Tag Archives: books

Shelfie Saturday: Book List Bookmarks

shelfieThis year, I am convinced that the patron saint of libraries has arrived at EHS in the shape of a silver-haired spitfire. Kathy Vetter and her crew of library assistants have managed to shift the culture of our library from a stuffy prison in which students got kicked out all too often (for eating, sleeping, talking, breathing) into a warm, inviting space of relaxation. Surprisingly, this transformation and the allowing of food in the library have also ignited students’ interests in reading.

One of the library’s greatest programs for engaging readers has included setting up simple displays to attract students’ attention. While the displays aren’t flashy or ornate, they expose students to a wide variety of books. For example, in honor of June being LGBTQ month, the library set up a small table with a selection of LGBTQ literature. The selection included I Am Jazz, a book about a transgender child that recently sparked controversy in Maine (ourIMG_2153 neighbor) after an elementary school teacher read it to her class. In addition to the display, the library also provided copied articles about the I Am Jazz dispute to educate students. Talk about a teachable moment!

What I love most though is the increasedIMG_2154 availability of book list bookmarks. Throughout the year, the librarians have managed to set up an elaborate display of bookmarks including lists of Flume Award nominees, time travel titles, and novels in verse. Many bookmarks even include suggestions based off popular books; for example, one reads, “If you liked The Fault in Our Stars, you might like…”

As I reflect on my currently library, I look forward to aligning with the library and using their model within my own classroom. I currently use plate stands I bought from a craft store to display books on top of my bookshelves. I am planning to not only steal some book list bookmarks to provide to my students (who are always looking for bookmarks), but I am also going to use these bookmarks to help me develop my book displays

and even my classroom library shelves. In the meantime though, I will certainly count my blessings that such an angel of books not only appeared at EHS but changed the environment that surrounds one of our greatest school resources.

Missing Pieces by Meredith Tate

24903132I love receiving e-mails from students—not the “Is this due tomorrow?” or “Why do I have a zero in PowerSchool?” e-mails—but the ones that are written bleary-eyed, late at night (or sometimes early in the morning) from students who have just finished a book. Recently, Alyssa, one of my Advanced Composition juniors e-mailed me at 10:30pm after finishing Missing Pieces. She wrote:

“Wow, I just finished the book and I am completely shocked! Was definitely not expecting…[Can’t put this in because I don’t want to spoil it!]…I am extremely happy the way it ended! This was most certainly one of my favorite books that I read this year and if any of my friends ask for a recommendation I would without a doubt recommend it.”

As a teacher, finding a book students can connect with is a victory! But in this, case the victory was even sweeter. I grew up with Meredith Tate, the author of Missing Pieces, and even as children playing in the sandbox at our tiny four-classroom elementary school, Meredith knew how to weave a story.

Missing Pieces is the story of Tracey (Trace) and Piren, two best friends growing up in a dystopian world where they are matched with their spouses at six years old based on genetic compatibility. Despite Trace and Piren’s undeniable friendship and eventual attraction, they are paired with different partners. It is a fight between fate and free will.

While the plot might sound generic, resembling the many dystopian romances novels we’ve seen lately, Meredith succeeds in weaving together a distinctly unique story. Trace and Piren are flawed and frustrating and real. They live in a world of messy mistakes. As a social worker, Meredith doesn’t skirt around issues of alcoholism and abuse—instead she confronts them head-on, addressing the harsh, debilitating nature of addiction. I love that this book doesn’t cleanly fit into any distinct genre—it’s a romance, but it isn’t mawkish; it’s categorized as “new adult” but it begins when the protagonist is 14 years old; it’s dystopian yet it distinctly resembles modern society. Despite the numerous questions posed throughout the book (including those in the excerpt below), we learn that life is a series of difficult decisions; it’s the pure beauty of this rawness that makes this book relevant to teenagers.

