Category Archives: Readers Workshop

Viral Titles

Books, Guest Post, Readers Workshop, Readers Writers Workshop, Shana Karnes September 25, 2014 Leave a comment

ifistay1Every year, one or two books go viral. The Fault in Our Stars by John Green, Lone Survivor by Marcus Luttrell, and Hate List by Jennifer Brown have all held the Viral Title award in the past.  I couldn’t keep those books on my shelves, and students couldn’t read them fast enough.

This year, If I Stay by Gayle Forman is everywhere I look.  All of my students want this book–AP, on level, male, female, black, white, readers, non-readers.  I have six copies and all are checked out.

I got into bed Tuesday night with my Nook, where I’d recently downloaded If I Stay.  It’s been about a month since I’ve read a book for pleasure, so I intended to just read a chapter or two and then go to sleep after my 14-hour day.

I stayed up ’til midnight and finished the book.

Silent tears dripped down my face around page 15, when Mia’s family is destroyed in a car accident.  Forman’s writing shoves me into the moment and I am right there with Mia, feeling her anguish as she sees her parents strewn across the road.  I agonize with her over the whereabouts of her younger brother, Teddy, and I hear the eerie quiet of a post-collision highway.

I was captivated from that moment onward, terrified for Mia as she watches her own injured, unresponsive body be flown to the hospital.  Watches her now-daughterless grandparents in the waiting room.  Watches the surgeons and nurses frantically try to save her.  She vacillates between wanting to stay in this world, and wanting to leave it behind.

NPR calls this story “achingly beautiful,” and I would agree.  Its language, its structure, haunts me, days later, and I know my students and I will study Forman’s craft soon…the way she brings us into a moment, frozen in time, and suspends our disbelief as we stay beside Mia’s spirit, watching all of this unfold.  Please read this book, and get it into the hands of your students, too.

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If I Stay, Gayle Forman, pp. 15-16

You wouldn’t expect the radio to work afterward.  But it does.

The car is eviscerated. The impact of a four-ton pickup truck going sixty miles an hour had the force of an atom bomb.  It tore off the doors, sent the front-side passenger seat through the driver’s side window.  It flipped the chassis, bouncing it across the road and ripped the engine apart as if it were no stronger than a spiderweb.  It tossed wheels and hubcaps deep into the forest.  It ignited bits of the gas tank, so that now tiny flames lap at the wet road.

And there was so much noise.  A symphony of grinding, a chorus of popping, an aria of exploding, and finally, the sad clapping of hard metal cutting into soft trees.  Then it went quiet, except for this:  Beethoven’s Cello Sonata no. 3, still playing.

Mentor Texts Are Everywhere!

Books, Erika Bogdany, Readers Workshop, Readers Writers Workshop August 13, 2014 1 Comment

This time last year I was amidst a mad dash – a mad dash in seeking out, organizing, asking about, researching, contemplating, and gathering the ‘best of the best’ of mentor texts.  I had just learned what a mentor text was (text that, well, mentors!) and wanted to make sure I had a plethora to kick off the school year.  And, I did.  I had gathered so many I wasn’t even sure when, and in what context, I would be using them.  But, they were ready and I felt confident that I was too.

This year, it’s a bit of a different story.  After implementing the Reading Writing Workshop model in my urban oasis for the first time this past school year, I realized there is no longer a need to be dashing about.  Mentor texts are everywhere!  Literally.  They are in the morning’s newspaper.  They reside in the autobiographies I always find myself engaging in (and of course, loving).  Articles promulgating the Twitter circuit for the purposes of dissecting content and craft.  Classics, more modern, and everything in between became focal points of inquiry and investigation.  Students’ independent reading books shed light on crafty moves authors strategically choose to utilize.  On occasion, an excerpt from professional development texts deserved a public viewing (sometimes with scrutiny, sometimes not).  Nothing is off limits.

