Category Archives: Writers

They Taught Me the Lesson Here: It’s About Time

Please tell me I am not the only one in a rush. Every spring I feel this pressure to teach more, do more, assign more. I know part of it is the AP exam date creeping closer and closer. I know my students are still not ready.

We still struggle with rhetorical analysis. Most students are getting better at recognizing devices in the texts of others, but when they try to analyze the effect? Well, the light bulb is still quite dim. And I have to practically beg to get students to add a device or two in their own writing. So many are afraid to take risks or to explore with words and sentences.

As a way to help students play with language, I turned to POETRY. (Yes, even in my primarily non-fiction AP Language class.)

We read Meg Kearney’s “Creed” poem together, and we talked through the moves she makes to craft it.

Students noticed the sound devices, the contradictions, the little story, the concrete details. They did a fine job of noticing.

But we have to do much more than notice. And that’s the hard part.

I found this “Creed” assignment by a Mrs. Rothbard online, which fit my hopes for my students exactly, and I asked students to read and study the poem themselves and then mirror the moves of our poet.

I still cannot believe how difficult this was for some of my students. Some simplified the assignment and just wrote their own lovely poems. Others made beautiful lists of their personal beliefs — but that was not the assignment. Others modeled Kearney’s first few lines and then rambled on about angst-filled beliefs that the student writers didn’t even care about when they read them to the class. (Note to self: Revision workshop must last much longer next year.)

But, some…some student writers took ownership of their own craft and composed lovely poems, modeled after our writing coach and poet Meg Kearney.

Here’s the links to JerashiaGuillermoNaWoon, Doreen, Josh, and Sydney-Marie‘s blogs where they posted their poems. They’d love it if you’d read them and maybe leave a comment (actually, they will probably die because they think publishing to the WWW makes them anonymous–so much scarier to read their poems aloud in class, which is a topic of another post I need to write.)

I learned some valuable things as a result of this writing task, and I am glad that my students talked to me about what worked and didn’t work for them. I am glad I took the time last week to let them talk.

The comment that will guide our learning the rest of the year came from a table in the back when one of my quiet ones said:

“Could we slow down? We need more time to write with you in the room to help us.”

Yes, I know that.

If I want to truly help my students grow as critical readers and writers, I must devote the time to letting them think, draft, read, write, revise, re-do, share, and all of this again and again with me in the room as their coach, their mentor, and their cheerleader.

My students need to talk to me and to their peers like I talk to my husband and my collaborators when I am writing.

I thought I had this down by now. But what I think is enough time is obviously not what my students think is enough time, so I’ll listen, and starting today.

Class time will be different.

©Amy Rasmussen, 2011 – 2015

Shelfie Saturday

One of the foundations of a strong reading and writing workshop is providing students access to a wide variety of excellent mentor texts.  You may provide access to those books through your classroom library, school media center, or public library–but how do you know which books to purchase?  How do you predict which titles will be most popular with teens?  How do you know which authors will teach your students the most about writing?

sticker,375x360.u1We hope to offer you a few answers to these questions on Shelfie Saturdays.  Here, we’ll share shots of our classroom library shelves, bookstore tables, yard sale treasures, and more.  We hope these will act as examples of which books to buy, how to shelve them, and which ones to get into the hands of your readers.

So, to get us started, here’s one of my most popular library shelves–the Award Winners shelf.  This shelf houses winners of the Printz Award for Young Adult Literature, the Pulitzer Prize, the Man Booker Prize, the National Book Award, and more.  I also include nominees for all of those awards, as well as honorable mentions.  The genres are varied–YA, nonfiction, general fiction, even multigenre.  The books are at a range of difficulty levels–some have complex narrative structures, others are very long, and others are tough only because of their dense topics.

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I asked a few students why they liked this shelf so much.  Mylana said, “I want to challenge myself sometimes.  Whenever I read for fun I usually choose fiction, so I like to pick a nonfiction book that’s long but not boring.  I know I can find that on this shelf.”

I asked Garrett how he chose books on this shelf.  He said, “I pick books on this shelf because I hear about them on GoodReads or because they’re made into movies.  So I go to this shelf and pick the ones with the coolest covers.  The length is challenging, but if I get far enough in I won’t give up as a point of pride.”

