Final Days, Final Products: End-of-Year Assessments

This week, the first of the fourth quarter, has flown by for me–has it for you all?  Perhaps I’m feeling the passage of time because of making end-of-year lesson plans.  Maybe it’s because of the spring sunshine and storms.  Or, it could be because I’m looking into summer course offerings at UNH, the NWP, and our nearest university, WVU.  Whatever the case may be, I am acutely aware that I don’t have much time left with my fabulous students this school year.

Since that is the case, I want to give them opportunities to showcase what they have learned and how they have grown.  Of course, I want a unique, rigorous way for them to show me this, so I’ve been designing some workshop-appropriate final assessments for my students.  The abilities I am curious about are their independent reading, their informal writing, their reading of difficult literature critically and deeply, and their crafting of excellent, time-intensive writing.

My goal at the end of the year is that students can read a variety of texts independently, can think and speak critically about those texts, and can choose and recommend a variety of books for themselves and others.  To see whether they can do this, students will complete an independent reading project that includes a craft analysis of the writing itself, a creative portion in which students show their comprehension of deep layers of the text, and a presentation of the project overall in which other students and I ask questions about the book.  Additionally, students will do their own booktalks, in which they recommend a text to the class, perform a fluent read of a short bit of the book, and discuss their own reading experience with it.

IMG_2769In terms of quickwrites, or the informal, fluency-building writing we do at the beginning of every class, I want students to be able to understand and show their own growth with this type of writing over the course of the year.  I do this by having them do a final “Journal Harvest,” an excellent idea I got from NWP mentor Sally Lundgren, which we’ve also done once or twice a quarter thus far.  In this harvest, they read over all of their writing from the year and write a formal reflection about its growth, content, and style.  Additionally, they choose three pieces to revise and draft into formal, typed pieces.  Lastly, they share their notebooks, reflections, and revised final pieces with their writing groups in order to give and get feedback.

mikeyburton-bookcoversWe’ve read two class novels so far this year, and for the final part of the year, students have chosen from a variety of books to read in literature circles.  Being American Literature, I booktalked the standards Fahrenheit 451, Huck Finn, The Scarlet Letter, and A Separate Peace.  Students chose which of those they wanted to read and have been collaboratively discussing, interpreting, and completing tasks related to their reading in groups.  To share their understanding with the class and me, they will complete creative projects in groups, as well as write a formal book review they’ll publish on the wonderful GoodReads.

IMG_0799Finally, the Multigenre Project will show off my students’ abilities to write, revise, and refine formal, coherent writing.  I have already discussed the way I teach the MGP extensively elsewhere, so I’ll be brief here.  The MGP allows for student choice, curiosity- and question-driven research, frequent talk in writing groups and through final presentations, and rigor.  To my mind, it’s a perfect culmination to a year of workshop, and I can’t wait to see what my students produce with it.

In true teacher-participant form, I will be doing all of this beside my students, and I am quite looking forward to the reflection time this quarter’s modeling will allow.  I’ve already begun the process we all go through at the end of the year, in which we start to wonder what we’ll change in the future and what worked wonderfully that we’ll hang onto.  In reflecting, I find my thoughts and writing returning again and again to the power of talk.  Its deliberate addition into my curriculum this year has been the biggest change from previous years, in which student talk used to be in a space reserved for group work, presentations, etc.  This year, though, student talk is at the center of my teaching, and I think it’s made an incredible difference in my students’ ability and willingness to learn.  I’ve consciously included it in all of my final assessments as a result, as it’s been where I’ve learned the most from my students.

As you can see, there is a lot of grading, planning, and facilitating in my future, but I think it will be well worth the effort…and enjoyable to boot!  Here’s hoping that my students will learn as much from each other in these final weeks as I’ve learned from them all year.  Cheers to the fourth quarter, all!

 

My Own: What’s not Wrong?

It’s not that I’m a snob. Really. But there is a reason I only follow a few blogs, and I only follow a few people on Twitter. I am compulsive and easily distracted. I admit it. I have a problem.

I know this about myself, so I put my Twitter PLN, all of which I love and learn from, onto comprehensive lists. It’s much easier for me to focus that way. I put the blogs I follow into Feedly and read them when I have the time or sometimes when I just need the inspiration.

This morning was one of those days.

I’ve had a particularly hard week, mainly because of one particular student. I think what bothers me the most is that one student’s negativity can cast a shadow on so many other students’ shining positivity.

