or What I’ve Learned from Eighth Graders This Year) Guest Post by Elizabeth Oosterheert

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Eighth Grade Theatre Troupe members rehearse a scene from Peter Pan

Every great story has a beginning, middle, and end, not necessarily in that order.

We are all great stories…Phil Kaye

As the first days of June open like flowers, I’m thinking about the courage, complexity, and vulnerability of the eighth graders I taught this year…and all that I learned as we wrote together, and spent time on stage.

My students suffered. They experienced everything from abuse, to the death of a parent and coach, to Stage IV cancer. It was heartrending. And it was glorious, because they used tragedy to craft some of the most beautiful, honest writing I’ve ever read from middle school students, and their wounds gave them authenticity on stage, as many of them joined my theatre troupe.

What were our favorite mentor texts?

TheaterIn  writing workshop, my students’ favorite things to compose were Spoken Word poetry and film analysis. When I asked students what their favorite mentor text was at the end of the year, most of them chose “Tony Steinberg: Brave Seventh Grade Viking Warrior” by Taylor Mali.

In a poem that Mali says took him three years to write, he recounts what it was like to lose a seventh grade student to cancer, and also incorporates some of his best teaching memories.

Mali masterfully employs the metaphor of the Viking ship,  their belief in Valhalla, and the importance of dying valiantly in battle.

Students selected a captivating line or  image from the poem, and wrote from that. Not surprisingly, in a year when cancer was impacting so many of my students’ families, this poem resonated with them.

Following is an excerpt from a co-authored poem written by Trevan and Hayden, after listening to and writing beside the “Tony Steinberg” mentor text:

We’ve seen cancer take more than hair.

We’ve seen it take joy,  peace, and life.

Cancer has stolen our coach’s joy,

and torn the heart of his son like a gift ripped away from a child.

Cancer

/kansər/

A disease caused by an uncontrolled division of abnormal cells in a part of the body sometimes causing death.

Cancer can be battled, beaten like a knight in shining armor overcoming an army.

We watched it advance…

 

The Outsiders DallasIn addition to being inspired by Spoken Word poets, particularly Taylor Mali and Phil Kaye, my students enjoyed the autonomy of writing about memorable characters when we studied book and  film analysis. Our favorite mentor text for character study was “Katniss Everdeen is my Hero” by Sabaa Tahir, published in the New York Times.

In using this mentor text, students had the opportunity to borrow many excellent craft moves, such as the way that Tahir opened her commentary by explaining how she first “met” Katniss Everdeen.

Writing in front of my students, I imitated this craft move by sharing my first encounter with Dallas Winston, the toughest member of Pony’s gang, in S.E. Hinton’s The Outsiders.

Dallas Winston and I met on a summer’s day in 2002.

Countless colleagues had urged me to read The Outsiders, yet for some reason the book and I had never crossed paths. At the time, I wondered how a story written so many years ago could still resonate with teenagers. Days away from the birth of my first child, I decided to embrace stillness long enough to give the gold-dusted pages a try, reasoning that my advanced pregnancy made everything other than reading–from tying my shoes to my habit of  swimming a mile every morning–a challenge.

Resting beneath the branches of an ancient pine tree in my front yard, with only a few persistent sparrows for company, I read the book in one afternoon, ignoring everything but the words on the pages as the characters’ lives entranced me as deeply as any magic spell.

Of all the characters in Pony’s gang, it was Dallas Winston who hooked me from his first appearance. Dallas is a character of contradictions, claiming a stone cold heart,  yet lending his gun to two desperate boys and helping to shelter them in Windrixville. Scorning love, but ultimately dying for it. Dallas’ character stayed with me long after I read Pony’s last words about him. I wondered about the tough but broken hearted boy who died under a streetlight with an unloaded gun and Two Bit’s jet handled switchblade.. To some, he died a nameless hoodlum, but Pony knew the truth.  Dallas died young, reckless, and gallant, a true gentleman in a blood soaked jacket who got what he wanted.

