Author Archives: Lisa Dennis

Going Broke Buying Books

Disclaimer: There are countless ways to save money when securing books for your classroom library. I, however, often lack the patience for such measured and responsible procurement of texts. This is my story (and possibly my defense should my husband discover just how much I spend on books).


My husband Nick is a dear man. He has to be, to put up with the amount of time, energy, and hard earned cash I devote to this passion called teaching.

In the 14 years I’ve been at this, or rather the 2 years I’ve been building a genuine classroom library, I have probably spent $4, 398,291 (hyperbolic numbers are my favorite, because I’ve never been good at math).

It often happens before I know what I’m doing. Like those poor souls who sleepwalk and end up in the middle of a busy road in their pajamas, I find myself “just putting a book in my Amazon cart so I remember the title,” or “checking Thriftbooks for a minute (or 27), to see what’s new.”

Hi. My name is Lisa, and I buy a lot of books for other people’s children. 

doryThis “problem” sort of took me by surprise. With my head hanging low, I must admit there was a time, not too long ago, when there were very few books in my classroom. There were very few books in my life period, besides the ones I “taught” year after
year. My classroom was rich in many valuable thoughts, inquiries, and experiences before workshop, but it was not full of books.

How, as a teacher of literacy, had I allowed my classroom to become devoid of the very tools of reading I kept suggesting to my students would be their salvation in the face of collegiate ambitions, thematic exploration, and aspirations of world domination?

Apparently, it wasn’t important to me.

Ugh. That reflection looks ugly in print.

I didn’t purposefully create a text desert in my classroom, of course. If someone had said, “Hey, Dennis. You teach English. Where are all the books?” I would have smiled and pointed to the textbooks and countless copies of Uncle Tom’s Cabin. Students bought any books they needed for independent reading, and I happily progressed with assigning reading, providing study guides, giving content quizzes, lather, rinse, repeat. This is what I knew. This is what I had experienced myself. This is how I was taught to teach.

But then, one day, a big rock fell on my head. I dreamt of rows upon rows of bookshelvesryan gosling lining the walls of my classroom and students clutching copies of countless titles to their bosoms. Ryan Gosling walked into the room and said, “Hey girl. I really love the work you’re doing for public education. Let’s get those kids reading more. Cool?” When I came to, I was blushing, but more importantly, I knew that my students needed more choice. More challenge. More access to books.

Ok. Not really. But the conclusions I came to after some workshop research, training by the lovely workshop team of Three Teachers Talk, and logical reflection about how I wanted my students to view reading, that part is true.

There is still a very important place for whole class novel work in my classroom. There is still a place for short lists of books with a central theme to get kids working in book clubs. There is still a place for the classic and contemporary. But there is also now a place for a lot more choice right in my classroom, always located just a few steps away.

And though we might not want to believe that we have to hold our kids’ hands and walk them to our bookshelves, instead of trusting them to take their own time to go to the library or while away the hours at the local bookshop, at least in the beginning, we do. We need to make the books so wildly available, that kids can’t help but wade through them in the course of our time together.

Think of elementary classrooms. Books upon books, upon teachers reading aloud books. If books aren’t at home, they are certainly at school, and when kids are learning to read, they are showered with books. Why not shower them with texts when we are trying to reignite that love of reading?

Given time to read, talk about books, formative and summative work around independent novel study, goal setting, book challenges, quick writes on choice reading, daily book talks, a teacher who pours passion about books all over their every class period AND shelves of books three feet away, progress in building and rebuilding readers is very possible, and even, probable.

We can teach children to read, but for reading to become a habit, they need ready access to books. We also know, they need choice, choice, and more choice (thank you a million times for your brilliance, Donalyn Miller).

When it comes down to it, we might not want to believe our students evade the reading we ask them to do, but they often do. Many fake read very, very well. Others simply smile, or avert their gaze, or defiantly say, “I didn’t do it” or “I’m just super busy.”

I’ll put it this way, my dentist hands me floss, but I don’t use it as often as I should. There. I said it. I am a college educated, do-gooder, who knows she should floss…every day. I do not floss every day. I know my teeth will suffer for it. I know when I go to the dentist I feel bad for having to say that I could probably floss more. I know it’s with the best intentions for my own self-interest that the professional tells me to do it, but…I don’t do it. I’m just super busy.

Perhaps a bad analogy, but our students don’t always make the right choices when it comes to reading. They prioritize other things. If my dentist were handing me floss every day, chances are good, I’d get in the habit. Should he have to? No. Should I just do it on my own because I know it’s good for me, of course. But, I’m flawed. We all are.

So, at least for awhile, I’m going to care enough about my students’ teeth, er, reading habits to make it highly visible, readily accessible, and as entertaining as I can.

The payoff just this week is real:

  • Josh is a super smart kid who hadn’t been devoting time to reading. He, like so many others, used to love to read, but had fallen out of the habit. With our 10-15 minutes of reading a day, and my suggestion that he add just 10 minutes before falling asleep each night, Josh is back into books. Major texts, in fact, and just book talked The Name of the Wind by Patrick Rothfuss to our a class. A little bit here and a little bit there made the reading a habit again. I bought the book and handed it to one of his peers who flew through it too.
  • I saw Brianna standing at the bookshelf yesterday morning. Sort of swaying back and forth. I skipped over (ok, I was skipping in my head, but I was excited to help her find something magical).
    “What are you in the market for, my dear?”
    “Uh…I’m not sure. I just read Think Like a Freak: The Authors of Freakonomics Offer to Retrain Your Brain. It was really good, but I might be over nonfiction for a while.”
    “Makes sense. How about a really good story? Try this. Oooo! And this…and I had someone read this one last month. And…this (The Help). Have you read this one yet? Take a look at the reviews in the front from past readers. This is a great book.”
    Brianna was 20 pages into The Help and picked up the book between activities in class that day.
  • The somewhat shocked and surprised smile on JJ’s face when, after book talking Jodi Picoult’s Small Great Things: A Novel last week, I put in his hands a copy of her incredible new release. He had asked for my copy a few days later when he finished his latest read, but it had already been checked out. He looked crestfallen. When I saw it yesterday on the new release cart in the library, I checked it out, and hunted JJ down during our resource period. “Wow. Thank you!
  • And this…You might remember Nathan from a few weeks back after he finished A Dog’s Purpose:
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    I was at Barnes and Noble and used one of my gift cards to buy the sequel A Dog’s JourneyI think this smile is worth the expense:

Truth be told, I’m very lucky to work in a district that has put a huge amount of money into funding the classroom libraries of our English department as we’ve moved to workshop. And there are countless ways to put on your thrifty teacher cap and get the texts rolling into your room if your district isn’t yet on board with choice reading:

  • Write letters to your local bookstores and appeal to their sense of community pride, favorable Yelp reviews, and goodwill to all.
  • Loiter in bookstores and flash your teacher credentials. Sometimes a pleading jessicasmile and/or a small purchase will secure some free or discounted books.
  •  Apply for grants (Nothing says #booklove like free books…next year).
  • Rummage, thrift, estate sale your way through the summer.
  • Gather some research on classroom libraries and get it in the hands of your administrators. You might be surprised.
  • Ask Shana for books. She loves to give away books to fellow workshop teachers.
  • Befriend authors via social media! Jessica is trying her hand at scoring some Matthew Quick books through Shana’s connection. No shame, Jessica! Twirt (twitter flirt, I believe) away!