So, it is no wonder that as I have been reading a vast array of literature this summer; I have new mentor texts lined up for this coming school year that I am thrilled to explore with my students.  So, grab your Writer’s Notebook and flip to your Next-To-Read list.   I hope you not only fall in love with these pieces, just as I have, but they inspire you to think about what you’re reading and how you’d like to share them with the brilliant and inquisitive minds occupying your learning community.

Making Meaning with Texts: Selected Essays by Louise Rosenblatt was first introduced to me in this summer’s UNH Literacy Institute via Penny Kittle’s Book Love course.  This piece sent a buzz all throughout the campus as we were asked to read it for homework and come prepared to discuss it the next day.  Before the night was through, classmates were chronicling their amazement and joy with Twitter posts such as:  “Reading Louise Rosenblatt for homework and keep saying “Amen, sistah!” in my head. #unhlit14″.  So, you can only imagine how this Reading Theorist evoked an awakening in us all.

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It was when I came to this paragraph that I realized I had just stumbled upon an incredible mentor text; not only for myself as an educator, but for students as well.  What better way to expose students to the questioning and thinking behind our reading and writing than by sharing the source with them?  These questions are going to guide us through our reading (and writing) journeys this year.  We are going to study these questions, make sense of them, put them into practice; but, we are also going to really delve into why Rosenblatt has chosen these questions to guide us.  See, that’s where exploring craft and an author’s intention becomes our focal point.

 

 

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Battle Bunny by Jon Scieszka and Mae Barnett is a clever and witty piece that is sure to get students charged up about editing and revising.  How could it not?  This entire piece chronicles the the narrator’s (yes, the bunny) stylistic and creative writing journey.  The entire story is marked up, crossed out, reworded, and illustrated to show the power of the writing process.  It’s beautiful.

While I educate students ages 16-21, and this piece (I’m sure) was not intended for that audience, I believe this mentor text will be a lighthearted way to quell some of the fears that override their writers’ anxiety.  We know, many students are uncomfortable and afraid to revise, rework, or allow their time-intensive writing pieces to become ‘messy’.  Yet, that’s what produces the most profound writing.

battleI know this may be a risky move in my classroom.  Yet, I’m going to take a chance.  I anticipate shared laughter as we navigate this piece together.  I also plan to explore the bunny’s intentions and make it relevant for our work as writers:  Why did he feel the need to rewrite the story?  Do the illustrations add to the message he is portraying?  Do any of his original thoughts (verse his revisions) feel more powerful to you?  What intentional moves did he make in re-creating this story?  And on and on.

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Destined to Witness: Growing up Black in Nazi Germany by Hans J. Massaquoi is a piece I have not been without this entire summer.  And, although I’m finished reading it, I find myself flipping through the pictures over and over; it’s that profound. Massaquoi is a mentor of life, overcoming adversity, obtaining the (perceived) impossible, and what it truly means to be human.

Journalist by trade, Massaquoi takes such grace in his every word, sentence, and strategic ‘move’ that’s crafted.  This book encapsulates 443 pages of sheer brilliance and I want students to be exposed to this kind of writing because they too, have the ability to craft such beauty.

I also want them to catch a glimpse into my journey while reading this piece (note post-its) because I want to share what I found fascinating.  I want to explore some of the word choices (see my unknown word list) IMG_20140812_121513and talk strategy.  I want to use some of these words within my own vernacular and challenge students to do the same.  Most importantly, I want to show them that reading is a process; not one to shy away from.  And yes, sometimes it takes work, but overtime it becomes natural…and wildly fulfilling.

I can’t help but think, above and beyond the work I plan to do with this text, that the historical context won’t propel students in their study of history as well.  World War II and the Holocaust have rarely been depicted from the racial standpoint in which Massaquoi portrays.  This just may be a piece that peaks enough intrigue among students that they too will add it to their Next-To-Read list.  That’s my goal.