So I could write much more about the  eighth grade heroes I taught this year. Like Dallas, they are gallant. They have broken hearts that are healing as they leave eighth grade and look forward to their high school chapters. They’ve reminded me that one is never too young to harness the healing power of the written word.

Elizabeth Oosterheert is a middle school language arts teacher and theatre troupe director at Pella Christian Grade School in Pella, Iowa. She loves writing, and sharing the stage with seventh and eighth graders. Her favorite stories are Peter Pan, The Outsiders, & Our Town. You can find her on Twitter @oosterheerte.

Q & A: Where do you find mentor texts for informational reading and writing? #3TTworkshop

Questions AnsweredHere’s the thing:  Finding engaging mentor texts, whether to integrate current events into lesson plans or use them to teach reading and writing skills, requires us to be readers of the world.

“I don’t have time,” I hear some thinking. Yeah, well, finding the time to read ourselves is the best professional development available.

Want to engage students more in independent reading? Read a wide variety of engaging and inclusive YA literature. Want to shake up literature studies? Read more diverse and award-winning literature. Want to bring real world events into the classroom for some critical discussion? Read a whole bunch of news.

There’s no secret to finding mentors that will work. We just have to do the work to find them.

We can rely on others to help. Kelly Gallagher posts the articles of the week he uses with his students — a good resource. Moving Writers has a mentor text dropbox — also good. However, what works for some students may not work for others. We know this.

We also know our students. We know the instructional goals we have for them, and we know what they need from us in terms of interest and ability (at least we should.)

So — read more. Read with a lens that will best meet your needs and the needs of your students. Sometimes we find treasure.

For me treasured mentors, particularly for informational texts — because they often get a bad rep — are those that are not boring. (In my experience, most students think info texts are boring.) Voice, format, and style = engaging real world informational writing.

I’m sure there’s more out there, but here’s three sources I read regularly. Sometimes I pull long excerpts, sometimes paragraphs, sometimes sentences to use as mentors.

The Hustle. “Your smart, good looking friend that sends you an email each morning with all the tech and business news you need to know for the day.” You can sign up for the newsletter here. Here’s a sampling of a great piece with imbedded graphs and data: How teenage hackers became tech’s go-to bounty hunters. This is a mentor I would love to use with high school classes.

The Skimm. (I’ve shared this before.) “Making it easier for you to live smarter.” Sign up for the newsletter here. The women who started this site are all about promoting and advocating for women. I like that. Their podcast is interesting, too.

Robinhood Snacks. “Your daily dose of financial news.” I’ve been teaching myself about investing for the past couple of years, so this one just made sense to me — the newbie-tentative investor. What I like is how the writers make the information so accessible — and they post a “Snack fact of the day,” which will often work as an interesting quickwrite prompt. Sign up for the newsletter here.

What about you? Do you have favorite resources to stay in the loop of the news or to find treasured mentors for informational reading and writing? Please share in the comments.

 

Amy Rasmussen spends a little too much time reading daily newsletters and checking her most recent stock purchases. Her favorite investing apps:  Robinhood, Stash, and Acorns. Really, if she can do it, you can, too. Amy lives, writes, and loves her family in North Texas. Follow her @amyrass

Every Child Matters and Sharing the Stories that Matter

residential-school-books-display_origEarlier this week we observed Orange Shirt Day at my school. Orange Shirt day is a day to recognize, remember, and reflect on the many Indigenous children who were taken away from their homes to live in residential schools. The residential school system has a dark legacy in Canada and the United States and the after effects still ripple through Indigenous communities today. In fact, the last residential school located in Saskatchewan did not close its doors until 1996 – a fact that is always shocking to my students when I share it with them.

