Category Archives: Reluctant & Resistant Readers

A Huge Bright Moment in a Pretty Bleak Year

GUEST POST by Rebecca Riggs

Last year around this same time in “the before,” my students were participating in a book tasting to choose their book club books for the fourth quarter of school.

As I walked around the library (no seating chart needed) and looked at my students smile, scowl, and everything in between, students passed around books on their tables. I built up my library of books so I had multiple copies of popular, widely representative books mostly from the ProjectLIT list, and I was very excited to see what students would pick.

I spent the first days of my break leafing through my students’ ranked choices, and I was pleasantly surprised that they almost all fell perfectly into groups where I was able to give them their first choice.

It was my team’s first time trying out book clubs; I was thrilled to try something new and to see what it would teach me! Unfortunately, we all know how that ended–my students never got to do those book clubs, and I did not get to see them again.

Here we are a year later with my current students (including some of those students from last year since I moved up a grade) engaging in overwhelmingly successful book clubs in a hybrid teaching model in a pandemic!

If you told me at the beginning of this dumpster fire of a school year that I would have been able to try out any new instructional model, let alone book clubs, I would have told you to cut out the toxic positivity and leave me to my despair.

I will not lie, the logistics and setting things up was a lot of work and overwhelming at times, but I am so glad we took the time to do this. My students are having meaningful conversations about their books, some are reading a whole book for the first time in years, and almost all engaging more than they have this year because of these clubs.

I am so grateful for this huge bright moment in a pretty bleak year.

As far as logistics go–

I first gathered class numbers from each of my colleagues who do not have their own sets of book club books, and I made sure we could make it work with what I and my one other colleague, Deanna Hinnant, had.

Since last year, we have taken advantage of First Book Marketplace’s low prices, promo codes and book bank prices to gather books for clubs.  Once that was settled, and I gave those teachers their books, we had to figure out how to facilitate a book tasting that was both safe and accessible to students online.

My amazing librarian, Tasha James, made us book tastings for students to choose books for their independent reading at the beginning of the year, and I just modified one she had already created. My colleagues who did not feel as tech-savvy reached out to Mrs. James, asking her if she could create their book tastings for them.

Here is the one I created. I gave the students about half of a class to look at the book tasting and to complete this form to rank their choices.

From there, it was pretty easy to get kids into groups and to assign kids who chose not to respond. I intentionally had the groups be a mix of online and on-campus students, but some of my colleagues chose homogeneous groups. I also chose to go through each book and break it into 5 sections that aligned with chapters (if there were any), and I gave them this document in hopes that the groups would mostly stay on the same page. (I know there are date discrepancies between some of the documents. We can thank the Texas Winter Storm for that one!) My colleagues chose to let their students break it into 5 sections themselves and decide as a group where they would reach in their book for each discussion, which seemed to work just as well.

After we had our list of groups, we stayed after school two different days in two different weeks in order to hand out books to online students. We began advertising this well before students even chose their books through parent emails, telling the students at the beginning of every class, and sending Remind101 messages. As expected, there were lots of students who did not pick up their books. We tried our best to meet with these students one-on-one to set up alternate times, to leave the books in the front office for them to get or to explain to them how they can get the book online from our school/county library. At the end, 90% of the students got a hold of their book in one way or another, and the ones who did not were not participating in class at all regardless.

For our assessment, we created a TQE document that you can view here.

We practiced using this method during our reading of The Crucible one time before it was used for book clubs to make sure students understood the method, but also to make tweaks because it was our first time as teachers using the method, too. The “Topic of the Week” aligned with our mini-lessons each week and were merely a suggestion of what to think about as they read. You can find more about the TQE method from the Cult of Pedagogy Podcast episode 103 or from their blog post. This is where we got the idea and modified the method for our purposes.

Overall, I found this method to be an amazing, fairly-easy way to get kids to make their thinking visible and to prepare them for their book club discussions. However, I did have to “fail forward” when I realized during the second book club discussion that I had not made it clear that the “Thoughts” and “Questions” (and maybe epiphanies) portions were to be filled out before their discussion while they read in preparation for the discussion.

The standards we were focusing on for the reading, TQE’s and discussions can be found here.

When I tell you that these book club discussions I listened into made my heart leap in my chest, I am not being hyperbolic in the slightest. These kids, man. They just amaze me.

Students were demonstrating mastery of so many standards, but also just saying such thoughtful things while connecting with each other. It’s everything I have wanted for this year.

It was not a perfect start, and some kids came to their first discussion with only five pages read, but I saw so many kids start to read when they heard how excited their peers were about their reading.

I had a couple groups of students who I actually had to redirect because they would try to talk about their books when we were working on other tasks in class, or I was giving a lesson. Honestly, I do not even mind that they were being disruptive!

I had one student who is designated as SPED who was reading Monday’s Not Coming* by Tiffany D. Jackson who was having a hard time getting into the book and getting motivated. After her groupmate encouraged her and raved about the book, this student read 100 pages in one day. She shared that this will be the first book she’s read in its entirety in years. Many students have been positively affected, but that one student becoming a reader would have been enough to make it all worth it. Fortunately, this is one of many stories of students finding books they love and finally seeing themselves as readers.

I will not lie and tell you that the organization and logistics were not hard and time consuming and frustrating at times. We had students we couldn’t get in contact with. We had different people, including me, out at different points during that unit for weeks at a time and others on our team had to pick up the slack.