“What if the one you’re supposed to be with, and the one you want to be with, are two different people? My entire life was mapped out for me before I was born. Is my only choice to silently follow the course already plotted? To blindly accept my future and walk that trail until I die? To smile and pretend everything is okay and I’m happy and in love with my Partner when I’m spiraling downward and drowning in my loneliness? I’m drowning, like in my childhood nightmares. Only this isn’t a nightmare; I can’t wake up from this life.”

Shelfie Saturday: Nonfiction #ShelfieShare

shelfieAs a young reader, I was a library-only kinda girl.  I browsed the mystery, fiction, and teen sections looking for distinctive spines–ones that had a pink “Classics” sticker, or an orange “Award-Winner” sticker, or a blue “Librarian’s Choice.”  These little guides led me to Jane Austen, Matthew Quick, and John Grisham, whose spines were not only colorful with library stickers but also well-worn from the hands of readers.

The thing about those spines was that none of them were in the nonfiction section, which loomed large with encyclopedias, reference books, and lots of sections about science, technology, or car repair.  Being a middle schooler who didn’t know about the Dewey Decimal System, I had no idea how to find interesting biographies, beautiful memoirs, or fascinating historical accounts.

Now that I’ve begun to love nonfiction and learn a lot from it, I’ve tried to simplify the search for great true stories in my classroom library.  We have one Nonfiction shelf and two Memoir & Biography shelves.  I try to keep collections, histories, and statistics-into-stories books all together on the Nonfiction shelf, while I move the stories of people’s lives onto the M&B shelves below it.  Sometimes the titles that belong on the Nonfiction shelf wind up on the Award Winners, Unique Teens, or Death & Dying shelves–because I love to mix true and imaginary stories in our library when they share themes.

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You can see that our shelf is varied–topics range from sports to how the mind works to humor.  Some authors are dominant–Jon Krakauer, Malcolm Gladwell, Daniel Pink–but others are one-hit wonders whose titles are very popular–Mary Roach, Michael Lewis, Dave Cullen.  Their respective Stiff, Moneyball, and Columbine are three of my library’s most popular titles.

Our nonfiction shelf is also the home of the “Best American” series, which includes topics such as science, travel, and sports writing, but also a collection of simply “essays” from each year.  This series is a fabulous way to find a huge variety of good nonfiction mentor texts when students are doing informational or persuasive writing–there is always something to match any student’s interest.

This shelf is an eye-level shelf for good reason.  Students who wouldn’t normally gravitate toward the nonfiction genre find their eyes caught by interesting covers, titles, or topics–such as Missoula and It’s Not About the Truth, both of which deal with college rape culture, or The Sociopath Next Door, which attracts all my Sherlock fans, or Lost in the Meritocracy, which gives both motivated and disengaged students much to consider.  Once students discover this shelf, they often move toward the Memoir & Biography or Award-Winners shelves, which contain more sophisticated nonfiction structures.

I encourage all teachers of literature to build up their nonfiction shelves–their titles have much to teach our students.

Glory O’Brien’s History of the Future by A.S. King

17453303John Green says that “A.S. King is one of the best Y.A. writers working today,” and who doesn’t trust everything John Green says?  (Except for when you trust him for 246 entire pages, and then your trust is shattered, and you ruin a book with your tears, but I digress.)

Having fallen madly in love with A.S. King’s writing during Everybody Sees the Ants, I have been waiting for my students to return Glory O’Brien’s History of the Future to my library so I could read it.  Without ever having booktalked it, its catchy cover caught students’ eyes and enticed them to dive right in.

Finally, yesterday, I spotted it on the shelf and took it outside in the sun with my class to begin reading.  Surrounded by seniors mere weeks before their graduation, I was in the perfect setting to immerse myself in Glory’s story, which takes place over two weeks bracketing her high school graduation.  She’s a photographer for the yearbook, keeping herself distant from her peers by hiding behind a camera.  Her only “friend” is her neighbor Ellie, who’s lived beside her ever since Glory’s mother committed suicide thirteen years ago.  Ellie doesn’t understand the worry Glory has that she’ll end up like her mother–and Glory is terrified of, dreading, trapped by, her own uncertain future.

