Category Archives: Writers

What is Your Teaching Everest?

I’m standing on my desk.

It’s dangerous, but exhilarating, and I probably look like a loon, but I don’t care. (Please see my post where I embrace my dorkdom in an effort to really get to know my students and move on happily with passionate living and teaching.)

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High heels kicked off, channeling the spirit of Mr. John Keating and brazen pigeons everywhere, I’m perched on the edge of my desk during prep, looking around the room to try and gain gain a different perspective.

Oh, Captain, my Captain…Somebody call security. She’s lost it.

No, no. I’m all right. (Well, you know – Relatively speaking. Dear colleagues, if you hear a thud, please investigate.)

So, what caused this poetic exploration of my abandoned classroom? I was thinking about a quote I heard at NCTE 2016:

What is your Everest this year as a teacher?

No, my desk isn’t my Everest. I’m not that far gone. But, per Shana’s inspiration to start with a question, I was thinking about what needs my attention the most right now. With 86 minutes to plan, grade, create, and locate necessary motivation to do all of the roomaforementioned tasks, what should I start with?

There’s certainly a lot to chose from: stacks of papers, countless books to read, share, and sort, a department in need of collaborative time to plan, students flying under the radar.

Everything in front of me is important. I need to grade the narratives my sophomores wrote, to put some ending punctuation on that adventure. When She Woke by Hillary Jordan is calling to me too. That book is Hester Prynne meets Offred meets futuristic criminal justice system that injects offenders with a skin altering virus based on their crimes – I need several extra hours in the day to read. Truth be told, I should have started this post sooner too. Procrastination and exhaustion mix into a delightful little cocktail called Crippled Motivation. Bartender, I’ll take another when you have a minute.  

In all seriousness though, I return to my question (Yes, I’m off my desk, Mom), because answering it means I can get something done. I’m weird that way. Could I pick up a stack of papers and just start? Of course. But I have to mentally work up to it, know my plan, have a reward of some sort (read five papers, read When She Woke for five minutes). This time, the question, the task, the implication is much bigger.

What’s most important right now? When I could do a thousand things, what needs to be done right now because it will mean the most?  I know the answer. And not only because I was just standing on my desk :

My Everest this year is feedback.

Consistent, responsive, quick feedback that first encourages, and then focuses in on promoting growth. Remember the old saying about catching more flies with honey than vinegar? That’s the stuff right there.

I want to move my students forward. We all do. But now, more than ever,  I believe the way to do it is through sincere investment in the original thoughts and explorations of my students. Personal connections that, yes, take some time, but build relationships that have helped me to better recommend texts, suggest style moves students may need to make in their more formal writing, and encourage additional critical thinking beyond the classroom.

I used to stress about “finding something good” to include in my comments to my students. And I hate to say this, but it’s downright hard in some instances, isn’t it?

I really like what you did with the title there. 
Interesting transitional choice. 
Wow. So many words in that sentence.
Nice…font selection.

But now,  I’m thinking about feedback in new ways and delivering it in new ways too. To reach my Everest, I’m going to have to get creative and intentional. So, here’s what I did this afternoon:

  • Read through a section of one pager submissions from my AP students. Check them in with the quick rubric for a formative score, and email five students per class with reactions. Not corrections, but reactions. Students are encouraged to explore in these writings and the best means of moving them forward in this case is to share additional insights, question, and encourage. I highlighted the students’ names in my gradebook to know I’ve contacted them and I’ll do the same with several more students next week. Writing feedback…check.

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  • I made a plan for conferring during reading later this week. Without a plan, it’s feeling random and I’m not doing it enough (the thousand things on my desk keep capturing my attention). So, I have a list. I know who I want to talk with based on quick writes students did today. They reflected on their progress toward their weekly reading goals and some students are struggling. Just by having them take a quick photo with their phones and email me the page, I got a literal snapshot of how each and every one of my students is doing with their independent reading, and I didn’t have to collect notebooks. Now, I’ve emailed a few students congratulations and made this plan. In the picture below, Alexis refers to her current read as “a beautiful romance of adventure.” Love! Reading feedback…check. 

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  • Students will self-assess their latest practice AP argument essays. Feedback does not need to come from me to be beneficial. Using the AP rubric to help justify scores, students will take a sheet of paper, put a score and justification on the top, fold it over and hand it to the person next to them. Scoring will proceed in the same way around the table until everyone has his/her paper back. The table will then need to calibrate/norm and agree on a score. Self assessment and peer assessment…check
  • I am going to question and listen more. Long ago, I gave up on the idea that my imparting knowledge on others was the best way for them to learn. Everyone learns best when the are motivated to do so through personal connection to the work, interest in the material, and an understanding of how to improve. Workshop sets this up in a classroom, it’s now my job to remember to listen more and jump in less. During conferences, during book clubs, during discussion. Listen first, respond, encourage, and redirect/suggest later. This certainly doesn’t mean my presence in the room diminishes. It means I remember that my presence in the room is to guide my students, not steamroll them.