We also had an unprecedented winter storm in Texas that took a week of instruction and rocked many of our staff and colleagues’ lives.

Some students never got their books and some students are still just on page 50 after five weeks of reading. In addition, we had students dropping other classes three weeks before the end of the quarter grading period and being added to our classes in the middle of book clubs.

It was not perfect, but it is one of the most impactful things I have done in my classroom since I started doing independent reading with my students, and I cannot believe we were able to pull it off during hybrid teaching with everything else we have added to our plates this year.

As my dad would say, “You can do hard things,” and this hard thing was well worth the effort.

*Affiliate link: If you purchase through this link, 3TT gets a little something.

Rebecca Riggs is currently in her 4th year teaching (feels like 10th) at Klein Cain High School in Houston, TX. She loves recommending books! You can find her on Twitter @rebeccalriggs and on Instagram @riggsreaders 

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Not Averse to Verse: Using Novels in Verse to Engage English Learners #ILA2019

This is a guest post by Dr. Helen Becker, and I owe her a big apology. I had agreed to run this post before her presentation at ILA. I have a million excuses:  None will do. So I publicly I say, “I’m sorry for not following through,” and if you are reading 3TT today, know this:  Helen is one of the smartest educators I know.   ~Amy

To understand the instructional power of novels in verse in the high school English classroom, you must first know a bit about my former school. Clear Creek High School, a comprehensive high school in Clear Creek ISD in southeast Houston, serves 2500 students in grades 9-12. According to Texas Academic Performance Reports (TAPR) published by the Texas Education Agency (TEA), in the last five years, the campus has experienced a steady rise in the number of English Language students. Many of these students have come from Latin American countries.

What you must also know is that our district advocates student choice reading in a reader/writer workshop setting. Furthermore, to provide students greater choice in reading material, the district invested nearly a million dollars to flood classroom libraries with high-interest books. Self-selected independent reading has become a constant in the changing school landscape at Clear Creek High School.

Fast-forward to my fifth period Reading class two years ago: a group of thirteen boys and one girl who, despite the best of intentions and instruction, had still not passed both End of Course (STAAR) exams in English. Enrollment in a Reading course, coupled with co-enrollment in grade level English class, was meant to close the gaps in their reading and writing lives. This is where the workshop model and classroom libraries intersected with my fourteen EL students. When the District ELA coordinator brought a stack of newly released novels in verse to my fifth period Reading classroom, the students devoured the books. Thanks, Billy Eastman.

And so began my quest to know more about the power of using novels in verse in the EL classroom. I knew I had found a topic that I needed to know more about – for not only my use in my classroom but use in the classrooms of others as well. While researching the topic further, I encountered a noticeable lack of research-based information about using novels in verse with EL students.

In fact, the only direct source of data I located was from Farish (2013) who writes based on her first-hand work as a librarian at a school with a large population of EL students. Farish writes in School Library Journal that the poetic form of novels in verse mimics folksongs and tales that are part of many foreign cultures. As a result, EL students feel comfortable with the novel in verse genre because of this similarity.  Farish (2013) adds, “Many who work with English-language learners and others who struggle with reading seek novels that promote fluency and a sense of competence in readers.” Verse novels accomplish just that. They can move fast and offer readers at any level a feeling of completion.

I broadened my research scope to consider the transferrable skills all students, not just ELs, could practice with novels in verse as an instructional medium. The arrangement of words and a sheer abundance of white space on the page makes these books, well, friendly and approachable. EL students have fewer words to decode. Furthermore, Young Adult novels in verse often involve a protagonist with the same issues the EL students themselves are encountering. In short, novels in verse promote student agency (Garud, Hardy, & Maguire, 2007; Oakeshott & Fuller, 1989; Tran & Vu, 2017), and self-efficacy (Bandura, 1977).

But my experience with novels in verse really concerns one Fifth period Reading student in particular: Emerson. Emerson moved to our community from Guatemala five years ago and had difficulty finding books in English to read in my class. He experimented with books at a lower Lexile (I, for one, feel that Lexile level hinder rather than encourage literacy. This Literature Review from ALA provides data to support my stance on Lexile levels), but he was quick to abandon them, shrugging and saying, “They are boring, miss.” When I put Booked by Kwame Alexander in his hands, I totally mean it when I say that I didn’t see Emerson’s nose for a long time…it was in his book the entire time. In fact, I’m pretty sure Emerson read the book several times over. When I asked him about the book and why he liked it so much, Emerson said, “It speak to me.”

I cried those tears you cry when a student finally connects with a book.

As a result of my experience with ELs, I authored and co-presented a workshop at TCTELA on using novels in verse to engage English Learners in the high school classroom. In the session, fellow teacher and now Instructional Coach Megan Thompson and I delved into ways to leverage this popular genre to encourage reading comprehension and improve writing craft. I reworked the presentation for the International Literacy Association (ILA) conference this month in New Orleans, and Megan and I and invited our fellow teacher and TCTELA High School Section chair, Charles Moore, to join the presentation team. Both Megan and Charles brought their expertise as literacy leaders to the presentation.

Helen Charles Megan at ILA2019

If you were not able to attend the presentation but want more information on novels in verse in the EL classroom, reach out to me at hbecker@ccisd.net. I’d love to share my learning with you.

P.S. I gave my copy of Booked to Emerson as his graduation present.