The tagline of Orange Shirt Day is Every Child Matters and it is a tagline that has resonated with me as I participated in Orange Shirt Day, as we ran in the Terry Fox run as a school to raise money for cancer research, and as I plan with my student council for National Coming Out day on October 11th. While we promote the message that Every Child Matters and we hope our students feel that way as they leave our classrooms, the reality is that in the current world political climate and with the news stories our students are surrounded with each day, it is so easy for our female students, our LGBTQ students, our minority students, our refugee students, or any of our students who feel a little different to feel like they do not matter.

Last year I had the privilege of seeing author Thomas King speak at a conference. Thomas King is an American-Canadian First Nations author who has written numerous novels dealing with the First Nations experience. In his session, King was asked if he believed that story has the power to enact change in the world and his answer resonated with me. King answered that if you had asked him that question years ago, he would have answered with a firm yes, but now that he is older, he can not answer the same way. He was, like so many First Nations people, angry and fed up with the government’s inaction to follow through with promises they had made during the last election. He said that story is powerful, but often not enough and sometimes you just need to get angry and speak your mind. His final point was that if you are going to use story to change the world, you better find those voices that are strong, angry, and give voice to the voiceless because those are the stories with power.

King’s answer has stuck with me as I feel like too often I have used the empty platitude that “stories can change the world” with my students, but then I look at the stories they are being shared and the voices are often so heterogenous and not reflective of their voices and their concerns.

So, I have started a quest to diversify the stories I introduce to my students and to find those angry voices, those suppressed voices, and the voices that speak for them. In this post I will introduce you to a few of these powerful stories and will share others I discover in later blog posts.

The Inconvenient Indian: Thomas King

This powerful work is King’s reflection on what it means to be Native in modern North American. He discusses the historical events that have so impacted his people, but also ruminates on how popular culture has served to frame the narrative that many First Nations people are stuck in. King does not shy away from exploring the darker parts of history in this work, so it would be most suitable for Grades 10-12 students.

We Should All Be Feminists: Chimamanda Ngozi Adichie

Ngozi Adichie’s name may sound familiar. Perhaps you have seen her powerful TED Talk The Danger of a Single Story  (I love to use this TED talk to spark discussion about the missing voices), or have read her beautiful novel Half a Yellow Sun. Her work We Should All Be Feminists is a short piece, an extended essay, but it is an important exploration of the need for Feminism in the 21st century and how 21st century feminism must be one of inclusion and awareness. In fact, the Swedish government felt that this book held such an important voice for today’s youth that in 2015 they decided to give every 16 year old in their country a copy. We have used this book with Grades 8-12 students at our school and how found content accessible to all age levels in the range.

These are just two of many amazing books that share the voices and stories of people with powerful and important messages. Over the next few months, I will share some more I have come across and I would love it if you could share some of your own suggested titles in the comments below!

To read more about harnessing student voice in a time of political unrest and fear, check out Lisa Dennis’ powerful post.

Pam McMartin is a Senior English Teacher and Senior School Teacher Librarian in Tsawwassen, British Columbia, Canada. She is currently on a quest to help empower student voice through reading and writing and welcomes any suggestions you may have in regards to either.  Find Pam on Twitter @psmcmartin.

Quickwrite Mentor Texts for Writer’s Notebooks

img_6062I love going back to school for so many reasons, but one of the frontrunners is definitely that “second chance new year” feeling it provides. Teachers and students have the unique opportunity to have not just one fresh start at the beginning of a calendar year, but a second shot at goal-setting, changes, and achievements that the fall offers.

We all have our back-to-school rituals, and they are sacred: fresh notebooks, pens in all the colors of the rainbow (because we haven’t lost any yet), a well-organized classroom library that will be pilfered and picked through soon enough. One of the most important parts of establishing a workshop community is the routine that comes with setting up a writer’s notebook each fall: personalizing notebooks to make them our own, modeling a notebook’s possibilities, the establishment of quickwrite practices.

