Category Archives: Amy Rasmussen

Five things you can do to guarantee your students will read

“Pull up a chair. Take a taste. Come join us. [Books are] so endlessly delicious.”
― Ruth Reichl

I’ve spent a lot of time with the love birds my children gave me for my birthday. They are beautiful. Marianne and Colonel Brandon And scared. I made the mistake of not reading enough about them before I tried my hand at training. Now, I am having to back track just to get them to like me. I knew better. Should have done my research.

It all starts with trust. Every day I put my hand inside the cage, hold it there, and just talk. I talk about the weather — it’s been quite tragic in north TX lately. I talk about the book their names come from — Sense and Sensibility. (My daughter dubbed them Marianne and Colonel Brandon.) I talk about how we will be the best of friends if they will just trust me.

Colonel Brandon bit my finger and held on so hard I stamped my feet for five full seconds hoping he would let go.

I’ve even tried speaking my limited Spanish. (The birds came from a Mexican vendor at an outdoor market.)

“Hola, buenos dias.”

Sitting on the floor near the cage is my school bag. In it is my conferring notebook. It holds a roster with check marks for books read and pages for each student where I record our conversations about books and reading.

This morning I was finally able to get Marianne to step up on to a perch and gently pull her from the cage. She sat on the top, eating happily on a millet twig. Progress.

I flipped through the notebook, remembering conversations I’ve had with students this fall.

“I used to love to read,” Henry told me, but then I didn’t like textbooks so I didn’t read anything again until 8th grade.

“What do you mean textbooks, you mean like an anthology of stories and poems and such?”

“Yes, those,” he said, “I hated those, so I just didn’t read anything in middle school. Then my teacher in 8th grade let us choose the books we wanted, and I read a ton. Hunger Games, Divergent, all those dystopian books. Then in 9th and 10th it was back to textbooks. I stopped reading.”

Henry was a hard sell at first. I’d already set up the routines in my reader’s workshop classroom. He missed the read arounds, the notebook set up, the initial book talks with the titles I know students love every year. And just like with my birds, I started wrong with Henry.

I expected him to step up without question into our reading world. He didn’t.

I had to back track and build some trust. I’d do a book talk and then set the book not far from him. I’d talk to other students about their reading near enough so Henry could hear. I’d ask Henry questions and I’d listen to his answers, so he would know I cared about him as a person more than as a reader.

And Henry started reading.

Henry has read four books since September when he joined my class:  Article 5, Friday Night Lights, Peace Like a River, and Labron James’ Dream Team.  Not bad for a young man who went two years without reading anything in 9th and 10th grade.

For any teacher who says independent reading just doesn’t work for you or your students, I issue this challenge:  Backtrack and try again.

Five things you can do to guarantee your students will read:

  1. Read. The more you read books you think your students will enjoy, the more you will be able to talk about books your students will enjoy. Don’t have a clue about YA? Read anything by Matthew Quick, A.S. King, Jandy Nelson, or John Green (my personal favorites). You’ll have a good start.
  2. Share book talks daily. Talk about books you know students love. If you don’t know titles, ask your librarian for help, read book lists like this one, read lists we’ve shared in previous posts.
  3. Show book trailers. I used to post book trailers on this blog. You’ll find many post with trailers, interviews, and other ideas here.
  4. Get students talking. The more students talk to one another about their reading the better your chances of getting all students to read. One favorite activity in my classroom is speed dating with a book.
  5. Give students time. I heard it first from Penny Kittle:  “If they aren’t reading with you, they are not reading without you.” We must give students time to read during class. Too many teachers and administrators think silent reading is not a good use of instruction time. FALSE. The only way to become a reader — or to become a better reader — is to read. If we want students to develop the habits of life-long readers, we must help them develop the habits in class where we can help them 1) stay focused, 2) learn what readers do when they get stuck, 3) practice choosing books for learning and for pleasure, 4) make plans for future reading.

 

What tips can you share for anyone who’s struggling with independent reading? Please leave your suggestions in the comments. Thanks!

 

 

#3TTWorkshop–Tackling the Challenges of Conferring

Three educators. Three states. Three demographics. All practicing Readers and Writers Workshop in our Secondary Classrooms. Read more about us here.

We are the Modern PLC, and every Wednesday, we share our behind-the-scenes collaboration as we talk about the most urgent moving parts of our classroom pedagogy.

This week’s conversation took root over a year ago in a hotel room at NCTE in Washington D.C.  As with many of our TTT get togethers, we threw out a question from our classrooms and began discussing our struggles, questions, and ideas.  This time it was Amy, asking about conferring.  The three of us mutually agreed that one of the greatest challenges we face as workshop teachers includes conferences, yet while they take time, practice, and diligence, they are one of the most necessary and rewarding components of the workshop classroom.

In this week’s conversation, Amy and Jackie discuss the the value of conferring within the reader’s writer’s workshop.  

Make sure to visit the first installment of our conversation, and please join the conversation in the comments!

How do you meet with every student when your class sizes have 30 or more students?13b04fad-66ef-4eca-83df-3f0c7412bd48

Amy:  I come back to that word — purposeful. If we plan to meet with students in conferences, and we craft lessons that allow for students to work independently for a time, we can meet with students one-on-one. Yes, when our classes are large, we may not get around to meeting with each of them as often as we like, but consider the alternative — never talking face-to-face with our students. The more I talk with my students about their needs and what would help them learn more in school the more they tell me they crave conversations with adults who will listen to the things they care about and believe in. They want adults to validate them.

Say we have a class of thirty students, and we only meet with each one of them three times in the semester — that is three times more one-on-one contact with a caring adult they would have had otherwise. Every bit of time matters.