Students gravitate toward The Goldfinch, Jellicoe Road, Grasshopper Jungle, The Round House, and Why We Broke Up more than any other texts on this shelf.  Again and again, I hear the same refrains during conferences regarding award-winning books–this book was hard, but I finished it because I just couldn’t put it down.  Award winners are shelved so for a reason–they’re the best writing has to offer in a given year, and are incredibly valuable teachers for the young readers and writers in my classroom.

Join the conversation by posting your own shelfies!  Share a shelfie with #shelfieshare and let us know if it’s a #classroomshelfie, #bookstoreshelfie, or other miscellaneous find.

Why I Applaud The Student Who Reads Only Two Books

imageedit_5_2583117499Author, teacher, and reading-writing workshop guru Nancie Atwell recently won the $1 million Global Teacher Prize. I have been a fan of Atwell’s work since I read her book In the Middle during my first year of graduate school. In fact, I was star struck two years ago when Atwell sat on the floor next to me during an NCTE workshop (note my shoulder proudly photo bombing Shana’s picture of the goddess herself). While I have subscribed to Atwell’s philosophy since I began my career in education, I was shocked to read in the media coverage that her students on average read 40 books per year.

My students do not.

Don’t get me wrong; the majority of my students read a large amount, yet while I could calculate the average, it would grossly misrepresent the true value of their accomplishments. I have some students who breathe books and complete them at breakneck speed. They add leaves to our book tree at an astonishing rate, yet admittedly not all my students are like that. By the end of the year, some have only completed two or three independent books in total. As a first year teacher (last year), I felt like I had failed these students. As far as I was concerned, the good teachers didn’t run into this problem. They only spoke about the record-breaking kids, not the ones that kept me wracking my brain for a solution. It felt like I was the only teacher who had the two-book-reader.

Last year, mine was TJ. TJ couldn’t seem to make it through a book. Many of my hesitant readers have learning disabilities or attention deficit disorders; in past classes, they have felt little success in reading whole class novels. When they arrive in my classroom they are resistant to choosing their own independent reading books. TJ was no exception; he had ADHD and struggled to focus on his reading both in and out of class. I’d watch him stare at a page for five minutes straight without being able to settle his mind and read a line. During conferences TJ discussed his book and claimed he was interested in it, yet he moved at a snail’s pace. By the end of his foray with Jarhead, I couldn’t imagine him undergoing the same tedious process with another book. I thought he’d quit. But he didn’t. Through reading conferences, daily reading time, and check-ins with his parents, I was able to help TJ develop a routine and gradually become a reader. Yet the greatest influence was TJ’s friends. Seeing so many of his peers reading on a daily basis motivated TJ to continue working towards his goals.

By the end of the year, TJ had read two independent reading books and three whole class reads, “more books than [he] had ever read before.” This was a feat arguably equal to if not mightier than some of my students who read 80 or more books. TJ developed persistence and stamina even if he couldn’t keep up with many of his peers. He was proud of his accomplishments and determined to become a better reader the following year. As a teacher, that’s what I want for my students—to push them to succeed and accomplish more than they thought they were capable of.

We all have those students (or maybe it’s still just me) but we must praise and hold these students in high esteem. We must brag about their successes and triumphs just as much as we praise the work of our highly motivated readers. After all, every book is a learning experience and an accomplishment.

Do you have a “two-book reader”? What is your story, and how did you work to motivate that student?

The Talk-Funny Girl by Roland Merullo

10460266Marjorie Richards could be my student. In fact, she could be anyone’s student. The seventeen-year-old main character of The Talk-Funny Girl by Roland Merullo haunted me for weeks after I finished the book. I had seen her before, lingering in the eyes and mannerisms of some of my teens. The fact that she was so relatable yet so distant was disturbing.

Marjorie’s story is complex and multilayered. She lives in rural New Hampshire where teen girls are being abducted. Her abusive parents are so isolated from society that they have developed their own obscure dialect of language, a language that earns Marjorie the name “the talk funny girl” amongst her classmates. And her town has fallen under economic hardship with the closing of the local mill; in turn, she is forced to take on a job with a stonemason building “a cathedral” to support her unemployed parents.

