Groundhog Day and Writing Conferences

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3TT writers have shed a lot of (digital) ink about the benefits of conferencing with students about their writing – you can read about here and here. We love the conference.  And, I imagine that if you’re reading this, you love the conference too – or at least, you’re starting to love conferencing… or at the very least, you’re starting to love the idea of loving conferencing.

This is my first year really making the conference a centerpiece of my instruction, and I’m really starting to see the benefit in letting those conferences drive instruction. In the past, I would teach an essay and already know what follow-up instruction I would offer after the essay was over. I had November planned in June and felt so proud of myself for being so prepared. And I was, in a limited kind of way. I was prepared to talk about what I wanted to talk about, not prepared to meet my students where they were.

With conferencing, though, I find that I need to be prepared in a completely different way. I need to be able  to deliver all kinds of writing and craft instruction at the drop of a hat; I need a series of quick mini-lessons and questions that I can go to again and again . Some days, I find myself giving the same kind of feedback like I’m stuck in some Groundhog Day style purgatory. Others, I have to go deep into the well and pull out information I haven’t had occasion to use in years. Other-other days, I just have to admit that I need a night or two to think of a response to a question and agree to meet again later that week.

I take that Groundhog Day style feedback to heart – sure, it’s maddening in the moment to explain an idea again and again to a new student with a new piece of writing, but I VERY easily recognize what I need to reteach. This last week has been one of those weeks. I’m realizing that a majority of my students could all use more time and practice with adding warrant to their body paragraphs. Here are four methods I use to teach warrant:

  1. Slip or Trip – This clever little cartoon and accompanying activity created by George Hillocks is great for understanding the assumption/values part of warrant. I’ve seen it work in 8th grade classrooms and with juniors. I’ve seen it work with juniors who remembered working with it from their 8th grade years. It’s powerful in its simplicity. The premise is just to determine whether Queenie’s husband Arthur fell down the stairs or was pushed down the stairs. The instruction comes in helping students explain why their evidence supports their claims, in explaining the assumptions they are making.
  2. Toddlers and Teenagers – This is more of an analogy to help students understand the two parts of warrant
    1. The toddler – warrant addresses the question WHY – Why does this evidence prove this claim? Why did I chose this evidence? – Students ask WHY until they run out of answers – like little toddlers who just learned the magic of asking why.
    2. The teenager – warrant also address the question SO WHAT or what’s the IMPACT of this argument – So like an eighth grader decked out in blue eyeshadow and posted up by the Claire’s in a local mall, students ask the SO WHAT question for each of their WHY answers until they can’t think of any more responses. For some students, the SO WHAT question is enough. Others need the guidance of two more questions to really land the SO WHAT: Who is harmed and who is benefitted? Why should we care? What are the effects of this harm? You can further specify this harm/benefit question set to emotional/physical/economic/social/moral harm/benefit to help the students who still need a nudge in the right direction.
  3. The IF/THEN strategy – Full confession: I stole this idea from a blog post or a class website somewhere on the internet. So, unfortunately,  I can’t give appropriate attribution, but this teacher is an English goddess. She encourages her students to create IF/THEN statements working backwards from the warrant to the claim using a fill in the blank sentence. Here’s that sentence: If we assume (general rule, idea, belief, stance, assumption – WARRANT) and this matters because (IMPACT/SO WHAT), then [EVIDENCE] proves that [CLAIM]. Simple, quick, to the point. A clear way to look at a complex idea.
  4. 5 whys – Another full confession, I’m not sure why I call this the 5 whys, and the name is a little misleading for students – they don’t actually have to create 5 whys; 2-3 works just fine. (I think the name was actually a really bad joke: something about 5 Whys for 5 Guys, Cheeseburgers and Fries. Sometimes weird things just happen in the classroom.) This is an argument structure that helps students evaluate claims and allow their body paragraphs to be reason/warrant focused NOT evidence focused. So students start with a claim – their thesis- and ask why. The answer for that first why question becomes the topic sentence for the first body paragraph. From that first answer, students again ask why creating a second answer which becomes the topic sentence for their next body paragraph. This movement of asking why and answering creates an outline of reasons that often moves from a pretty specific start to a philosophical ending, allowing students to move away from the five paragraph essay which just repeats the same idea ad nauseum. Another benefit to the structure is that the questioning of their claims allows them to see when/where their claims are weak and they can revise accordingly.
    1. Here’s an example for a prompt about the value of civil disobedience
  • Thesis: Disobedience is necessary to advance society
    • Why? Because →  society tends to resist change,
      • it’s a large machine that is slow to stop and slow to start *so* we have to start it, nudge it, guide it
      • “Civil disobedience”
      • Objects in motion tend to stay in motion
    • Why? Because →  change is hard work – it can be violent or long or messy or complicated – *but* we have to keep working at it anyways
      • Length of struggles – I might trace the history of several different movements using disobedience as a motivating factor
        • American Revolution
        • Women’s Suffrage Movement
        • Civil Rights Movement
        • Black Lives Matter
    • Why? Because → humans as a species are discontent with being content – we crave betterment
      • Where do we see ourselves craving betterment?
      • WHY do we crave betterment?
      • Can I trace this historically or chronologically?
    • Therefore….conclusion stuff

Conferencing has made my students better writers individually through one conference at a time. However, it’s also improved my whole class instruction as well – allowing me to provide better guidance for my students as they need it. What insights are you gaining in your classroom through your conferencing practice?

Sarah Morris teaches AP Language & Composition and Film as Literature in Murfreesboro, Tn. She is rewatching Brooklyn Nine-Nine for about the third time. Nine! Nine! She tweets at @marahsorris_cms.

 

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One thought on “Groundhog Day and Writing Conferences

  1. […] Our writers need to share their ideas with one another — and with us as writing coaches in conferences. Often, we wait to invite writers to talk about their writing in peer feedback groups or in […]

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