I wrote a post with ideas for conferring with students when our class sizes are large here. My favorite is the bundle conference — no, I really like the one in the hallway. Really, any chance to talk to a reader about her reading is one I cherish.

Jackie: I am fortunate that I do not have classes over 30, but like Amy says, there are ways to reach such a large group of students.  It isn’t easy, but it’s possible.  I advise Writers Club and Government Club, so I know I can reach at least a couple students during that time.  I also have a handful of students who stay in my room during my prep, duty, lunch, or after school to work on homework and reading.  This means that I see anywhere between six to ten students in alternative settings where we can chat about books.  

I  also use workshop time to meet with table groups, which consist of four students each, just the right amount of students to chat about books while still gaining some more individualized attention.  Furthermore, as Amy mentioned, I rely on bundle conferences when discussing writing.  Just last week, I managed to conference with my twenty AP Literature students about their essays in just over an hour of workshop time.  Today, one of my students approached me after class, thanking me for the conferencing time and the additional one-on-one tutoring time during a study hall.  He said that he felt significantly more confident approaching his essay this past Friday after having such individualized feedback.

Amy:  I forgot to add — sometimes I schedule conferences with students. If I notice that I haven’t met with someone for a long time, or if I notice he’s stuck in the same book for too long a time, I’ll invite him to confer during lunch or after school. Personal invitations mean a lot to students who for whatever reason “I haven’t got a round to yet.”

Just last week I tapped Tony on the shoulder and asked that he meet with me during lunch. I’d noticed that he rarely checked out books from my classroom library, yet his record of his reading kept getting longer. I really thought this students was fake reading and calling it good, and since Tony has a lot of social capital I feared he was sending a negative message to his classmates. Tony sat with me for about five minutes during lunch tutorials. I asked about his reading, and he told me enough to know that he really was reading. He told me he thinks he needs to try harder books. So we talked about what books might interest him. I then asked if he knew how much of an example he is with his peers. His eyes started to glow and he smiled a little. “Yeah, I guess so,” he finally said. We talked about the kind of leader he wants to be, and when Tony left my room, we both felt better about what he is accomplishing in class this year. That is the kind of conference I love to have with students, and it provides the one-on-one attention often missing when students share classroom space and one teacher with twenty-nine other students.

What are your best conversation starters?

Jackie: Amy, I’m curious about your most successful conversation starters, particularly the ones you use with those tougher students who struggle to stay engaged.  I know that many of my struggling readers love learning from their reading.  They enjoy “getting something” out of their books, which means that I tend to talk to them about their hobbies and how it relates to their book.  One of my self-defined “non-readers” has been working on a hockey book since the beginning of the year.  I love hearing about what he has learned and why it is valuable to his only success as a hockey player.  I also enjoy hearing about why a student chose the book they did.  Their responses can be unexpected and even surprising.  It reinforces the fact that they have a choice in their education.

cdbf4b4e-bd86-48eb-8f05-004647b7396aAmy: I tried to keep track of what I say to start a conversation, thinking I’d realize I say something like Carl Anderson suggests in his book “How’s it Going?” Sure, sometimes I say that, but really, my conversation starter depends on the student. It changes all the time. The important thing to remember is to get our students talking about their reading experiences. Our role is to listen. If we do not listen, we do not have a chance to assess where our students might need help, where the gaps in comprehension are, or how we may encourage them to take risks and try something more challenging so they grow. We need to remember to let the student direct the conference. I still struggle with this sometimes.

Suppose I say: “Tell me what you’re thinking about this book.” Depending on the student, he’s likely to say “It’s good” or “It’s okay.” That just means I have to ask another question to get the student talking. But if I ask something specific about the student and/or the book, I can usually spark a conversation immediately. For example, I love to ask questions about book covers, especially if I can tell a student is about half way through the book.

I’ll say something like: “I can see you’re about halfway through. I wonder if you’ve thought about the book cover design at all. You know, most people judge a book by the cover. How well do you think the cover represents the book so far? Based on what you’ve read, why do you think that?” This lead works well for book titles, too. Of course, I want my students to talk about their books in a way that I know they are actually reading them, but more importantly, I want my students to be able to talk to me about what they are thinking about their books as they read. This is difficult for many students, but the more I encourage and validate and stay consistent with conferring, the easier it gets for them.

Jackie: You are right–there is no scripted answer to asking the right question, but as you said, some promote more discussion than others.  I also enjoy having students compare their current reading books to the ones they’ve read previously.  After picking up The Compound  at the urging of his friends, one student said, “I actually think Dopesick [by Walter Dean Myers] is better than this book.”  His willingness to state his opinion led the same friends who recommended The Compound to turn around and read Dopesick.

What do you do if you figure out a student isn’t reading during your conversation?

Amy:  I wish I didn’t have to answer this question. I wish I could say all my students read. Just isn’t true. I’ve written a few times already this year about how I still have non-readers. I mentioned it in my #FridayReads post last week. I’ve found the two major reasons my students tell me they do not want to read: 1. I’m too busy, 2. I don’t like reading. Not necessarily in that order.

When I discover in a conference that a student is stuck in his book — bored with it, or just flat out flipping pages — we talk. I try to get him talking about his passions.

Most of my boys love soccer. “Why do you love that sport?” I’ll ask, and usually, he will describe the friendships with the guys on the team, the love of being outdoors, the competition. I want him to show me emotion about something he loves.

Then, I’ll say something like:  “I don’t know much about soccer. I’ve never played. How can you help me love it?” And he’ll go off talking about exercise and health and having fun. I listen and nod.

Then, I’ll ask: “What do you suppose that has to do with reading?”

And sometimes he gets it, and he’ll say, “You mean like if I never read I may never know if I like it?”

