Tag Archives: writing

Dream Come True: Conferring with Penny Kittle

imageFor a teacher like me, this moment was a pretty big deal. I attended the University of New Hampshire Literacy Institute and learned from Penny Kittle for two weeks. Her class was called Writing in the World, and I have to tell you, I learned more than I could have hoped for when I set off with my new green notebook for New England, a place I’d never been.

I’d heard Penny present before, first at Region X here in DFW, and then again when my district brought her in for a couple of days–both turning points in my classroom instruction as I changed my thinking about teaching readers and writers and not just reading and writing. Then, of course, I was a fangirl at NCTE last fall in Las Vegas, tracing my hand in my notebook like she does in hers.

But sitting in her class every day, listening to her read poetry, share videos of her students, and explain that all students will write–and write well–when they are given the opportunity to explore their hearts, reshaped me as an educator, and thankfully, I got my passion back.

Everyone who knows me well knows I had a tough year. Lots of reasons, and none of them pretty. At one point I thought about throwing in the pubic education towel, even applied to Pearson in a moment of desperation. See? I was quite low.

When Penny meets with students in a conference, she focuses on the writer and not the writing. She let me ask questions, and she alleviated my fears. She prodded and questioned, and I found answers to questions I didn’t even think to ask. I saw myself as the student, and I saw my students in me. And I realized when it comes to meeting with my students to help them improve as writers:

I can do better. I must do better.

Of the huge stack of books I lugged home from UNH [I am Amy, and I am a (book) addict], Tom Newkirk’s Holding on to Good Ideas in a Time of Bad Ones resonates in my teaching soul. Even this one little thought speaks to me: “excellent instruction rarely feels rushed.” I know that, really I do, but why do I always feel like I’m in a hurry?

When it comes to teaching writing effectively, helping students to see themselves as writers, allowing students to feel accomplished communicators, I must slow down.

I need to do what Penny did for me in New Hampshire: relax into chair, look into my face, smile her warm smile, and speak to me like she already knew I was writer.

[Special thanks to Emily Kim for capturing this special photo. I owe you.]

My Rubric Failed Me

I needed this reminder. As my students stood up to share the posters they created for their Romeo and Juliet theme projects, I oohed and aahed along with the rest of my students when some of the most artfully skilled students shared their work. It’s not that I don’t differentiate my classroom instruction, but sometimes I forget to differentiate when it comes to how students can show me mastery of the skills they’ve learned.

Honestly, this year I think I’ve focused too much on writing. (Did I really just say that?)

As kids presented their theme poster, they had to explain how the quote they chose represented the theme of their project and how the images and colors they used to illustrate their poster reflected their quote and theme. Every single kid could do this orally. Not everyone could do it on the paper they were supposed to submit when they presented. Or some just didn’t want to. Sigh.

So, now I’m wondering how to “grade” some of these assignments. My rubric has failed me. It’s focused–like my class has been this year–heavy on the writing. “Think for me on paper.”

I needed this reminder. If it’s about mastery, there are lots of ways for students to show me what they know. I get the writing part and know that has to fit in somewhere–lots of wheres, but still. . . I just can’t assign a failing grade to a child that represented “See what a scourge is laid upon your hate” with a beautifully drawn tree that’s suffering from blight. There’s thinking here.  Luis tree with blight

And there’s thinking here:

Kelly bleeding heart

And here:

Biridiana's eye

And here:

Collage of projects

Oh, I better revisit that whole rubric debate.

Zombie Test Prep–Continued

I wish I could definitively say that I know my students performed better on STAAR because of the activities we did with this zombie project, but that would be a bit like being overconfident in surviving when 200 of the “Undead” are trying to eat my arm off. The English I Reading and Writing tests are hard–at least for my non-readers.

In response to several requests I received via Twitter. Here’s an outline of the project:

First, I did some backwards planning. What are the primary skills students need to master in order to achieve satisfactory scores on STAAR?

  • Write a literary essay with engaging characters, plot, theme, etc

  • Write an expository essay with a strong thesis, good organization, solid supporting details, etc.

  • Respond to reading–literary, expository, poetry, etc.–in paragraph form with embedded textual evidence

  • Read critically and answer questions about content, text structures, author’s purpose, etc.

