Reel Reading for Real Readers

ReelReading2For about two years now I’ve posted book trailers, author interviews, and a few other online resources (like the amazing Pinterest boards for The Goldfinch and Alice Bliss) as a way to help guide my students into the world of reading.

I’ve found there are two prime ways that students get interested in a book.

1. I have to love it. If I read a short passage and share my experience while reading a certain book, and students see how it made me think or made me feel, without question, at least one student asks immediately to check it out from my classroom library. Usually there’s a waiting list.

2. I have to help them “see” the book. If I show books trailers, even movie trailers, and help students visualize the story line or the characters or the action, even my struggling readers are more likely to at least give a book a try. Sometimes that’s all it takes.

I have had great success in developing readers this year, especially this year. Maybe I finally figured out how my personal passion for books can work to accelerate student interest in books. More likely it’s the time I allowed for my teens to explore the bookshelves, talk to each other about what they are reading, and the time I gave them to read. Every. Day.

My students will evaluate their reading lives next week as the last task I ask of them. They will interview each other and think about our growth as readers. I know that talking about books, showing book trailers, (and investing a lot of time and money in a phenomenal classroom library) is why I am going to smile all the while as I read their evaluations.

Reel Reading post will take a break this summer.

I’d love to hear of your successes with students and reading this year.

Reel Reading for Real Readers: Going Bovine

ReelReading2There’s something about the cover that bothers me. Maybe I just don’t get it.

But as I pulled this book from the box of new ones, a student reached for it eagerly.

“Please read that book and tell me what all the fuss is about,” I said.

And off she went.

Here’s a cool trailer for Libba Bray’s Going Bovine.

Have you read it? What’s the deal with the cover?

Reflection on the Year

SUMMER

I know it is hard to believe, but the school year is almost over. I am sure some of you are counting down the days before you can run screaming and yelling from the building, but before you do I encourage you to take just a minute or two for a bit of self-reflection.

Here are a few simple prompts to guide your thinking:

1. Think back to the beginning of the year, what is one thing that you were determined to do better this year. — How did it go?

2. Looking to next year, what is one commitment you want to make regarding an area in which you want to improve? — What will you do this summer to be ready to tackle your challenge this fall?

There is nothing magical about my questions, but what is magical is taking a minute or two for yourself to reflect on your practice. I am sure you have some great stories to share and know we would love to hear them! Feel free to add a comment below.

 

Photo credit: Lotus Carroll / Foter / Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Generic (CC BY-NC-SA 2.0)

Reel Reading for Real Readers: The Goldfinch

ReelReading2This is by far the coolest thing I’ve seen in a long time. Check out this Pinterest board with all the art mentioned in the new Pulitzer Prize winning book The Goldfinch by Donna Tartt.

Oh, my lovely!

Art in the Goldfinch

I tried an audio book for the first time, and I am kicking myself for waiting so long to “read” this way. Maybe it’s this book. I don’t know, but the descriptions fascinate me. Maybe that’s why the artwork posted on this Pinterest board fascinates me so.

I love this novel, and I cannot wait to share it with students. At one point the narrator even refers to his AP English class. I have some students who will love this book as much as I do.

I cannot wait for us to talk about it — oh, and all this art!

Now, THIS is a Candidate Bio

As co-sponsor of National Honor Society on my campus, I get to help determine membership and officers for the next year. It is that time of year.  My friend and colleague (the real sponsor) has been reviewing officer applications. She sent me this delightful piece, written by one of my current AP English students.

What follows is a clever, and entertaining example of the kind of writing students will do, if we give them the opportunity to be themselves on the page– no restrictions, no required form. Just time and space.

Michelle submitted this for her Officer Candidate Bio for NHS President. Read it and see if you get what she’s done here:

Dark Horse: I’ll serve you like a “Dark Horse”.

Happy: Because I’m “Happy”, clap along if you feel like NHS is the best.

All of Me: Cause “All of Me” will serve all of you.

The Man: Well, you can tell everybody, I’m “The Man”, I’m the Man, I’m the Man, Yes I am, Yes I am, Yes I am.

Say Something: “Say Something”, I’ll always listen to you.

Timber: It’s going down, I’m yelling “Timber”, you better move, you better serve.

Counting Stars: Lately I been, I been losing sleep, Dreaming about the things that we could be, But baby, I been, I been prayin’ hard, Said no more counting dollars, We’ll be counting hours.