For research citation see here.

Helen Becker has taught all levels of English Language Arts as well as AP Capstone Seminar in her seventeen years teaching secondary English. Today, Dr. Becker teaches Senior English at Clear Brook High School in Clear Creek ISD. Any day now, a suitable replacement for her will be found, so she can transition to her new job in the CCISD Office of Assessment and Evaluation. Until then, every day is a workshop day. Which means every day is a good day in Room 406.

Guest Post: Ways I Can Encourage More Students to Love Reading by Holly Dottarar

“People don’t realize how a man’s whole life can be changed by one book.”  -Malcolm X

At the beginning of each year, I spend close to a week talking about independent reading with my students.  To me, it’s worth investing the time because independent choice reading is the heart of my class.

MSDottararBookshelves

How I frame choice reading during the first week:

  • discussing how to find a just-right book and how that is different for every reader, different genres and their definitions,
  • setting a weekly reading rate (from Penny Kittle’s book Book Love),
  • speed dating a variety of books to find potential novels to read,
  • going over My Top-15 Reading List (adapted from Kelly Gallagher’s book In the Best Interest of Students),
  • discussing how book conferencing works, and how to keep track of books read.

Even though I check in with each student monthly, share my Top 15 List with my classes, and book talk new books bi-monthly, there’s always a small percentage of students who refuse to read, or read very little.  My avid readers love the freedom to choose books, but my non-readers, emerging readers, and the reading-is-okay-but-currently-I-have-no-time readers need more of a nudge.  

How can I help all students be successful in creating and cultivating a reading habit? How can I help them look forward to diving into their book, to truly enjoy reading? How can I keep up the momentum for those who love to read?  

I whole-heartedly believe in the reader’s workshop model, but it is hard.  

Keeping track of 150 students all reading different books, and all at different places in their books, requires commitment and organization.  It is a daily, conscious decision to sit beside a student and recommend book after book, hoping something sparks an interest, or to try to find a new book for a student who has read 50 books in the last two months and isn’t sure what to read next.  (Yes, I have about 10 of these voracious readers each year.)  Up and moving around the classroom, talking with kids about books when sometimes all I want to do is sit at my desk and read my book too doesn’t help.  (And there are days that I just read alongside students, but it is few and far between.)

While there are times I want to throw in the towel, I am reminded that the hard work pays off.  Those tough days are just a bump in the road.  Students deserve to be confident readers.  They deserve to learn to think critically. They deserve a teacher who will not give up on them.   

As a reflective teacher, I’ve been thinking a lot about the reader’s workshop:  what worked in my classroom and what I want to make better.  These are ideas that I am going to incorporate this fall to build upon the love and joy of reading for all students.

 

1. Be consistent about my Book Talk Wall and teacher What-to-read-next list.

BookTalkWall

I have a wall in the back of the classroom where I post the book jacket of every book I book talk.  My goal this past year was at least one book a week, usually on a Monday, but I was not consistent.  This year I plan to continue book talking books I’ve done in the past, but really play on the books I just read and books that are new.  

Which leads to my What-to-Read-Next list.  Two years ago, I had on the board these titles MsDottararReadingListswith books:  What I just read, What I am currently reading, and What I plan to read next.  Next to each phrase I had an arrow and a copy of the book jacket so students could see my book list.  I didn’t do that this year because I didn’t have white board space.  

However, after reading students’ end of the year reflections and seeing if they met their book goals, my students two years ago read more than my students last year.  While I don’t think that each group of students should be compared, as each year we have different groups of students, I can’t help but think sharing what I read and talking often about it made a difference.  I’ll collect the data on that this year and then draw a conclusion.  

 

2. Student recommendation share outs

Book Recommendation SheetTwice a year, right before Christmas Break and right before school is out, I have students fill out a recommendation form on books they enjoyed and think others might like.  It goes in a binder organized by genre.  However, students do not share these recommendations prior to turning them in.  Why have I not done that? Not sure.  It was kind-of like checking something off my to-do list.  In this area, I plan to have students share out books they wrote down on that sheet of paper before turning in.Recommendations Binder

 

Even though this binder sits on top of one of the bookshelves, SO MANY students didn’t even know it was there.  I plan on referencing it often so if students need a book and don’t have one in mind, they can go to the binder and see what others have recommended.  (As that was the whole point of this activity anyway.)

3. Theme Topic Books

Penny Kittle has inspired me in so many ways.  Six years ago, over the summer, I took 42 composition notebooks (because that was the number of students in each class that upcoming year—yikes!), scrapbooked the covers, and wrote on 3×5 cards the theme topics.  (You can find more information about this in her book.) One of my goals was for students to write in them three to four times a year, thinking about how their book connects in some way to the theme topic.  And how cool is it for students to see what others have written years prior?  However, this past year, they only wrote in it once.  My goal is to incorporate this at least once a trimester.

Theme-Topic Notebooks

The other goal was if a student wanted to read a book about that theme topic, say compassion, they could look in the notebook and read what books others have read dealing with that topic.  However, these notebooks were filed in a cabinet with other supplies.  Not an easy way for students to find.  So, in this area, I am thinking about a good space to display these topic notebooks so more students can read what others have said.