That all changes after a wild night, after which Glory and Ellie can suddenly see the future.  Glory begins to record these transmissions, in which, upon eye contact with anyone, she can see the actions of their distant ancestors and descendants.  The glimpses of the future reveal a future American Civil War, the complete reversal of feminism, and a tangled web of people she knows mixed up in all of this.

“We were fed onto the stage like machine parts.  We were a conveyor belt of future.  We were an assembly line of tomorrow.  We were handed our diplomas and stood to face the audience and they were asked not to clap until the end, but some did anyway. … I stood and faced the crowd and heard a static of epic proportions.  Chatter of a thousand infinities all at once.”

Deciding to chronicle her transmissions through a scrapbook modeled after one of her mother’s creation, Glory writes her own “History of the Future,” and it’s bleak.  As the novel progresses, the darkness of the future becomes more certain, but so does Glory’s understanding of herself–a trade-off she’s not sure how to handle.

With beautiful language, dark humor, powerful lessons, and themes of mystery, love, redemption, friendship, and foreboding–all set against the backdrop of high school graduation–I can see now why this book is never on my shelves.  I’ll be happy as it continues to remain in the hands of teens getting a refresher on feminism, individuality, and the pursuit of happiness.

“Sounds so convenient, right? Me not having a mom and my dad being all great about it and stuff.  But it wasn’t like that.  The air was tense.  We still had no oven.  My cobbler still tasted like radiation, no matter how much ice cream I piled onto it.  I could feel the secrets in the soil here. … Something was about to sprout and grow from that soil.  I could feel it the same as I could see the mourning dove into infinity.”

Dumpster Diving for a Book Shelf

shelfieMy husband called, “Hey, there’s a book shelf by the dumpster. Do you want it?”

Funny that he asked. I know he knew I’d say yes.

I put the tall black shelf by the door to my room, which was pretty much the only open spot. But most of my classroom library sat cozy on the opposite side of the room. I did not know what books to put on this new shelf.

It sat empty waiting for three months.

There’s nothing quite so unsettling as an empty shelf in a bibliophile’s classroom, but my husband made me promise not to buy any more books. This is hard.

Finally, I got smart and labeled the shelves “1st period Suggests You Read,” “2nd Period Suggests You Read,” etc.

Slowly, I started moving books that students talked about, the ones they told me they liked. Then I Favorites book shelvesnoticed that a few students started returning their books to these shelves, and after we did Speed Dating with a Book a few weeks ago — we put all of our to-read-next titles on these shelves.

Now, instead of having most of our book choices on the bright green wall across the room, students walk past this shelf as they come and go.

Pretty good deal for a dumpster find.

©Amy Rasmussen, 2011 – 2015

Behind Barbed Wires

sticker,375x360.u1In honor of the recent Holocaust Remembrance Day, I find it befitting to share Room 382’s shelf comprised of pieces in which those, who experienced the nightmare, share their stories.  Each piece on this shelf is dedicated to bringing awareness, and hopefully shed light on how history truly can repeat itself, if we do not prevent it.

While this shelf hosts stories of tragedy, suffering, and insurmountable pain and loss; it serves a purpose. Aside from the devastating, these pieces share with us the true essence of humanity.  Often, this is the first time students are diving into this 80-year-old genocide and trying to make sense of it. Many times we can’t; and other times we are able to connect over the beauty that surfaced. It’s all very complex.

Elie Wiesel’s story (and bravery) is shared via his trilogy starting with Night then moving us through Dawn and eventually through the Day.  See what he did here?

Anne Frank shares her experience as a young woman budding into adolescence in a time where her beautiful spirit defeated the confines of her attic.  Various types of literature have been compiled so IMG_20150424_083609students (and all readers) can experience Anne’s story in various ways: her published diary, actual footage restored via the Anne Frank House (a gift from a friend’s visit to Amsterdam), the play, and many others.