Another thing I know about myself: I let things get to me that I need to just let disappear.

I read Gary Anderson’s post this morning. I’ve often wondered why his blog is called What’s Not Wrong?, and now I know.

And I am grateful.

This morning I gave each of my students a square of paper and asked them to write at least one thing that answered the question:  What’s not wrong?

Then I put them into two teams and divided up the papers. I gave them five minutes to work together to compose a poem that used all the ideas, and then they had to perform as a group to the other one.

The mood changed. We laughed. We remembered what it’s like to be in a community of learners.

The poems:

I’m alive

My relationship is 🙂

awesome — my girlfriend hasn’t left me

Courtnye is beautiful, and I get to see her daily.

Attempting to keep up with my

work

passing all my classes

I currently have food. Have my own car.

friends & family (always a plus)

Jr. year is almost over.

the color me rad race is tomorrow.

48 days until I see my family.

So excited

–Alive, Breathing, and Healthy

What’s not wrong?

It’s FRIDAY!!

Junior year is almost over,

and Senior year is starting to look really nice.

My family is alive and healthy.

I’m changing the road I’m heading onto and feel no fear.

Everyone I care about is alive and well.

Everyday I wake up is a chance to live my life.

What’s not wrong?

What’s not wrong?

I have everything I need

people coming to school

Art is really easy

My APUSH grade is

amazing

Michelle is always right

I have a loving family

I’m healthy

life is good

The class periods

Practice for Track

What’s not Wrong?

Baseball isn’t wrong

Friends aren’t wrong

I don’t have to take care of any kids.

Ruben

Taifoor

Adrian Leos

Adolfo

Mian

Jose

Music

Right

What’s not wrong?

What is NOT wrong?

Anything right

Summer is close by

I did my laundry

Breaks from school

We have food

What’s not wrong?

Me and my brother are getting along

My APUSH grade

My grades are good

I have an education

Michelle is never wrong.

What’s not wrong?

dogs

My dog doesn’t smell anymore

My dog is growing

What’s not wrong?

my music

the band’s gone

$ isn’t an issue

the rule of survival

friendships that I have

LUNCH

me

CAPTAIN AMERICA!

NOTE:  With the exception of the “Michelle is always right/never wrong” comments, I just love these poems. Michelle is top of her class and an amazing students; however, the pedestal she is put upon is a little too high. Even she admits that she needs to learn and grow and improve. That is what I love about her. She asks:  What can I do better? Then she listens and tries. Michelle, and the students just like her, are the reason I keep doing this job, even after weeks like this one.

Blessed Friday!

Reel Reading for Real Readers: Twelve Mighty Orphans by Jim Dent

ReelReading2I am not sure how the book Twelve Mighty Orphans walked into my house, but it fit right in. All four of my sons played Texas football, and for many years we lived at one football stadium or another. One year we attended three games a week with three sons on two different middle school teams, and our oldest son playing on varsity at the high school. It was either that year or the next that Tanner’s team won the state championship. It’s all a blur of blue and white.

Everything you have heard about Texas football is true. It’s big, and it consumes your life.

Maybe that’s why this book by Jim Dent had such a voice at my house. My husband read it. My sons read it. How could I not?

Not much compares to talking with your teenage athlete sons about a book.

This non-fiction book chronicles the efforts of one man to make a difference in the lives of orphan boys. He teaches them to play football, but he teaches them much more than that. This trailer introduces the storyline with beautiful images:

 

bandz Remember these? Silly Bandz. A few years ago they were all the rage with my middle school students. They simply couldn’t get enough of them. I remember one student that proudly displayed hers, coordinated by color, from wrist to elbow. One day at school I was called down to the office and asked to cover someone’s after school tutoring class. Of course I obliged, but when I showed up to a room full of less than eager writing students I immediately knew that six page packet of worksheets I was left to work with was NOT going to cut it. I began scanning the room for a plan B. There always has to be a plan B somewhere, and sure enough I found my alternate plan on the very arms of the students in front of me. I ask the students to pull off one of the millions of bands they had on their arm, and kindly requested several to share with the students in the room whose arms were not enslaved by the bands. I asked them to then find a partner who didn’t know what band they had picked. The pair then had to start describing the band they had selected to their partner using enough details that their parter would be able to guess what they were describing.

Without the students knowing it they were having a conversation about descriptive details.

From there we continued doing a number of activities with their beloved bands. We concluded by writing stories where they had to incorporate the band’s object into their stories.