Gaining a new perspective feels like hitting the reset button to me. It provides clarity of mind and purpose. Skill development is my professional responsibility. Human development is my personal responsibility. They work hand in and hand and they are the Everest I will climb all year, every year, as I talk with, respond to, and gain insights alongside my students.

What is your teaching Everest this year? We’d love to hear from you! Please add your insights to the comments below! 

Book Birthdays by Amy Estersohn

img_20161006_115756265Tuesdays are bar none the best day of the week.  Tuesdays are when most new books are released.  On Tuesdays, you can run to the bookstore, go to the library, or wait eagerly for a package to arrive.  If you love reading new books, Tuesdays are nothing short of wonderful.

I have a Book Birthdays list in my room to help my readers and I track upcoming and highly anticipated new releases.  I use chalk ink (more on how much I love chalk ink another time) and a section of my blackboard for this list.  Though I don’t spend much, if any, class time talking about books that are on the list, I sure get a lot of questions, requests, and (occasionally) demands from readers as to which birthdays we should be celebrating.  

I also update this list about twice a month.  For example, I booted off the second book in Rick Riordan’s Magnus Chase series after its October 4 release date in order to make more room for the social media thrillers of Sarah Darer Littman and Stuart Gibbs’s goofy mysteries.

Creating a customized list of upcoming releases can seem like a daunting task, but with the right tools it’s easy enough to build and maintain over time.

Step 0.  Gather a list of authors that your students already enjoy reading.  Sprinkle that list with authors you hope your readers will discover.    My readers come in knowing and loving Margaret Peterson Haddix, Rick Riordan, Raina Telgemeier, and Jeff Kinney.  By the end of the year I also want them to read Jason Reynolds, Gary Schmidt, Marie Lu, Renee Watson, Pam Munoz Ryan, Gordon Korman, and Jennifer Nielsen, among others.

Step 1.  Create a Goodreads.com account.

Step 2. Visit these authors’ pages on Goodreads to “follow” the author.

Step 3. Go to your “account settings” under your avatar and click on “e-mails.”  If you scroll to the bottom of the page, you’ll notice an opt-in settings for New Releases e-mails and e-mails from authors you follow.

Step 4. Wait for e-mail notifications to come to you.

Depending on the age and independence of your students, you may even consider opening up this task and invite students to help build a list of highly anticipated books.  

Amy Estersohn is a middle school English teacher in Westchester County, NY.   She also reviews comic books for http://www.noflyingnotights.com.   Follow her on Twitter at @HMX_MSE.

Start with a Question

“Questions are at the heart of it all.  Just start with the question.”

These were the first words I heard at NCTE, and they were from the mouth of our beautiful mentor, Penny Kittle.

Penny was opening a workshop honoring Tom Newkirk, a true beacon of hope in the sometimes desolate landscape of education.  A bevy of thinkers–Gretchen Bernabei, Ellin Keene, Tom Romano, Jeff Wilhelm, and more–spoke about the ways Tom Newkirk had helped them grow as teachers, thinkers, readers, and writers.

And you know what they all had in common?

Questions.

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Notes from Cornelius Minor’s portion of a session on equity in education

Ellin Keene, whose books were edited by Tom Newkirk, said that he never “wordsmithed” her writing.  Instead, he wrote questions in the margins.  She called him the “rare provocateur who asked questions because he genuinely wanted to know the answer.”

Jeff Wilhelm, who wrote book after book that was inspired by Newkirk’s work, said that he always found his book topics by lingering on a question he was wondering about.

Tom Romano framed Newkirk’s thinking in a “says who?!” style: the Common Core says narrative writing is for sissies?  Newkirk replies, “SAYS WHO?!” and writes Minds Made for Stories.

Vicki Boyd, Tom Newkirk’s editor and the general manager of Heinemann, said that Tom’s words led her to believe we should all “get curious about the stories that lead people to their stances and beliefs.”  We must ask questions to understand one another.

Questions prevailed as a theme: when speakers talked about their process for discovering their topics or planning their talks, questions were at the heart.  When I jotted something powerful in my notebook, it was usually a question.

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It’s not about the answers, I was starting to notice everyone saying. It’s about the questions.

Maybe we’ve known this for a while, and it just took some time for me to find the red thread of questions running through our work.

When I was planning for NCTE, I framed my thinking around questions.

Yesterday, Amy wished us “joy in the journey” in her post synthesizing her learning at NCTE.

I wrote about valuing process over product in this post.

Amy wrote about it back in 2013.

And apparently there’s a great new book out by Katherine Bomer called The Journey is Everything (sorry I missed that; it came out April 22, and I was busy having a baby right then…brb while I add it to my Amazon cart).

It is, apparently, about the journey, and the process, and the questions…not the finish, or the product, or the answers.

We spend so much time wondering how to get it right, when what’s important isn’t the getting it right part.  It’s the wondering.

And apparently I’ve known that all along, but I like to keep forgetting to keep questions at the heart of my thinking and teaching.