You don’t necessarily have to spend your own money on books, but I do. Something inside of me saying that I need more. I need more variety. I need more to recommend. I need more books.

I keep telling my husband that I’m helping to inform, inspire, and impassion the electorate. I’m also in charge of the money, so my little addiction should be able to continue a little while longer.

I consider you all my support group in this matter. Thank you for your support.

How do you surround your students with books? What titles have you added recently that keep flying off your shelves? We’d love to hear from you in the comments below. 

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Lisa Dennis teaches English and leads a department of friends at Franklin High School near Milwaukee. Her latest classroom library purchases were The Hate U Giveby Angie Thomas, American Street by Ibi Zoboi,  and Violent Endsthe story of a school shooting told from various perspectives and written by 17 YA Lit. authors.  Follow Lisa on Twitter @LDennibaum. 

Need a Friend? Yup, Me Too.

Our juniors spent last Tuesday morning taking the ACT test, along with every other junior in the state of Wisconsin. I spent the morning watching them take the test. Talk about mind numbing.

“You will now be taking the fourth part of the test in Science. You will have 35 minutes to complete this test. Please open your test booklets and try not to fall out of your chairs after three hours of testing, during which I have listened to you sniffle, shuffle, and sigh to the point of my own mental health crisis. I mean…you may begin.”

On days when I hand out Kleenex and monitor bubble fill in, I long for interactive class periods of inquiry, exchange, and exploration. However, that sometimes is a pipe dream as well.

Lately, it’s been a bit like pulling teeth to get kids to participate. Pushing them to meet their reading goals feels less like inspiring work, and more like drudgery (How much more inspirational do you need me to be with this whole reading gig? Just DO IT already.). Their quarter three blank stares and exhausted sighs have me resisting the urge to fix my vacant eyes right back at them and mouth breathe until they see their reflections in the mirror of my face.

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 At times like these, I am reminded by fellow trench mates that we teachers need love too. I don’t want to feel tired, occasionally demoralized, and ill tempered, but I’m there, and part of the reason is that I know my kids are there too.

Workshop can be legitimately magical. Students reading more than they ever have, writing for authentic audiences, and hearing each other speak deeply and passionately about real life issues through literacy. But, Shana didn’t post 9 Books to Hook Your Holdouts for nothing. Amy had the Tissue Issue and needed to Write When It Was Hard.  Jessica is finding her way in a brand new workshop classroom. And countless sources across the web detail teacher burnout and student engagement struggles.

So when our newest contributor Jessica to 3TT reached out over the weekend with: “You ladies are rockstar teachers. Do you ever have discipline or complacency struggles in your classroom?” I had to smile. And then laugh. And then cry a little. And then…

I was taken back to a conversation with a colleague a few years back, where an offhanded comment poked me right in the teacher feels. We had actually been talking about this very idea – the slump we can all feel when teaching gets somewhat less Stand and Deliver and more, students loitering around the complacency trough.

“Well,” he had said somewhat smugly, “As long as you have engaging lessons, students don’t check out.”

Oh. Really? That’s awesome for you…

Listen, I get his point, and to some extent I agree, of course engagement has to be at the heart of what we do, but from personal experience as a learner, it’s not always possible to engage all of the kids all of the time (collective gasp, coupled with Lisa polishing her resume). And that can be exhausting and frustrating to educators, and disruptive to the class.

But today, I am not here to provide advice for how to move forward with this issue in the classroom (I happen to know for a fact that my 3TT ladies have several posts up their sleeves all about engagement. Stay tuned!).

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I’m actually here to quickly remind everyone, because I needed the reminder too, that when you are feeling like you could arrange for Big Bird to walk in the door and hand out cookies to everyone in the class, but no one would crack a smile, you need…friends.

Teacher friends.

In your building, down the hall, gathered at PLC, across the country, on the phone, send a quick note, smile at your neighbors, friends.

trouble

I, for one, am a lucky duck in this department. I work with friends. Dear friends.

Stand up in her wedding, give a quick tearful hug, giggle over buffalo chicken dip, join a bowling league, talk about Ryan Adams, compare Lularoe leggings, grab a drink, bake some cookies, geek out over Out of Print literary shirts, talk about being daddy’s girls, Irish Oatmeal, send each other lip sync videos, eye roll at the same time, laugh first and ask questions later, friends ( I think I hit everyone in the department. Seriously. I love you people). 

So, whenever possible, and especially when you feel like you might voluntarily throw yourself down the stairs rather than walk into 3rd period, find people to spill your guts to. Find people to share your successes and colossal failures with. Friends who share mini lesson ideas and friends who share unbelievable content knowledge. Fresh out of college and boundlessly energetic friends, and experienced, measured, and wise friends. Those who have seen decades in the classroom and those who weren’t born yet when you started teaching.

Take the time to engage with the people you work with, both as educators and as humans. Engagement at work increases when we have friends. Harvard said so.

And if the people you work with don’t do this for you, branch out.

The ladies at 3TT have been WhatsApp-ing (verb I just created) lately. We use voice messages, pictures, texts, and links to talk about classroom questions, vent about burnout, explore possible post ideas, and discuss who’s drinking which variety of wine tonight.

There are always ways to connect with like-minded, similarly leaning, comparably focused educators. And there are ways to connect with challenging, make you reflect on your practice, I can’t believe I used to do that too educators who can help reassure you that you are making the right moves, even when those moves are difficult.

Hand someone a cup of coffee and take a seat.

Open up Twitter and join a #chat.

Send one of the Three Teachers (really five of us now, how cool is that?) an email and we’d be glad to listen. 

Don’t close your door and let handing out Kleenex to kids feel like a highlight of positive, professional interaction.

Friends can help you feel sane, productive, positive, and human again. A few kind words, commiseration, a hug, and a maybe a quick snack.

Little else is needed to take the deep breath necessary and get back to 3rd period.

Except maybe, Spring Break.

We’d love to hear your shout-outs to fellow educators who help you right your ship, stay afloat, and just keep swimming! Please share in the comments below. 