Marjorie’s transformation is raw, inspiring, and cathartic. Her story is riddled with poetic lines that provide this quiet character with a strong internal voice. In one passage she says, “I had my protective shell of funny talk and shyness, but underneath that lived a wilder me, a girl who would take punishment, and take it, and take it, but who would never let go of herself all the way, never completely surrender” (Merullo 87). As a reader, I both relished and resented her authentic responses to her surroundings. At times she was open with her emotions, clear and contemplative. Other times I struggled yet understood her willingness to stand silent. This ebb and flow made her even more real.

Merullo found balance between maintaining a plot that lasts over years while also intertwining a thread of suspense. I began the book expecting one storyline and was forced to revise my predictions with the turn of every page. In the end, Merullo’s vivid writing, unique dialogue, and brilliant character development left an indelible mark.

Students Need Real-Life Writing

suit-and-tieWe live in a technical world. People rarely see one another face-to-face anymore, which is why writing has become our hypothetical suit-and-tie. To get a job, one uploads and sends a cover letter and resume. To apply to college, one submits a college essay. To correspond with a colleague, one sends an e-mail. To be engage in online discussions or to communicate on social media, one must post or blog or tweet or comment. More than ever before, we are our words. We live in an age where we can look and act like slobs behind the screen while our words tell a different story. It’s empowering and liberating but also terrifying. Terrifying because too often our students don’t understand the value of formality in writing.

This has become even more apparent as I, a 26-year-old, am both exposed to and part of a generation of socially illiterate people. We, as well as our students, understand text language, chatting, posting, and tweeting, but our colloquial language seeps into our every day interactions, handicapping us in other ways.

While students can effectively communicate with their peers, they have not received the training to engage in formal written conversations—the types of conversations that drive the academic and business world. In turn, students arrive in college lazily piecing together informal e-mails to their professors that poorly represent their abilities and knowledge. We assume that because they have grown up as Internet babies and that because they are constantly on their phones, they understand the unwritten rules of Internet writing, but they don’t. This year I have made it a point to inject the discussion of voice, formality, and audience into my reading and writing units in an attempt to widen my students’ understanding of and comfort with writing.

In all of my classes I have sought to push my students outside of their comfort zones by exposing them to diverse mentor texts and assignments that force them to play with words. For many students, voice is a challenging concept. They struggle with finding a voice in their own writing, which makes it even more imperative students be exposed to comedic, sardonic, opinionated, and academic pieces. The only way to develop voice is to study it. Not all of the pieces I show my students are high brow; I pull from a variety of sources ranging from blog posts to articles from The Atlantic. But the pieces I choose are intended to show that a wide range of writers and voices exists. The more students understand that there is no one-size-fits-all structure, the sooner they will be willing to dabble in their sarcastic or silly side.

In learning about voice, students must also understand the value in formality and audience in their writing. Too often the e-mails I receive from students look like a long rambling text message. We’ve all received them—the ones riddled with grammatical errors, making us cringe and wonder if they’ve learned anything this year! Teens quickly become comfortable with the fact that teachers are the only people reading their writing. Students become overly comfortable with teachers reading their writing at times. We’re seemingly safe and familiar; we know their quality of work. Exposing their writing to new eyes and ears increases the stakes and makes their work more relevant.

This year, I was determined to push my lower level freshmen beyond the classroom and get them engaging with mentors. I could tell my students to work hard, which I did many times over, but in the general scheme of things, I was their teacher (akin to their mom). So I recruited a Navy Seal, an elementary school teacher, a forensic anthropologist, a photojournalist and others to do the job for me. Students were required to research a career. While they completed their research, I sat down with each student and helped him or her to draft an e-mail that they would send to a professional with which I paired them. Oftentimes I would return to find my students’ e-mails plagued with the same grammatical errors I’d seen so many times before,Depositphotos_7626816_m only this time, I was with them on the sending end.

My mini-conferences turned into minilessons on the importance of editing and the impression it had on the e-mail recipient. Students struggled with how to start their e-mails, how to address the recipient, and how to sign their name at the end. We practiced online manners, thanking the professionals for their time and answers while also noting something the student found to be interesting or appealing from the professional’s answers. In the end, their attention to detail paid off. A forensic science professor who teaches college students included the following in his e-mail:

“I was taken aback when I saw that he is only in ninth grade; I have students much older who do not bother to write properly and it disappoints me.  I am not your friend on FB nor are you texting me so no need for brevity at the expense of complete and correctly written sentences.  Salutations?  Maybe next year.