No Sweat! Well, actually, a lot of sweat, tears, blood. . . Well, not blood. Not really. But I worry about my students A LOT. They come from homes in poverty with hard-working parents. By and large, they are sweet, good-hearted teens. But– they do not read, and this one thing impacts their learning in pretty much every aspect of my English class.

Thus, Z O M B I E S. I can hopefully get them interesting in the reading, which will hopefully get them interested in the learning.

I set the project up like PBL, but since I have limited training in how to actually carry out a PBL project, and my students have no experience with the requirements of this student-centered approach, which requires strong student leadership, the PBL part of the project was the first victim of our zombie attack. PBL lingered but it didn’t take an active part of the learning process. My students were too needy, and I felt rushed for time.

Introduction:  Entry Document/s

Part I. Silent Discussion. In my last post I shared the Intro to Zombie Project I used first  to spark student thinking about the project.  After students watched the video, they completed a Poster Activity (strategy idea from Bob Probst) where I gave them each a colored marker, and on each table I put a poster-size paper. I told students that they must use their marker to think on the paper. What things did you see in the video that you think you will be required to do in this project? Students wrote their thoughts in a silent discussion for about 15 minutes, and I circled the room, reading their comments and writing comments and questions to promote more thinking on their posters.

Part II. Memorandum. Next, I gave each student a copy of Zombie Apocalypse entry doc. They had to read it, and then I gave them time to talk with their table mates about their thinking. I gave each group a sheet of paper. On the paper, I had them make a T-chart. On the left they wrote what they KNOW about the project, based on their reading of the memo and the video; on the right they wrote what they NEED to KNOW. Finally, we had whole class discussion, and students helped me complete a class KNOW/ NEED to KNOW chart that stayed posted on the wall throughout the project.

[This intro worked better than I could have imaged. We did it on a day I happened to have a group observe my classroom: Student engagement high. Evidence of student thinking high. Collaboration high. Literacy in action high. Higher-level questioning high.]

Reading and Writing 

Part III. Self-Selected Reading, Throughout the year I’ve required students to read books of their choosing. If you’ve read other posts, or seen Reel Reading on Fridays, you know I talk YA books incessantly. In an attempt to get students to read something that might tie into the texts and topics we were talking about in class, I wanted to bring in as many books about zombies as possible.

I turned to my Twitter PLN first, and with their help, I build this Zombie shelf at Goodreads.com. I hit the bookstore and spent way too much money on books for my classroom library. Then asked the awesome librarians at my school to pull all the books they had that dealt with zombies. They gave me about 45 titles that I book talked with my kids. The first book to go? World War Z. I had two copies and had to start a waiting list for checkout. Personally, I read the first two books in the Rot and Ruin  series by Jonathan Maberry. Good, gory books. Too thick and intimidating for my kids though.

I didn’t care if students read a book about zombies. I just really wanted them reading something. If I do this project again though, I think I would like them all to be reading a book that ties in thematically. I have to think about this more.

Part IV. Expository Reading to Become Better Expository Writers. Expository is a big umbrella, but the state of Texas defines it as INFORMATIONAL. Our students must write an explanation of a topic, using a clear and organized structure and evidence to clarify their points and support their explanation. Essays only have to be 26 lines handwritten, or about 300 words typed. It sounds easier than it is–especially for non-readers.

Students also have to be able to answer short answer reading questions. I kind of hate that we call these short answers–they are really essay questions that require essay responses. You know, with embedded text evidence: Quote something, analyze it, make your response a complete paragraph? Again, it sounds easy, but for my students it is the most difficult thing. Ever.

I know that before I can get students to focus on the writing skill. I have to get them interested in the reading passage. I struck zombie gold when I typed “zombie” and “Valentine’s” into Google. Here’s a sampling of the articles and the questions my students answered to practice writing short answer responses.

Zombie Valentine expository articleSAQ with Zombie Valentine article

SAQ Test- What Rhymes with Undead

We also read the introduction to SAQ Zombies vs Unicorns and practiced short answers. (These folks are serious and even have a Facebook page.)

News Articles. Most of my students have no idea what is going on outside of their own communities. I try to bring news of the world to them as often, and in any way, I can. To prepare them for their expository essay on STAAR, I wanted to expose them to as many types of expository writing, and as many topics in the news that I could. So, under the guise of “You are the survivors of this zombie apocalypse  What would people 100 years from now what to know about your civilization?” I had students look up news articles, practice writing summaries, and explain.