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Lisa Dennis teaches English and leads a department of friends at Franklin High School near Milwaukee. She almost left the profession in year one, and would have, if not for fellow English teacher Erin Doucette who took Lisa under her wing and taught her the importance of being yourself in the classroom, challenging you students, and celebrating St. Patrick’s Day every year without fail. I love the teacher you are and the teacher you have helped me to become. Follow Lisa on Twitter @LDennibaum. 


 

Quick Writes That Work

QUICK WRITE

It appears daily on my agenda and often sparks great writing, discussion, and even revision. My bestie Erin said it beautifully: “Quick writes produce pure honesty and they’re a good place for me to “talk” with my students.” The writing is low stakes, the creativity can be high, and we can “talk” with our kids and provide feedback on issues and ideas, over syntax and conventions. Plus, it helps with the endless struggle for volume, volume, volume.

But sometimes, quick writes can end up feeling a bit routine, which is not cool as I am trying to keep writers excited about their writing and producing more and more of it.

writers-block

So, because I’m sometimes known to Google my life (Last weekend my foot hurt after a run and the Mayo Clinic suggested I might have cancer, so there’s that.) I often head to the internet for curricular inspiration.

There are countless sources online that will lead you to quick write topics, if that’s what you are in the market for, and I am often in the market for someone’s fresh thinking to get my students writing when I haven’t left enough time to plan or the same old quick write feels bland.

graves

Quick writes are just the start! 

For example, I was inspired to write this post after I saw our friend Gary Anderson tweeting a journal topic of the day on Twitter. I’ve used several, and loved writing along with my students on his thought provoking prompts.

Here are a few reflections I have on quick writes. The process, their power, and providing writing opportunities to our kids every day.

  1. Link your quick write to what you’re work on in class that day, an essential question you’re studying, or relevant topic to your study. Or don’t! Quick writes can lead naturally into a mini lesson. They can also put that mini lesson on hold as students take off into small group and then passionate/uproarious/contentious whole class discussion. I’ll often have my students go back into their notebooks after discussion to add to their thinking, so even if they didn’t share, they are working with the ideas that class is chewing on and writing more.
  2. Let students write about what inspires them. At the beginning of the year, many students balk at the “opportunity” to write about whatever they like, but by the time you’ve established a rapport and let your students know that they belong to a community of writers, many are excited to be given time to get their thoughts on paper. And when you have them take some time to revise at the end of the writing and share their ideas or powerfully written lines with others, they take more seriously the production of that work.
  3. Give limited choice to guide writing toward a necessary discussion for that day’s mini lesson or topic of discussion. When I do want the quick write to lead into the mini lesson, I try not to lead too much. I want kids to write and discover. I don’t want to slip back into old habits of guiding students to a fixed answer. They feel duped, I feel cheap, the whole thing is a mess. So, when I am heading in a specific direction, I really try to give choice in these instances. Our mini lesson in American Literature the other day was on bias for our argument writing unit. I could have had them write about where they see bias and how it impacts an argument’s credibility. Totally fine. Instead, I asked them to choose:
    • Write on any topic from the perspective of someone who is heavily biased toward a particular outcome. Then, write the same appeal from the opposing viewpoint.
    • Consider the bias of an author you’ve read or a story you know well. How did the bias serve the author? How did the bias impact the story?
    • Defend, challenge, or qualify the idea that media bias is detrimental to a functioning democracy.
  4. Early on, I stole something I heard Amy say during the professional development she and Shana ran at Franklin last year. I always remind my students to “write as much as you can, as fast as you can, as well as you can.”Amy taught me that kids need to outwrite their inner critics, and I’ve coupled that with the discovery that, often times, a student’s inner critic sounds an awful lot like…a teacher. We need to help retrain kids to see the first quick draft of anything as just that, a quick draft. I scrap half of what I write when I consider it for revision. This is something new to most kids, who train themselves to pour writing out on a page and see that as the first, last, and only draft. We work to write quickly, revise in the moment, and later, choose some pieces for further expansion, refinement, and polishing. But in the six or seven minutes I am giving them to write, their job is to write in that moment and to keep moving.
  5. Remind students to write and respond as they see fit. Students can write, jot, draw, change colors, compose a poem…Students often limit themselves unconsciously by the “rules” they have been taught over the years. Quick writes are a place to explore, not fit in the lines or a box. Unless you want to write in boxes.

  6. Have students respond to quotes, images, poems, videos, their own writing (we are doing this today!), the writing of other students, current events, lists, song lyrics, letters to the editor, overhead conversations…You get the idea. Students can creatively explore just about anything and should. Their opportunities for creative expression are often too few and far between. We can be the place where questions, emotions, fears, innovations, and discoveries find a safe place to take root.

Some of my recent favorite topics are below. These are quick writes that generated some fantastic discussion in small groups and whole class debriefs.


From Gary Anderson a few weeks back, I had students choose one and write:

Today…
I am concerned about…
I am upset about…
I do not understand…
I wish I could change…
I am grateful for…


From Austin Kleon’s blog that I started following last week, students took this image in a thousand directions and one class even had a collegiate level discussion on the implications these suggestions (directives? nudgings?) could have for society:

goethe


I will sometimes choose several images and have my students respond to one, or try to tie them together, or imagine they are the photographer, or…whatever best suits our purpose for that day. The exploration of the human condition is reason enough to put pen to paper. “Tell this story” is a great search term to yield a wide variety of results.

tell-this-story-2


Quick writes can even be 2-3 minute reflections on the simplest of reading adventures. At the start of the new calendar year, I had my kids search for what their lives would hold in 2017, according to their independent novels.

quick-write

Have a favorite quick write topic that gets the pens moving in your classroom? Please share your ideas and insights in the comments below! 

Lisa Dennis teaches English and leads a department of English educating gods and goddesses at Franklin High School near Milwaukee. She has no fewer than six quick write journals going at once, mostly due to her inability to settle on spiral vs. bound. She added to Goethe’s list that we should smile at the thought of someone each and every day. Follow Lisa on Twitter @LDennibaum 

Feel Good Friday

It’s been a looooooong week.

We had parent teacher conferences on Monday night. Monday night. It felt a little cruel and usual at the time. Then it just felt like this week might never end.

But end it has. Here we are..FRIDAY!

I feel like celebrating, because this, my friends, has been a week when feel good moments snuck up on my classroom when I was almost too sleepy to notice.

Such as…

Logan is a self proclaimed sports man.

His dad teaches PE here at Franklin and coaches our wildly successful football team. I believe Logan said not long ago that he “lives for sports.” But this week, it seems, he’s been living for books.

So far this year, Logan has completed four books ranging from Redeployment by Phil Klay to Sky on Fire by Emmy Laybourne. He is currently eating up Dark Matter by Blake Crouch, so much so that he enthusiastically book talked it this week before he even finished it.