Of course, then I pile him up with book choices and encourage him to try a book he thinks looks interesting. We talk about the importance of reading the first several pages, hopefully in one sitting, to give the author enough time to draw us into the story. And then I monitor this reader closely. I do not wait to talk with him in a week or two. I talk with him as soon as I see him again and ask what page he is on and if he likes the book. These are the students we tenderly nurse along until they can get up and run on their own.

Jackie: It’s funny that states away we use the same comparison.  I am constantly talking with my students about how reading is like exercising and how our brains are muscles that require nurturing as well.  I remind myself of this metaphor every time I go to the gym, everytime I try a new exercise class I loathe, and every time I look at the ridiculously jacked woman next to me who is jogging at my breakneck speed.  

Reading requires patience; we do not become readers overnight.  I think what shocks my students most though is my resilience to find a book they will enjoy.  I go through a similar process as you, Amy.  Asking what about the book is tedious or boring, helping them make time by offering my classroom before and after school.  I will stop at nothing to find a book that catches their interest, even if that means devoting shopping trips to that one kid who hasn’t read a whole book since the start of the year.  For those tougher kids, I know that one book can change them.  The trickiest and most exhilarating part is finding that book to transform their outlook.

Amy:  Tricky and exhilarating = absolutely. I love this work, and I know the value of students building stamina, growing in confidence, and challenging themselves into more complex texts. Of course, all those things happen as a result of regular and consistent conferring practices. Every time I feel like my reading workshop gets stuck, or kids are not reading like I think they should be, I pick up the notebook with my records and start conferring more. It might not work magic, but it’s close.

 

#3TTWorkshop — Conferring with Our Readers

Three educators. Three states. Three demographics. All practicing Readers and Writers Workshop in our Secondary Classrooms. Read more about us here.

We are the Modern PLC, and every Wednesday, we share our behind-the-scenes collaboration as we talk about the most urgent moving parts of our classroom pedagogy.

This week’s conversation took root over a year ago in a hotel room at NCTE in Washington D.C.  As with many of our TTT get togethers, we threw out a question from our classrooms and began discussing our struggles, questions, and ideas.  This time it was Amy, asking about conferring.  The three of us mutually agreed that one of the greatest challenges we face as workshop teachers includes conferences, yet while they take time, practice, and diligence, they are one of the most necessary and rewarding components of the workshop classroom.  

In this week’s conversation, Amy and Jackie discuss the the value of conferring within the reader’s writer’s workshop.  Part one of this conversation delves into why conferring matters and how we find time in our classrooms to sit down with each student one-on-one.

Please join the conversation in the comments and check back for the second installment tomorrow!

Conversation Starter:  Why must we confer with our readers?IMG_9734

Amy:  Conferring regularly is what makes a readers’ workshop classroom work. Simple as that. If a teacher says to me “I tried allowing students to read what they want, and it didn’t work — they still won’t read,” I know I have to ask something about how he confers with his students. How often? What do you talk about? How do you make them feel about reading?

I learned about the importance of conferring just like everyone else who makes reading workshop her pedagogy:  If I do not purposefully sit down and talk with students one-on-one and face-to-face on a regular basis, many of them will not read. They are too used to playing the game of high school English. They know how to flip the pages, move their eyes across the page, and lie to my face about how they liked, or did not like, a story. I teach 11th grade. Some students have done this for years.

The only way to create readers is to get them reading. The only way to get many students to even give reading a try is to talk with them in non-threatening conversations about their lives, about what they are interested in, and why this or that book might be something that matters to what they want to know or feel or do. Conferring is conversing about what matters to my students and talking to them as if they are already readers — until they begin to call themselves readers, too.

I also think this applies to every content area. If math teachers spoke to their students like mathematicians, and science teachers spoke to their students as if they were scientists, maybe we’d have many more students interested and invested in math and science. Every teacher should hold regular and consistent conferences with her students. Even if those students never come to like reading or math or science, they will become more engaged in the learning environment because the teacher has shown personal interest in the life of the learner. Face-to-face leader and learner conferences make for genuine and consistent engagement in the learning process. And teacher and student both benefit.

Jackie:  I love the process of conferring with students, particularly at the beginning of the year when students aren’t quite as used to having their teacher sit beside them just to chat.  Even now as I pull up my mini-folding-conferring chair, I enjoy the shift from awkward first interactions to excited chats about their reading.

Reading conferences aren’t just about accountability, although that is one of the many perks.  During these conferences I get a better sense of what books to recommend to students, how their past history affects their reading practices, what they’re coping with on a daily basis, and what they think about when they crack open a book.  As Don Graves writes about his most formative teachers in The Energy to Teach, “All of these teachers expected more of me and we had a strong personal connection that I did not want to disappoint them.”  Reading conferences allow me to connect with my students on a level that not only shows them that I am committed to their reading journey, but it that I am invested in their life and education.

Amy:  I love how you pull up a mini-folding-conferring chair! I used to have a single yellow chair that I invited students to come and sit in — the special chair. I had to leave it at my old school. I saw this nifty rolling stool at a thrift store and almost bought it. I could have rolled from table to table to confer. I talked myself out of it, but there are days a roll-about-the-room would be handy.

Jackie: It’s the best purchase I’ve made all year! Mine looks similar to this one.  What I love most about it though is I sit at the same height as my students, so I can easily set up next to their desk or join in group conversations.

When do you confer?

Amy:  I’d like to say I confer every day. In my heart I want to have a regular system, and on paper I do. In reality, so much administrivia gets in the way. When I am purposeful, I meet with one to three students every day during our independent reading time (usually 15 minutes.) I try to be consistent because I only see my students every other day. If I am not careful, weeks will go by without me talking to some of them.