Students had a great time. They were laughing, and talking about not only their prized Silly Bandz, but also the craft of writing. In fact, they were having conversations about the same things they would have been doing mindlessly in the packets I was left with. The only difference between my activity and the packet was that my activity capitalized on something that was near and dear to those kids, the Silly Bandz, and connected it to back to what they needed to learn.arm

As quickly as they rose to fame, the Silly Bandz craze was relatively short-lived, so I’m not advocating that you start digging around and try to replicate this activity in your classroom – it probably won’t work. Kids these days have moved on to something else, but it is the idea that we all need to capture. How can we take something that is important and on the fore font of our students minds and bring it into the classroom? By doing so teachers send a simple message: “I care about your life outside of this classroom and I want you to share it in here.” When students hear this message they are much more apt to taking the time to learn whatever it is that you want to teach them. I leave you with this: What is currently the craze for your learners? What might you be able to capitalize on in order to have your own Silly Bandz moment with your students?

It’s Moments Like These

Our Compass Shifts 2-1

My hope for all educators is that we never, ever lose a student. And while that is my hope, life has it that sometimes a student’s passing becomes a reality. In 2010, that’s exactly what happened. Francis Gittens departed our school community leaving behind his energy, electric personality, and smile that only those lucky enough to have had the opportunity to know (and work with) him experienced.

A long time colleague and friend asked me, “Erika, how are you going to continue Francis’s legacy?” At the time, I was overcome with grief and emotion and couldn’t possibly consider this very tall task. However, as I started to work with my new over-aged and under-credited student population, their thirst and desire to obtain information in order to quench their ongoing curiosities provided me the answer.

A library.

Not just any old library, but the Francis Gittens Lending Library. A library filled with rich pieces that have impacted other book lovers from all over the country. I’m talking all genres. I’m talking too many books for the amount of shelving we currently had. I’m talking opportunity.

Out went the email chronicling my mission. The recruiting had begun to wrap the two-hundred plus books that continued to be delivered and dropped off at my classroom door. Ms. Vasquez (Francis’s mother) had agreed to be present for the post-holiday surprise. Food had been ordered. Students had no idea how their lives were about to change. Full of emotion; I was ready.

What has happened in the two and a half years since must still be a figment of my imagination. Students are reading feigns who request piece after piece. Students and their families are continually donating to our class library. Not to mention all of the other generous donors who continue to surprise us with their favorites.  Students have created Next-To-Read Lists because they can’t possibly read all the pieces they are intrigued by simultaneously, although many of them are juggling a couple at a time. Educators swing by to see what’s new on the shelves for their own reading enjoyment. And I have become quite the book connoisseur while perusing book store after book store seeking out unique pieces to book talk the very next day.

Just recently, after I reorganized our theme-based library, I sat back and found myself in awe. The growth of the library, now two-thousand plus books, stopped me in my tracks. I realized that as a collective, we have figured out a way to support our (sometimes struggling) readers and found a way for them to have all the access they want (and need) to the world beyond their own. Astounding.

I immediately phoned Ms. Vasquez inclined to show her what’s been taking shape in room 382. To no surprise her response was, “What day works best?” We both felt the urgency. She found her way to Brooklyn Bridge Academy without hesitation that very next Monday. As she entered the room, student conversations quieted and a hush fell over our shared space humbling us all.

As we all regained composure, conversations started to bubble and students were excited to share the literature they are (and have been) reading. Ms. Vasquez took her time scaling the length of the library and, overcome with emotion, she cried.

Ms. Vasquez pointing out an inscription to Francis from his Grammy in Sidney Poitier's Measure of a Man.

Ms. Vasquez pointing out an inscription to Francis from his Grammy in Sidney Poitier’s Measure of a Man.

She took the opportunity to talk to students about their lives and the decisions they are making. As we sometimes say, “She went there.” She focused on the young men, their appearance, and the injustices they are ultimately always going to face. She spoke directly to the females and advised them in believing in themselves, taking care of their bodies, and their intelligence. She focused on the vast literature lining the shelves and how this (education) is their key to the lives they deserve to live.

Tender moment with a male student.

A tender moment with a male student.

As educators, it’s these ‘full circle’ moments that make us truly feel full with love, hope, motivation, and connection. Students are reading more now than ever before.

Our read literature this year.  180 plus books!  Beautiful collection from the FGLL.

Our read literature this year. 180 plus books! Beautiful collection from the FGLL.