 

 

IMG_20140812_124058You are a Baddass: How to Stop Doubting Your Greatness and Start Living an Awesome Life by Jen Sincero has found its way into my Survival Book Kit and I love it!  I’m just past the first thirty pages, yet I have not stopped laughing.  Yes, out loud.

Sincero most definitely has a way with words.  She is edgy and a straight shooter for sure.  Yet, she is able to talk about really serious life-changing ideas in a way that feels ‘light’.  Not your typical self-improvement piece.

I want students to see how infusing humor among the serious can be oh-so-powerful.  Utilizing analogies to talk about the conscious and subconscious mind provides readers visuals…imagery.  A way to process this vitally important information that can shape their lives.  In only the most positive of ways.

I plan to choose the excerpts from this text skillfully.  I want students to have access to the content and the craft…as always.  I do foresee really rich one-on-one reading conferences with those that decide it’s time to make a change in their lives, or at the very least are up for a great laugh, and decide to take this piece on independently.

I hope my four have inspired you.  I really do.  I hope it will do the same for my students.  I encourage you to also share your favorites, here on this site.  As we all gear up for an incredible year to come, and we are swiftly shifting into our ‘going back to school’ mode, this is a wonderful time to start thinking about what we’re reading in a way that lends itself to the idea of being a mentor text.  Articles, books, poetry, graphic novels…all are welcome.

 

 

 

Confession: I’m dating a “non-reader”

Jackie Catcher, Pedagogy, Readers Workshop, Readers Writers Workshop August 6, 2014 Comments: 8

“I don’t like to read.”

These words slipped off the tongue of my date as he sat across from me digging into a burger. I could’ve excused myself to the bathroom then slipped out the restaurant’s back door. Instead, I sat, paralyzed by his open admission.

Does he not realize I teach English? My quaint dreams of cozy dates at used book shops and Sunday mornings curled around novels dissipated. I couldn’t possibly share my life with a non-reader. I spent months fostering a love for literature in my students. I handpicked books for my teens, stocked my shelves with the latest releases, and inhaled literature in my free time. Dating a non-reader was like sleeping with the enemy.

The date was dead.

Or so I thought.

Two years later, we are still together, and Eric has proven to be one of my most valuable assets in understanding self-identified non-readers. Just as I had pigeon-holed Eric into an archetype of resistant male readers, he had categorized me into the antiquated outline of his high school English teachers—the ones who made him hate reading in the first place.

Eric’s teachers were staunch traditionalists. They assigned classics then tested, quizzed, and sucked any joy or personal exploration out of the books, leaving a pulpy mess of literary repulsion. Eric didn’t identify as a reader because his teachers had given him every reason to not identify as one: he struggled with literary analysis and didn’t enjoy fiction. Like many of my students, he skated through English relying on online cheat sheets to get around reading the required books.

This same resistance to identify as a reader plagues many students who step into my classroom. They have fixed perceptions of what a reader is or should be— a person who reads fast, favors classics and fiction, and enjoys literary analysis. Self-identified non-readers see no room in reading for personal growth, gratification, interest, exploration, and pleasure. Ultimately, they see no room for who they are as a person when they recognize that the only celebrated books within English classrooms are those that fit a set standard of literary merit.

Eric's "to read" shelf

Eric is drawn to informational books. Here are some of the books on his “to read” shelf.

Eric was a self-identified non-reader simply because he did not favor traditional literary classics that his teachers drilled in high school. Yet when I first met him, he voraciously read online articles. Gradually he found his niche in books that dealt with scientific theories and particle physics. Recently, Eric completed The Quantum Story: A History in 40 Moments by Jim Baggott, a 410 page book, and he is halfway through A Short History of Nearly Everything by Bill Bryson, which is 478 pages. Furthermore, he listens to audiobooks on his commute to and from work and our bookshelves are packed with volumes on his to-read list, including On the Origin of Species by Charles Darwin and Discoveries and Opinions of Galileo.