I have a binder where I keep conferring notes, and I place sticky note reminders to help me remember to get back to certain students who need a quicker follow up time than me making it around the room again. I’ve also started charging my readers to be advocates of their follow up with me. It’s important that juniors in high school take ownership of their learning. If a reader and I discuss a certain skill, and she decides to complete X, I ask her to be the one to remember to come in and confer. Many of my readers remember, and they are the ones who are gain skills and mature as critical readers much faster. Sometimes these conferences happen between class periods or during lunch or at the end of class when students are working on their writing, and sometimes I let them slip into my normal conferring routine. I’ll never turn a reader down who wants to have a quick chat about her book or what she learned.

Jackie: I agree with Amy–my goal every year is to become better at conferring.  I want to make sure to meet with as  many students as possible, but as the year progresses I struggle with the administrative tasks.  That being said, I typically meet with two students within the ten minute reading time we have daily.  On block days when I allow for twenty minutes, I can get around to four.  

My freshmen enjoy the process of chatting about their books, their interests, and their reading.  They enjoy using new vocabulary we’ve learned in class, and I love picking their brain about writer’s craft.  I also try to focus on reflective questions with them so they look at their reading progress holistically.  With my AP Literature students, I focus more on their depth of analysis within their independent challenge books.  I also take this time to check their critical reading journals as well as to discuss whole class novels.

In terms of logistics, I have a cubby where I keep stacks of conferring forms paper-clipped together and sorted in alphabetical order by first name. At the beginning of every period during reading time, I pull out that class’ papers, clip them into my clipboard, and start with the last student I conferred with.  This allows me to quickly keep track of who I met with last and what we discussed.  

Sometimes I can’t keep track of everything and I will reflect back on my notes, jotting down conversations I know I had on Monday when I collected pages or during passing time.  Every minute offers a moment to conference, and while these conferences aren’t always formal, they show students that not only do I hear them but also I am interested in what they have to say.

Amy:  Most days I feel like I do more spontaneous conferences than planned ones. A students needs a new book, so we meet for a chat by the bookshelves. A student finished a book, so we chat for a few minutes in the halls. I almost wrote that these were my favorite kinds of conferences, but that’s not true — I like all conferences. I do like the joy I recognize so readily when my students start identifying themselves as readers though.

Do you have topic ideas you would like us to discuss? Please leave your requests here.

The Best Lesson Series: What Makes a Work of Literature?

NTCE Affiliate Breakfast with Shanna Peeples, 2015 National Teacher of the Year

A few weeks ago I read this post by Shanna Peebles, the 2015 National Teacher of the Year, “Building Bridges with Visual Literacy.” She writes about her lesson in the book The Best Lesson Series, a book in which I also contributed a favorite lesson. Shana includes the background of her lesson, an experience and a realization she had when she began working with refugee students many years ago.

Reading Shana’s blog, I reflected on my own refugee students. Mine come from Myanmar, most having walked through Thailand at night holding the hands of younger siblings while moving toward their fathers who left their villages months before to secure passage for their families. These children grew up fast and they hope for much. They study hard because they know the value of education.

They represent the reason that I teach literacy: It is through literacy that we gain power.

The way to grow as literate individuals is to read. I’ve heard my mentors say it again and again: “The only way to develop readers is to get them reading” and “The only way to learn to read is to, well, read.”

Of course, the same holds true for writing.

The lesson I contributed to The Best Lesson Series pertains to both. Here’s the background of my lesson:

I am not one of those readers who jumps to the last few pages to read how a book ends before I have ever started it. I do not understand those people. At all. I like to savor a good book, take it slow — sip the beauty as I breathe in the language, sigh with pleasure as I see how the words work to shape meaning. Or, I like to devour a book in one sitting, curled up on the couch, holding my breath and gasping for more. So, it’s a little surprising that I pulled the last paragraph of a book to use as a craft study.

I promise it gives nothing away. I also promise:  You may just shudder at the loveliness of the language like I do. Or not. Seems some critics panned The Goldfinch by Donna Tartt while others raved about its uniqueness and style (See the Vanity Fair article “It’s Tartt, But Is It Art?. Of course, critics cannot seem to agree on what makes a text literature either. (See the Harper’s Magazine article “What Is Literature? In Defense of the Canon”.)

The author of the article about Tartt’s work poses the same question I ask my students to ponder each year:  What makes a work of literature, and who gets to decide?

Since mine is a workshop classroom where our primary focus is writing, students choose the books they read. That is not to say we do not read high-quality complex literature or read literature as a whole class. We read many passages together and learn skills that students then apply to their independent reading and the novels they discuss in book clubs four times a year.

My goal with books is to develop readers, and too many of my students did not read when I made all the decisions about their reading. However, many of my students do not know how to choose books they might enjoy or books with enough complexity to challenge their thinking. The drive to fulfill my goal to develop readers becomes multifaceted. Allowing choice means I must constantly be on the lookout for richly written passages that we can study, and I must read volumes of high-quality literature, YA and adult alike, so that I may match my adolescent readers with good books.

I love the last paragraph of The Goldfinch because I can use it for several learning opportunities. This short passage can teach us much about what makes a work of literature. I agree with researcher and reading theorist Louise Rosenblatt:  “Students need to be helped to have personally satisfying and personally meaningful transactions with literature. Then they will develop the habit of turning to literature for the pleasures and insights it offers.”

And that’s the whole point, isn’t it?  We help our students love literature so they learn from it as we do.

____________________________________________________________________________________

It’s an honor to be a part of this work. I am surrounded by inspiring educators with intriguing and thought-provoking ideas, and I hope you will consider adding this title to your professional library so you will be surrounded, too.