A proud student adding Quiet by Susan Cain to the other side of the door.

A proud student adding Quiet by Susan Cain to the other side of the door.

They are embracing their inquiries and willing to do the work to find answers. They are supporting me in my own reading journey and I them. We are collectively always looking for pieces of literature to add to our library and relishing in the ones that we can’t believe we actually found.

Each donated book receives a FGLL Placard (Donors, location, date)

Each donated book receives a FGLL Placard (Donors, location, date)

We have shared humorous moments. Tears have been shed. In-depth thinking has…and continues to take place.

From an incredibly tragic loss to a beauty hard to put into words, we are all so very thankful. But most of all, humanity came together for those sixty minutes on a random day in March that none of us will ever forget. We are in this together, as a whole, as one.

Our 'serious' class photo.  (My favorite!)

Our ‘serious’ class photo. (My favorite!)

How will you continue to build and support literacy initiatives in your classroom?

Reel Reading for Real Readers: Panic by Lauren Oliver

ReelReading2Many of my female students love her Delirium series, and I am happy to say that maybe even some of my guys will take on Panic, Lauren Oliver’s newest title.

The topic is FEAR.

I haven’t read very far, but I have read enough to know I like this narrative voice. I especially like that I can share it with my students by using this video where Lauren Oliver reads them the first chapter.

Cannot get any cooler than that.

It’s about the Process. C’mon Guys!

There’s this thing about students with attitudes. Sometimes I just do not deal well.

Last week while meeting with students one-on-one to discuss their improvement in class and their current writing piece, I felt a little beat up.

How is it that two students can ruin the euphoria I felt after conferring with everyone else?

First, N tells me that narrative will not fit anywhere in his piece.

“Why not?”

“Because of the topic,” he told me.

“And your topic is?” I said.

“Governor Perry,” he told me.

“You’re writing something like a bio of the governor. Why won’t narrative work anywhere?”

I do not remember the actual words, but what he meant was “ I do not want to spend anymore time on this writing.”

Later, A tells me that no matter what she writes I tell her it’s not good enough.

“What do you mean by that?”

“Because you always ask a question about what I wrote,” she told me.

“And why do you think by asking questions I’m telling you your writing isn’t good enough?”

“I’m just giving up,” she told me, completely avoiding my question.

I do not remember the actual words she said next, but what she meant was “I do not want to work any harder.”

Tough luck, kiddos.

Writing is hard. And writing well is even harder. Hemmingway quote

Too often my students just want to draft something roughly and turn it in for a grade. I’ve stopped even putting grades on papers, unless we are at the end of a grading period and the policy says I have to. So many students stop their process once that score sits on their page.

Here we are just starting our final nine weeks, and I must figure out how to do more with teaching writing process over writing product.

It’s an uphill stretch.

Students come to me with specific writing habits, and many are stalled on the hill, resisting the charge to be better. Since many of my kids have been in gifted and talented classes for years, they often think that learning comes easily. Maybe in some classes it does. But in my experience with English, too many teachers have not demanded growth through process and have been satisfied with students just turning in papers that will score an A. Mind you, not ALL teachers, but I can tell which teachers at the sophomore level value process over product and which do not, based on the attitudes and practices of the student when they come to my room their junior year. Or, maybe those sophomore teachers haven’t been able to change those bad habits either. I get that, too. Some of these students are stubborn in their know-it-all-ness.

I struggle with this every year:  You know the student who walks in the door at the beginning of the year and could make a 5 on the AP exam if she took it that week. Do you grade her on the struggle of the writing process and her improvement as a writer, or do you grade her on the writing she is capable of at the beginning of the year, even if it’s already an A?

I tend to want to see improvement in all my writers– even the ones who are already pretty good at it when they come to me.

But this year, maybe I haven’t emphasized that enough. I’ve written in front of them, shown them my struggle, used mentor texts, conferred with them individually, begged, prayed.

I pulled out Writing Down the Bones by Natalie Goldberg a while ago and read a few pages in the front of the book. I got my center back. I also got a few thoughts I may write on sticky notes and hand to N and A as they come to class tomorrow.

“You practice whether you want to or not.” p11

“You have to give yourself the space to write a lot without a destination.” p11

“It’s the process of writing and life that matters.” p12

“We must continue to open and trust in our own voice and process.” p13

“Writing is so simple, basic, and austere.” There are no fancy gadgets to make it more attractive.” p26

No doubt when I keep reading I will find more and more advice from Goldberg that will help me help my students. I love that about good writers who want to help others become good writers, too.