So, as we race toward the end of 2016, I will try to start with questions in everything I do: my talk with students, instructional design, grading, and even my ever-fluctuating educational philosophy.

I have the pleasure of being able to give only feedback, and no grades, on my students’ final projects for the semester.  These large-scale assessments are meant to go into their final portfolios that they’ll defend before graduating, so I am unencumbered by rubrics and numbers.  I’ll focus on the questions they ask, and ask them some of my own, as I read their work.

As I think about planning for next semester, I’ll wonder how I can get more students questioning themselves, one another, and all the many routines and philosophies they see around them.

And as I move forward with my writing here at TTT, I’ll remind myself, every time I sit down with my notebook:  start with a question.

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What questions are you asking? Please share in the comments. (Or ask some questions of your own!)

Change is Good

Last week, I filled up more pages in my notebook in four days than I did in the last six months combined.

What the heck were you writing about, you ask?

Why, #NCTE16, of course.  The annual Mecca of English teachers, where we get to speak, listen, read, and write all about what we’re passionate about: students and learning.

I wrote down amazing ideas.

Pressing questions.

Inspiring quotes.

Endless book recommendations.

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I wrote down a lot of beauty and hope and happiness, but I also heard some scary things, and I wrote those down too.

Things like teachers reading To Kill a Mockingbird–OUT LOUD! THE WHOLE THING OUT LOUD!–to their classes over the course of eight weeks.

Things like spending six weeks on a memoir unit only to produce–wait for it–six-word memoirs, and nothing more.

Things like hearing Harvey Daniels questioning whether to let students talk with one another for fear that they’ll be too hard to quiet down.

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Aaauuuurrrrrrrggggghhhhhh.

I just read Peter Johnston’s Opening Minds, which centers on the philosophy of getting students into a dynamic frame of thinking–a mindset in which all things are changeable, and that nothing is static.  So, maybe I heard some things that troubled me about what’s going on in education in America, but if I think like Johnston wants me to, then I know we’re just not where we need to be…yet.

img_5964I talked with my writing friends about this.  Amy, Lisa, and I spent so many lovely hours together squeezing in conversation wherever possible–escalators, restaurants, hotel rooms, Ubers, the NCTE exhibit hall.  We thought, talked, wondered, worried, questioned, and quested.  We wrote down many pages of ideas for Three Teachers Talk.

In our conversation about those cringe-worthy teaching practices I overheard, we wondered this:  why are so many teachers afraid to change?  Why are we so glued to the ‘way we do school’ historically?  Why, when we brainstorm ideas, do we wonder what can go wrong instead of wondering what can go right?

Change is good, people!

We wondered–to reframe the thinking about what secondary English classrooms look like, what do teachers need?

We examined our own practices to answer this question.  We found that we each relied on four things to make decisions about the learning in our classrooms:

  1. Research-based best practices.
  2. Examples of other classrooms that look like ours.
  3. Specific strategies and assignments to try out.
  4. Conversations with like-minded friends about our ideas.

And we asked ourselves:  is Three Teachers Talk answering these questions?

Perhaps, incidentally, we were, but we wanted to be more deliberate.  So, we’ve made it our goal to approach those themes more regularly.

On Mondays, we’ll share our responses to the research we read, the quotes we hear from educators, or the ideas we have in our notebooks.

On Tuesdays, we’ll continue to share specific strategies, mini-lessons, and quickwrite ideas we’ve tried out.

On Wednesdays, we’ll converse together in a #3TTworkshop format and share writing from our friends in the form of guest posts to show a variety of perspectives on common ideas.

On Thursdays, we’ll share examples of what’s going on in our classrooms–stories about students, successes, failures.

We hope you’ll find our freshly-framed writing helpful and thought-provoking, just as we found the things we heard at NCTE to be.  Please join the conversation in comments, on our Facebook page, on Twitter, or via guest post.  We’d love to hear your voice!

 

Giving Thanks: NCTE 2016 and a Plate Full of Passion

The season is upon us, boys and girls. A time for calls to the Butterball Hotline (1-800-BUTTERBALL if you need it). A time to smile at Grandpa’s snoring after dinner. A time for gifts and giving and  possibly some figgy pudding.

After my first trip to the Annual NCTE conference, it’s also a time to be thankful.

It’s difficult for me to put into words how thankful I am for the opportunity to meet with and learn from so many amazing educators.

Amy, Shana, and Jackie, presenting with you was an incredible experience. Your passion and expertise around workshop is a gift that I will take back to my department as we continue our own workshop journey. Your believe in the power of choice, challenge, reading, writing, and speaking makes this shift in delivery easier and more rewarding each day.  ncte-1

Beyond our own presentation, the sessions we attended have my heart and mind bursting with enthusiasm for the work we do with kids. I am watching some of them read right now (I promise to confer in a moment) and the promise that they hold is the reason for all of this. NCTE 2016 refocused my attention on the core of my purpose in the classroom…to inspire connections. Connections to one another, to great texts, to authors, to the written word, to what they believe in.