Teachers sharing with teachers what works. That’s the best pd I know.

benefits of best lesson series

 

 

Mini-Lesson Monday: Talking Tone and a Bit More Reasoning in Our Writing

I sat at our staff Christmas party talking to a colleague about the essays my students just drafted. We read and analyzed several pieces by Leonard Pitts, Jr, talking about the effectiveness of his style, arguing over his opinion, justifying our own. The task was to write their own OpEd piece, responding to a topic in the news or a topic of their choice. Most chose interesting topics:  How the world defines beauty, Should armed guards protect our schools, Does keeping a home clean matter in the long run..

A few students wrote clearly articulated arguments that show intentional craft moves.

Many showed intentional craft moves but wrote little in the way of argument — or anything close to critical thinking about their topics. In short, some of my writers say pretty much nothing, but they say it very very well.

Therein lies the problem:  How do I get some of my students to think critically about their topics so they can write critically about their topics?

Sitting at that dinner, my friend and colleague, Mary Heffner, shared an activity she’d recently done with her students to help them understand tone. I decided that not only would it help my students understand tone (which most failed to consider when they began writing — “Do I have to remind them of every little thing?” she says with a sigh), but it could help them reason through the beliefs they have about their topic and write stronger sentences they might use when they revise.

Objectives — Using the language of the Depth of Knowledge Levels: Define the tone of your essay; Construct reasons to express why your topic should be expressed by that tone word; Create sentences and synthesize your knowledge of punctuation, syntax, and sophisticated vocabulary to express your reasons while using this tone; Revise your writing to include these well-constructed sentences.

Lesson — (Prior to reading their drafts, I asked students to identify the tone of their pieces and write it in the top right corner of their papers. I determined quite easily that many of my writers thought they felt a certain way about their topics but were having trouble expressing that tone.)

First, I ask writers to clarify their choice of tone word by putting a short list of common adjectives that describe tone on the board:  infuriated, excited, confused, sorrowful, scornful, exasperated, concerned. We quickly define what each word means. I then tell students what I noticed when I look at the tone word they wrote on their papers and when I read their essays. “Some of you have a misconnect — you think you’re taking a certain tone, but you have little or no evidence of it in your writing. (Time permitting we might revisit one of Pitt’s pieces that we read as our mentor text and analyze the tone.)

“The other thing I noticed in your writing is a lack of reasoning. Today we are going to practice getting both a clear tone and powerful reasoning into our arguments.

“Once you have your tone word, and you know this is how you feel about your topic, you will write five reasons that support your topic and demonstrate this tone. Sometimes you can even use the tone word, or a synonym of it, in your reasoning sentences.”

Then I show students my own reasons I wrote to add to my writing. My topic “longer vacation time over the holidays.” The tone “emphatic.”

Reasons:

  1. Two weeks vacation time hardly covers the travel time when a family must drive far distances to share just a moment with their loved ones.
  2. Teenagers thrive on rest and relaxation.
  3. If families spent more time together we may have fewer problems in our society.
  4. Teachers work too hard, sometimes even taking work home over the break, to not enjoy more one-on-one time with their families over the holidays.
  5. With a longer, more relaxing, break, students and teachers would return to school more rejuvenated and infused with energy to embrace the love of learning.

As they read through my reasons, I ask students to talk to one another about my word choice:  How do I show I emphatically care about this topic?

Follow up — Students will revisit their drafts and work on clarifying gaps in reasoning. They will add their five new sentences to make their arguments stronger and more logical.

Reflection — As we move into our next writing piece, I will be more purposeful in directing students to think about tone. We will spend more time thinking through our reasoning before we begin writing.

Sometimes I assume too much, and I end up having to take us back and start again.

Writing critically is hard for many of my students — although their style is improving. I remind myself that I must continue to give them interesting and thought-provoking things to think about — their words and many of their worlds are so limited.

 

#FridayReads: Investments, Books, and the Need to Read

I am addicted to books. No question. I am a bibliophile.

And I am proud of it.

I have this not-so-secret hope that my students will be bibliophiles, too. I work very hard to make them so.

This year I’ve had a bit of trouble getting students to read. Okay, I’ve had a lot of trouble getting students to read. It’s been the hardest year for me in the years since I turned to a workshop and choice pedagogy.

I am at fault for not conferring enough, not talking about books enough, not introducing enough books that I know my students will love.  I’ve reflected enough on my practice to get that.

Finally, the light dawned:  Get them investing in the books, not just invested in the reading. But get students making the choices about what books I need in my classroom library.

Fortunately, I’ve been blessed with some kind grant benefactors and have some money to invest in books. (Shana is an expert at grant writing, and I’ve highlighted her post in the past. I do it again here.) It takes some time to write grant proposals, and then once awarded, it takes some time completing books orders — I should have done all this sooner in the year.

In class this week, I gave students an assignment:

  • Search and find a book about social issues you want to read with at least one other person in class. (I’m working on getting multiples of great titles in my classroom library.)
  • Find an award-winning book, or at least a book written by an award-winning author. (At NCTE Penny Kittle said something like “…the more you read of the best literature, the more you’ll recognize it.) I know this is true. Students begin to see it too when they read books that reflect rich and meaningful author’s craft.

So, today for #FridayReads I share with you the list of books my students came up with. I’m pretty sure they will be fantastic reads.