Last class period, before the bell rang, I let Logan know that he needed to run to guidance and clear up a little confusion around signing up for AP tests. To my heart’s delight, Logan said the following words:

“Can I go after reading time? I want to read first.”

Amen.

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Logan devouring Dark Matter 


Priyanka stopped by my desk only moments ago.

association“Mrs. Dennis, do you remember emailing me about my one pager this week? You asked how I was liking The Association of Small Bombs.”

“I do! I was wondering how it’s going. You’re the first to read it and I was so excited to get that free copy at NCTE.”

“I LOVE it. You know how sometimes you aren’t sure what the theme of a book is? Like, you have to work to find it? This book’s theme IS THE COVER! All of these intricate stories and characters coming together. I can’t put this down.”

“Making you think, hmmmmm?”


Nathan was struggling to read at the start of the year.

Not his thing, he told me. Then…he found Suzanne Young’s The Program series. He couldn’t put it down and flew through all three books.

Then he launched into A Dog’s Purpose by Bruce Cameron. He finished it in class today.

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This was Nathan at the end of class. A fellow student asked him if he was ok.

“It was just…SO good.”

A few moments later, Nathan was at the bookshelf returning the text. And I observed, “Nathan, you look like a man without a country. You ok?”

“Mrs. Dennis, I just found out this book has a sequel. I wanted to read The Kite Runner next, but…a sequel. I want to read that now too!”

“How about I give you The Kite Runner while you wait to get the next Cameron book and you read that quick over the long weekend. You won’t be able to put this that down either.”

“Oooooo…good idea. Yeah, can you get me a copy?”

(Clapping excitedly in her head, Mrs. Dennis sprints next door to get a copy of The Kite Runner. He’s reading!!) 


We are fighting fake news in our classrooms.

Today, the posters I had made of the IFLA’s infographic on how to vet sources and avoid getting duped by fake news got delivered. I’m geeking out over these posters.

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Lastly, this just made me laugh out loud.

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Happy Friday, everyone!

What made you smile this week? Please share in the comments below! 

 

Lisa Dennis teaches English and leads a department of English superheros at Franklin High School near Milwaukee. Fridays make her happy, but so do books that smell old, buffets that include ice cream for dessert, and infographics made into classroom posters. 

 

Stop the Slaughter: Lifeless Literary Analysis

Teaching is a reflective practice. If you’re doing it right, that is.

We question, we research, we dig deep to update, invigorate, and refresh our work on a daily basis. And while this can be utterly exhausting (I think we need to investigate the ingenious cultural practice of siestas), it’s also exciting. As we push ourselves to grow and change as teachers, we impart that commitment to be better to our students.

I remember when I was student teaching several (cough, cough) years ago. The English and Social Studies departments shared an enormous office, and I was lucky enough to be afforded some space in that room to work. The fresh-faced 21 year old with boundless energy and enthusiasm for making a difference and connecting with “kids” (I was teaching 18 year olds. I’m pretty sure I was in elementary school with one of my students).

Then, I met *Mr. Pumblechook. (Names have been changed to protect the identities of very nice, well meaning people whose educational practices make me shutter.)

Pumblechook was a social studies teacher with perhaps six or seven years under his belt. He had a bright smile, hearty laugh, great expectations for his students (I had to. Thanks Dickens) and a file cabinet.

But this, ladies and gentlemen of the jury ( got serious quick, didn’t I?)this was no ordinary file cabinet. For in this file cabinet was a collection of folders. And in those folders were lesson plans.

One folder for each day of the year containing (because I pretended to be impressed with his organization and asked to see): a lesson plan, several worksheets to make copies of (even leftover handouts from the year before), and overhead slides of prewritten notes.

Was I student teaching in 1962? No.
Was I student teaching under a dictatorial regime? No.

This was 2002, people. Suburban Milwaukee.

And every time I tell this story to fellow educators, they nod, and I hear similar stories of educators from days gone by. Worksheet after worksheet, recorded lessons from first hour played to subsequent hours, teachers knitting in the back of the room, and countless acts of readicide across the land. Is seems Mr. Pumblechook had good historical precedent for imparting knowledge to children by opening up their brains and pouring in the same ideas year after year without regard to their role in that programming or real world applications of classroom material.

Enter: My classroom last week.

My AP students are armpit deep (my quip to convey complexity over the waist, but less perilous than the nose) in literary analysis. I wrote last week about our journey with diction analysis, as we got down and dirty with how an author conveys meaning with words.

Along my merry way I skipped, confident in this unit that I’ve taught several times, the tweaks I’d made in planning it for this year (updated mentors, current event references, jokes that students last year hadn’t heard yet – he he), and last year’s solid AP test scores. Not quite a folder for each day, but not too terribly far off either.

Then, I read Rebekah O’Dell’s post from Moving Writer’s, “Three Reasons Literary Analysis Must be Authentic.”

Gulp. Authentic.

I (shamefully) hadn’t really thought of that. I was preparing my students for the AP Language test. Wasn’t that authentic enough?

Of course, the skills of analysis are invaluable. Critical thinking across the curriculum is bolstered by the development of analysis skills which help students recognize patterns, decode information, compare and contrast concepts, classify elements under examination, and utilize inferences to support ideas. As one of the elements utilized by the College Board to determine students’ readiness for college level curriculum in English, rhetorical analysis is obviously important. The traditional essay format is required to pass this test and the analytical skills necessary to do so are a benefit to students far beyond the classroom.

But here’s the rub…

Even AP readers are looking for students to write outside the box. Yes, the skills of analysis must be present. But top scoring papers are those that challenge convention, take risks, and (I’m hanging my head in shame here) speak to a more authentic and far-reaching audience.

O’Dell’s post, like literary providence, reminded me that I needed to climb out of my car with tinted windows (I’m in here doing my thing. Nothing to see here) and pick up a mirror to reflect why I was doing what I was doing.

Her 3 key reflections on teaching literary analysis hit me right between the pencils. She reminds us that:

  1. Our job isn’t to produce English teachers.
  2. Writers need models in order to write.
  3. The traditional academic, literary analysis essay hurts student writing.

So,  am I hurting my students with what I’ve been doing? Absolutely not.
Could it be better? Absolutely, Mr. Pumblechook, because they might be better at formulaic writing with what I’ve been working on, but we’ve taken some steps back in their growth as authentic writers.

To address each of O’Dell’s points, which I felt compelled to do immediately (I had the mirror up and didn’t like what I was seeing), I changed some plans for this week and next.

  1. Our job isn’t to produce English teachers: I have to tell myself this more and more. O’Dell reminds us that 2% of college students major in English, and of those 2%, only 1% will enter professional academics.