As if that weren’t enough, the past few days has me thankful for:

Spending time with like-minded professionals.

My girl Shana Karnes introduced me to this phrasing over the weekend. Spending time with people who are pursuing a common goal is enriching, invigorating, and downright fun.

ncte-8My weekend started when I met Winifred as we were in line to pick up registration materials. One of the Coordinators for Special Education Services in Georgia, Winifred and I got to talking about her garden. She pulled out her phone and showed me a video of her abundant harvest and we talked about trips planned around picking your own food right off the tree/vine/stalk. She showed me pictures of her fiance, as she is getting married after being widowed for years, pictures of her grandchildren, and her salmon on the grill.

And then we talked about hope for the future (left turn). Using the opportunity of the weekend to fuel our hope around the power of education. Well, if Winifred’s passionate character is any indication of even half the educators this country employs, I have renewed hope too.

Then, this fangirl met some of the biggest names in education. Amy and Shana introduced me to Penny Kittle and Kelly Gallagher.

I sat between them at a table and had a cocktail. 

I repeat.

I casually chatted with Penny and Kelly (Can I say that? It feels weird), like I belonged there. Like I had anything of value to contribute to conversation.

And yet…once I got over my shock and awe at where I was sitting and who I was sitting with, Penny and I talked about the work I’m helping to lead in moving the Franklin High School English department to workshop. Kelly and I talked about the power of promoting educational philosophy and policy while still in the classroom, working each and every day with students in order to refine our own craft and reinforce our philosophies for the betterment of our kids.

When thought that benefits the advancement of students becomes purposeful practice, magical things can happen.

Maybe it was the Moscow Mule I was sipping, or maybe it was the fangirl phenomenon, but sitting with those great thinkers and discussing what’s best for kids, may be the professional development highlight of my career so far.

The Opportunity to Hear from Passionate Voices Who Support Our Work 

Over the course of the past several months, we have all dealt with division on a daily basis in a ways that feel intensified and frankly, frightening. Understandably, this is something many of our students have intensely felt too, some for a very long time.

During a session on Equality in Education, Cornelius Minor (who proclaimed himself a black nerd, but I think he might be one of the most powerfully tolerant and inspiring voices of our time – in fact, I hugged him after his session) suggested that it’s our job as educators to teach children how to “maintain partnerships” in order to “define our culture.” Among countless other profound and inspiring quotes from that session, this stuck with me.

My job as a teacher can be defined in countless ways: facilitator, psychologist, content specialist, reader, writer, engineer, surrogate mom, cheerleader, conflict resolution specialist, event coordinator, nurse, lesson planner, assessor, tour guide, bookkeeper, data systems specialist, actor, career counselor, bailiff.

But, at the moment, advocate is my personal goal. In my humble opinion, as teachers, we are charged with shaping the future (no small task), so the partnerships we build with students and the partnerships we help them create with one another, might be some of the very best work we can do to promote social change and unity.

I’ve long advocated for students to be readers and writers. In the workshop model, I’ve learned that choice and challenge are additional areas of advocacy I can promote.

However, teaching my students to advocate for themselves, as informed, collaborative, and responsible citizens is my most important task right now, and it starts with building partnerships that bring us together to work toward common goals of kindness, respect, and the respectful promotion of educated opinions.

The insights of incredible thinkers

Can I name drop, for a minute? Before I left for NCTE 2016, my best friend on the planet, and teaching neighbor Erin, congratulated me on Facebook for my upcoming speaking engagement at what she coined as the “Super Bowl of English teachers.”

It made me chuckle when I wrote it, because I think she might have been implying I’m super, but as it pertains to those that I heard speak at the convention, it was spot on.

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I have a notebook filled with quotes from the likes of Jason Reynolds, Pam Allyn, Donalyn Miller, Kylene Beers, Kwame Alexander, Ernest Morrell, Tom Romano, Cornelius Minor, Penny Kittle, Kelly Gallagher, Amy Rasmussen, Shana Karnes, Jackie Catcher, and many, many more.

I will have to write more on these quotes. Dig into them. Flood my classroom with them. But here is a taste:

On issues with equality in education Cornelius Minor said,”It’s not the students that are disabled, it’s the curriculum.”

Speaking to our current national focus on division and divisiveness, Kwame Alexander said, “We [educators] have to be the manufacturers and purveyors of hope.”

Pam Allyn added, “Be vigilant and aware and active in defense of words that heal, not words that wound.”

Ernest Morrell incited that we must have students consider how they “speak back to the book.”

And one of my favorites, was Kyleen Beers suggesting that if your inclination is to test students knowledge on the content of a book. she would “prefer you didn’t give them the damn book” (Beers).

Food for thought. Food for fuel. Ideas to motivate and captivate. I love my job…

Free books

Have you ever seen the videos of The Running of the Brides? Matrimonially incensed women trampling each other to secure the dress of their dreams in a wedding dress-laden warehouse turned streets of Pamplona? A place where otherwise calm, rational, respectable people turn into Black Friday bargain hunters with cutthroat tactics  and pitiless elbowing skills?