If Eric is a “non-reader,” he is exactly the type of student I want in my classroom—the type who has a personal, vested interest in his or her reading and seeks to learn from the material. Gradually, I

Trevor's Reading

Trevor poses with his stack of books read throughout the year.

have come to find Eric’s reading patterns in my own students. Trevor who hated reading found his niche amongst non-fiction books like Ghost Soldiers by Hampton Sides and Into the Wild by Jon Krakauer while Ben, who was rarely interested in whole class reads, challenged himself with diverse genres ranging from science (Stiff by Mary Roach and The Double Helix by James D. Watson) to historical fiction (The Book Thief by Markus Zusak). These students need the time and space to not only figure out how to define themselves as readers but to also establish a sustainable reading pattern.

By definition, readers are individuals who “look at and understand the meaning of letters, words, symbols, etc.” (Merriam-Webster Dictionary). Thus, as long as a student can read, they are readers—classics, fiction, and stereotypes aside. But as English teachers, we must not only show them that this is the case, but also we must help them to foster reading lives that reach beyond the classroom. A generation

of apathetic teen readers doesn’t have to lead to a generation of

Ben's reading

Ben with this stack of twelve books.

apathetic adult readers.

This past weekend while winding the back roads of a coastal Maine town, Eric and I spotted a library book sale. I would usually be the one to erratically swerve to the side of the road and park on a sidewalk if it meant gathering additional books for my classroom library, but this time, it was Eric. As I sorted through the stacks of books, I looked up to find Eric with a stack equal to my own. This was exactly the type of person I could spend my life with.

Another NH Summer: PD with Reading Theory. Who knew?

Amy Rasmussen, Pedagogy, Readers Workshop, Readers Writers Workshop, Writers Workshop July 3, 2014 Comments: 3

Today my class Book Love, taught by Penny Kittle, at the University of New Hampshire Literacy Institute came to an end. My classmates have gone home, but my flight isn’t until tomorrow, so I find myself in the hush of the library on the eve of July 4 when the campus will be closed, alone.

There’s a quiet here like reverence in church on Sundays. A great time and place for me to reflect on my learning this week, and last.

Explaining to Penny Kittle how I finally feel confident doing research and citing sources.

It was anything but reverent. More like a fire hose without a turn off switch. In a word:  revitalizing.

I knew it would be. I came to this same institute last year and learned from Penny. But the powerful learning for me this year happened because she pushed us into reading theory.

Why did I never have to do that in my education classes? You’d think it would be at the top of every class syllabus.

In four days we read a stack of articles about the importance of choice in reading and access to books and the influence of a teacher in the reading lives of children. We read close to half of the essays in Making Meaning with Texts by Louise Rosenblatt. Penny calls her the leading reading theorist of the century, and after reading and discussing Rosenblatt’s work, I believe her. We also wrote three papers that reflected on and infused the reading into our own thinking about our the practice in our classrooms and in our schools.

I am inspired to keep doing my own research as I continue to write what I think will benefit other teachers as they engage their students in authentic and personal reading and writing experiences, a must Rosenblatt says.

I learned many things this week, and I have a list of Ideas to Implement in the back of my notebook that I am determined to carry into my new classroom in the fall.

Isn’t it great that learning continues, improvement continues?

That’s what I love about summer pd — the opportunity to reflect, learn, and get better.

My Ideas to Implement (which include those inspired at the Frost Place Conference on Poetry and Teaching.)