Maus, an incredible two-part graphic novel, utilizes the “Cat and Mouse” metaphor to portray the Nazis
vs. the Jews during the Holocaust.  This two part series is detailed and brings to life the realities of the inner workings; the emotional turmoil yet amazing perseverance of those living through this moment in history.

Those are three pieces among many.  There are books here (and ones that are currently signed out) that chronicle voices of the children of the Holocaust, novels that use real-life situations yet tell a fictional story, perspectives from a Nazi’s Jewish wife, the bravery of a journalist who swapped places with a Jew to ultimately expose the hidden…

Students are typically surprised, fascinated, uncertain, saddened and sometimes hesitant when it comes to this shelf.  Understandably.  This shelf asks us to inquire and then sit with our findings.  Yet, the conversations and rich discussions that float around this shelf are beautiful; truly beautiful and strengthen our understanding of what it truly means to be human.

 

 

In Search of Hope

mariane pearl book coverI first fell in love with Mariane Pearl’s writing when I read her memoir: A Mighty Heart where she chronicles the events leading up to her husband’s murder in the Middle East.  It was devastating.  Tragic, really.  Yet, her voice sang from the pages even while sharing the most intimate moments associated with a murder that was so incredibly public.

So, to no surprise, when I came across In Search of Hope: The Global Diaries of Mariane Pearl,  I was thrilled. Pearl, a journalist for Glamour Magazine, took on the world – visiting twelve different countries. She was escorted through these countries by powerful women that are all on missions to bring positivity, safety, and change to countries that are broken.

Pearl visits with courageous women who share the most private details of their work – and passion.  She learns about a Cambodian sex slave’s liberation; Liberia’s presidency from the perspective of President Ellen Johnson Sirleaf (2006); an AIDs orphan turned healer in Uganda; a New Yorker who leads children needing guidance; how justice is getting a voice in Mexico…and so much more.

As you read these short stories full with dynamite photographs, writing that is powerful, and experiences that shed light on women fighting through the injustices associated with their countries, culture, and neighborhoods; you can’t help but to feel as though you are on a year long excursion around the world – one that authentically changes your core as a human being.

Students love this piece.  They are awed by the bravery of these women; Mariane for exposing truths that do not get adequate recognition and the women who are willing to risk their own safety in order to save others.  For every reader, Pearl puts life into perspective.

The richness found within these pages comforts you.  It makes you believe that anything truly is possible.  Well, because it is.  It provides students access to beautiful moments experienced within other cultures and propels them to reflect on their own morals and values – what are they really willing to fight for?

In Search of Hope is a piece that leaves you feeling compelled to explore.  Travel.  Find your own truth.  And when you do, write about it.

Everywhere You Turn

Over the last three years, our Francis Gittens Memorial Lending Library has grown literally by thousands of books.  And, it’s a beautiful sight.  One in which provides comfort, challenge, and dialogue among students and educators.  It propels interest in reading and provides options and choice; students sometimes pull up a chair and use the edge of any given shelf to rest their Writer’s Notebook while they write and find inspiration.  It’s our staple here in room 382.

But, as more and more donations come through the door, I panic: Where will they all go?!  We are currently wall-to-wall with bookshelves (many that tower over us) and the remaining space is either wall-to-wall windows or full of technology.  So, I started to utilize every open surface: our computer cart, window sills, filing cabinets, my own desk.  Now, literally everywhere you turn, your gaze lands upon books…stacks and stacks of books.

Initially I felt overwhelmed by having books everywhere; I thought it felt chaotic.  But, the perceived chaos actually provides students even more choice and an innate awareness of their surroundings. Students have started to become even more in-tune with their reading journeys and have been feeling more compelled to explore.  For more reluctant readers they have access to books without it feeling as though there is the need for any sort of grandiose gesture; trekking across the room to the wildly overwhelming library.  It’s subtle yet powerful beyond measure.  Everything is within their reach.