Part V. Literary Writing. Another part of the Texas STAAR test for English I is a literary essay. Students are given a prompt, and they must write a little story that shows evidence of their understanding and ability to develop characters, conflict, plot, setting, and theme. Here’s the Literary Story- Zombie Project we used for our project. If you’d like student essay samples, let me know.

Part VI. Poetry. Finally, although students do not have to write poems for their STAAR test, they might have to read and analyze it. We had already read many poems in class, so for this project, I really wanted students to just play with word choice. Most did a zombie-like job on their poems. Plagiarism 5 times. Way below grade level work at least a 100 others. Here’s a sampling of Zombie poems. I especially like a few of the blackout poems:

the helpless

are able

to

be

a little daring

Rubric and Reflection

If I ever do this project again, I will allow for more creative time in class. Most of my students rarely do homework, so if I don’t capture the time I have them, I rarely see work once students leave the room. Most groups did not pay attention to the Zombie Project Rubric. They focused on one area much more than they focused on others. For example, I had one group that did a sensational job on the items in their survival backpack, but they did not take the time to write engaging stories or read and evaluate news articles. Therefore, their overall grade was low. A lot of this was my fault for not allowing equal time in class for each part of the project.

As our final event, the day after our second STAAR test, we watched the first episode of “The Walking Dead.” I wished that the movie “Warm Bodies” was on DVD because that would have been a great lead into our next unit:  Romeo and Juliet. It’s loosely based on Shakespeare’s play, you know? Check out this video for a fun re-mix:

Do you have any ideas for Zombie test prep? I’d love to add your resources to my growing file. Who knew zombies could be so . . . well, alive?

On Writing: It’s the Process That Creates the Craft

I try all kind of things to get my students to write. Sometimes they work, other times not so well. Awhile ago it seemed like the entire class was sitting behind the same concrete wall. Glassy eyes, pale faces, limp hands. Not one kid could think of a thing to write on the page. The clocks kept ticking, and the hands stayed still. I was at a loss. I’d had a couple of kid refuse to write, but never the whole class.

Then it dawned on me: I’d set it up wrong. I began the year allowing my students to think that writing was easy. Big mistake.

I paused, allowing myself a moment to re-frame my thinking. I knew I needed to take some time to rewind a bit, slow the pace, and let students grapple more with the thoughts they put on the page.

This was difficult because here’s how my students work:

Me: Write.
Them (5 seconds later): I’m done.
Me (leaning over a shoulder): Where’s your punctuation?
Them: Oh, I guess I forgot that.
Me: Yeah, and while you’re at it, where are the capital letters?
Them: Oh, I guess I forgot those.
Me: What’d you mean by this sentence (pointing at whatever on the page)?
Them: Umm, yeah, I guess it doesn’t make sense.
Me: How about you take some time and think about what you’re writing?
Them: But, Miss, I’m DONE. I did it! You can see I did it!

<Sigh.>

I wish I were joking. I have a whole room full of 9th graders that think their first shot is their best shot. Every year it’s a challenge to change that thinking.

So, the day we’re facing the blank page blues? I knew I needed to change their thinking about what writers do. They needed to know that writing is work. It takes time and effort. It takes practice and more practice, and even then, real writers often think what they’ve done is not good enough.

I needed to call in the experts. I didn’t have much time, so no Skyping or personal connections. I did, however, have time to turn to Google images. I found some quotes that creative people made into lovely inspirational messages. I quickly pulled up a few and led my kids through a discussion about what these writers think about writing.Poppy field --- Image by © Royalty-Free/Corbis

EL doctorow32ca3db628eef9e0e61f91a85cba3235
time concept, selective focus point, special toned photo f/xLord Byron images

The next day I put them in teams and gave each group a quote about writing. They had to discuss and analyze what the writer meant and present the message in some form to the class. Most groups did a great job, and students began to see that even authors who make their living writing words on a page struggle. It’s the struggle that makes the writing worthwhile.

It’s a simple lesson, I know. But I got big returns for the time investment. The next time I asked my kids to write, not only did they think about their topics more, they thought about the process more. That’s what I wanted all along. It’s the process that creates the craft. I just needed them to realize that.
Note to Self: Do this lesson FIRST next year.