  • Skype in poets and authors to speak to my students about their writing and their works
  • Use “Go World” videos by VISA as mentors for mini-narratives; have students edit their first narrative into a “Go World” video
  • Ask students to analyze their writing process, write it out (perhaps creatively), and turn that in with every major writing task
  • Use My Ideal Bookshelf as a mentor when students complete their beginning and end-of-year personal reading evaluations
  • Watch for students with “social capital” and use their examples to promote reading
  • Be more purposeful in my conferences with students. I could have moved more students up reading ladders this year.
  • Include a reminder about vocabulary study within the books students are reading at least once a week
  • Bring in college syllabi to show students of their need for greater reading stamina
  • Create an anchor chart with a hard test that guides students in habits of complex reading
  • Do black out poems early in the year as a means of getting students to look closely at language and create their own meaning with literature
  • Select books for Book Clubs that are more closely theme related
  • Make topic writing notebooks (again) for a place for students to write casually about their choice reading
  • Remember story boarding will work for writing stories and for analyzing them rhetorically
  • Include Author Talks in book talks to introduce students to an author’s work without having to book talk each one
  • Create a reading sign for my new room:  YES! You have homework tonight:  READ!
  • Create a literary category wall, so as students finish books they write a Title Card and place it in the era the book is most like, romanticism, transcendentalism, etc
  • Read a poem every day, mostly just for the pleasure of it
  • Tell students it is okay to not like a poem; it is also okay to not understand it
  • Remember in revision conferences to use the phrase “What are the possibilities?”
  • Remember the peace you’ve felt here in New Hampshire in June

Thanks, my friends, for another amazing summer learning experience. Yes, experience. (It has new meaning now, doesn’t it?)

Erika Bogdany, Sam McElroy, Shana Karnes, Amy Rasmussen, Jackie Catcher, Penny Kittle

 

Workshop Report Card

Books, Readers Workshop, Readers Writers Workshop, Shana Karnes, Writers Workshop May 31, 2014 Comments: 2

The school year is over, and grades are due.  As we teachers focus on finishing up those last stacks of papers and giving our students final evaluations, it’s also very important for us to reflect on our own practice for the year.  Since this was my first year at a new school, and my first year using the reading and writing workshop model, I find that this year it’s especially essential for me to self-evaluate.  So, what follows is a frank and honest report card for my own teaching, with the hope that you, dear Reader, can learn from my successes and shortcomings.

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Nick B. with his “read” pile

One thing I feel great about this year is my success with independent reading.  My students were avid readers of the huge variety of books I booktalked (with an inordinate amount of energy), and they felt so proud of themselves for their reading achievements.  I do not have any Honors, AP, or advanced level students–I have only general kids who have never really felt “academic” before.  When they stacked up their piles of books in the last few days of class, their smiles were contagious when they realized just how many pages they’d read.  Although it was very successful this year, next year, I will change a few things about my IR program.  I will not conference during reading time–I’ll combine reading and writing conferences to streamline our talk time and not interrupt the sweet silence of reading.  I’m also going to strive to get kids booktalking earlier–this year they didn’t start until 3rd quarter.  Lastly, I’m going to try to get a bigger variety of books for my students to read.  One genre many kids requested was “redneck books,” which absolutely cracked me up at first until I realized just how rarely they saw characters like themselves in their reading.  I’ve got to find more along the lines of Where the Red Fern Grows, To Kill a Mockingbird, and Rocket Boys.

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Hannah B. with her “read” pile

While I’m glad my students are reading tons independently, I’m less than pleased with how our whole-class reads went.  Last year, some of my favorite teaching moments were discussions about classics like Fahrenheit 451 and A Separate Peace.  My students connected with those books, but this year, they didn’t.  We did a whole-class play that they read silently, a whole-class novella, and then literature circles with a choice of four classics.  Each experience was painful.  The kids were not engaged, and in the unfortunate honesty of adolescence, very vocal about their displeasure.  Next year, I need to remove all of the things they said they hated–deadlines for reading, boring books with irrelevant themes, and reading groups that I picked.  I think I’ll relent and do the play as a read-aloud, allow them to choose reading groups for literature circles, and try to pair classics I think are important with contemporary texts to try to hook their interest.  I will keep the assessments I used, though, and allow them to paint ceiling tiles, make book trailers, and write songs about their books.