Now, swap out the brides for savings-fueled educators, who are not only passionate about saving money on books, but particularly prideful of stacking those free treasures into towers of savings that stand taller than the students they teach.

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Add Curious George, countless authors signing their books (Matt De La Pena?  Neal Shusterman? Ann M. Martin?!), a hot dog stand, and free book totes, and you’ll see English teachers practically stab one another to get free texts.

It made me smile to see so many teachers literally fighting (friendly competition fighting, not literally throw a punch to grab a copy of  The Association of Small Bombs fighting) to support their classroom libraries and their commitment to putting books in the hands of teachers. ncte-3

So, Happy Thanksgiving everyone. I have enough notes, inspiration, and red hot passion for this profession right now to fuel another dozen or so posts on the incredible opportunity that was NCTE 2016. I’m so very thankful I could attend. So very thankful to my district for supporting this work. Thankful to my department members who are working their tails off to support our students as growing readers and writers. Thankful to my students for exploring their ncte-2deeper thoughts though books. Thankful that the Heros and Villains Fan Fest was starting, so we briefly shared the convention hall with roaming bands of beautifully costumed characters. Hey, we all have passion for different things. I find Thor’s passion to be particularly commanding.

I emailed Penny Kittle to thank her for talking with me and for sharing her insights on this powerful, albeit extremely challenging move to workshop, and I want to leave you with a quote that I think we can all give a little thanks for as we walk down this workshop path and learn how to do what’s best for our kids. The message is…workshop is simple.

We just need to, as Penny said, “be sure that students have time to read every day so [we] can confer, write every day to build volume, and study texts that help them learn the craft.”

Amen.
Let’s eat.

If you attended NCTE, what are you thankful for? If you couldn’t join us, which of the quotes above speaks to your practice? We LOVE to hear from you. Please join the conversation in the comments below. 

 

Workshop Routines and Some Leopard Print Pajamas

Amy and Shana posted earlier this week about our upcoming presentation with Jackie Catcher at the NCTE Annual Convention in Atlanta. ncte

Amy is going to discuss perspective and assessment, Shana will share insights on unit
planning
, Jackie is focusing on mini lessons, and I’m going to try not to pass out from sheer terror/excitement/nerves/exhaustion/adrenaline.

If I can meet Penny Kittle without
incoherently mumbling some nonsense (Oh my goodness. I love Book Love. I mean love. Did I say love already ?), I’ll consider that a win too.

Or, perhaps most importantly, I’ll be speaking about workshop routines.

Establishing routines to support the non-negotiable components of workshop was one of the first considerations of my district when the high school ELA team started our move to workshop last year. We run on an A/B block schedule with 86 minute classes, and structure
is key to make sure all workshop components get their due time.

I was thinking about it tonight when I was putting my three year old daughter Ellie to bed (which, by the way has been going on now for over an hour because she’s needed several “one more” hugs). Every night, without fail, my husband and I work Ellie through the process of pajamas, books, teeth brushing, more books, several kisses (for Ellie and all nearby stuffed animals), one last story, several more kisses, and a hug.

I’d be lying if I said it went perfectly each night.

Case in point, Ellie just came out and asked what I was doing. I seized the opportunity and asked if she had a message for you all.

She’d like you to know that she is wearing leopard pajamas.

So…how to segue past that one?
I give up. That kid’s good. Yes, I gave her another hug too. Anyway…

Workshop routine. What’s its purpose?

In my opinion, it’s to provide comfort, consistency, and (hopefully) somewhat predictable outcomes.

When Nick and I take Ellie through her bedtime routine each night, she knows what’s coming. She knows we’ll be there with her, whether she’s cooperative or…spirited. She knows that each component of the routine has a purpose, because we make them clear. She knows, or at least experiences, the consistency that leads to that predictable outcome which is a warm bed and sweet dreams.

Yes, she fights it sometimes. Yes, she enjoys some parts more than others. Yes, it’s occasionally exhausting. But we know the net benefit. Our darling daughter is sent to dreamland with a positive experience, consistent expectations, and security.

Workshop routines are established for and run with the same outcomes in mind.

Students need daily practices, without fail, that strive to build capacity for critical thinking, community with peers, and rapport with instructors. They need a classroom structure that promotes a gradual release of responsibility so they can study craft in order to emulate that craft. They need time to practice. Time to explore. Time to be in control of their own learning. Time to be readers and writers.