Writing Instruction that Follows the North Star

writing notebookCan you remember when you learned to write? I can’t. Not really. I remember the lined paper and the fat pencils. I remember trying to have the very best penmanship because I wanted my name listed on the chart that covered the side of my teacher’s desk. I remember that writing came pretty easily. I was one of those students. My teachers loved me because I was well-behaved, listened, learned, and made all A’s.

I do not teach those students. Well, maybe a few, but most of them would be my antonym if my student-self were a word.

When I began teaching, I had no idea that my students would not be like me. I know, funny, right? I thought I could teach them comma rules, show them where the commas went, and I would see beautifully crafted commas in all the right places. (Don’t even get me started on the period.)

I had to learn to be a writing teacher.

Thank God for the North Star of Texas Writing Project. Fortunately, for me and the hundreds of students I’ve instructed since, I’ve learned how to create a community that fosters a love (or at least some days, a tolerance) of the written word.

A couple of weeks ago, the leadership team of NSTWP met and crafted the tenets of our site. We decided that community encompasses and interweaves itself throughout our work, and authenticity, inquiry, modeling, dialogue, and re-visioning make it shine.

A few of us jumped on a Google doc yesterday to craft our proposal for NCTE 2013 where we defined our points and described how we would share them at the conference. This got me thinking about my own practice:  do I walk the walk as well as I talk the talk?

Here’s a glimpse into our thinking, plus a little of my own:

Community— Trust, communication, sharing, feedback, and transparency all lead to a safe place for learning. Community is the core of a workshop classroom, so it must be a constant focus. (National Writing Project, Gomez, 2010) Read-alouds, and classroom and school-wide book clubs, among other relationship-building activities, can all help build community.

Authenticity— How do we make learning real? By allowing for real life connections and experiences. When we expose students to real-life situations and allow them choice in topics, we can engage them more effectively, stimulate more critical thinking, and get them to read more abundantly. At the end of 2011 only three young people in ten now read daily in their own time, down from five out of ten in 2005 (Secondary Annual Literacy Survey, 2011). How do we change lives? We allow students choice. Just as in reading, students must have choice in writing; teachers must allow students to choose topics that interest and intrigue them, and they must allow students to publish in mediums and to audiences that students believe matter, i.e., student created blogs, ebooks, and portfolios.

Inquiry— An inquiry stance goes beyond the use of essential questioning and places the creative thought process into the hands of students, inviting them to questions in every aspect of literacy from responding to texts, engaging in research, to broadening their horizons as writers.  An effective response protocol that fosters inquiry can be adapted and applied to a myriad of literacy experiences.

Dialogue— Authentic conversation transforms classroom community. Learners take ownership of their craft and develop a sense of agency in a student-centered approach to dialogue.  In Choice Words (2004), Peter H. Johnston explains that language “creates realities and invites identities.” Thus, dialogue in our classroom becomes an essential part of student growth.

Modeling— An integral part of literacy instruction, modeling as reader and writer is essential to an effective workshop classroom. Mentor texts that engage students and provide for in-depth study of craft allow for authentic reading and writing experiences.

Re-visioning– NSTWP invented this word to describe the complexity involved in revising our instruction and engaging students in revision of their work. Adaptive Action, “the iterative process we use to leverage unpredictable change for individuals” is crucial to making workshop work. (Adaptive Action, 2013). Conferences, written feedback, and portfolios can all be managed and used to revise our classrooms.

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My Pained Word-nerd, Grammar-geek Soul Demands

Guest Post by Tess Mueggenborg

In a world plastered with poor writing, it is a struggle to convince students that learning to write well is a task worthy of time and energy.  Yet I persist, in this tedious and possibly futile pursuit, because I believe it is best for my students, and crucial to the intellectual sustenance of humanity.

 Grammar 5219037_45d05ab4ebMy students are, supposedly, the best and brightest of their generation.  Contrary to what some other teachers think, this doesn’t mean they’re easy to teach.  My classroom battles begin in much the same way as every other teacher: convincing my students that what I’m teaching them is worth learning.  But I have an added challenge: worse than just being apathetic, my students are often combative, and they have the brain cells to back up their resistance to my proffered educational nuggets.  In their daily life, my students are inundated with crappy writing…written by people who are getting along just fine in life.  By and large, their parents don’t know what a comma is…much less how to use it correctly.  Their peer-to-peer dialogue is a mashed-up mixture of text-speak, generation-specific slang, and Spanglish.  And with this hybrid cut-and-paste short-cut of a “language,” they feel that they are able to communicate quite effectively.  So why should they have to pay attention to my lessons on commas and dangling modifiers, homophones and varied syntax, and the difference between a semi-colon and a dash?  (I shudder to think of their protests if I tried to differentiate between an em-dash and an en-dash…oh, the horror! the horror!)  With a nod to pragmatism, I’m forced to concede: to a large extent, they’re right.  