4. Creation of Book Trailers

I am growing in the area of technology.  When I started teaching 16 years ago, I had an overhead projector and a chalkboard.  Phones were installed in December, and I couldn’t wait to pick up the phone to call the office instead of pressing the intercom button when I needed something.  When we went to white boards a few years later, I jumped up and down.  I no longer had chalk marks along the side of my right palm or somewhere on my back.  When our school installed projectors, I begged a friend in the history department—as they received a grant for document cameras shortly thereafter—to loan me an extra one so I could teach writing through a step-by-step process.  In terms of technology, this is the extent of my expertise.  A coworker had to show me how to use Google Classroom last year.  

With so many of our students interacting with technology, why not use that to our advantage? There have been some really good book trailers lately.  My favorite still is with the novel Salt to the Sea.  The music is haunting, which fits the book perfectly.  (You can check it out here.)

If I show professional book trailers for students on novels I think they’d like, why can’t they create their own and share on Classroom?  Something I plan to look into more and try this next year.

5. Virtual Book Stacks

Students keep track of books they’ve read on a sheet of paper titled My Top 15, but why not have a visual book stack at the end of the year to share and celebrate growth? I thought of a real book stack, as I’ve seen them all over Instagram, but to have students try to find each book they read and stack it up felt daunting to me, especially if students checked out books from the public library and not mine or the school’s library.  I plan to use Padlet for students to share their books and maybe even categorize it by their favorites.

 

 

 

 

If you are interested in more reading on this topic, I suggest the following books:

Nancy Atwell’s The Reading Zone

Carol Jago’s The Book in Question

Donalyn Miller’s The Book Whisperer

Lisa Donohue’s Independent Reading Inside the Box, 2nd Ed.

Penny Kittle’s Book Love

Teri Lesesne’s Reading Ladders

 
Holly Morningstar Dottarar is an 8th grade English teacher in the Pacific Northwest.  While she spent her adolescence as a reluctant reader, once she read The Hobbit—in college—she became hooked.  Now, she carries a book wherever she goes.  When she’s not reading, teaching, or spending time with her family, she can be found in her kitchen baking.  She blogs at www.hollybakes.com and www.hollyteaches.com.

Guest Post: Culturally Relevant Texts and Striving Readers By Lauren Nizol

screen-shot-2017-05-01-at-8-44-22-pmI’ve been thinking about culturally relevant texts and how they encourage striving readers to reach for increasingly complex texts. 

Gloria Ladson-Billings, a pioneer in the field of culturally relevant pedagogy, believes that students need opportunities to find themselves in the books they read and be held to “high expectations.” To build strong readers, we need to expose all students to complexity and nuance, not just those who we consider advanced. 

pexels-photo-1759524

Photo by Luis Quintero from Pexels

I work as a literacy interventionist in my district with teachers and students to close literacy gaps. This year, I had an eye-opening experience with a freshman who reads at an intermediate level and selected Born a Crime, by Trevor Noah, as his lit circle book. 

If you aren’t familiar with this book, it is often a summer read for some of our juniors going into AP Language. Noah, comedian and anchor of The Daily Show, masterfully recalls his childhood in apartheid South Africa, all while interspersing his trademark humor and rich historical details. Despite its levity, it’s a hard book, dense with context that even strong readers may find challenging in places. 

And yet, this freshman thrived with this book. Even though he didn’t grow up in South Africa, he grew up in an area that he describes as “the projects”.

After working with me one day to develop a text-response strategy, this young man excitedly ran back to his teacher and told her about “this sticky note annotation strategy” that both his teacher and I had been modeling all year for him. He had a great sense of pride and engagement in his reading that we had never seen before. And when the time came for discussion, he had a great deal to contribute to his group.

This book transformed him as a reader. 

This had me thinking… what if instead of assigning the “appropriate” leveled text to striving readers, we focus more on finding a text relevant to them?

Often reading intervention programs focus on simplistic texts. Overtime, students who read at a lower than grade levels may miss out on context-rich literacy experiences. 

Literacy is about building equity, and if we aren’t giving striving readers the same opportunities as thriving readers, then we are limiting their access to diverse and timely ideas. 

All readers, but especially those who are striving, need books that mirror their reality.

At the heart of a strong reading intervention lies a teacher’s ability to connect readers to texts that engage, excite, and encourage them as readers. It’s about the just-right-text, not the just-right-level. 

 

Lauren Nizol (@CoachNizol) is a literacy interventionist, ELA 9 teacher and co-director of the Wildcat Writing Den, a campus writing center in metro-Detroit. You can find her laughing easily with her husband and three sons while spending time in the great outdoors this summer. Visit her blog at www.learningonramps.org

Q & A: How do you confer with readers without causing a distraction?

Questions Answered

Recently, I facilitated a readers-writers workshop training with a small team of brilliant teachers in Minneapolis. We shared an inspiring two days together, exploring and discussing how to shift instructional practices to allow for choice, challenge, and the authentic moves readers and writers make as they mature in their craft. In these trainings, I tend to talk a lot about conferring. I think it’s the linchpin that makes all the essential parts of a workshop pedagogy work. (It’s also the thing I still struggle with the most.) Towards the end of our time together, one young teacher said, “Have you tried everything? It sounds like you’ve tried everything.”

Pretty much.

At least it feels like it. I’ve pretty much tried anything and everything I think will help my students want to read and write — and want to improve as readers and writers. (I am still learning. Send me ideas!) And when it comes to conferring with my readers, I’ve tried a lot of things.

One thing I know for sure:  The expectations we set matter — a lot.