But now that the year has begun, and your notebooks are ready to go…what should you begin to fill them with? The writing in the beginning of my notebook always guides and inspires me as I continue to fill it, so I never want it to be uninspired, dull, or colorless. I crave fresh, exciting, dynamic things to fill up the first several pages of my notebook every time I start a new one, which is usually in the fall.

Here are my five favorite mentor texts that give me ideas and inspiration galore for those important start-of-the-year quickwrites–the first in a routine of creativity, agency, freedom, vulnerability, and engagement as a writer.

The Artist’s Way Workbook by Julia Cameron

This workbook is full of writing prompts for real writers: short exercises that encourage reflection, fluency, and the habit of writing vulnerably often.

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I love this workbook and its series of prompts, and use them often when I start my day with the #5amwritersclub each morning. They would be wonderful prompts for students to ease into vulnerable, personal writing in September.

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I’d Rather Be Reading by Anne Bogel

I first discovered Anne Bogel thanks to her “What Should I Read Next?” podcast, but she is also a writer and blogger, and just released a beautiful book yesterday. It’s a book about our reading lives, and provides a wonderful mentor text for writing about our reading without writing about a specific text.

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In addition to the lovely writing, I am obsessed with the illustrations: they would be wonderful to recreate in students’ notebooks with scraps of old magazines or dusty dictionaries.

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I visualize this mentor text as a wonderful one for helping students find a voice for writing about their reading lives during quarterly reflections, reading ladders, and self-assessments.

The Book of Qualities by J. Ruth Gendler

Writing about our own emotions is hard for all of us, but it’s especially hard for teens. I’ve found that writing about emotions in general, rather than our own, is a wonderful gateway for personal writing.

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In addition to being an amazing lesson in personification, this book provides gorgeous mentors for doodling, metaphors, and multigenre possibilities.

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Write the Poem

Poetry can be intimidating, but a little guidance goes a long way, and this book provides just that.

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The combination of a prompt and keywords to incorporate takes some of the guesswork out of choosing a structure, a rhyme scheme, a title, and the myriad other decisions that go into crafting poetry.

Am I There Yet? by Mari Andrew

Sometimes words are hard. They just are. Those days call for doodles, and this book is full of plenty of them–in addition to pages of plain old writing. I love this text because it tells stories beyond what we see on Mari’s Instagram and Twitter feeds, giving students a mentor text not just for writing but for the thinking and living behind it.

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Mari Andrew has long been a favorite of mine, but this book shows me how to play with writing and thinking in genres I wouldn’t have considered, and is super teen-friendly.

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I hope you’ll utilize one or more of these beautiful texts–many excerpts of which you can view on the Amazon preview pages linked above–with your students this fall. Their possibilities as entry points for writing topics and genres are powerful, and will lead to composition possibilities for the duration of your school year.

Happy writing! We’d love to know how you and your students utilize these ideas, or what others help you kick off your writer’s notebooks. Please share other quickwrite possibilities and ideas in the comments, on Twitter, or on Facebook!

Shana Karnes is a mom to two daughters, a daily reader and writer, and a forever educator. Her work with teachers in West Virginia is through the National Writing Project, West Virginia University, and the West Virginia Council of Teachers of English. Connect with Shana on Twitter at @litreader. 

What Does it Mean to Read like a Writer?

It’s a startling reality, but many of my seniors do not know how to read like writers. I spend a good part of the beginning of a semester helping students look at how an author crafts a text.

This still surprises me.

The seniors I have in class this spring have all passed their state mandated English exams. A big chunk of these Texas state exams, both English I and English II, ask questions in the reading portion about author’s craft. (I haven’t explicitly studied the question stems in a few years, but I am guessing at least half.) In trying to get students to talk about the writer’s moves, most of my students get stuck talking about meaning.

Of course, meaning is important — but not when we are using a text to help us move as writers. In workshop lingo, we call this using mentor texts.