    It did occur to me though, that our students will need to engage with the world around them and likely need to synthesize ideas in order to share them. As such, I had my kids choose editorials on current events and topics of interest to present 1-2 minute speeches on. They needed to make claims about how the author achieved his/her purpose through DIDLS.The fluency of their writing for these speeches has blown me away. We’d been “writing analysis” last week, but none had the same voice, passion, or deep analysis that these had. Speaking the analysis had the power to remove the formula. Students concentrated on engaging their audience in a way that a practice AP prompt could not replicate.

    When my students sat down to write a full AP analysis practice today, I reminded them of how they had to work to capture the audience of their peers through their speeches, and that the nameless/faceless AP writers still wanted that same engagement. They want students to be successful on the test. This exercise seemed to solidify that and afford my kids the opportunity to reignite that natural voice we have been working with all year.

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    Katie presents her editorial analysis speech this morning

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    A quick Google form that I fill out as students are speaking provides immediate feedback via email 

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    A sample of the detailed feedback on both content (helps with literary analysis prep) and public speaking (a real life skill for all)

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    Students give peer feedback on the rhetorical analysis they heard, as well as the speech overall. 

  2. Writers need models in order to write: I’ve been using student samples from AP to accompany the prompts we’ve been analyzing for years. That’s honestly helpful. I have students score them and discuss with peers what constitutes a high, middle, and unacceptable essay according to AP so they can apply or avoid the same ideas.

    However, those high scoring essays were always met by my students with comments that suggested that top scoring essays held some undefinable magical quality.

    What is it? Style.

    Those essays, as I said earlier, not only develop complex ideas, but they do so in a way that keeps the reader engaged.To work with this, I’m going to share with my students some of the literary analysis that O’Dell’s post links to as well. The Atlantic‘s “By Heart” where authors share their insights on their own favorite passages in literature, is a website that makes literary analysis real, full of voice, and peppered with references to texts/authors my students know.
    My post a few weeks back on Arts and Letters Daily is another place we’re going to explore. How do writers write about texts without using a five paragraph essay? How can we, as Penny Kittle says, stand on their shoulders as writers and work to write as they do?

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  3. The traditional academic, literary analysis essay hurts student writing: We want our students to be able to master the structure and form, but yet we want them them to break free of it too.I’ve often told my kids over the years that you have to know the rules in order to effectively break them.

    Maybe it’s true. Maybe, I just don’t have them break them soon enough and get to that authentic voice for an authentic audience.Because there, in the place where they have something to say with confidence, passion, precision, and critical thoughts developed by honed skills, will they bridge the gap between possessing the skills we want them to master and making their writing shine with the creative use of those same skills.

And now…it’s Wednesday morning and the lovely Tricia Ebarvia just ran a post about authentic audience through blogging. I’m headed there next.

I should just carry a mirror. I need it. Always.

How do you help move students move beyond the traditional literary analysis? We’d love to hear your ideas in the comments below! 


Lisa Dennis teaches English and leads a department of English superheros at Franklin High School near Milwaukee. A joke her students haven’t heard yet, but soon will, is:  Why did the librarian miss the conference? She was overbooked. Her students are sure to chuckle, if not pumblechook (used as a verb with creative credit to Dickens), at that one. 

 

 

 

What Will You Read Next?

I’m always on the lookout for ways to keep moving my readers forward. To stave off the lethargy that unrelenting mid-forties temperatures and 17 weeks of gray skies (winter makes me hyperbolic) can leave in a classroom. The novelty of a new year, with its resolutions and fresh semester, has succumb to the bleak midwinter pall of third quarter and we need something that says, “If that groundhog claims six more weeks of winter (rat-face that he is), we’re going to need a plan…and a good book or two.”

Well, thank goodness I have an unhealthy addiction to Twitter (Ummm…Cornelius Minor just started following me last night. I’m going to need to step up my game. Significantly).  Years ago, it was Pinterest, but that was back when I had time to scroll and save ‘Best Brunch Recipes to Feed a Hangry Crowd’ and ’19 Ways to Burn Booty Fat’ (not to say I couldn’t still use both).

My scrolling these days, however, is far more literary in focus and professional in nature (19 Ways to Burn Booty Fat for Educators – Conferring as Cardio). Seriously though, Twitter has led me to countless quick write topics, mentor text ideas, blogs to follow, inspirational quotes, professional development opportunities, booklists, laughs, collegial exchanges, and pedagogical articles to stretch my practice. #TrachersWin, #LoveToLearn, #StrongThumbs, #TwitterScrollingSavesLives.

A few days back, Penny Kittle posted this photo:

I quickly screenshotted the image to replicate in my room. This visual reminder of where we’re headed (another book and/or a swing toward spring) will provide the push forward we need. Get it on the wall!

My students needed something to set their sights on, so I asked them to take a look at their ‘I Want to Read List’ and choose what their next reading would be. This wouldn’t just be a goal to finish our current texts, but would also give us something to look forward to.

I encouraged students to take this as an opportunity to challenge themselves outside what they have been consistently reading, either in complexity or genre, and select a book they were excited to get their hands on.

Each student then took an index card, on which went the name of the book, the author, and the date they plan to start this next text.


My aide, an artistic genius, drew the book that would be the center our our display (It even has dozens of book titles written on the first page – I LOVE it, Hailey!) and started arranging the ‘Next Text’ cards around it. The whole back wall of my classroom is going to be a sea of texts we can look forward to.

I’m loving my current read (Shout Out: #3TTTBookClub – Jodi Picoult’s Small Great Things), but I too will be adding a card: In Cold Blood by Truman Capote.

(A freak and serious arrest of my artistic development in the second grade prevents me from sharing my card with you. Please imagine it’s simplistic beauty and that might help me create something wall worthy)


Let’s Get Excited About Where We Are Heading! What Will You Read Next? Please leave your text choices in the comments below. Happy Friday. 


Lisa Dennis spends her school days teaching AP Language and Honors/Pre-AP Sophomores, while also leading the fearless English department at Franklin High School, just outside Milwaukee, Wisconsin where she lives with her husband Nick, daughter Ellie, and beagle Scout.  She is a firm believer that a youthful spirit, a kind heart, a big smile, and a good book can ease most of life’s more troublesome quarrels. Follow Lisa on Twitter @LDennibaum.

Books Can’t Be Bullied

Books: “They don’t get tired and give in, they don’t rearrange their words to soothe their reader’s ego or get a better position on the shelf, and they can’t be bullied”  – Josh Corman for Book Riot.

I’m not going to get political here. I promise.

I’m quite frankly exhausted by, though no less involved in, politics these past few weeks, but when I saw this quote, I knew I needed to explore it. It does (fair warning) come from a pretty politically charged piece that you can seek out and read, if you like, but I first saw this quote completely out of context and feel that it’s a powerful statement in and of itself.