When I work with teachers, I get this question often:  How do you confer with readers without causing a distraction?

I don’t. I want to cause a distraction, especially for the one student I’m conferring with at that moment, perhaps for the couple of students sitting near enough to listen into our conversation, maybe for the student across the aisle who needs to know it’s not as scary as she may think to talk to a teacher about a book.

Besides — I may only distract a reader for a moment before I move on to the next reader. Right? And with a class of thirty students, it may take several days to loop back around to distract that reader again.

Sure, I could ask students to come to me — maybe at my desk or at the side of the room or just a step outside the door (I’ve tried all these locations), but scooting up in my rolling chair, or kneeling beside them, at their space seems much more authentic to me — less threatening, more inclusive. In my experience, our conversations are richer when my readers share their space with me.

I know it can be hard to concentrate and read when someone is talking, even in whispers, to someone else a couple of feet away. (I tried reading on a plane yesterday, but the couple next to me kept talking, talking, talking, and I finally took a nap.)

Expectations matter. If we build a culture of reading within our learning communities, where all students know we expect them to read during sacred reading time, and all students expect us to talk to them about their reading lives, every student will come to expect our conferences. It’s part of the overall workshop routine. It’s a huge part of what makes self-selected independent reading work on the daily.

The weight of the distraction just doesn’t come close to the impact of regular one-on-one conversations with our readers.

 

Note:  This post is a part of a series. It’s based primarily on the most frequent questions about readers-writers workshop asked at our workshop trainings. For more see here.

Amy Rasmussen lives, loves, and teaches in North Texas. She will be at a new-to-her high school in the fall — teaching seniors! This week she is in Chicago at a conference sponsored by The Poetry Foundation. So cool! If you have questions about Secondary Readers-Writers Workshop, shoot her an email amy@threeteacherstalk.com. While she doesn’t claim to be an expert, Amy’s been imperfectly practicing the routines of workshop for a long time. Maybe she can help.

 

How do you read enough to match students with books? #3TTWorkshop

Questions Answered (1)The verb is the key. How do we read enough in order to help students find books they want to read? We read. We have to read — a lot. And we have to know our students.

The reading part is fairly simple. Well, as simple as carving out the time for it, which I know can be a challenge. Maybe it’s a matter of belief. I have to believe my time reading books I may not normally choose for myself will be worth it. I have to believe that YA literature has substance. I have to believe that my students will read, and most likely read more, when I can recommend books because I have read them.

We find time for the things we value. Simple as that. If we value our readers, we must do the things that help them want to read, and reading books that appeal to adolescent readers is a major part of it.

Book Stack

My Current To Read Next Stack

Personally, I like books in print because I like to save favorite sentences and passages that I might be able to use for craft lessons as I read. But audiobooks are a time saver I trust. I usually have at least two books I’m reading at any one time, hardcopy and in Audible. (I started The 57 Bus by Dashka Slater yesterday; I’m halfway through listening to There There by Tommy Orange.)  And honestly, there are some books I just can’t finish, but that doesn’t mean I haven’t read enough to know if I might have a student who wants to give it a try. I can read enough to know if a book might engage one of my readers.

I have to know my readers. The best way I know to get to know them is by talking to students one on one.

Again, the time issue.

Short personal writing can be a real time saver, especially at the beginning of the year or a new semester. Lisa’s Author Bio idea is one of my favorites, ever. I also like to use Meg Kearney’s Creed poem and have students compose their own. Writing like this gives students permission to show themselves, and it gives me an invitation to see into their lives. This is what I need to help match students with books.

A follow up question to the How do you read enough . . .? is often:  How can I find books my students will want to read? or What are some great books for seniors? for 7th graders? for sports enthusiasts? for dog lovers? for a student born in Pakistan? for a group of kids into becoming Insta famous?

I don’t know.

Your school librarian will, most likely.

(Really, I may have some ideas for a few of those questions….but that’s not the point.)

Create a partnership with your school librarian. Hopefully, you still have one. This person loves books and advocates for books and readers. This book expert is a friend to self-selected independent reading, and this professional has access to book lists with descriptors and synopses. (And sometimes funds to add books to the school library.)

Of course, you can find all kinds of book lists online:  Pernille Ripp posts great lists on her blog. The Assembly on Literature for Adolescents of the NCTE (ALAN) shares picks. Young Adult Library Services Association (YALSA) has Best of the Best lists. Edith Campbell recently posted a list of 2019 middle grade and YA books, featuring and written or illustrated by Indigenous people and people of color. And, of course, this list I crafted before Christmas — all recommendations from the contributors on this blog.

To make self-selected independent reading work, which is a vital part of an authentic literacy focused pedagogy, we have to do the work. We have to read, and I wish I could remember where I heard it first:  Reading YA literature is a powerful form of professional development. Isn’t it?

Amy Rasmussen reads a ton of books on the porch, in the yard, by a pool, on her bed in North Texas. She will be spending a lot of her summer with teachers facilitating PD around readers-writers workshop in secondary English classes. Her favorite. She’s also going to be doing a lot of writing. And a little poetry study at the Poetry Foundation Summer Teachers Institute in Chicago. Follow her @amyrass

 

Popular Titles for Middle School Students

Lately I’ve seen several twitter and facebook posts asking for “must-purchase” titles for classroom libraries and book clubs. It’s that time of year – the time when we order for next year and cross our fingers that it all arrives by the first day of school.