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MGPs

In terms of writing, I think our formal, higher-stakes writings were more successful than quickwrites and prompted writings.  Multigenre projects were AMAZING this year (just look at that stack Lizzie is investigating; have you ever seen a pile of papers to grade so colorful and filled with passion!?!?), as were extended narratives, scenes, and letters of argument.  I truly enjoyed reading, responding to, and evaluating every single typed, revised piece my students handed in.  However, writer’s notebooks were slightly more painful.  Toward the end of the year (after those 19 snow days), many students started to get that glazed look in their eyes after only about five minutes of journal writing.  I feel like this was a major failure on my part–last year my students absolutely adored free writes, creative writing prompts, and the like.  This year, I think I was less than cohesive with how my prompts aligned with whatever else we were doing in class.  Next year, I’ll plan them out more carefully and focus on getting them to contribute to an overall theme/minilesson/unit, and work on rebuilding my students’ stamina after interruptions like snow days and breaks to get them writing more fluently and comfortably.

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Students write beneath our book-painted ceiling

All of the business of workshop was tough for me–I’ll admit.  Conferring/note-taking during class and writing EVERY assignment beside my students cut out any and all time to take notes/attendance, grade/organize papers, or even run to the bathroom.  I think that without the luxury of a 90-minute plan period every day, I would not have been able to successfully execute this model and keep my sanity.  Because I had that much plan time, I was able to design really cool, research-based assessments, lessons, and activities.  I also had a lot of time to respond thoughtfully to student work, self-reflect, and, most importantly, write grants.  Without those grants, I would not have been able to build my library to its strong state, order the supplies necessary for the no-limits creativity of multigenre, or even provide my students with little necessities like writer’s notebooks or pens and pencils.  I’ll definitely continue to spend all of my free moments at school on grant writing, grading, and other housekeeping items so that I can devote my attention fully to my students during class time.

Overall, I think I would give myself a B as a teacher this year, but the workshop model itself gets an A+.  I feel amazing about how much my students have grown, and I know it’s because of doing the reading and writing workshop.  I am so fortunate to have met Penny Kittle, Amy Rasmussen, Emily Kim, Erika Bogdany, Jackie Catcher, and many others last summer–because they introduced me to this model, I know my students were immensely more successful than they would have been otherwise.  However, I know that there are huge improvements I can, and will, make for next year.  I can’t wait to spend the summer learning with and from those colleagues again, along with some new ones, about how to become a better teacher.  I know that I’ll use what I learn, as well as the free time I’ll use to reflect, to make next year even better.

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Classroom library at the end of the year

Reel Reading for Real Readers: Going Bovine

Book Trailers, Readers Workshop May 15, 2014 Comments: 2

ReelReading2There’s something about the cover that bothers me. Maybe I just don’t get it.

But as I pulled this book from the box of new ones, a student reached for it eagerly.

“Please read that book and tell me what all the fuss is about,” I said.

And off she went.

Here’s a cool trailer for Libba Bray’s Going Bovine.

Have you read it? What’s the deal with the cover?

Reel Reading for Real Readers: The Goldfinch

Book Trailers, Readers Workshop May 8, 2014 Comments: 2

ReelReading2This is by far the coolest thing I’ve seen in a long time. Check out this Pinterest board with all the art mentioned in the new Pulitzer Prize winning book The Goldfinch by Donna Tartt.

Oh, my lovely!

Art in the Goldfinch

I tried an audio book for the first time, and I am kicking myself for waiting so long to “read” this way. Maybe it’s this book. I don’t know, but the descriptions fascinate me. Maybe that’s why the artwork posted on this Pinterest board fascinates me so.

I love this novel, and I cannot wait to share it with students. At one point the narrator even refers to his AP English class. I have some students who will love this book as much as I do.

I cannot wait for us to talk about it — oh, and all this art!