The push and pull of it intrigues me.

I first pictured a book: proud, immovable, and cool. Spine bent ever so slightly, tantalizing a reader with the ideas inside, like the love interest in a dark romance who reads Goethe in tiny coffee shops and spells color with a “u”:

I’ve got what you need, but I’m in charge here. We go at my pace. Turn my pages to see where I will lead you. You aren’t the first and you won’t be the last. 

Aloof in the face of need, careful not to promise too much. If you come to this book looking for fulfillment, it won’t permit you to find it. Too easy. It’s not about you. It’s about the message.

I can also see this book as a soldier on the front lines, battling to retain pride in its themes. Beat down by two star Amazon reviews, milk spilled across its pages, and the misrepresentation of translation, reprinting, and censorship. Not desperate, but insistent:

See me. See what I really am. What I have to offer. I am not what you purport me to be. I am not what others say I am. Think. Judge for yourself. 

But what does any of this mean for our classrooms?

For my students, It means we are going to write about it. I want to know what they think. What identity this quote suggests books have, and thereby what role in our lives? What impact?

See, in an age that not so subtly suggests that books are made better by individual interpretation, I would argue we sometimes give ourselves too much credit.

I might go so far as to suggest that we need books to be a bit immovable these days.

It’s not all about us. What we like. What we need. What we get out of an experience.  Of course, authors need to make money to keep writing books, but on the back of my copy of East of Eden, Steinbeck is casually smoking a cigarette and weaving a tale of good and evil. Is there really so much room for interpretation there? Should there be?

Yes, we, and our students, benefit immensely from challenging conventional thought and learning to build meaning from difficult texts through personal connection, but at the end of that journey, the book remains. The nuance may be up for debate, but the message, perhaps not.

Books offer us a place to see that which does not grow old. The words are pressed between the pages, meaning what they did when they were published. It is we who change and must work to balance how perception influences theme.

Tweets scroll past in soundbites on the screen. Facebook spins and updates with a thousand new ideas with every pull of a thumb. Books remain what they always have been. They cannot be bullied to change with the times. They are timeless, and as such, essential to our survival in the era of eight second attention spans.

So as we bring ourselves to a text, we must be willing to meet it halfway.

It’s not about you, or not only about you.  It’s about the two of us. Book and reader. We can only succeed if we work at this together. 

What better lesson for these times, political or no, than to meet in the middle and align our unchangeable past with the possibilities that carefully crafted ideas can suggest for our future? A book, afterall, still needs a reader.

Let’s produce millions of resilient readers, hungry for truth, who will open books and listen, because a book is always ready to talk, and frankly, we could all stand to listen a lot more than we do.

I’d love to hear your reflection on the quote. Please feel free to join the discussion below in the comments. 

Lisa Dennis spends her school days teaching AP Language and Honors/Pre-AP Sophomores, while also leading the fearless English department at Franklin High School, just outside Milwaukee, Wisconsin where she lives with her husband Nick, daughter Ellie, and beagle Scout. She is a firm believer that a youthful spirit, a kind heart, a big smile, and a good book can ease most of life’s more troublesome quarrels. Follow Lisa on Twitter @LDennibaum.

 

Down and Dirty Diction

My AP Language and Composition students have been waist deep, nay, armpit deep in literary analysis these past few weeks. Of the three types of essays my AP’ers will write, this is always the one that gives them the most trouble. Students are asked to read a piece of prose and then write an essay in which they analyze how the rhetorical strategies the author uses help to achieve his/her purpose.

Though students are familiar with literary analysis, they are often most familiar with analysis that gets at the “what” as opposed to the “how.” I explain to them that deep literary analysis involves what the author is trying to achieve with the writing, as opposed to only what the content itself suggests.

Once we get into it, students often have a lot to say, but lack the developed analysis skills to artfully communicate what they’re seeing. We work to expand and deepen the analysis with specifics.

Early in our study of analysis, we utilize two key acronyms to hone our craft study. DIDLS (which makes everyone giggle) and SOAPS.

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Amelia provides suggestions to a peer on diction analysis of an AP practice essay

Students can use analysis of Subject, Occasion, Audience, Purpose, and Speaker to provide context to their essays and justify the purpose sandwiched in the middle of this acronym. Then, in terms of which rhetorical strategies we can analyze that achieve that purpose, we jump into Diction, Imagery, Details, Language (as in figurative), and Syntax. Our discussions focus on adding the elements together to comment on, for example, how diction contributes to imagery, pathos is built through details, or how various elements create an overall tone for the piece.

Of all the DIDLS (mmwahahahah) components, however, diction is the one that students struggle with year after year. Case in point, a claim about diction submitted on a post-it note after our first look (without direction from me) at diction:

The author uses diction to achieve his purpose.
Ok…You’ve zeroed in on one element. Good. But you are telling me the author uses words. I’m not sure that’s exactly the specificity the AP readers are looking for.

To combat (or encourage, if you are feeling friendlier) such insight, I’ve developed several components to diction study.

  1. Detail with students what their options are. They need to be specific in relating how the diction is used, so we start with something basic like fill in the blank.

    The author uses __________ diction in order to ____________. 

  2. Then, they need the tools to fill in that first blank. I provide a list of terms that could be used to describe diction. We define a few they are curious about, discuss some they are already familiar with, and then choose several to brainstorm around.

    Nostalgic might be used when the author wants to fondly remember the past. 
    Patriotic would be found in political speeches or Fourth of July gatherings. 

  3. I then have students practice focusing their own writing using these words. During quick writes, students choose a specific type of diction and purpose, then set off to match the two in a quick piece on a topic of their choosing.

    Technical diction to write about a process for downloading an app. 
    Curt diction to decline an invitation to prom with a jerkface.

  4.  Next up, my students are going to be analyzing some actual AP prompts specifically for diction and for homework, locating an editorial they can analyze for the same purpose. We’ll be doing quick 1 minute speeches that consist of analysis of the editorials purpose and specific words used to achieve it.

Other practice comes from analysis of diction in their independent novels, some work with Nancy Dean’s Voice Lessons on diction, and quick table discussions around taking famous lines with specific diction and changing that diction to completely change the connotation or meaning of the selection.

It was the laziest of times, it was the craziest of times. (A modern diction twist to reflect senioritis in the classroom).

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Amanda provides feedback to a peer on her AP Analysis practice 

All in all, students are swimming in words and I love it.

It’s how this happens: 

The author uses diction to achieve his purpose.
Ok…you are telling me the author uses words…
The author uses colloquial diction to achieve his purpose.
Better…the specificity of the diction gets you closer, but why use that type of diction?
The author uses colloquial diction to talk with his son about sex.
Interesting. Why would the author want to do that? 
The author of this passage, a father who wants to connect with his teenage son, uses colloquial diction to try and ease the awkward nature of a conversation about sex. Not surprisingly, this attempt to be super hip backfires when his son realizes this false “cool” is not at all hip, let alone effective.
Boom!