Ordering titles for our classroom libraries is no joke, so I love seeing how thoughtful people are about it.

I thought I’d check in with my students to find out how they might answer that question, so I asked them what their best books of the year have been so far. They wrote about it and talked about it, and then I had them publicly post their titles so that other students could get inspired to read new titles, add to their next reads lists, or think about new titles for summer reading.

Here’s what we came up with:

Block A Best Books

Bad Kitty, Norse Mythology, Pugs of the Frozen North, A Wrinkle in Time, Hitler Youth, The Martian Chronicles, To the Field of Stars, All Fall Down, Echo, Auggie and Me, Our Surprising Love Story, The Boy in the Striped Pajamas, Long Way Down, The House of the Scorpion

All Fall Down by Ally Carter has been a big hit with several of my seventh grade girls. All Fall Down Cover

It’s the first in a mystery series, and three of my seventh-grade girls have read all three of the books in the series since I added it to my classroom library in January. It’s led one of them to read some of Ally Carter’s other books, and they have had some fun and authentic discussions about these books, which is always fun to witness.

Block C Best Books

The Fault in our Stars, Twilight, Long Way Down, Memoirs of a Geisha, Turtles All the Way Down, Sarah’s Key, Everything Everything, Big Foot, Looking for Alaska, American Sniper, Smile, Booked, Guinness Book of World Records, Anne of Green Gables, Perfect, Out of My Mind, Insurgent, Aristotle and Dante Discover the Secrets of the Universe, The Boy in the Striped Pajamas

Aristotle and Dante Discover the Secrets of the Universe moved one of my readers to tears.

Aristotle and Dante cover

This student literally hugged her copy when she was done with it, and while she is a prolific reader, this one made it to her “top book” award. If this student recommends it, then I’m sold.

Block E Best Books

Eleanor and Park, Everything Everything, The DaVinci Code, The Perks of Being a Wallflower, To all the Boys I’ve Loved Before, 3:59, Harry Potter and the Order of the Phoenix, The Crossover, The Maze Runner, Out of My Mind, The Hunger Games, The Perfectionist, Taste Test, Love that Dog, The Alchemist, Slappy New Year, Between Shades of Gray, Star Wars, The Popularity Papers

Out of My Mind seems to be a game changer for a few of my seventh grade readers.

Out of my Mind cover

Somehow, this sweet story of an eleven-year-old girl who is drastically underestimated has reached some students who I never would have pegged as liking “this kind of book.” One boy in particular has said it’s the best book he’s ever read, and if I could translate the look on his face into words, you wouldn’t doubt it.

Hopefully these titles my students shared will help with some of your purchasing choices this spring.

One thing to notice is that these titles aren’t the latest or newest publications, but they are fairly recently published, for the most part.

I think the important piece is not that we have the newest and hottest titles (not that it doesn’t help!), but that we realize that variety and availability are what matter. To illustrate this point, I’ll share an example: I purchased about 150 “new” books for my classroom library over the winter break, brought them back to Nicaragua in my suitcases, book talked them daily, and made them available to all of my students.

Variety and availability have made a significant difference in the reading habits and attitudes of many of my students. I didn’t spend a lot of money – some of the books I purchased second or third hand for fifty-cents apiece. I’ve reinforced the paperback covers with packing tape, and it helps. The point is that the books are readily available, and I know what I have in my library, I know my readers, and I can do my best to play matchmaker between book and reader.

How do you choose books for your classroom library? What are some of your must-haves?

Julie has been teaching secondary language arts for twenty years, spending the first fifteen in rural Central Oregon, and the last four in Amman, Jordan. She’s thrilled to report that she and her family have moved across the world to Managua, Nicaragua this year, where a new adventure has begun.

Follow her on twitter @SwinehartJulie

Adopting a Persona as We Move to Adopting Workshop

I am committed and inspired to move into true Reader’s Writer’s Workshop after NCTE and a near semester under my belt in a new school.  I left for the conference in Houston with a plan to read The Great Gatsby in December, and as much as I wanted to totally scrap it and start with a routine inspired by Penny Kittle and Kelly Gallagher in 180 Days,  I didn’t.  

I paused.  

Although every classroom minute is precious and developing readers is the most timely need, I wanted to give myself time to process this shift, to think through how my classroom would run, and brainstorm how to help my students, who from my inquiries have only experienced the full class novel, navigate texts with more autonomy and independence.

Going from trained text regurgitation to full choice would have been a huge, potentially disastrous, shift for my students.  Since August, they have looked to me to create meaning, to judge whether their writing is “right” or “good,” asking what I think about the text versus presenting their own original idea.  These students will grow immensely from workshop, which makes me so excited for January, but I felt they first need scaffolding up to meaning-making and trusting their interpretation and ideas.

I created a Book Club atmosphere with students for our reading of The Great Gatsby, having students meet in “Discussion Tables” with their peers to process the text with each other.  As 180 Days suggests, I asked students to come with one question and one comment to their discussion tables.  Students were also responsible for close reading and annotating/sketchnoting key scenes of the text, commenting on development and language.  Their annotations served as a launch point for continuing and deepening the conversation. A Book Club-style approach allowed for a more structured release of responsibility to students while maintaining the shared experience of full class novels my students are accustomed to.  I stood back as an observer, listening in to their conversations, witnessing students make meaning together versus wait to be guided to a single answer or idea.