Many of my fellow teachers don’t know comma rules (or don’t take the time to employ them), and they certainlychair message 481733_505529322815138_2005352416_n struggle with homophones (attention: IT’S means IT IS – it’s NOT a possessive pronoun.  Oh, sorry, you don’t know what a possessive pronoun means, so that tidbit doesn’t mean anything to you).  But they’re certainly not in any danger of losing their jobs for this, or being dinged on their annual reviews for imprecise use of language…since the administrator will probably comment to them: “You’re communication is excellent – your a great teacher!”.  When I see such errors committed, a little part of my soul cries in pain: not for the stupidity and ignorance of my coworkers, but because of the example they set for my students.  My students are right to question me and push back against my lessons on grammar and usage: if everyone else is living happily in the land of grammar ignorance, and are none the worse for it, why should they bother with the mundane nuances of the English language?

 My answer to my students’ queries of “why” is simple: because you can.  Because you have the brain cells to notice and understand what are, to many people, subtle or irrelevant differences.  Because you should try to be the best person you can be, and that includes communicating.  And if that means you have to learn some new things and you’re irritated every time you see grocery store sign advertising “Banana’s for sale,” so be it.  hp jr highimagesCAT0A6BA

 In spite of ever-mounting evidence that I have litttle chance for success, my job is to convince my students that they must learn to write well, and that writing well is a worthwhile pursuit…and I will continue in this likely futile endeavor, because it is what my pained word-nerd, grammar-geek soul demands of me.

 

 

“Professor” Tess Mueggenborg teaches English (and anything else with which her students need help) at RL Turner High School.  Her academic passions lie in comparative language and literature.  The Professor lives in Dallas with her husband, Jeff. Tess’ on Twitter @profmueggenborg

Want to teach a kid to write?

 

Want to create successful writers?  Want to raise them from seedlings, make them strong and resilient and capable of writing oak trees of essays, not saplings of deadwood?  The key has nothing to do with writing.  If a teacher wants to help their students to become successful writers, they must make their students into successful readers.  If a student isn’t a reader, they’ll never be a writer – no way, no how.  The reading should be both academic and for pleasure: students need to bask in the glow of words for fun, and struggle with a snarling sentence when needed.  They should delight in diction and syntax, but never be quite satisfied with them as-is – every student should always ask, “why this way?” and “why not like this?”.  And no, they probably don’t need to know what “diction” and “syntax” mean: we don’t need to understand the nuclear reactions of the sun or the tidal effects of the moon to enjoy a sunny day at the beach, and they don’t need to know anadiplosis or synecdoche to appreciate a well-written paragraph.  If we don’t put words in their hands and in front of their eyes, we’ll never get the words into their heads … and if we can’t get the words into their heads, they’ll never put those words onto paper.  So … want to teach a kid to write?  

Teach her to read.

~Tess Mueggenborg, Professor

 

 

5 Ways Students Can Learn as They Blog

American writer, editor, and teacher William Zinsser taught that “writing, and learning, and thinking are the same process.” If this is true, then the not-so-easy task of the teacher is to get students to effectively put their thoughts into words on a page. One relatively simple way to get students engaged in the process is to help them take ownership of online writing; specifically, get students to create and maintain a blog, which will allow for what Zinsser calls the four basic premises of writing: “clarity, brevity, simplicity, and humanity.”

5 Ways Students Can Learn as They Blog

    1. Write about topics that interest them.

      Allowing students to choose topics that have personal and meaningful applications to their lives provides opportunities for better writing. Still, some students will be stumped and say, “I can’t think of anything to write about.” Consider encouraging them to scan the front page of Yahoo, Google, or any other online news source. Read some headlines, which might lead to reading some articles. Respond to news they find interesting, shocking, or outrageous. (Look, you may have students reading AND writing!)