How do we learn to write anything well if we don’t study the work of writers who write well?

When I was first asked to write recommendation letters, I studied well-written recommendation letters. When I begin to write a grant proposal, I study how to write an effective grant proposal. When I need to write a speech, I study well-written inspiring speeches. There are solid examples for every kind of writing.

I want my students to know this. If they learn anything from me this spring, I hope it is this:

We learn how to write well by studying effective writing. To quote Kelly Gallagher: “Before you can film a dogfight, you have to know what one looks like. Before our students can write well in a given discourse, they need to see good writing in that discourse”. (Read Gallagher’s “Making the Most of Mentor Texts” for an excellent detailing of how.)

 

Yesterday Charles wrote about scaffolding a reading lesson. The same type of lesson, but with an eye toward reading like a writer, worked recently with my seniors.

It all started when I saw this tweet: TweetofGIFGuide

I thought: “Okay, this may be a relatively painless way to get my writers into writing. We will use this text as a mentor and write our own GIF guides.” (Quick change in lesson plans on the drive to work.)

First, we started with a conversation about GIFs. This NY Times Learning Lesson has some good questions. We wrote our thinking in our notebooks and shared in table groups. Then, not quite as planned, the conversation shifted to how to pronounce GIF. “Um, it’s JIFF, Mrs. Rass, the creator of them said so.”

In case you are wondering:  I think the creator is wrong. But, does it really matter? I just wanted my students to use GIFs as an entry point into writing using mentors.

To help students understand how to study a text for a writer’s moves, I copied the text into a document, and removed the images, so students would focus on the language. Then I crafted a list of questions. Taking a cue from Talk Read Talk Write by Nancy Motley, I cut the questions up and gave a set to each small group. They spent the better part of a class period studying the text and using the questions as a guide.

Later, we brainstormed topics we thought would work, eliminating some that were too broad, and discussing ones that would lend well to a how-to or informational type of writing. Students then completed this document, so they could see my expectations for the writing task, and I could approve their topics.

Students talked. They wrote. I taught mini-lessons on introductions and sentence structure. Students revised. Some taught themselves how to make GIFS.

Most surprised me with their finished GIF guides. Here’s a sampling of a few. (Disregard the citing of sources — that’s still on the Need-to-Learn list.)


Students, no matter their age, will write when we give them the tools and the time they need to be successful writers.

Sure, not all of my students produced solid writing — yet. But I am hopeful. We are only a about a month into the course, and most students now have a writing success story.

That confidence matters.

For a great read on helping students write, read “Children Can Write Authentically if We Help Them” by Donald Graves.

I’d love to know the fun or interesting mentor texts you use to get your students to take a chance on writing. Please share in the comments.

Amy Rasmussen teaches English IV and AP Language at a large senior high school in North Texas. Go, Farmers! When she’s not skimming the news or her Twitter feed for mentor texts, she’s reading books to match with her readers or thinking about the rest she might get during spring break. Eight days, but who’s counting? Follow Amy @amyrass and @3TeachersTalk, and she invites you to follow this blog if you aren’t already.

 

 

 

What do colors have to do with teachers writing? Today, a lot.

When I read You Don’t Have to Say You Love Me by Sherman Alexie, I knew I’d found mentor gold. Infused with stirring poetry, this memoir tells the story of Alexie’s less than ideal relationship with his mother and how he grieves the loss of her, what was, and what could have been.

I reached for this book Monday as I began a session of PD. On a whim, I flipped the pages and landed on the poem, “Ode to Gray,” thinking it may spark some kind of response in my audience. It’s simple enough. And lovely.

Ode to Gray

This isn’t the complete poem. I just wanted you to get the idea. There’s one more stanza. Really, get this book.

After I read the the poem aloud, I asked listening teachers to write in response.

“Think of a color, and write about that. Write your own poem, or a paragraph. Doesn’t matter. Just write about your color.”