Marvelous Multigenre

Books, Guest Post, Readers Workshop, Readers Writers Workshop, Shana Karnes, Writers Workshop May 3, 2014 Comments: 12

For the duration of my teaching career, May has always meant multigenre.  The multigenre project, or MGP, is the perfect way to finish the year–it showcases students’ abilities to read, research, write, present, collaborate, revise, and create in a way that is enjoyable for all parties involved.  All of those skills (Common Core, anyone?) are the things we want our students to know how to do by the time they leave us, so what better way to determine whether they can than with the MGP?

This Tom Romano-created concept has always been one of my favorite things to teach, and one of my students’ favorite products to produce.  I suppose I assumed that because I would teach it similarly to how I have in past years, the process and products would also be similar.  Boy, was I wrong!  Thanks to employing the workshop model, this school year has been so radically different from previous years that I don’t know why I didn’t expect a huge difference in the way I watched multigenre explode.

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Multigenre explosion

As I work beside my students on my own Jane Austen multigenre piece, what I am struck most powerfully by is their confidence and independence as they make writing decisions.  Last year, I answered countless questions from students about what was allowed, what requirements needed to be fulfilled, and what was off limits.  My open-minded, the-sky’s-the-limit replies only seemed to induce stress.  This year, they have induced elation.

While my mentor text, modeling, and peer collaboration-heavy method of teaching the MGP has not changed, it’s clear that what has changed this year is how my students see themselves by the time we begin the project.  They don’t see themselves as students at the mercy of a grade or a rubric or a teacher.  They simply see themselves as writers.  They feel comfortable with individualized, meaningful, rigorous reading and writing demands, all thanks to the workshop model.  I have watched with surprise as my students quickly decide on topics for their MGPs–Harry Potter, classic cars, piercings, divorce, ALS, Star Wars, Blake Shelton, the allure of travel, Great Danes, and more.  Many of those topics are things that they have already written about several times this year–something that was once taboo for them in English classes.  My students have come to understand that without putting themselves into their writing, it is meaningless.  They also know, thanks to the design of workshop, that the point of writing, similarly to reading, is to make meaning.

I cannot wait to see what my students produce with the MGP.  I am so proud to have spent an entire year writing beside them, and I am looking forward to our last day of class when they open their writing portfolios and see the thick stacks they’ve produced, submit their final reading ladders and take pictures with towering stacks of finished books, and complete a journal harvest in which they revisit and evaluate their writer’s notebook one last time.  I know with certainty that they will feel accomplished, proud, and confident.  My hope is that those feelings will propel them to keep up their habits of reading and writing for life.  In the end, that’s all I hope to achieve as an English teacher–to make my students lifelong readers and writers like me.

What’d You Say?

Books, Erika Bogdany, Pedagogy, Readers Workshop, Writers Workshop April 26, 2014 Leave a comment

ocsAs the year is rolling (rapidly) to an end, I have taken time to reflect and really analyze how this year’s movement and progress has been different then years past.   Besides following the footsteps of the amazing Penny Kittle; borrowing sky writing from the vivacious Shana Karnes; bouncing ideas off of the astounding Amy Rasmussen; and being inspired by the wall-to-wall library of the ever-evolving Emily Kim…I realized that this year, I am talking differently.

In posts pasts, I’ve mentioned a full on effort of instilling calm in my teaching, but most importantly within myself.  I’ve talked about strategies and tactics to support our lovely readers and writers.  I’ve discussed the power of revision.   I’ve done a lot of talking.  Yet, I haven’t reflected as much on how I’m talking.  And, just the other day, as I was standing in the middle of my classroom admiring the soft buzz surrounding me, I realized what was happening.   Students no longer depend on me.  They are depending on themselves and their peers.  They are listening intently, supporting one another, and using language that I (at that moment) realized reflected what I’ve been saying all year.