The Martian Andy Weir
Everything I Never Told You Celeste Ng
Challenger Deep Neal Shusterman
Love and Other Ways of Dying Michael Paterniti
Did You Ever Have a Familly Bill Clegg
Fate and Furies Lauren Groff
All the Light We Cannot See Anthony Doer
The Goldfinch Donna Tartt
The Road of Lost Innocence Somaly Mam
Between the World and Me Ta-Nehisi Coates
Inside a Hollow Tree Kevin White
Behind the Beautiful Forevers Katherine Boo
Symphony for the City of the Dead M.T. Anderson
A Little Life Hanya Yanagilhara
Refund: Stories Karen E. Bender
Sickened: the True Story of a Lost Childhood Julie Gregory
The Invisible Girls Sarah Thebarge
Pretty Little Killers Daleen Berry
Columbine Dave Cullen
Redeployment Phil Klay
My Story Elizabeth Smart
Hope: A Memoir of Survival in Cleveland Amanda Berry

#3TT Workshop: Assessing Writer’s Notebooks and Sparking Engagement

Three educators. Three states. Three demographics. All practicing Readers and Writers Workshop in our Secondary Classrooms. Read more about us here.

We are the Modern PLC, and every Wednesday, we share our behind-the-scenes collaboration as we talk about the most urgent moving parts of our classroom pedagogy.

Recently Three Teachers Talk received an inquiry regarding our use of Writer’s Notebooks.  Naturally, this question got us talking–what do notebooks look like between New Hampshire and Texas, Freshman English and AP Language and Composition?

We all agree that Writer’s Notebooks are one of the essential tools to a successful classroom, but integrating and sustaining them can prove challenging.  This week’s conversation between Jackie and Amy seeks to explore some of the ins and outs of writer’s notebooks by discussing what we, as teachers, consciously choose to include in our students’ notebooks and what we decide to leave out.

Make sure to visit the first installment of our conversation, and please join the conversation in the comments!

As the year progresses, how do you keep students engaged in their writer’s notebooks?  How do you help students to recognize their inherent value?

Screen Shot 2015-12-01 at 3.34.55 PMAmy:  Well, we do use our notebooks every day. Of course, this helps with keeping students invested in their use. This year I wish I had taken more time to have students decorate their notebooks, really take ownership of them. I love how Jackie setup collage stations and took the time for this with her students. Students care more about their notebooks when they have taken the time to personalize them.

My students also come to value their notebooks more during our conferences. For example, today I met with a student to talk about her reading life. I asked her how she felt she was progressing. She told me that she was stumped because “I keep abandoning books. I’ve started 10 this year, but I’ve only completed four.” I asked to see her Currently Reading List in her writer’s notebook. She did not have it updated. First, we took some time to write all her titles down, and then we marked ‘finished’ or ‘abandoned’ like I’d hoped she would do all along (my fault for not checking notebooks with more fidelity.) Once we had a complete list of the books this students had tried, I was able to talk her through why she might have needed to let them go. We zeroed in on the narrators. The books she has finished have unique narrators:  a dog, a voice in verse, an 11 year old boy, an autistic 16-year-old. We then talked about the narrators of the other books — all third person omniscient, which she did not know, so I taught her the term in a mini mini-lesson. Together we learned that when the narrator “goes off into some other character’s part of the story, I get confused.” This was a powerful learning experience for my student, and a great reminder to me. There is power in the IMG_0163writer’s notebook. It can be our primary teaching resource.

Jackie: Sustaining interest in writer’s notebooks throughout the year can be a difficult task; students must be invested in and committed to their notebooks to understand their full value.  I believe sustained investment comes with consistent use.  As Amy mentioned, the collages at the beginning of the year helped students connect to their notebooks.  Even now I have students adding to their collages or entirely recovering their notebooks.  

Using notebooks everyday also reinforces the value of these tools.  I talk about them constantly, conduct notebook checks throughout the year, and ask to see them during reading conferences.  I display example pages in a giant writer’s notebook, and I typically ask students to write their drafts by hand.

How (and how often) do you assess writer’s notebooks?

Jackie: Writer’s Notebooks provide a safe space for play within the writing process.  To become confident and secure writers, students must have a low stakes area to both visualize and enjoy the process of putting pencil to paper.  That being said, notebooks are also valuable because they provide me with insight into a student’s thought process, progress, and personal exploration.  

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Students’ notebook pages are displayed in a giant writer’s notebook.

My grading process is relatively simple.  I keep a list of notebook contents on a board in my classroom, adding to the board every day.  Notebook checks take place every two-to-three weeks depend on the class content and units.  A week before we have a notebook check, I provide students with a checklist, with which they self-grade and return upon notebook submission.  On notebook check day, students use mini-sticky notes to mark two pages, one page they want me to respond to, and another page they want to display for their peers in our class’ giant writer’s notebook.  This process reinforces that students are writing for a wider audience than myself, while also embracing the messiness and imperfection that comes with writing.  I value the scribbled drafts full of doodles for the sole reason that they model the realness of writing, the fact that these pieces, while fun and entertaining still require molding and modeling to become a polished final piece.

While my grading is low stakes, I file writer’s notebooks under summative assessments for a few different reasons: it helps me assess student’s executive functioning skills, which is particularly important for my freshmen and struggling learners.  In my school, it allows students to “retake” the assessment, requiring them to revisit, revise, and refashion.  The more they return to the contents of their notebook and develop its structure, the more invested they become in the final product.  Finally, notebooks align with the common core, which is essential in my competency-based grading school.  They help “students develop and strengthen writing” (W.9-10.5), “write routinely over extended…and shorter time frames” (W.9-10.10), and “determine the meaning of words and phrases [in their dictionary section]” (RL.9-10.4).

Amy:  I’ve tried scoring the whole of the notebook. I even have a glue in for how I would if I did. I am not disciplined enough. I find short chunks much easier to manage, and I can zip around the room and look at everyone’s personal dictionary to see if it is up-to-date in the first 15 minutes of class while students are reading. Or I can collect notebooks and look at just the skill we practiced that day. These always equate to completion grades. Sometimes I’ll pass out sticky notes and ask students to mark whatever writing they’d like me to read. I learn important information about my students this way. When students share their hearts with me, I value it in a way that is so much more important than a grade. How would I ever grade that anyway?