    1. Write in response to current events or videos that make them think.

      Posting links on a teacher or class blog and asking students to read and then respond on their own blogs allows teachers more control over the selection of topics that students write about than complete self-selection. Consider linking news articles like Kelly Gallagher’sArticle of the Week” and asking students to post their reflections, or post YouTube videos that have thematic ties to the literature being discussed in class. Students can write commentary or reflections as a way to show they are learning about life outside the classroom.

    1. Write in response to questions about literature.

      Asking questions that make students think and/or justify their thinking about the books they are reading creates instant “prompts” for student blogging. Open-ended questions like “How does this story relate to _____?” or “How would you deal with _______?” or “Describe another story that deals with the same conflict” lead students to make connections with the text that may help with their reading comprehension. Of course, by adding the “use text evidence to support your answer” component, students learn how to justify their responses and maybe embed quotes and all that good stuff.

    1. Write to show technology integration by using hyperlinks, tags, digital images, videos, etc.

      Encouraging students to add links, tags, images, etc. in their posts ensures that they are exploring what it means to embrace 21C writing skills. When students model authors’ blogs that effectively lead readers to more information, they show that they understand how knowledge is linked and perhaps they will come to understand that seeking knowledge takes effort.

    1. Write in response to peer posts and comments.

      Requiring students to interact with their peers’ online writing promotes a spirit of collaboration and community beyond the classroom. Teach respect in terms of language, but also allow for disagreement, as debate is what often makes for deeper learning.

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How are you teaching online writing? If you’ve got kids blogging, any success stories?

Writing Workshop: Assessment and Hope

Students should write more than teachers can ever grade. I heard this first from Kelly Gallagher, author of the book Readicide, a book, among others, that helped me frame my curriculum around Workshop. If I remember correctly, he said that his students write four times more than he grades. Really?

I pondered this for a long while, and I still struggle, but I think I have some of it figured out. I thought for a long time that my students would not write unless I graded what they wrote. Every assignment:  “Is this for a grade?” Every answer: “Yes, everything is for a grade.” The refrain got old.

Then I tried something new: I began writing with my students on the first day of school, and I had some kind of writing activity every single day. I don’t remember where I read it, but when I was researching the work of the reading writing workshop gurus a couple of years ago, I know I read:  if you struggle with time and have to choose between reading or writing, choose writing.

It’s the complete opposite of what I thought:  My students are struggling readers. How do I give up reading when I know they need it? I thought about it more and realized: If I teach writing well, students will be reading. And they will be reading a lot.

So let me explain how this works for me. Remember, I teach AP English Language and Composition (that’s the top 11th graders) and English I (that’s on-level freshmen)–two extremes.

Writing Every Day

There are many ways to get students to write every day. Of course, some ways will get them to take their writing more seriously than others. I find that when I give them an audience, students will put a lot more effort into what comes out their pens. Audience matters!

Topic Journals. Following the advice of Penny Kittle, author of Write Beside Them, I created “topic journals” that students write in once a week the first semester. I bought composition notebooks and printed labels, using various fonts, of the topics: love, conflict, man vs. man, man vs. self, man vs. nature, war, death, gender, hope, redemption, family, romance, hate, promise, temptation, evil, compromise, self-reliance, education, friendship, guilt, doubt, expectation, admiration, ambition, courage, power, patience, fate, temperance, desire, etc. I created 36 notebooks; one for each student in my largest class.

I introduced the topic journals to my AP students first. I set up the scenario:  “I will be teaching 9th grade. I need your help. Do you remember what it was like to be new to high school? nervous, anxious, a little bit obnoxious? I created these notebooks so you could write and give advice to my younger, less advanced students.”

The first task was to turn to the first page in the journal and define the topic. Many looked up the terms in the dictionary or online. They wrote a quickwrite explaining what the topic meant. Then on the next page they wrote about anything they liked as long as their writing fit the topic. I had them sign their posts with their initials and the class period. I told them that they could choose their form (a letter, a narrative, an advice column) as long as they remembered that their audience was 9th graders, and whatever they wrote had to be school appropriate. “If you write about bombs or offing yourself or anyone else, you’re off to see the counselor or the police.” These are good kids, most of them in National Honor Society. They took my charge to help my younger students seriously. This exercise often worked as a lead into our critical reading or class discussion that day, and sometimes students chose a piece they’d started in a topic journal to continue exploring for a process piece.