In our district, that’s a pretty structured 86 minute class period, per Penny Kittle’s suggested breakdown of daily activities:

  • 10 minutes silent reading/conferring
  • 5 minutes attendance/agenda/book talk
  • 15 minute quick write
  • 15 minute skills based mini lesson
  • 38 minutes workshop time
  • 3 minute wrap up/sharing/homework

In my opinion, it’s the components that matter. The timing, especially in an even shorter class period (See Amy’s post on workshop in a 45 minute class period or Shana’s post with her ideas for workshop in a short class– it CAN be done!), are necessarily brief to allow for work in all areas, provide time for students to put into practice what they are learning, and maintain momentum around specific skills by linking components in a class period. For IMG_0684example, have students look for specific craft moves in their independent reading, write about them in a quick write, see them reflected in the mini lesson, and work to incorporate them into their own writing during workshop time. I’m even organized enough sometimes to tie my book talk directly to the craft move we’re discussing. Sometimes.

My students know what to expect each day. They know they can count on time to read, make choices in their learning, have guided instruction on college and career readiness skills, and workshop time to put those skills into practice.

Well, I know they have those things. Their perception of the class structure is often described as “fast.” As in, “Wow. That class period really went fast.” And it does. There’s always a lot to do. There’s always a lot to talk about, write about, read about, think about.

There’s, of course, always room to grow too.

Routines to add around writing fluency (weekly one pagers), mini lesson variety (demonstration, explanation/example, guided practice, etc.), use of writer’s notebooks, conferring, providing formative feedback, and the list goes on.

Workshop aims to empower students, teachers, and entire learning communities through a shared love of reading and writing to promote literacy.

Leopard pajamas or no, the routine of workshop provides a consistent safe place for all stakeholders to learn and grow. Sweet dreams.

I’ll be sharing more about moving to the workshop model and workshop routines in more depth on Sunday afternoon, from 1:30-2:45, in room B211.

Will you be at NCTE?  Please let us know in the comments.  We would love to meet you!

If you can’t make it to Atlanta, you won’t be missing out–tune in to Twitter using the hashtag #NCTE16 during our session times to join the conversation.

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Designing a Unit in Workshop: Just Try It

The NCTE Annual Convention begins this week, and as always, its onset has prompted me to try and synthesize a year’s worth of thinking around one pressing topic.  What I’ve been considering this year is the value of units of study within a workshop classroom–the hows and whys and what ifs of planning for complex, themed units.

So, we know that teachers who engage in a workshop classroom often have many of the same routines in their schedules:  time to read, time to write, time to talk.  They often have many of the same components:  mini-lessons, booktalks, mentor texts, conferring.

These are all good things.

They are all engaging practices on their own, but to take on real power, they need to be strung together, applied again and again, over the course of units of study and throughout the year.

When I work with teachers who are diving into the workshop model for the first time, I model as many of these components as I can.  Teachers are engaged–they write, they read, they look at the craft of poetry, they analyze articles.  They are energized and enthused to try these strategies with their students.

But every time, I see one smart teacher, her brow furrowed, her face concerned, in the back of the room.  She tells me, either in person or on her evaluation card:  I don’t see the rigor in this model.

And she is right.  In one day’s work, students are only advancing incrementally.  If we just have fun every day playing with words in our notebooks, listening to podcasts to study their craft, or doing book passes ’til the cows come home, our students are not growing by leaps and bounds as readers or writers.

And that’s where designing strong units of instruction comes in.

Whether it’s reading or writing instruction, harnessing the daily moves of a workshop routine to build toward an authentic product is where rigor lives.

I like Kelly Gallagher’s words to sum up the idea of starting at the end when designing a unit:

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Begin by thinking about what you’d like your students to achieve.  Did you just hear an amazing commentary on NPR?  Wow, what a great writer that guy is–I want my students writing like that.

Start with your vision.  That’s where you begin.  Then you ask yourself:  what do my students need to know in order to write like that?

That’s where the workshop routines come in:  booktalk examples of strong nonfiction writing.  Teach mini-lessons that get at the craft of strong commentary writing.  Flood your students with mentor texts, both published pieces and each other’s work, so they can see both the process and the product.  Let them experiment with drafts in their writer’s notebooks–lots of ungraded, low-stakes practice should live there.

At the end of the unit, don’t destroy all of your hard work by trying to “grade” everything objectively with a rubric.  Our beautiful mentor Penny Kittle sums that up nicely:

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When best drafts land on your desk, ask:  how do I know students achieved what I wanted them to?  Utilize self-assessments, celebrate the writing, respond authentically.  Consider how each student advanced individually.

Our students deserve high quality instruction that offers them choice, volume, and authenticity.  They deserve units that will allow them to continue to build on their constantly-increasing mastery of their reading and writing skills.

I’ll be sharing more about planning units in an Ignite Session on Saturday morning, from 9:30-10:45, in room A412.  

And I’ll discuss how and why to build rigor into your workshop units in more depth on Sunday afternoon, from 1:30-2:45, in room B211.

Will you be at NCTE?  Please let us know in the comments.  We would love to meet you!

If you can’t make it to Atlanta, you won’t be missing out–tune in to Twitter using the hashtag #NCTE16 during our session times to join the conversation.

 

Mini-lesson Monday: A Matter of Perspective

I am thinking about the importance of perspective. Mine and others.