I have a 12 year old son so I think I will have him peer over my shoulder as I write to Carter so he can see how polished someone so young can be.  Thanks!”

Our students are going to college arguably without knowing or understanding the importance of voice, formality, and audience. To prepare them for life beyond high school, we must strive to incorporate real-life writing assignments into our classrooms. While some of my students may never write a research paper after they graduate from high school, I know that nearly all of them will use e-mail, apply for jobs, and engage on social media.

My role as an educator is to help mold and train productive and intelligent citizens and while giving them lifelong skills that translate beyond the classroom. Part of this is continuing to develop and adapt my classroom to better fit the needs of 21st century students. So regardless of what my students do in their free time whether they enjoy lounging in sweatpants with a tub of Doritos or taking selfies in a bathroom mirror, I want them to sound like poised, intelligent, and confident individuals. I want the world to be open to them—both online and in real-life.

The Value of Talk

Talk is one of the most powerful tools at work in my classroom.  Now, I’m talking about talknot discussion, sharing, peer editing, Socratic seminars, think-pair-share, or any other structured form of communication that might occur.  The simple act of letting our students just talk is invaluable, and we must create spaces in our curriculum for it to take place.  Here are three ways I encourage talk in my classroom.

Conferences – Reading and writing conferences aren’t just about assessment.  They’re also a valuable time for teachers and students to just talk to one another, getting to know each other as the humans that we are.  Creating a space for talk breaks down the teacher-student barrier, humanizes both parties, and by and large erases discipline problems in my classroom.  I begin every conference with a simple, “How are you today?”, and after genuinely listening for the child’s answer, direct the conference from there.  Some conferences, we don’t talk about books or writing–we just talk, because the student needs to.

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Students chat during the ‘Book Bistro’

Book Clubs – Not every book club meeting requires structure or an agenda to be valuable.  During this most recent unit, I simply asked students to keep the conversation going for 20 straight minutes.  They sometimes had to cast about for topics, but they always found something to discuss–mostly their books, but often text-to-text/self/world connections they’d made, which spun off into generalized, real-life conversations between kids who wouldn’t ordinarily find themselves chatting.  After finishing book clubs, Ana wrote, “I loved our book clubs because I felt like I got to know everyone better.”  She wrote other things about how she grew as a reader and writer…but she LOVED the unit because of the TALK that happened.

Root of the Writing Process – My journalism students consistently talk out their ideas at the very beginning of the writing process.  They chat in groups, usually starting with, “so what should I write about?”  It takes a few minutes, but enlightenment inevitably follows–the other day, Shay threw a few silly ideas out for Kenleigh about bathroom graffiti, but then they got serious about that as a story idea.  “You could call your piece ‘Signs from the Stalls,'” Shay said.  “AHHHH, that’s a great idea!!” Kenleigh enthused.  What kids like to talk about is often what they’d like to write about, and they need to talk to get to the heart of those topic ideas.

Talk builds community.  Talk is the tool that made my former student Emily say, “I felt like by the end of the year, everyone in the class became my best friend, including you.”

How do you see talk improving your classroom and its community?  What spaces do you create for talk in your classes?

I’m hosting #engchat March 23 7:00ET: We’re Talking Poetry as More Than a Unit

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Before I attended The Conference on Poetry and Teaching at The Frost Place last summer, I was a reluctant, resistant teacher of poetry. Sad to say, I never had a memorable experience with poetry until I was in my 50th year.

At The Frost Place, I listened and joined in conversations with working poets about language and their craft. My heart changed. I finally understood because I lived that language for a glorious week surrounded by these people with poetic souls and a view of the White Mountains smiling down on me. Oh, Franconia, NH. (Read about my experience here.)

By no means am I an expert when it comes to poetry in the classroom; however, nobody has to be! Our job as teachers is to help our students grow in literacy skills. Poetry helps us do that.

We bring a beauty into our classrooms, a peace that our world is so often lacking, when we allow poetry to be spoken, heard, shared, and felt.

#engchat is Monday March 21, 2015 at 7:00 ET. That’s 6:00 CT for me, which is why I forget and rarely make it to this chat. The family dinner hour for me in Texas. I’m eating out and early on the 21st though.