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Books resting on technology…

Everything.  Even our mobile technology cart full of laptops. The books on top are stacked in four piles; they are our newest additions.  Because the cart find its way across the room, near different seats, and at various different spots depending on the day; it’s equivalent to an ice cream truck making its rounds – no one is to be missed.  These piles change as the new additions continue to stream through the door.  Many students, as they are accessing the cart for a computer, find themselves pausing for a moment because a book title…or cover…or piece they realized was on their next-to-read list…has caught their attention.  I love the irony that’s often captured here when a student is simply going to return their computer, hears the bell ring, and runs to their Writer’s Notebook to jot the title down; yet forgets to put the computer back!

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Here is one of three window sills adorned with literature – and some added nature.  During the winter months in room 382 the heat tends to be unbearable (hence the cactus) which is quite unfortunate.  Yet fortunately, students like to get a breath of fresh air.  So, while doing so they find themselves multi-tasking – breathing in the fresh city air while perusing through the new titles that greet them at the window.  Many times, a lesson or writing workshop will be interrupted with, “Miss Bogdany, I found another book about XXX!”

Books decorating ugly steel surfaces...

Books decorating ugly steel surfaces…

Many students have just recently begun to proudly embrace their love for graphic novels. Typically,they believe that they’re for ‘young kids’ because of ‘all the pictures and stuff’.  I whole-heartedly disagree.  So, in the vein of supporting students’ interest in visual literacy, many are found atop an industrial filing cabinet adding color, texture, and accessibility.  Because this surface is also used for additional supplies, students access it often.  Every time they are wanting to find their zen (see butterfly book box on the top left) they happen upon literature that excites them.  Many times, the zen garden and a new book escorts them back to their seat.     

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Exhibiting my literary interests. The left stack is comprised of pieces I want to read. The ones on the right are my absolute favorites. And, the ones in the middle are a fantastic mix of professional resources, gifts, and tools.

I know students will not produce work if they are not comfortable; both physically and in feeling safe within a community.  I create a visually stimulating space at my desk because it’s what fuels my passion for all things literacy. I also know, when a student needs their own unique space, they tend to gravitate toward wherever it is that I’ve set up shop.  It has been labeled ‘their corner office’ – and yes, they get right down to business!

There are other times when I conduct 1:1 conferences and ask a student to engage in dialogue in our bright back corner.  I watch their eyes drift from their writing to the options resting atop my wooden workspace.  Students will reach across the desk to pick up a piece they have never seen there before and while I try to get their attention refocused on our conference, sometimes the book they’ve chosen is much more convincing than whatever it is I’m trying to do.  I also think some of the intrigue is that students know that what they find there are pieces I can really talk about because I’m passionate about them.

So, as the year starts coming to an end and we start thinking strategically about how we are going to start minimizing our inventory and organizing it for our summer packing; please don’t!  Keep moving things around and keeping it fresh.  Put books in places you haven’t before – students will find them trust me.  Play around with what you have displayed in your area and invite students to engage in conversation wrapped around them.  But, most importantly, enjoy these remaining few months with our inquisitive and dedicated readers as they continue to look around our learning environments and find exactly what they didn’t even know they were looking for.

Where do you keep literature aside from your library shelves?  What successes have students found when they happen upon a book in the most unlikely of places?

 

Shelfie Saturday

sticker,375x360.u1While my last name is Catcher, I’m far from a natural athlete. In fact, my high school softball career ended after I “caught” a stray throw with my forehead, landing me in the ER with a swollen eye and thirteen stitches. Still, I can appreciate a brilliant sports story, the type that moves beyond the game and captures the essence of teamwork, leadership, and friendship. The “Sports” section of my classroom library does just this.

Over the past year, I have cultivated the sports section to reflect the varied abilities, ages, and interests of my students. I teach freshmen, juniors, and seniors ranging from struggling to gifted readers. Because of my diverse students, my library must appeal to 14-year old freshmen and 18-year old seniors alike. Fortunately, sports can oftentimes bridge this age gap while also pushing students to gradually engage with more complex texts.

My somewhat anemic-looking sports section.  Many of the books (particularly the ones not pictured here) have waiting lists and won't return to this shelf until the end of the year.