How do you help students explore an author’s use of diction? Please share some ideas in the comments below! 


Lisa Dennis spends her school days teaching AP Language and Honors/Pre-AP Sophomores, while also leading the fearless English department at Franklin High School, just outside Milwaukee, Wisconsin where she lives with her husband Nick, daughter Ellie, and beagle Scout.  She is a firm believer that a youthful spirit, a kind heart, a big smile, and a good book can ease most of life’s more troublesome quarrels. Follow Lisa on Twitter @LDennibaum.

 

Looking to the Future: Students as Changemakers

As teachers, we have a unique opportunity, and I would say responsibility, to see our students not only as the beautiful (challenging, curious, and occasionally perplexing) people they are, but also as the adults we want them to be: consumers of information, thoughtful citizens, empathetic neighbors, considerate collaborators, creative problem solvers, and kindhearted souls.

Specifically as English teachers and workshop practitioners, we lay a foundation for these futures with classrooms rooted in a sincere passion for reading, writing, speaking, and listening. We advocate for our students through literacy, because their futures depend on a capacity to actively engage with the human condition.

P. David Pearson,  founding editor of the Handbook of Reading Research and professor of Language and Literacy and Human Development at the Graduate School of Education at the University of California, Berkeley, said that “a teacher’s job is always to bridge from the known to the new.” We work each day with students whose experiences, beliefs, passions, and preferences vary as widely as our own, but together we take what is fixed and challenge it to stretch, bend, and grow.

In the process, we end up with countless stories of students falling back in love with reading, challenging their opinions through talk with fellow classmates, digging into their writing to push past self imposed limits of where words and expression can take them. I shared a quote from Barbara Kingsolver with my students the other day, specifically for diction analysis, but probably more importantly for talk:

“Art is the antidote that can call us back from the edge of numbness, restoring the ability to feel for another.”

We discussed the far reaching definition of “art” (including literature and composition) and the suggestion in this line, art not only speaks to us, but heals us and build empathy within us. Several students throughout the day noted the need for this type of beauty in our current politically turbulent times.

“Congress should have a book club,” one student suggested.
“The whole country needs a book club,” another chimed in.
“Yeah, make them talk about feelings and stuff like Mrs. Dennis does.”
“Well,” I smiled slowly, “if they used our small group discussion rubrics for assessment, they would have to provide text evidence for their opinions, politely disagree with other members of the group and support their contrasting ideas with more evidence when necessary, and work to show leadership skills by actively engaging all members of the group. Sounds like a good place to start for all of us.”

See, even high school students know that art can be the mirror we need to lift up in order to carefully consider our actions and how those actions impact others and the community at large.

It is with this in mind that I share a few brief stories to further inspire your commitment to and passion for the work we do. Students that internalize the power of words, communication, and concentrated energy for making the world a better place become living mentor texts that we desperately need in order to motivate current students to keep pushing, keep questioning, and keep believing in their own capacity to make a difference.


Sam Kraemer was my student twice, and was the type of kid you’d like to fill your whole classroom with: thoughtful, inquisitive, charming, hard-working, funny, and smart. Having made the decision to be a newscaster in the sixth grade, Sam now finds himself as the weekend anchor for the 5:30 and 10:00 o’clock news at NewsCenter 1 in Rapid City, South Dakota, a position he was promoted to after less than a year on the job as a reporter. sam-2

Sam recently came back to school to visit and, of course I could believe the confident young man standing before me, but what struck me was the depth of understanding he already had about the role he is playing in this world. Having asked him where this passion for reporting came from, he said firmly, “the storytelling.”

samHe knows that his reporting efforts can show “the American people what is actually going on” and  that “the world is a better place when facts are clearly established and people have the right to think for themselves. I guess I just enjoy my role in presenting info & stories for people to use in that thinking process.”

How often do we all preach about the importance of clear and careful thought? And here is a young man, in an age when journalists have become a group too often mistrusted and maligned, whose believe in the power of educating the opinions of others, makes my heart swell.

Sam goes on: “A lot of people don’t have time to follow government closely, pay attention to how things happening nationally or internationally affect them, or even know about crime/incidents just down the street for them. Through ample & clear communication, I can be that trustworthy source of information. I can present the facts — not with opinion, but with context — for the viewer to consume and formulate an opinion on.”

What more could we want from our kids than for them to realize that their role in the future matters? That writing and storytelling and communication that ensues matters.

 As Sam concludes, “I know I can share relevant information that either gets people thinking or even spurs action. And that right there is how I try to make the world a better place.” (Shared with me like all of the convictions that truly make a difference in the world, via Facebook message at 3:15 a.m. Classic).

Here is one of Sam’s recent broadcasts. A piece, where as he says, that presenting both sides of an issue with national implications,  “let [his viewers] decide whose argument had more merit.” Fair and balanced news reporting? Sign me up.


Sarah Matuszak graduated from Franklin in 2012 and to say she was passionate doesn’t do her soaring spirit justice. A deep thinker with a kind heart, Sarah finds herself as a paramedic in North Dakota and recently took her “constant obsessive preoccupation with sarahthe world’s bleeding” to Standing Rock. Having worked with the United States Army, firefighting, and in law enforcement, Sarah says that “being a paramedic comes close to what sets my soul on fire, but I’ve found that activism is where I belong. I use all the skills I’ve learned from those aforementioned fields, and apply them to activism.”

Now, just as we’ve all encouraged our students to do, Sarah has taken her passion to print with an article for The Huffington Post detailing her position on and work at Standing Rock.

When she published her piece, “December 5th Is Not the End Of Standing Rock,”  Sarah posted it to Facebook and tagged me. Years ago, right before she took the AP Language test, I gave Sarah a note of encouragement, telling her that I not only knew she had no reason to be nervous for the test, I also knew I would see her writing in the New Yorker someday. Little did I know, she would keep the note all these years and dedicate her first published piece to me.

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To say that Sarah is invested in the betterment of our planet, would be to shortchange the depth of her character and the depth of her commitment to humanity. Sarah was destined to take her educated opinions and make the world think about them long before she ever walked into my classroom, but the encouragement she received along the way, meant something. And just as she says, “firsthand experience makes it real,” seeing the potential of our students makes their dreams that much more real too.


Austin Bohn spent some time with me in the classroom last year. He inspired several of my students to challenge themselves, specifically Bennett Dirksmeyer. I wrote about it in a post about students inspiring students. Both young men credit our shared class IMG_0123experiences, and the books and essays they’ve read as a result, with teaching them how to think. Bennett, I’ll be writing about again in a few years when he becomes the first President of the United States to listen more than he talks, but Austin is already putting his passions to good use through writing.