I’ll Make a Man Out of You: Let’s get down to business, To defeat these hours, They did send me leaders, when I asked for flowers. You’re the greatest bunch I ever met, But you can bet before we’re through Mister, “I’ll Make a Leader Out Of You.”

Let It Go: “Let It Go”, let it go, Can’t hold it back anymore, Let it go, let it go, go ahead and serve even more.

Thrift Shop: I’m gonna pop some events, Only got seven days in a week, I – I – I’m hunting, looking for a come-up, This is super awesome.

I Will Always Love You: And I… will always help you, ooh. Will always help you.

Can’t Hold Us: Can we go back, this is the moment, This year is our year, we’ll serve ’til forever, So we put our hands up like the ceiling can’t hold us, Like the ceiling can’t hold us

Do You Want to Build a Snowman: “Do You Want to Build a Snowman”, then please vote for Michelle P.

 

Playing with Poetry

They think poetry is boring. And hard. They do not think it is beautiful, bold, or bursting with meaning. For the past two weeks, I have tried to change that for my PreAP English I and 2 students.

I copied a variety of poems. Some long. Some short. Some richly complex. Some easy. We glued them in our notebooks, and we took our time reading them each day. Sometimes we wrote responses. Sometimes we just read and talked. They liked this talking best.

We watched some spoken word poets share their love of language in moving poems they shared with the world. This one by a young poet at a school across town helped students see hat imagery creates emotion.  This one by Sarah Kay helped students see that repetition does more than just “emphasize” a point.  And this one by Shane Koyczan that we’d watched at the beginning of the year and watched again helped students see that poems — more than anything else — allow us to express the ache that can eat our souls if we don’t release it.

Oh, words.

I heard over and over again as we read, discussed, and listened: “Oh, I get it.”

Lights of understanding twinkled over teenage heads.

I learned a valuable lesson (or two). I must integrate more poetry throughout my lessons ALL YEAR LONG. My students and I both enjoyed it. Go figure.

We especially had fun for just a day. And we “wrote” black out poems. black out poem AilsaSome were pretty sloppy, but some were pretty cool. See?black out poem Lifeblack out Truthblack out Ariannablack out designblack out Alexa

black ot Yulisa

 

Marvelous Multigenre

For the duration of my teaching career, May has always meant multigenre.  The multigenre project, or MGP, is the perfect way to finish the year–it showcases students’ abilities to read, research, write, present, collaborate, revise, and create in a way that is enjoyable for all parties involved.  All of those skills (Common Core, anyone?) are the things we want our students to know how to do by the time they leave us, so what better way to determine whether they can than with the MGP?

This Tom Romano-created concept has always been one of my favorite things to teach, and one of my students’ favorite products to produce.  I suppose I assumed that because I would teach it similarly to how I have in past years, the process and products would also be similar.  Boy, was I wrong!  Thanks to employing the workshop model, this school year has been so radically different from previous years that I don’t know why I didn’t expect a huge difference in the way I watched multigenre explode.

IMG_3056

Multigenre explosion

As I work beside my students on my own Jane Austen multigenre piece, what I am struck most powerfully by is their confidence and independence as they make writing decisions.  Last year, I answered countless questions from students about what was allowed, what requirements needed to be fulfilled, and what was off limits.  My open-minded, the-sky’s-the-limit replies only seemed to induce stress.  This year, they have induced elation.

While my mentor text, modeling, and peer collaboration-heavy method of teaching the MGP has not changed, it’s clear that what has changed this year is how my students see themselves by the time we begin the project.  They don’t see themselves as students at the mercy of a grade or a rubric or a teacher.  They simply see themselves as writers.  They feel comfortable with individualized, meaningful, rigorous reading and writing demands, all thanks to the workshop model.  I have watched with surprise as my students quickly decide on topics for their MGPs–Harry Potter, classic cars, piercings, divorce, ALS, Star Wars, Blake Shelton, the allure of travel, Great Danes, and more.  Many of those topics are things that they have already written about several times this year–something that was once taboo for them in English classes.  My students have come to understand that without putting themselves into their writing, it is meaningless.  They also know, thanks to the design of workshop, that the point of writing, similarly to reading, is to make meaning.