My somewhat anemic-looking sports section. Many of the books (particularly the ones not pictured here) have waiting lists and won’t return to this shelf until the end of the year.

My younger students (and even some of my older) tend to gravitate towards popular young adult novels at the beginning of the year, like those written by Matt de la Pena and Mike Lupica. After they exhaust the options on my shelves, they inch towards lengthier and more complex analytical or historical books like Moneyball: The Art of Winning An Unfair Game by financial journalist Michael Lewis or The Punch by sports writer and commentator John Feinstein. More than any other genre, these brilliantly crafted pieces serve as strong mentor texts for a wide variety of mediums including nonfiction, narrative, research, and persuasive writing. This year, books like Ice Time by Jay Atkinson inspired many of my hockey players to explore their sport through personal narratives while Shoeless Joe by W.P. Kinsella served as the basis for one of my freshman student’s research papers on the Black Sox Scandal.

Sports hold leverage within our society, particularly amongst teenagers. From die-hard fans to benchwarmers, both athletes and non-athletes can appreciate a sports story, particularly when it transports us into a world packed with suspense and action.

Join the conversation by posting your own shelfies!  Share a shelfie with #shelfieshare and let us know if it’s a #classroomshelfie, #bookstoreshelfie, or other miscellaneous find.

Persepolis by Marjane Satrapi

persepolisIn honor of ALA’s recently released 2014 Banned Books List, I can’t help but recommend the second most banned book Persepolis by Marjane Satrapi.   Persepolis was one of the three graphic novels that made the top ten list this year. The book is criticized for its use of gambling, offensive language, and political viewpoints as well as for being “politically, racially, and socially offensive” and for having “graphic depictions.” In reality, this graphic memoir isn’t afraid to tackle the horrifying and at times comedic realities of growing up in a community faced with political turmoil. After all, Satrapi wanted readers to recognize that Iranians are normal people, just like everyone else. They enjoy music and parties and clothes; the difference is that the characters in Persepolis are living during the Iranian Revolution. Satrapi begins her narrative at six years old, relaying the stories of every day life as the Shah’s regime is overthrown, the Islamic Revolution takes hold, and the war with Iraq destroys her community.

What I love most about Persepolis is its ability to attract my reluctant readers, particularly my students who would otherwise steer clear of the international shelf in my classroom library. These students are drawn to the simple black-and-white cartoons and the rebellious teen protagonist. They love her quirky sense of humor and her obsession with American music icons like Michael Jackson. Like many of our students, she is an angsty teen coming of age. The difference is that she grows up during political conflict and war. Her world is changing around her, war has becomes standard, and she, as a teenager, is attempting to find normality in completely abnormal circumstances. But it’s Marji’s ability to navigate this morbid world and go through complex transformations that make her come alive on the page.

I tend to use graphic novels towards the beginning of the year when my students are becoming acclimated to analyzing writer’s craft (or even when they need a refresher on it). Oftentimes students are more in tune to looking at the details of drawings than of writing; they find it easier to pick out the eccentricities of images yet rarely do they question why the artist made the choices they did. Graphic novels give them the opportunity to do just this.

I have students work in small groups to analyze the artistic decisions of the illustrator. For example, in Persepolisthe scene to the right, Marji has been taken into custody by the Women’s Branch of the Guardians of the Revolution, a group in charge of monitoring women’s wearing of the veil. When they stop to study the images, students notice the repetitive stern expression of the guardian and the way Marji’s face appears to melt into squiggly lines as the frames progress. They notice the transition of the lines surrounding the word bubbles from smooth curved lines to sharp zig-zags. They recognize changes in font size and effects as well as the underlying narrative strand at the bottom of the frame that shows internal dialogue. As they analyze these details, they also begin questioning the choices that lead to the depictions of these conversations and emotions and what they ultimately mean in the context of the story. By the end, the graphics take on a more complex tone. The images come alive, the artist’s intentions become clearer, and they have immersed themselves in a new lens that allows them to take a second look at literature.