TOPIC: Immersing Poetry into ELA Instruction

Questions for Our Chat:

Q1: What are some ways, other than a poetry unit, that you use poetry in your class? #engchat

Q2: “Play is what we want to do. Work is what we have to do,” said W. H. Auden. Poetry is both of those things. How do we use poetry for work and play? #engchat

Q3: We can teach most any skill with poetry that we can w/ prose. Agree/disagree? If agree, what skills do you teach with which poems? #engchat

Q4: Last question. What resources can you share that will help us all immerse our students in beautiful language, daily? #engchat

 

Do you have any other questions you’d like us to talk about during #engchat? Please leave a comment.

©Amy Rasmussen, 2011 – 2015

Guest Post: Changing the Reading Culture in Our School One Book at a Time

Both Penny Kittle and Kelly Gallagher have transformed my thinking as a high school literacy coach.  As a former elementary school teacher, I had always used reading/writing workshop, literature circles, and choice in my classroom.  When I transitioned to being a reading specialist/literacy coach in a high school, I really struggled with the whole class novel approach.  It didn’t work for me with the little ones and I saw more and more of my students struggle with it at the high school level.  Attending workshops offered by Gallagher and Kittle, along with reading everything they have written has given me the reassurance and the research that this approach CAN work in a high school.  Here is what has happened at my high school in just six months:

 

More and more teachers are trying it…

It all starts with one teacher and the support of a department chair.  Last spring after sharing what I learned at Penny Kittle’s Book Love workshop, one teacher decided to drop everything he has been doing in English and take on the “Book Love” approach.  He had so much success getting students to actually read books and improve their writing that two other teachers decided to jump in second term and teach English through choice and mentor texts.  The results were astounding. Word spread at lunch and in our PLCs – students were engaged and excited to come to English class.  Then at the beginning of term three, we had four more teachers jump in.  I am not sure if it was the “positive peer pressure” or hearing about students’ engagement, but little by little teachers have been asking about how to structure their classes in a way to make this work.

 

Teachers are reading more and talking about books…

At times during lunch teachers used to vent about the struggles they had motivating students to complete the reading from the previous evening, or how students bombed the reading check, but now the conversations are about books. We are talking about what we are reading, what our students are reading, what mentor texts we are using, and what changes we see in our classrooms.

Thanks to one teacher’s organization and determination, staff members are swapping rooms once a week and book-talking to students that they don’t teach.  The other day the principal’s secretary came in to our freshman class and book talked The DaVinci Code.  After she left, I saw that several students had added that book to their to-read list.

None of this would even be possible if our teachers weren’t willing to read new books.  Teachers are setting their own reading goals, keeping to-read lists, creating book trailers, etc.  For the past two years we have had “I am Reading” posters outside of our classroom doors, but this is the first year teachers are updating their posters more often and students are noticing the books.

 

Our library is busier than ever before…

We have a beautiful library that has a lot of books that just didn’t get checked out.  This year that has changed.  Last year from August until the end of February, only 4821 books were checked out and 63 books were placed on hold.  This year in the same time period 7333 books have been checked out and 137 books were placed on hold.  That is over 2500 more books being checked out and 74 more books being asked to be held.  Why the change?  Student choice!

Students now come to the library with a purpose.  They have a to-read list (some that are pages long) and if all the books they want are checked out, they can give us a good idea of what they want to read next.  As one of our English teachers told me, “They are thoughtful about what they are looking for if they go to the library.”  He doesn’t worry anymore about students going up to the library trying to “leave class” or “waste time.” Another teacher shared how his students “know their favorite authors and/or recognize titles that have been book-talked.”  They are talking to each other about books and recommending new titles to each other.  They are even checking out 2-3 books at a time.

Our library staff is also trying hard to find ways to get books in our students hands.  Our librarian has shared ARCs with classes and spends time in the classrooms promoting tons of books – the new ones and some of the oldies but goodies that haven’t been checked out in a while. The staff has started creating competitions each month to encourage students to read (Abe Lincoln Award voting, March Madness book bracket challenge, etc) new books.  The library is no longer just a place for students to come and get homework done.

 

Students are reading….