To truly understand how the world works, why decisions are made, what issues matter to individuals, when things do not go our way, we have to be willing to peer into the thinking of those who think differently than we do.

Sometimes — no, most of the time, this is hard.

It is especially hard for the sixteen year olds I teach. They wear their bias like badges, and they often silence those who disagree with them with blatant disregard. I fight against this every day, but last Friday we took a few steps forward. I want us to keep moving.

Objective: Students will formulate ideas while writing from a perspective other than their own: Who? What? Where? When? Why?; draw conclusions based on observations and interactions with peers.

Lesson: First, we’ll write. Students will take out their phones and take a photo of the person sitting across from them. They will then write for ten minutes, trying to convey that person’s point of view about their future. What do they want to do after high school? Where do they see themselves in five years?

We will then share our writing and discuss how difficult it is to know another’s thinking without ever having a conversation. We will tie this thinking into the conversations we had last week about stereotypes and making judgements.

Next, we will do the Crossing the Line activity as outlined here by Vanderbilt University. Of course, I will have to change some of the questions:  Coke vs Pepsi? Pshaw. This is Texas! I will have to say Coke vs Dr. Pepper.

This activity will inspire discussions about our similarities and our differences, and the poem will allow for even more discussion, analysis, and critical thinking around a text.

Follow up:  As we move into choosing topics for our Poetic Rhetoric unit, I will remind students of the importance of investigating all sides of a topic and the importance of considering alternate points of view as they compose their poems. I did not do this last year, and this will add a critical element to their arguments. Too many of the spoken word poems I’ve listened to seem like rants against some issue instead of including a shift or two that lead toward solutions.

In times like these, we definitely need solutions.

NOTE:  Shana, Lisa, Jackie and I are presenting at #NCTE16 this week. If you will be with us in Atlanta, we’d love it if you attend our session on Sunday, Nov. 20 at 1:30 pm. Room B211 of the GA World Congress Center. I will start our presentation with more on the value of perspective and how it relates to Advancing All Students in Readers-Writers Workshop.

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Three Good “Ninja” Books About Children of Alcoholic Parents by Amy Estersohn

downloadI’m always on the lookout for ninja books – the kinds of books that address tough issues directly, but are also swift and subtle in how they go about doing it.  These are books that have middle school-appropriate characters, plot points, and pacing with some high school-ish themes.  See also: author Kerry O’Malley Cerra’s #mggetsreal campaign.

Without further ado… here are three terrific ninja books about children of alcoholic parents:

Shug by Jenny Han

Shug (nickname for Sugar) is stuck between being a child and being a teen, and she’s in the unfortunate situation of having a huge-o crush on her male best friend, Mark.  While Shug is primarily an optimistic if awkward tween relationship novel, astute readers will pick up on Shug’s mother’s social withdrawal and her tendency to rely on wine to solve problems.  This novel reminds us that chemical dependency can affect anybody without regard to class or gender.

The Seventh Most Important Thing by Shelley Pearsall

This book is about a boy named Arthur Owens who throws a brick at an old man’s head, nearly killing an old man. Whenever I booktalk this book, there’s always a reader who says, “Surely it was an accident that Arthur threw the brick.”

To which I smile and say, “No, Arthur really meant to throw that brick.”

The Seventh Most Important Thing just might be my favorite book ever, if I really had to choose a favorite book.  It’s a book that transformed me; it’s also transformed some of the readers I’ve worked with, readers who have never felt compelled by any particular text until THIS ONE.  (Note that this book isn’t some magic cure-all, as some of my readers find it a little too character-driven and not cliffhangery enough.  But still.  This book.)  

I won’t give too much else away here, but I will say that Arthur’s father did his best to be a good dad to his children despite a struggle with alcohol.

This Side of Home by Renée Watson

Watson has written a book I can only describe as a gentrification romance.  Twins Maya (named after Maya Angelou) and Nikki (named after Nikki Giovanni) are watching their Northeast Portland neighborhood change before their eyes.  It’s becoming more white, the stores are changing, and their neighbor and best friend Essence’s landlord has started remodeling the bathroom and kitchen … before raising the rent on their apartment.   Maya wants to go to Spelman with Essence, while Essence isn’t sure she’ll be able to leave Portland and her alcoholic mother, who constantly needs her help.

Each of these three books gives a different lens into how different characters may cope with an alcoholic parent, and each of these titles could appeal to younger and older teens.

Amy Estersohn is a middle school English teacher in Westchester County, NY.   She also reviews comic books for http://www.noflyingnotights.com.   Follow her on Twitter at @HMX_MSE.

Try it Tuesday: Building Fluency (And Relationships) One Page at a Time

I got to know Bennett because he “grew up” in my classroom.

I got to know Kathy because she discovered how much reading could challenge her thinking.

I got to know Austin because his sense of curiosity,  coupled with his sense of humor, brought him back after graduation to share his insights on college level critical thinking with my students last year.

I got to know Trevor because he had lost his love of reading, and workshop helped him find it again.