How do you keep your students excited about their writer’s notebooks throughout the year?  How do you assess notebooks without stifling creativity?

 

#3TT Workshop: The Ins and Outs of Writer’s Notebooks

Three educators. Three states. Three demographics. All practicing Readers and Writers Workshop in our Secondary Classrooms. Read more about us here.

We are the Modern PLC, and every Wednesday, we share our behind-the-scenes collaboration as we talk about the most urgent moving parts of our classroom pedagogy.

Recently Three Teachers Talk received an inquiry regarding our use of Writer’s Notebooks.  Naturally, this question got us talking–what do notebooks look like between New Hampshire and Texas, Freshman English and AP Language and Composition?

We all agree that writer’s notebooks are one of the essential tools to a successful classroom, but integrating and sustaining them can prove challenging.  This week’s conversation between Jackie and Amy seeks to explore some of the ins and outs of writer’s notebooks by discussing what we, as teachers, consciously choose to include in our students’ notebooks and what we decide to leave out.

Please join the conversation in the comments and check back for the second installment tomorrow!

Why are writer’s notebooks important in your classroom?  What value do they hold?

IMG_1485Jackie: Notebooks are the lifeblood of my writing curriculum.  My students need a safe space to practice low stakes writing.  Too often they’ve been forced to write formally, slogging through rough and final drafts of disconnected, five-paragraph essays.  The formality of it all removes the artistry, pleasure, and process of writing.  

I enjoy the controlled messiness of notebooks and the voices I rarely heard as a first year teacher.  Honestly, writing brings me closer to my students.  It connects my classes, makes students recognize their peers are indeed human, and at the end of the day, gives many of my kids, as Ralph Fletcher says, “A room of [their] own.”

Amy:  I am all about organization. Often, my students have a difficult time keeping up with everything they need to practice, track, monitor, and evaluate their reading and writing lives. Our writer’s notebooks make all of this easier. The value of a daily writer’s notebook rises with each use of it.

How do you integrate writer’s notebooks into your classroom? How are they set up?

Jackie: We start using our Writer’s Notebooks the second day of school, when I help students establish the various sections in their composition books.  

My sections, which are all pulled from Linda Rief’s Inside the Writer’s-Reader’s Notebook, include the following: 1. Books Read (a log of the books they read throughout the year), 2. Inspiration Page (where students keep story ideas, photos, images, etc), 3. Graffiti Wall (For beautifully crafted sentences from their independent reading or inspiring quotes), 4. Notes and Entries (the bulk of the notebook), 5. Wondrous Words Dictionary (where they keep their vocabulary from their independent reading), and 6. Books to Read (a list of books they want to read).  

Our notebooks are our single most important tool within the classroom, which means that this is where we store all of our quick writes, writing, rough drafts, notes, minilessons, mentor texts, and thinking.  

When we aren’t writing in class, students independently write three pages outside of class per week.  This independent writing allows them to develop quick writes, explore various writing prompts, or jot down potential ideas.  As author Janet Burroway says, “The best place for permission is a private place, and for that reason a writer’s journal is an essential, likely to be the source of originality, ideas, experimentation, and growth.”  The act of writing helps students not only develop their voice, but it also serves as a safe space to explore various writing styles.

Screen Shot 2015-12-01 at 3.33.19 PM (1)Amy:  My students and I set up notebooks with similarities to Jackie’s. Ours look like this:  We’ve got our main reading goal written right smack dab on the front page. Then we’ve got the “currently reading list” on the next. We’ve got a “to read next list” on the very back page, so as I do book talks — or students talk about books with each other, they are able to keep a running list of titles that sound interesting. (This is a time saver in helping students who just finished a book find another one to read relatively quickly.) In the very middle of our notebooks, we’ve got our “personal dictionaries.” These are the words students find and define from their independent reading (five words a week). We also have a poetry section where we respond to poetry, or glue in poems and write around them. There’s a “write my life” section where students write an entry a week about anything they please. And we have a “reader’s response” section that we write our thinking about our books, articles, etc — pretty much any other kind of text other than poems.

I did something new this year and created notebook glue-ins. I thought this would be helpful to remind students of what went where and the expectations for learning and growth I have for each section. Honestly, I do a poor job of checking notebooks with any kind of regularity — although I do check parts of them at least every other week — so I don’t know if the glue-ins are valuable yet or not.

Jackie: I agree about the glue-ins, Amy.  While I haven’t gone that far, I have students trim down mentor examples, checklists, and typed rough drafts and tape them into their notebooks.  It keeps them better organized and makes it easy to return to previous craft lessons.

Why do you value writer’s notebooks, and how do you integrate them into your classrooms?  What successes have you had with your notebooks this year? What challenges might you still face?  

#FridayReads A Must-Read Book: All American Boys

I saw a tweet last week that read something like this:  “What if you look like the people others are afraid of?”

The context was the Syrian refugees, I’m sure. The terrors in Paris blasted the news. So many dead. So many injured.

So many with no place to go.

My heart hurt, and I am not sure about the timing, but I’m quite 25657130sure God told me to read the book All American Boys by Jason Reynolds and Brendan Kiely, the story of two American teens who attend the same high school:  one white, one black. Both with families who love them. Both caught in a situation that represents many we’ve heard over and over again:  “the repercussions of a single violent act that leaves their school, their community, and, ultimately, the country bitterly divided by racial tension.”