They really are reading and not just the “YA” books that naysayers worry about.  Prior to taking this approach, students came into classes either as students who read all the time (1-2), students who only read assigned books, students who fake read assigned books, and students who didn’t even try fake reading the assigned books.  As one teacher pointed out to me, “As soon as choice became an option, reading, for the vast majority of the students, became fun again!”  They began forming a reading habit that had been lost so long ago.

The issue is no longer trying to get students to read anything. They are reading more consistently than ever before.   Instead of dealing with them reading zero pages in a week, teachers are finding ways to increase student stamina from 50 to 150 pages in a week. That in itself is a huge success.  Students come to class early and start reading their books.  They can even be found reading as they walk down the halls. One boy almost knocked over an upperclassman in his attempt to finish the chapter of his book.  Once a week I co-teach in a freshman English class.  Of those twenty-one students, I think only two students have finished three books.  The rest have read an average of six books in nine weeks (snow days and all). Instead of worrying how to encourage our students to read common texts and pass the reading checks, the challenge is having enough books that interest all of our readers.

Our students ARE challenging themselves – reading more, picking nonfiction, moving up the reading ladder, and trying new genres based on what others have recommended to them. I had one boy in my homeroom start with Hatchet by Gary Paulsen in January and stretched and read Escape From Camp 14 by Blaine Harden for book two.  It was definitely challenging for him, but he didn’t give up on it and was so proud when he finished it.  Other teachers are finding the same thing – students are willingly picking up books from Fitzgerald or Vonnegut, or Hemingway and are able to have real conversations about these books from their perspectives. Students are talking about books with each other AND coming up to teachers and discussing books with them. Because of the location of my office (the library), I tend to do book talks quite often when kids come upstairs and are looking for something new to read.  One of my favorite memories from this winter was a girl who had seen my Goodreads list and made her to-read list off of some of my favorites.  After she finished To All the Boys I’ve Loved Before by Jenny Han, she asked her teacher if she could come find me and talk with me about it.  She had loved it so much and wanted to thank me for introducing her to that book.These students aren’t afraid of looking smart or nerdy – they are proud.

 

The culture is changing…

Students are now immersed in books wherever they turn.  Between our March Madness Book Bracket challenge, I am Reading posters, Classroom Reading Trees, the Health class independent reading project, random teacher book-talks, etc. students are reading more than ever before.

Melissa Sethna @msethna23 is a high school literacy coach in Mundelein, IL. She has always had a passion for books, technology, and working with adults. In her free time, she loves to read.  She’s a strong believer in book choice and sharing her joy of literature with her family and students. She says, “I wouldn’t be the teacher I am today without my reading heroes: Penny Kittle, Kelly Gallagher, Kylene Beers, Bob Probst, and Donalyn Miller — who inspire me to take risks, and I try to encourage others to do the same.”

The Modern PLC

Sometimes things stay with you. In December I got this message:

I have been working with three teachers this fall who have transformed their classrooms (all ranging from freshman level to AP Lit and AP Lang) from the traditional class to a readers/writers workshop approach.  Your blog posts always show up in my email box at the exact right time when they are in need of inspiration to keep going and figure out what to do in their classes.  They realized very quickly how fast they were able to get through “old curriculum” when they dropped the class novel approach and were then scrambling to find new and exciting mentor texts, books to share, and additional writing ideas. Their students have read thousands of pages and enormous amounts of books which never happened in their classes before.  Students were writing them thank you letters for inspiring them to become true readers and writers.  Penny Kittle’s books got them started on this path, but your real life teacher posts have helped them validate what they are doing.  So… thank you and keep those posts coming.  They are making a difference in our classrooms.

I could write a book about the value in that feedback (Probably will). Feedback should make writers want to write more. That is exactly what Melissa Sethna’s kind words did for me and my friends here at TTT.

Her simple thanks also made us want to follow her work, support her even more, watch how she helps other teachers. We’ve become colleagues with a united purpose. We’ve become friends.

And that is the beauty of the modern PLC.

A literacy specialist in Mundelein, IL sends a thank you to a teacher/blogger in Lewisville, TX, which makes the teacher/blogger want to become a better teacher so she becomes a better writer so she writes more inspiring and instructional blog posts for other teachers and so on.