His two published pieces appear on Medium, an app designed for “readers on the go.” Both selections, “New popularity for unpopular opinions…and new a responsibility for the unpopular” and “Dissonance of the Day: Is Twitterspeak Orwell’s Newspeak?” use Austin’s charismatic voice and probing curiosity to challenge readers’ thinking. In fact, I just went back and reread his piece about Twitterspeak and his insights from last January on Orwell’s 1984 are feeling eerily familiar as the novel is once again a bestseller in our age of alternative facts and fake news.


Our students listen.
Our students internalize our enthusiasm.
Our students have big dreams, and we can give them mirrors in the form of books, time to write, and safe places to develop and share their ideas, that allow them to see themselves more clearly.

If we’re lucky, they turn those mirrors around and hold them up to the world, so we can see each other more clearly too.

 

How do you encourage your students to be changemakers? Share some stories in the comments below of students and former students who are out there making a difference! 

 

Lisa Dennis spends her school days teaching AP Language and Honors/Pre-AP Sophomores, while also leading the fearless English department at Franklin High School, just outside Milwaukee, Wisconsin where she lives with her husband Nick, daughter Ellie, and beagle Scout.  She is a firm believer that a youthful spirit, a kind heart, a big smile, and a good book can ease most of life’s more troublesome quarrels. Follow Lisa on Twitter @LDennibaum.

Clickbate Goes to College: Challenging Readers Daily

With my daughter Ellie fast approaching the age of four (when did that happen?), we watch a fair amount of Sesame Street these days and we are working on letter sounds (“N, nah, Narwhal” makes me smile every time), so at our house, C is for cookie. However in my classroom, with the start of the new semester, I’ve been telling my students that C is for Challenge.

Choice has been at the forefront for most of the year so far, and while it’s a workshop non-negotiable I have personally seen the power of, we need to step up the challenge portion of our programming.

For some, this means simply getting through a text. Yes, workshop breeds excitement around reading and an increase in the number of students consuming books is sure to follow, but there are always holdouts (Shana has a list of books to hook those holdouts, so have at it). I have several holdouts this year. Some are too busy, some are too easily distracted, and some are too downright stubborn. As a result, their reading has stalled.

Other students are entrenched:
Dystopian novels or bust.
Jodi Picoult or nothing.
Nicholas Sparks is the only one who can speak to my soul.
John Green is my God. 
I’m allergic to nonfiction.
This book has more than 300 pages…so, yeah…that’s a no.

Now, don’t get me wrong. These kids are reading, but even though my book talks are riveting (I’m sure) and full of variety, and we explore countless texts together through mini lessons, and, and, and…they are still reading only what they know already. For this group, and for all, I’m going to try Amy’s Personal Reading Challenge. 

However, if you are anything like me, sometimes the long game is…long. To maintain momentum for all, I am constantly on the lookout for pieces that will both interest and challenge each and every day. Sometimes the successes need to be a bit more bite sized. Thought provoking essays and articles, as opposed to entire novels.

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Enter: Arts and Letters Daily.

My AP Literature colleague Kevin Nettesheim shared this resource with me a few weeks back and I love it, love him, love it all.

Much like Amy’s post about using The Skimm as an easy way for kids to stay informed about major current events (and as she puts it, to just be smarter), Arts and Letters Daily is a one stop shop for pieces from, as the website states, the “Chronicles of Higher Education.” Started in New Zealand in 1998 by  Denis Dutton (university philosopher…sounds like a thought provoking post), the website was created as a place for people to go for a “daily for a dose of intellectual stimulation.”

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A quick glance across the homepage, proves to be a feast for the intellectually curious (or those we hope will be). Articles, reviews, and essays from all over the web are organized by Articles of Note, New Books, and Essays & Opinions.

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Beneath each of those three headings is an extensive collection of recently published works, each summed up in about 20 words meant to pique your interest:

  • Fake news is not a new phenomenon. Indeed, fake news is older than real news. As facts recede, the power of concocted stories will only grow
  • What’s to blame for the death of the Western artistic tradition and the beginning of something entirely new? The dangerous idea of creative genius
  • How did Wallace Stevens, who lived an excruciatingly mundane and superficial life, write some of the most inventive poetry of the 20th century?
  • Science’s biggest dilemma isn’t funding, replicability, or lack of public respect. It’s language. Science has an English problem, and that means a lot of lost knowledge
  • The power of “yuck!” and “ew!”. Disgust, which comes from our evolutionary fear of germs, goes a surprisingly long way toward explaining our manners, morals, and religion

As for research opportunities, just glance down the lefthand side of the page. Links to:

  • 26 world newspapers
  • 16 television news websites
  • 107 major magazines
  • 52 book reviews
  • 54 links to other collections of content specific media, blogs, and ideaspaces

So far this year, I have used ALDaily in several ways:

  • Quick Write response – I asked my AP students to spend a few minutes searching the site for an article that intrigued them. I gave them several minutes to read the piece, reflect on it in their notebooks, talk at their tables about what they found, and then share out some of the interesting topics. We ended up talking briefly about procrastination, Arthur Miller, stem cell controversies, and Freud.
  • One Pager – Students needed to chose an article from ALDaily, read it, select a quote that struck them, and write about their expanded thinking related to the selection.
  • Article of the Week – I’m not as faithful to this practice as the name would indicate, or as Kelly Gallagher would likely advocate, but we do study information texts and practice skills involving main idea and word choice analysis, summary skills, and bias identification. My most recent article of study was with my sophomores. We read and discussed “Shame on You,” a piece with a hook that asked “What would Plato tweet?” We discussed the perceived freedom and catharsis of social media against the dangers it poses to honest reflection and conformity.
  • Beefing up my own quippy wit – This week, I’ve already talked with various groups of kids about science, poetry, an obscure language of the Amazon, and Emily Dickinson. I’ve also been able to share with kids that I am practicing what I preach : “Spend some of your time reading what matters. What matters to you and what matters to those around you.” 

The motto at Arts and Letters Daily is “Veritas odit moras.”
It means “Truth hates delay.”

Challenge your readers without delay, every day.

Arts and Letters Daily can be found at aldaily.com

Have you used Arts and Letters Daily? How might you use a collection of intriguing works to challenge your readers? Please comment below.

 

 

Lisa Dennis spends her school days teaching AP Language and Honors/Pre-AP Sophomores, while also leading the fearless English department at Franklin High School, just outside Milwaukee, Wisconsin where she lives with her husband Nick, daughter Ellie, and beagle Scout.  She is a firm believer that a youthful spirit, a kind heart, a big smile, and a good book can ease most of life’s more troublesome quarrels. Follow Lisa on Twitter @LDennibaum.