Where do you go to find your center? Who are your personal writing coaches?

 

 

Tech Tip #487

Me being shown a new tech tool is actually pretty rare. In fact, I don’t know when the last time it has happened, but a fellow co-worker recently shared what appears to be a pretty cool presentation tool that I have never seen before.

Screen Shot 2014-03-24 at 1.49.58 PM

 

Powtoon, not to be confused with Paltoons – a comic creator, is touted as a newer and improved replacement to PowerPoint or Prezi. With a simplistic design and many easy to use templates students and teachers alike are sure to find Powtoon a fun tool for creating presentations.

Not that long ago, someone asked me about tool such as Haiku Deck that could also embed video and make a cool presentation. While I have yet to play with that feature it looks like it is simple enough to do as well.

Of course every one wants to know about cost and usage for children. Although there are paid options, there is also a free version that seems to provide some pretty descent access to the tools on the site. As far as any rules for student use, I scanned the terms of service and didn’t find any specific restrictions related to minors. But, as always, I would make sure to check for yourself.

Now, I do have to provide a disclaimer that I have not used this tool, as I just found out about it today, but I can guarantee you that my next presentation will be made Powtoon. I’ll let you know how it goes. — Hopefully you will try it out too!

You Should Read the Book ______________________

Our Compass Shifts 2-1Like a lot of other people I know, I like books lists.

My friend Kelly posted a list on Facebook last week, challenging her closest friends to join her in a read-a-thon. I thought the list looked dull, the majority of the titles classics I had to read in middle and high school. I’d read 49 books on that list of 100, and the author had asserted “most people haven’t even read 6.” I was a lit major in college. I get it.

And I like to read. Most of my students do not.

I watch for interesting book lists because I am always adding titles to my classroom library. I watch for books that my students will read–like the books on this post: 21 YA Novels that Pack a Serious Genre Punch or this one:  15 YA Novels to Watch Out for This Spring.

See, these lists are more like temptation for bibliophiles like me than “These are the best books ever and you should read them” lists, which do little for the book addict in me. Huge difference.

I have a growing contention with anything “you must read.”  (Okay, not anything. I do require my students to read short works that we study for craft, and analyze and discuss together.) Too many students have told me it’s the force feeding of “boring” books that has made them hate reading.

I know that some might contend that it’s the way those books were taught, not the books themselves that turned kids off to reading. I get it. And I’m guilty of it, too. It’s not like I have never taught a whole class novel, but I doubt I ever will again.

I have a few colleagues who agree with me and many more teacher friends from across the nation who are more interested in developing readers than teaching books; my #UNHLit13 peeps Shana, Erika, Emily, and Penny for sure. Heather, too. She saw Kelly’s Facebook post, and I knew her ire was up when she commented: “I still have to ask. What makes these books more of a must read than any other book out there on the market?”

The topic must have lingered because she blogged about it here: Recommended Reading–Reading Lists. Heather’s question is a good one:

Who gets to decide what the BEST or the TOP or the MUST READ books are for

any given category of interest?

I recently read Janet Potter’s 28 Books You Should Read If You Want To and saved it to use as a mentor text at the end of the year when my students do their final personal reading evaluation. Potter asserts “What [book lists] miss is that one of the greatest rewards of a reading life is discovery,” and she produces a lovely list of ways we can decide which books we choose to read. That is what I want.

I want students to choose to read. 

“You should read the book that your favorite band references in their lyrics.

You should read the book you find in your grandparents’ house that’s inscribed “To Ray, all my love, Christmas 1949.

You should read the book whose main character has your first name.

You should read the book that you find on the library’s free cart whose cover makes you laugh.”

I am with Janet Potter.

Really.

You should read the book you choose to.

I hope that I can provide enough opportunity, enough time, enough titles that my students will have some kind of positive experience with books. I hope they will notice when people are reading, and they’ll peek at the cover and be curious enough to search out the title.

That’s what readers do.

We notice books. We notice others reading.

 

Dear Readers, how about we write our own list. Complete the sentence in the comments.

You should read the book ________________________________________.

Reel Reading for Real Readers: Girlchild by Tupelo Hassman

Oh, man. I love and hate this book. You have to read it. Then we need to talk about it. It’s that kind of story, a hauntingly beautiful coming of age story.

Here’s the book trailer:

And a NY Times review

 

I would love to hear what titles are keeping you up lately. Please share.