Teachers supporting one another as we do our best to do right by the children that we teach. As ELA teachers the best way we know how to do that is through balanced literacy practices in readers and writers workshop.

That’s the foundation for the Three Teachers Talk blog, which started as three friends committing to stay in touch by sharing our work through our writing. We are four teachers now — writing, sharing, and growing. And participating in a Professional Learning Community that’s been redefined, refocused, and restructured by connected educators around the globe who are just like us.

Thank you, readers, for being part of the best PLC on the planet.

 

Note: Melissa Sethna posts as a guest blogger here tomorrow. Her work inspires us.

©Amy Rasmussen, 2011 – 2015

March Book Madness for Choice Reading Books

Can you believe it’s already the middle of March!?  This school year is flying by…and so is the list of titles I’ve booktalked so far.  I’ve exhausted the bestsellers of YA, dystopian sci-fi, classics, books for the beach, war books, and sports books.  At this point in the year, I’m starting to booktalk new purchases, which means I’ve often not yet read them–which means that sometimes, the quality of my booktalk decreases.

FullSizeRenderSo, because I want to shift the balance of not just grading from myself to my students, but also some of the teaching, I’ve turned to my own version of March Book Madness.  I heard about this competition from Tony Keefer’s Nerdy Book Club post, and I pitched it to kids, but they wanted to choose their own titles for the bracket.

So, blank brackets were printed, and to fill them, the guidelines were broad:  in each of my four English classes (which worked out well because they each get one corner of the bracket), students could choose a book and a partner to face off against.  Simple.

That was all I said, but as students began penciling in round one of the brackets, I was impressed mightily–they intuitively paired related books together, much like I do during booktalks.  Two boys in 8th period paired the excellent graphic novels Persepolis by Marjane Satrapi and Maus by Art Spiegelman.  Two girls in fifth period paired John Green’s The Fault in Our Stars and Gayle Forman’s If I Stay–two viral tearjerkers.  The Absolutely True Diary of a Part-Time Indian by Sherman Alexie will face off against Mexican White Boy by Matt de la Pena in sixth period.  And so on.

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Shae vs. Mariah in the Battle of the Tearjerkers…TFiOS vs. If I Stay

As book battles began, I laid out equally simple guidelines for voting.  Each student in a faceoff would give a short (1 minute) booktalk about their chosen text, and audience members could vote for one title based on any criteria–their own experience reading that book, the person’s booktalk, the presenter’s enthusiasm, the book’s stats on GoodReads behind the presenters, etc.

This modification to our daily routine–which is that students begin with reading, then hear my booktalks–has accomplished several wonderful things in our classroom.

First, students’ what to read lists, which had recently plateaued, are lengthening rapidly once more.  The sheer social capital of having a kid share his or her own reading experience of a book makes certain titles more tantalizing than I ever could.  Matthew Quick’s Sorta Like a Rock Star, for example, never quite flies off the shelves after I booktalk it.  It’s only after one or two kids read it and enthusiastically share it that it goes viral–and it does–year after year.  I see the same thing happening now during March Book Madness with lots of other books.  Kids are clamoring, suddenly, for several of the same titles.

FullSizeRender[1]Second, students are learning more about one another’s reading tastes.  They look at the brackets from other classes every day to see which books are advancing, and are sometimes surprised by who’s booktalking what.  “Huh…I didn’t know Jordan loved A.S. King too!”, I heard Hannah say yesterday.  “You read that book too!?  Wasn’t it awesome?!” Tyler said to Hunter, as he stood up with Ned Vizzini’s Be More Chill.  Despite my efforts to make their reading lives transparent with reading groups and notebook passes of book blogs, some of my larger classes haven’t quite unearthed the darkest corners of one another’s reading preferences.  MBM is fixing that quickly.

Third, this is not for a grade.  This is just a semi-structured celebration of books, with bragging rights as the purely intrinsic reward of the whole endeavor.  The five or so minutes we spend on this in class daily are a worthy time investment for the revelatory feel they bring to the start of our learning.  Kids are excited and upbeat after the two daily faceoffs, and excited to often add one or more of the four daily books discussed to their to-read lists.  The post-winter doldrums are quickly lifting…and the sunshine certainly isn’t hurting, either.

Is anyone else doing a version of March Book Madness?  How’s it going?  Please share in the comments!