I’ve always made a conscious effort to refer to the individuals I educate as students or young adults; both in speaking with them and with others about them.  Kids?  Children?  Never.  To me it’s important to afford them that respect.  Yes, they are and always will be their parents’ and guardians’ children, but to me, they are the evolving, growing, and inspiring young adults who show up (as often as they can) serious about their education.

Interestingly, this year one student decided that he is no longer a student, but a scholar.  Well, aren’t I the lucky educator exploring and learning among scholars?  Yes, this is now the norm.  They are sitting up straighter, not because I am that educator who demands upright students, but more simply because they are feeling important as they use this term to describe one another.  They own their importance.  And how beautiful and distinguished they look doing so.

Now that I’m among scholarly greatness, when it comes to literature, “What book are you reading?” has pretty much become extinct in our learning community.  We talk about books as pieces or literature.  It’s amazing how synonyms prompt different levels of affluence.  There’s an air of ownership and pride when students are discussing literature.  Whether it be a review of E.B. White’s Charlotte’s Web, the graphic novel of Anne Frank, Hill Harper’s Letters to an Incarcerated Brother, Chris Cleave’s Little Bee, Alex Haley’s Autobiography of Malcolm X, John Steinback’s Of Mice and Men, Dr. John Gray’s Men are from Mars, Women are from Venus, and so many others…students are examining them with wonder, inquisition, and esteem.

Chris Cleave in the hands of a scholar.

Chris Cleave in the hands of a scholar.

While reading these pieces, we are no longer just looking up words in the dictionary.  We are researching.  We are finding what we need in order to fully understand what is before us.  We are using our resources to enhance that understanding.  We are not only completely comfortable with the extra step of flipping through Webster to explore our options, but we are embracing it because it’s now just part of who we are as learners.  Yes, we are researchers.

Multitasking: writing and research.

Multitasking: Writing and Researching

And, we are not flawless.  We find definitions that don’t always make sense.  So, we find partners who can help us grasp the concept of this idea in the context of our individual reading.  We are active.  We support each other.  Students and I have made a pact; when they do not know a word they take to research.  However, when they do not know how to pronounce that word, I become their resource.  See, there’s a huge difference between the two.  Students are no longer relying on me for a definition, just the initial step of knowing what the word sounds like so they can productively use it on their own, and in context, once they are comfortable with its meaning.

 

Collaborating on a project.

Collaboration

Above and beyond all of the communal support we provide for each other, there are those times that we are just plain “stuck”.  When students approach me with this, I no longer ask, “Why?”  Instead, I ask, “What is the reason?”  or “Let’s identify what’s happening here.”  Even in those moments when we’re not sure we even know why we are stuck, I’m asking students to own, articulate, and start problem solving their moment of frustration to alleviate the feeling of intensity.  Once I started probing, students realize there’s a reason they are at a standstill.  As we move through the recognition and pinpoint the issue, we are off and running (again).

Hearing students playing with language, context, and dialogue is magical.  A lot has shifted this year.  Students are continually showing me what they need from me to support them in their growth.  Whether it’s asking a scholar what piece of literature he will be embarking on next or setting dictionaries on every group of desks for easy access to research; students are asking me to support them in their launch.  As we continue to progress together, I am looking forward to recognizing what else needs to be said differently because, wow, what a difference a word makes!

What language do you use that propels your students?  What shifts have you made to support higher levels of learning and engagement?  

Reel Reading for Real Readers–Transatlantic by Colum McCann

AP English, Book Trailers, Books, Readers Workshop April 24, 2014 Leave a comment

ReelReading2One of my favorite books is Let the Great World Spin by Colum McCann. This book altered my thinking more than any single book I’ve read before or after. I am grateful for the insights this book gave me. I am a better person because of it.

When I saw Transatlantic, I knew that it belonged in my library.

This clip gives us a glimpse into the author’s thinking, and he reads a bit of the story.

(Oh, and I LOVE his chair.)