You can imagine how I introduced the journals to my freshmen. I began by saying, “You know I teach AP English, right? That’s the college-level English class. Well, those students would like to offer you advice about high school, life, and whatever else you might have to deal with the next few years. They are going to write to you in these topic journals. Your job when you see these notebooks on the tables is to choose the one that “calls” to you. First, you will read the messages the older students wrote for you, and then you will respond. Remember to use your best writing.” I then set the timer and had students read and write for 10-15 minutes, depending on the lesson I planned that day. Sometimes I had students share out what they wrote; most often we tucked the notebooks away for another week.

Students constantly fought over a couple of the topics:  love, death, and evil were their favorites. I am certain that is telling (and it did help me when selecting titles for book talks.)

While students wrote in topic journals, I read what students had previously written in the notebooks kids did not select. I’d write a quick line or two in response to something in that notebook. I always used a bright orange or green pen, so students could tell I’d had my eyes in that journal. They knew I was reading them, but they never knew when or what entry. This helped hold them accountable for not only the content of what they were writing but also the mechanics of how they were writing it.

Assessment? Formative. Students have to think quickly and write about a topic on a timed test for the AP exam (11th grade) and STAAR (9th grade).

Blogs

At first I only set up a class blog, and I had students write in response to posts I put on the front page and in response to an article I put on an article of the week page (another Gallagher idea). It didn’t take me long to realize that students would write more and take more ownership of their craft if they created their own blogs. The first year I had students set up blogs I taught gifted and talented sophomores, and I was nervous. Nervous that something would happen:  they’d post inappropriate things, they’d do something to get themselves and me in trouble, they’d be accosted by trolls out to hurt children through internet contact. I chose Edublogs.org as the platform because I could be an administrator on the student blogs, and I had my kids use pseudonyms. This was overkill. Yes, I did have to change two things that year:  one student called his blog Mrs. Rasmussen. I told him my husband didn’t appreciate that much. Another kid used a picture of a bomb as his avatar. Not funny. All-in-all my students did great, and they wrote a lot more (and better) than they ever did for me on paper. I was a stickler for errors and created this cruel scoring guide that said something like: A=only one minor error, B=two minor error, C=three minor errors, F=four or more errors. Students that had never gotten a C in their lives were freaking out over F’s. “Sorry, kiddo, that’s a comma splice. That’s a run-on.” I had more opportunities to teach grammar mini-lessons than I ever had in my career. But see, these kids cared about their grades.

My 9th graders now–not so much. They care about a lot of things, but if I punish them for comma errors or the like, they shut down and stop writing. I learned to be much more careful. Now, I work on building relationships so they trust me to teach them how to fix the errors themselves. It takes a lot more time, but in the end, student writing improves, and students feel more confident in their abilities. I am still working on getting my 9th graders to be effective writers. So far, I have not accomplished that too well, as is evidence of their EOC scores this year.

This past year my AP English students posted on their blogs once a week. I told them that I would read as many of their posts as I could, but I would only grade about every three. I wouldn’t tell them which ones I’d be grading. I let students choose their topics, but since I had to teach them specific skills to master for the AP exam, I instilled parameters. They had to choose a news article that they found interesting, and then they had to formulate an argument that stemmed from that article. The deadline was 10 pm on Monday–every week. This assignment accomplished two of my objectives:  students will become familiar with the world around them, and students will create pieces that incorporate the skills that we learn in class. When I turned to social media to promote student blogs, I got even more ownership from my students.

Assessment? Formative or Summative. Students apply the skills they learned in class regarding grammar, structure, style, devices, etc. Scored using the AP Writing Rubric for the persuasive open-ended question.

Twitter in the Classroom

One of these days I will write a post about the many ways I used Twitter in class this year. For now, let me just tell you:  Twitter was the BEST thing I added to my arsenal of student engagement tools. Ever.

When I began asking students to tweet their blog url’s after they wrote on Mondays, I started leaving quick and easy feedback via Twitter. It was so easy! Kids would tweet their posts; I’d read them; re-tweet with a pithy comment. Within minutes of the first couple of tweet exchanges, students were posting and tweeting more. They were getting feedback from me, and they were giving feedback to one another. They began building a readership, and that’s what matters if students blog. Just because they are posting to the world wide web does not mean anyone is reading what they write. But, a readership, especially one that will leave comments, that’s a whole new story.