As the unit was primarily based on discussion and conversation, so was their culminating assessment, the “Persona Discussion.”  Students were given a choice of what character they wanted to embody, from the core characters like Jay Gatsby and Daisy Buchanan to more minor characters like Mr. Gatz or Meyer Wolfsheim, even “background” characters like the party goers were an option for students.  The core characters provided limited space for interpretation while added characters, like party goers, allowed for more creativity in the persona. Students signed up for a character and prepared by thinking through their characters in their journals.

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The discussion works like a Socratic Seminar, where students are the drivers of the discussion and can be adapted for both fiction and nonfiction.  I created this assignment for AP Language students who loved to debate and discuss in Chicago–they adopted the persona of Henrietta Lacks’ family, doctors, and author Rebecca Skloot after reading The Immortal Life of Henrietta Lacks.  For Henrietta’s Persona Discussion, the central question of the discussion was a quote about medical ethics. 

Students felt that the smaller characters were given a voice, an idea we discussed earlier in the passage when examining the wealth and marginalization of “the other” characters in efforts to disrupt the traditional text.  

 

Maggie, who played Myrtle, said she liked feeling immersed in the book:  “At first, I felt like Myrtle would only ask questions to Tom or George, but as we all started being our characters, I thought about how Myrtle and Gatsby were actually more alike and could have been friends, and I wanted to ask Daisy about her marriage more.”  Jordyn said the discussion was better for understanding the web of deception because “…it was like seeing the book as a play or real life and it made our group discussions more real or, like, meaningful.”  After discussing the text as a reader so much, Riley, a reluctant reader who has learned, as he admitted, to “fake it,” said, “It was more fun to prepare to play someone than to think about the big ideas for a regular seminar.  It made me want to do well and really know Tom.”  

As we build into full workshop mode in January, students have a foundation for how to enter a text, methods for creating meaning, and more confidence in their thinking.  Students were engaged with this type of discussion and reflected about their enjoyment, so I am going to incorporate it into next semester, perhaps jigsawing the characters from students’ choice reading or book clubs together from different realms or as a way to review major characters and texts before the AP Literature exam.   We’ll see what other “personas” develop!

 

Maggie Lopez is enjoying Utah ski season while re-reading 180 Days as she preps for second semester, American Girls: The Secret Life of American Teenagers before bed, and The Poet X in class.  She wishes you a very merry, restful holiday season!

 

3TT Talks Gifts: What books will you give this season?

If you know me, you know I live by lists. I make them. I collect them. Sometimes I even stick to them. I raised seven children, you know. I had to keep track of who needed to go here, there, and everywhere and who needed what and what and what just to survive and thrive in our robust and rowdy family. Christmas shopping, often on a bone of a budget, gave me hives.

Gift-giving has never been my strong suit. Perhaps my practicality, and my history of stretching dimes into dollars, gets in the way of thoughtfulness. (Not even kidding, my kids got socks and underwear wrapped in cute paper. To their credit, they never complained–at least not to me.) I know it is possible to be both practical and thoughtful, but I am still working on that balance.

So what does any of that have to do with a blog about teaching readers and writers? Not a lot — except, I asked my fellow writers to help me craft a list for literacy teachers. Maybe you’ll find something to gift yourself, a colleague, a friend, or a perfect stranger. (I like the idea of gift-wrapping a book and giving it to one of the Salvation Army bell-ringing volunteers and saying, “This is for you.”)

Part 1 of this literacy teachers’ list is below. I’ll post about professional books, and favorite writer’s notebooks, pens, and other clever things for literacy lovers over the next few days.

BOOKS. What are the top titles students love in your classroom library right now? (Remember, we work with a range of readers from middle grades to AP Lit. There’s old and new, non-fiction, YA, and just some really good recommendations here, in no particular order, that would make great gifts for any reader or want-to-be reader or you-want-them-to-be a reader in your life. )

The Poet X by Elizabeth Acevedo
Long Way Down Track Series (Ghost, Patina, Sunny, Lu) by Jason Reynolds
Ready Player One by Ernest Cline
The Hate You Give  by Angie Thomas
American Street by Ibi Zoboi
Graphic novels (Ghosts, Smile, Babysitters… by Raina Telgemeier
Love that Dog/Hate that Cat/Moo by Sharon Creech
The 57 Bus:  A True Story of Two Teens and a Crime that Changed Their Lives by Dashka Slater
Love, Hate, and Other Filters by Samira Ahmed

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Just Mercy  by Bryan Stevenson & the version adapted for YA
Lies My Teacher Told Me by James W. Loewen
The Handmaid’s Tale by Margaret Atwood & the graphic novel version by Nan A. Talise
The Last Black Unicorn by Tiffany Haddish
The Nightingale by Kristin Hannah
Ghost Boys By Jewell Parker Rhodes
The CrossoverBooked & Rebound by Kwame Alexander
Children of Blood and Bone by Tomi Adeyemi
The Greatest Stories Never Told:  100 Tales from History to Astonish, Bewilder, and Stupefy by Rick Beyer

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An Ember in the Ashes by Sabaa Tahir & the whole trilogy
Looking for AlaskaTurtles All the Way Down by John Green
My Bloody Life: The Making of a Latin King by Reymundo Sanchez
Twisted by Laurie Halse Anderson
Dear Martin by Nic Stone
The Marrow Thieves by Cherie Dimaline