After writing five minutes, which is rarely long enough, I asked these writers to read over their words and do a bit of revision, challenging them to add an appositive phrase somewhere in their writing. This is a directive I often use with students:  We write. We read our work. We revise, often with a singular purpose that ties to a specific skill or craft move.

I walked the room, peeking over shoulders, listening to conversations — and noticed about a third of the group didn’t write a thing. Funny how some teachers are so much like some students, huh?

Maybe they didn’t get the simple task. I guess that makes sense if they’ve never been asked to write like this. I do not think that’s the case though. I heard one too many sigh and saw one too many eye roll to know I wasn’t the first presenter to ask this group to think and write.

It didn’t matter. We cannot make people eat. We can keep inviting them to the table.

Writing teachers should be willing to write.

Accountability in RWWorkshop

Some teachers in that session wrote a lot — and they wrote beautifully. Adam showed me his piece about the color black. I should have asked for a copy. All I remember is the line “Little black lies.” It’s a great line.

Of all I wrote, one line holds a bit of promise:  “Orange, the color of sunsets, why are you so lonely?”

And then there’s Mary. She took that little quickwrite and turned it into something tender, touching, real. She published it on Facebook and said I could share it here:

An Ode to Red
Workshopping With Amy Rasmussen
1.15.18
Red is the fire of your cheeks as you demand to be heard in the morning before school, on a day I was supposed to get to sleep in late. Red is the fire of mine as I scream back, frustrated, unsure of how to solve this trembling toddler enigma. You want red grapes, I gave you purple. In your mind, they are not the same.
“What’s your favorite color, Mommy?” you ask. You expect an answer.
“Purple,” I say, knowing the question that comes next. We do this daily dance, aware of each other’s rhythm.
“And what else?” you ask.
“And orange.”
“That’s good, Mommy. Mine’s red. Red and blue. I love red and blue.”
Red is the sucker, no, the second sucker you negotiate for after getting your hair cut. Just one of the many tricks/bribes that I’ve learned along this short parenting trip we’re on together. Sticky, stained red lips, sticky, stained red teeth and sticky, stained red fingers.
“Go wash your hands before you hug me!” I yell as we walk in the house. “5, 4, 3, 2, 1…”
Red is the color of the bath water after you dump the entire bottle of finger paint into the tub.
“Bubble bath!” you shriek excitedly, giggling, red steaks strung along the sides of the just-washed tub.
Red is my heart each time I leave, and each time I return. Red is the love. All of the love, engulfing me in flames.


I see red a bit differently today.

Thank you, Mary. My kids are grown, and now I get to watch them practice parenting. It’s hard and noble work, and you will feel every color of emotion — sometimes all on the same day and sometimes more than once. But it’s that “love. All the love” that turn these emotions into rainbows. And sometimes just writing about them helps us see every moment just a bit more clearly. Thank you.

In an article by Tim Gillespie, published on the National Writing Project website, he sums up what I believe and have experienced myself as a teacher writer.

Accountability in RWWorkshop (1)

Here’s the thing, you teachers who refused to even try:  It doesn’t matter if you think you can write. Just write.

What does matter is that our students see us working at it. Just like we must be readers in order to help our students find the “just right” book, we must be writers if we want to know the struggle our students face when writing.

We learn when we are vulnerable. We learn when we practice.

So I am challenging myself as much as I am challenging you:  Write beside your students more. Let them see your thoughts, your mistakes, your struggles. Ask them for feedback.

If I truly want a community, where we all work to grow as readers and writers, I need to do more to get us there.

Amy Rasmussen began writing in journals at age 8. In addition to this blog, she now writes in notebooks and on sticky notes. A lot of sticky notes. She also tries to write the assignments she gives her students. She wishes she would have had teachers who wrote with her, but she does not remember one K-12 teacher ever doing so. Follow Amy on Twitter @amyrass and @3TeachersTalk

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