Assessment? Formative. Students share their writing and make comments about their peers’ writing. Critical thinking is involved because students only have 140 characters to express their views.

Student Choice. Sometimes.

In a perfect writing class, I am sure students get to choose what they write about every time. This does not work in an AP English class where I am trying to prepare students for that difficult exam. Once a week my students complete a timed writing where they respond to an AP prompt. The guidelines for AP clearly state that the essays are scored as drafts; minor errors are expected. My students must practice on-demand writing. There is no time for conferencing or for taking these essays through the writing process. Unless–we revisit. And sometimes we do. Students are allowed to re-assess per our district grading policy if they score below an 85. 85 is difficult for many of my students, so lots of them re-assess. To do so, students must come in and conference with me about their timed writing. I am usually able to pick out the trouble spots quite easily, and it’s through these brief conversations that I get the most improvement from student writing. Often, instead of conferencing with me, students will evaluate their essays with one another.

I show several student models of higher scoring essays and teach students how to read the AP Writing Rubric. Then, in round robin style, students assess their own essays and at least three of their peers. I remind students not to be “nice” to their friends and give a score that’s undeserved. This will not help anyone master the skills necessary for the AP exam. Rarely do students give themselves or their peers scores higher than I would.

My students also write process papers. For AP reading workshop students choose a book from my short list. After reading and discussing the books with their Book Clubs, students have to write an essay that argues some topic from the book. I model how to structure an essay. I model how to write an engaging introduction. I model how to imbed quotes and how to write direct and indirect citations. I model everything I want to see in this type of writing.

I allow several weeks in my agenda to take these papers through the writing process, and students do most of the work outside of class (not so with my 9th graders).

  • Day one students generate thesis statements, and we critique, re-write, and re-critique.
  • Day two students bring drafts that we read and evaluate in small groups. (I have to teach them that a draft is a finished piece that they are ready to get feedback on–not a quickwrite. So many students type up their rough draft and call in good. This makes me crazy! And I tell them that I will not read their first draft unless they come before or after school or during lunch. They must work on their craft before I will spend my time reading it.)
  • Day three students bring another draft that we read and evaluate again. Sometimes, depending on where my kids are in terms of producing a good piece, I will take these up and provide editing on the first page. Never more than the first page!
  • Day four students turn in their polished papers. I score them holistically on a rubric that aligns with the AP Writing one, or if it’s my 9th graders, I score them on the appropriate STAAR writing rubric.

My freshmen students need a much more hand holding, and we do a lot of writing on lined yellow paper. Most often, especially at the first of the year, they get to choose their own topics. However, I have to give them a lot more structure because on the new Texas state test. 9th graders have to write two essays (about 300 words each): a literary essay, which is an engaging story, and an expository essay, which explains their thinking about a given prompt. Students use the yellow paper to draft during class. I wander the room, answering questions and keeping kids on task. I also try to write an essay every time I ask students to do so. I use these essays as mentor texts in addition to mentor texts I find by professional authors.

Usually I begin class with some kind of mini-lesson if students are in the middle of drafting. I might show students a paragraph with a description that uses sensory imagery and instruct them to add some description in their own writing. Or, I might teach introductory clauses and have students revise a sentence to include one or two or three. This way I am able to get authentic instruction that my students need right there in the middle of their writing time. When I score these student papers, I specifically look for the skills I’ve explicitly taught. If I do it right, I will have read my students papers one or two times during their writing process, prior to them ever turning in their final draft.

Notice I said “if I do it right.” I rarely do it right. I am still learning to budget my time and get to every kid. I am still learning to get every kid to write. I am writing English I curriculum this summer, which I will use in the fall. I hope to get some of my challenges with my struggling students worked out as I focus more purposefully on the standards. I realized this year that while I am teaching writing as a process all the time, I am not necessarily targeting the standards that fit into the process. I am thinking about this a lot lately.

This is still my burning question:  how can I get kids who hate to read and write to participate in writing workshop so their writing improves and their voices are heard?

I am turning to the gurus as I research and think this summer. Jeff Anderson’s book 10 Things Every Writer Should Know has been an excellent start.

You Know It’s True. Get to it!