For the past couple of weeks my students and I have read some of the writing of Leonard Pitts, Jr. We read his work to learn to become better writers. Among others, we read “We need a better plan to probe police shootings,” and “We don’t want to watch police — but we have to.” We talked about Pitt’s message, and we analyzed his craft.

We questioned what we know has happened way too often, and we shared ideas and opinions about how the actions of some affect the lives of many.

We sat in a circle: Black and White and Chin and Mexican. We talked. And listened. We tried to understand.

All American Boys is a story for every classroom library. It’s a story for every classroom teacher. Every administrator. Every parent. Every police officer.

We must invite candid stories and candid conversations about race into our learning environments. How else will we ever learn to see past color into hearts and minds and hope?

Booklist Starred Review states: “. . .this hard-edged, ripped-from-the-headlines book is more than a problem novel; it’s a carefully plotted, psychologically acute, character-driven work of fiction that dramatizes an all-too-frequent occurrence. Police brutality and race relations in America are issues that demand debate and discussion, which this superb book powerfully enables.”

If you add one book to your reading list this fall, I hope it is All American Boys. It ranks right up there with Forgive Me, Leonard Peacock for books that will stay with me forever.

I need about 10 copies for my classroom library.

#3TT Workshop — Digital Writing in the Writer’s Workshop

Three educators. Three states. Three demographics. All practicing Readers and Writers Workshop in our Secondary Classrooms. Read more about us here.

We are the Modern PLC, and every Wednesday, we share our behind-the-scenes collaboration as we talk about the most urgent moving parts of our classroom pedagogy.

Despite the proliferation of e-readers, tablets, and digital reading and writing technology, recent research is making digital texts look a little less appealing.  This article discusses the slow reading, complex-text, and comprehension literacy skills we just can’t get from reading electronically.  This one has lots of great links to the reasons digital reading “fail[s] to adequately recreate certain tactile experiences of reading on paper that many people miss and, more importantly, prevent people from navigating long texts in an intuitive and satisfying way.”

As Shana’s school in West Virginia is increasingly making the move to one-to-one technology, digital learning, and an increased emphasis on electronic reading and writing, she wondered how this shift would impact writers’ literacies.  Her discussion with Amy follows.  Please join the conversation in the comments!

writing rhet and digital media_1Why is one-to-one technology such a big deal? Does every child really need a laptop or a tablet?  Isn’t their generation suffused with enough technology as it is?

Shana: I surveyed my students this year, and 98% of them have a smartphone with data access that they’re accustomed to using all day.  This troubled me–there was no space in their routine for slowing down their thinking.  I don’t think the reader’s-writer’s workshop works without deliberate attention to reading, writing, talking, revising, thinking, and pondering.  So, I invited my students to simplify their lives this year by putting away all smartphones, but wondered if I was being a hypocrite when we wrote frequently on the laptops I keep in my classroom.

Now that it’s November, I’ve decided I’m not actually a hypocrite–the experience of writing drafts in print, revising and workshopping them, and then transferring them to a published form digitally is far different than the instant-gratification experience of using a smartphone.  Still, though, I watched a student just yesterday play a game on his smartphone while he waited for his computer to boot up.  My students don’t seem to know how to handle free moments to just think, or wonder, or daydream–at stoplights, in hallways, or just waiting for a computer to load.  I worry that this reliance on technology to fill their time will prevent this generation from thinking slowly enough to learn, grow, solve problems, and just think.

Amy:  Just like the literacy gap that happens between children who grow up in print-rich home and those who do not, I’ve started to see a digital literacy gap. Haven’t you? The idea that students are digital natives does not mean they are digitally savvy. Most of my students do not have internet access at home, but they do have cell phones. They can text like thumb-numbing tornadoes, but they cannot format a Word document to save their lives. And since their thumbs do not work so well on iPad keyboards, most tap at the keys like chickens pecking at the dirt. They are slow typists. Now, having said that — that does not mean that I do not think they should learn how to write digitally, format correctly, and type efficiently. All students in this age need to become digitally savvy, and I haven’t found that one mandatory technology class in high school is enough to help them get there. No even close. As English teachers, our role shifts as the literacy shifts. If we are not including some element of digital literacy, I think we do many students a huge disservice.

Shana: “Thumb-numbing tornadoes.” Amy, you are a wordsmith.  I agree that our role shifts as literacy shifts–it’s scary to have to learn new skills fast enough to teach them to our readers, but it’s our reality.  I know writing at Three Teachers Talk has helped me immensely to learn how to write and publish digitally–and it’s a skill that has benefited my readers and writers in the classroom.

What are some authentic best practices related to digital writing?

Amy:  The cool thing about writing is that the skills we need to write on paper are not so far from the skills we need to write digitally. Typing excepted. We still need to think on the page, study models, learn from experts, practice drafting, review and revise… And publishing can be so much more fun — at least I think so. We have the opportunity to share our writing much more through digital means than we had via paper. I like that. I like that my students can share writing with yours. Yours can share writing with mine. I know, we could stuff a big fat envelope with student essays, but I am not so likely to do that. I will however send you my students’ blog links.

Shana:  In a perfect world, my school would mandate a typing class for all ninth-graders that includes not just keyboarding skills (which they are TERRIBLE at), but also digital publication skills.  There are vast opportunities for meaningful discourse that can take place between readers, writers, and thinkers when we get students writing and publishing digitally.  I still very much believe in the power of print writing–but, I know, thanks particularly to Amy, how valuable digital writing is, too.  As Whitman says– “Do I contradict myself?  Very well, then I contradict myself.  I am large, I contain multitudes.”  I can’t wait to have our students writing digitally with one another!

What are your thoughts on digital vs. print writing?  Join the conversation in the comments, and check out yesterday’s discussion of digital vs. print reading.