I got to know Abbey because I unknowingly played a part in developing her confidence.

We get to know our students in countless ways and through countless circumstances. Through conferences, writers notebook entries, overheard conversations, questions, books in their hands, and sometimes simple nods and smiles, we better understand the humans we as teachers are blessed to work with everyday.

And it is my belief that understanding (connecting with, acknowledging, listening to) students is the component that makes true growth and learning possible. As in life, building relationships breeds understanding, compassion, insight, tolerance, empathy…the list goes on and on (and as I’m typing this, is strikingly similar to a list of reading/writing benefits as well. Coincidence? I think not).

Yet, there are plenty of students I feel like I never get to know as I should. In fourteen years of teaching, I’ve had the opportunity to know roughly 2000 students. That’s 2000 unique life experiences, desires, learning styles, and needs, and I’d be lying if I said I connected, to the degree I might have wanted to, with each and every one, or even most.

But workshop does bring me closer. I talk more with students than at students now, and it makes a world of difference. I’m also offering up more opportunities these days for students to have real and honest connections with the classes I’m teaching. They share who they are in what they choose to read, how they respond to it, and what they write in far more meaningful ways, because the personal connections they create with the material allows for more depth.

My task now is to match those personal connections to learning through assessment of their acquisition of skills.

Sounds simple.
Not simple. Not at all simple.

But you know this. I’m pushing at an open door.
And yet, I would wager, it’s rarely easy for any of us.

So. How to keep students honestly sharing, deeply thinking, connecting to their reading, and growing as writers?

The one pager.

Shana wrote about weekly one pagers about a year ago, and I first started them with my AP students last January. It’s a simple concept. Students write every week. They write what they think, feel, and want to explore.

My modification for my AP students is to have them write weekly about what they are reading independently or specifically for class. The emphasis is to contextualize a chosen quote that they find impactful in some way and then react to it. Part craft study, part reflection, part magic. Beyond that, I encourage students to let their writing flow. 500 words (ish). Single spaced. Analysis. Reflection. Once per week. No exceptions.

Since the point is to write more (and more, and more, and more), I try to keep in mind that I don’t need to read every word. With four sections of AP Language this year, totalling 81 students, I’d be in way over my head. So instead, I keep the scores formative, rotate through the classes to comment on one section of the four per week, and give completion scores for those I skim over. Students use turnitin.com to submit the writing each week, so it’s organized and in one place. Occasionally, we’ll discuss our quotes in small groups and/or use the writing for some craft study in class.

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Those are the logistics.

My favorite part of this practice, however,  is the way it provides a safe place for my writers to grow, and when they really embrace the exercise, fantastic things happen.

At the start of this school year, I received an email from Simrah, a former student who finds herself in college this year:


Mrs. Dennis,
     I hope you are doing well. I’m having a wonderful time in college and have been meaning to email you to say thank you for having us write one pagers. In English these first two weeks of school, we have been writing one pagers on different readings. Doing so last year was very helpful. We continue to write one page type essays in my class as a grade and being able to do it without question has been great! You can tell you AP Lang students I said this. Thanks again and I hope you have a wonderful school year. Hopefully I’ll stop by the school some time to say hello personally 😉 ❤

Sincerely,
        Simrah —– (a very thankful one pager writing college student)


Just this week, as I introduced my AP Language students to their upcoming “opportunity” to grow as writers, I received an email from Charlie, a young man whose heart is big, his desire to learn is bigger, and unfortunately, this week, he had an unexpected topic emerge for his one pager that turned his piece into an outpouring of emotion that he desperately needed and brought tears to my eyes.

Charlie lost his grandfather this past weekend. Up to this point, Charlie and I have laughed together, as he is a wonderfully personable young man, but I wouldn’t say we had particularly connected. Then he emailed me Sunday to (can you believe) apologize for going over the word limit on the one pager and share with me a picture of how striking the resemblance is between his grandfather at the same age Charlie is now.

Charlie’s writing touched me. He quoted Dr. Seuss in saying, “Don’t cry because it’s over. Smile because it happened,” and went on to detail the events of the past week and his deep thinking/feeling about them.

When I hugged him this morning, he smiled again, and then hung back for a few minutes after class to tell me more about his grandpa, how the family was doing, and how he was doing. It was a conversation he needed to have and I was honored to share it with him. He joked on his way out the door that it would be hard to top his first one pager this coming weekend, but he would try.

Earlier in the weekend, Charlie had ended our email exchange by saying, “I am so lucky to have a teacher like you who cares so much.”

Well, Charlie, you’re sweet to say, but really,  I’m the lucky one.

Because I’ve gotten to know Charlie, Bennett, Kathy, Austin, Trevor,  Abbey, and I’m learning more and more ways to know more and more students.

I’m getting to know them in ways that truly matter.

As readers.
As writers.
As learners.
As people.

As writers of one pagers. Simple assignments that can be simply amazing.

Have you tried “one pager” writing in your classroom? How do you work to build fluency in your students’ writing. Please share in the comments below.