NOTE: Get this book free with a donation to Book Love Foundation

We Should Hang Out Sometime:  Embarrassingly, a True Story & Love and First Sight by Josh Sundquist
I am Not Your Perfect Mexican Daughter by Erika L. Sanchez
Because I was a Girl:  Trues Stories for Girls of All Ages by Melissa de la Cruz

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Between the World and Me by Ta-Nehisi Coates
The Martian by Andy Weir
1984 by George Orwell
The Lovely Bones by Alice Sebold
The Road by Cormac McCarthy
#NotYourPrincess: Voices of Native American Women by Charleyboy (editor)
All the Broken Pieces by Ann E. Burg
The Astonishing Color of After by Emily X.R. Pan
Far from the Tree by Robin Benway

For more book-gifting ideas, check out the Goodreads Choice Awards for 2018; 15 Life-Changing Middle-grade Books; and here’s the School Library Journal list of best children and YA audiobooks of 2018.

Reading without Words

Too often, the purpose of reading in school is about grammar, vocabulary acquisition, organization, structure, mechanics, conventions, punctuation, figurative language, imagery, etc, etc, etc . . . There’s always a standard, a clear purpose, a takeaway for students when they read . . . but that doesn’t always have to be the case.

There is another important purpose for reading.

Reading is about stories, about discovering and creating our own identities, about realizing that others share in the same struggles as us. Reading is about being human, and being able to touch something on a page that tells our human experience when we are unable to find the words to tell it ourselves.

Reading is about stories, about discovering and creating our own identities, about realizing that others share in the same struggles as us. Reading is about being human, and being able to touch something that can tell our human experience when we are unable to find the words to tell it ourselves. 

Some of our students haven’t discovered this yet, and the reason is often because of the accessibility and relevance of books. We’ve all struggled with finding texts that are age and level appropriate for some of our students — readers who struggle don’t want to read what they deem to be “baby books” for a variety of reasons that are fair and legitimate. They need books that they can read and books that they want to read.

Recently I’ve discovered that there are some beautiful, poignant, relevant illustrated books that are decidedly not perceived as baby books, and which take a lot of thinking and reading in order to understand. But they are wordless, or at least almost wordless.

While I’m not giving up on teaching words and all of their beauty, I also know that wordless stories have a place in my classroom.

The book I’ve recently fallen in love with is The Arrival by Shaun Tan. It’s a wordless graphic novel, and it tells the story of a person who leaves his family behind in order to create a better life for them all. arrival cover

It’s the kind of story all sorts of people can relate to: Character endures separation, loneliness, and heartache because of hope, optimism, and desperation.

It’s beautifully complex and requires some attention to detail, some hard thinking, and some rereading in order to really understand and analyze it.

I’ve book talked it to several of my classes, and I’ve gotten some puzzled looks when students try to understand how a book can be both complex and wordless.

They struggle to understand how they could find fiction signposts, discover characterization, etc, in a wordless book, that is, until they get the book in their hands.

Students who don’t always have easy access to complex texts have found success with finding the Beers/Probst Notice and Note Fiction Signposts in this complex and detailed story.

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For example, this Again and Again signpost is an easy one to spot – the main character carries a picture of his family as he travels from his home country to his new land, and the photo pops up in many of the frames. It’s significant because students realize quickly that this man’s family is the most important thing to him, which is why he carries the photo everywhere.

Both boys and girls have read this book, and I’ve overheard conversations about what it might be about as they wonder and struggle through their thinking. This is the kind of talk I love to hear.

This morning, I discovered four boys reading choice books on a bench: one was reading this wordless graphic novel, another was reading one of the Harry Potter books for the first time, another was reading The Crossover, a novel written in verse, and the last one was reading a humorous graphic novel. All different forms of books, but all legitimate books that “count.”

The point is, all of these students had texts that were accessible to them. They were curious about their own reading, and were enjoying their books. Their brains were engaged, they were talking to each other about what they were reading, and most importantly, they were fostering a community of reading as well as their own healthy reading lives.

Graphic novels, with or without words, can be excellent bridges between teacher, student, and healthy reading habits. Students can learn valuable reading skills and strategies with all kinds of books – even the “extreme” examples that don’t have words. It’s not a place where I want my students to “live” — but I don’t want my students to “live” in any one genre or form anyway. They should build skills, stretch their brains and habits, find familiar and easier books, and then stretch some more. The wordless book have a place in their learning, and will always have a place in my secondary language arts classroom.

A few wordless/nearly wordless books that are complex and relevant to secondary students:

  • The Arrival by Shaun Tan
  • The Marvels by David Selznick
  • Unspoken by Henry Cole

One final idea: It’s a bit like teaching reading strategies with the Pixar short films. My grade sevens practiced finding fiction signposts in the short film Partly Cloudy last week, and they were able to point out signposts even though the movie does not have dialogue.

Studying and reading wordless books and silent films can build confidence and skills in our readers who struggle with more complex texts, and while we can’t ignore their decoding skills, we can also allow them to grapple with the complexities of stories that are developmentally appropriate for their growing identities as readers and human beings.

 

Julie has been teaching secondary language arts for twenty years, spending the first fifteen in rural Central Oregon, and the last four in Amman, Jordan. She’s thrilled to report that she and her family have moved across the world to Managua, Nicaragua this year, where a new adventure has begun.

Follow her on twitter @SwinehartJulie

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