I cannot wait to see what my students produce with the MGP.  I am so proud to have spent an entire year writing beside them, and I am looking forward to our last day of class when they open their writing portfolios and see the thick stacks they’ve produced, submit their final reading ladders and take pictures with towering stacks of finished books, and complete a journal harvest in which they revisit and evaluate their writer’s notebook one last time.  I know with certainty that they will feel accomplished, proud, and confident.  My hope is that those feelings will propel them to keep up their habits of reading and writing for life.  In the end, that’s all I hope to achieve as an English teacher–to make my students lifelong readers and writers like me.

Reel Reading for Real Readers: Me, Earl, and the Dying Girl

ReelReading2My students and I got to participate in World Book Night April 23. The book we gave away was Me, Earl and the Dying Girl by Jesse Andrews. (I will write about that soon.)

This trailer gives a pretty good idea of why this book is so great:

I have several students reading it now. There’s not much better than students clamoring for the books you talk about at the beginning of class.

What’d You Say?

ocsAs the year is rolling (rapidly) to an end, I have taken time to reflect and really analyze how this year’s movement and progress has been different then years past.   Besides following the footsteps of the amazing Penny Kittle; borrowing sky writing from the vivacious Shana Karnes; bouncing ideas off of the astounding Amy Rasmussen; and being inspired by the wall-to-wall library of the ever-evolving Emily Kim…I realized that this year, I am talking differently.

In posts pasts, I’ve mentioned a full on effort of instilling calm in my teaching, but most importantly within myself.  I’ve talked about strategies and tactics to support our lovely readers and writers.  I’ve discussed the power of revision.   I’ve done a lot of talking.  Yet, I haven’t reflected as much on how I’m talking.  And, just the other day, as I was standing in the middle of my classroom admiring the soft buzz surrounding me, I realized what was happening.   Students no longer depend on me.  They are depending on themselves and their peers.  They are listening intently, supporting one another, and using language that I (at that moment) realized reflected what I’ve been saying all year.

I’ve always made a conscious effort to refer to the individuals I educate as students or young adults; both in speaking with them and with others about them.  Kids?  Children?  Never.  To me it’s important to afford them that respect.  Yes, they are and always will be their parents’ and guardians’ children, but to me, they are the evolving, growing, and inspiring young adults who show up (as often as they can) serious about their education.

Interestingly, this year one student decided that he is no longer a student, but a scholar.  Well, aren’t I the lucky educator exploring and learning among scholars?  Yes, this is now the norm.  They are sitting up straighter, not because I am that educator who demands upright students, but more simply because they are feeling important as they use this term to describe one another.  They own their importance.  And how beautiful and distinguished they look doing so.

Now that I’m among scholarly greatness, when it comes to literature, “What book are you reading?” has pretty much become extinct in our learning community.  We talk about books as pieces or literature.  It’s amazing how synonyms prompt different levels of affluence.  There’s an air of ownership and pride when students are discussing literature.  Whether it be a review of E.B. White’s Charlotte’s Web, the graphic novel of Anne Frank, Hill Harper’s Letters to an Incarcerated Brother, Chris Cleave’s Little Bee, Alex Haley’s Autobiography of Malcolm X, John Steinback’s Of Mice and Men, Dr. John Gray’s Men are from Mars, Women are from Venus, and so many others…students are examining them with wonder, inquisition, and esteem.

Chris Cleave in the hands of a scholar.

Chris Cleave in the hands of a scholar.

While reading these pieces, we are no longer just looking up words in the dictionary.  We are researching.  We are finding what we need in order to fully understand what is before us.  We are using our resources to enhance that understanding.  We are not only completely comfortable with the extra step of flipping through Webster to explore our options, but we are embracing it because it’s now just part of who we are as learners.  Yes, we are researchers.

Multitasking: writing and research.

Multitasking: Writing and Researching

And, we are not flawless.  We find definitions that don’t always make sense.  So, we find partners who can help us grasp the concept of this idea in the context of our individual reading.  We are active.  We support each other.  Students and I have made a pact; when they do not know a word they take to research.  However, when they do not know how to pronounce that word, I become their resource.  See, there’s a huge difference between the two.  Students are no longer relying on me for a definition, just the initial step of knowing what the word sounds like so they can productively use it on their own, and in context, once they are comfortable with its meaning.

 

Collaborating on a project.

Collaboration

Above and beyond all of the communal support we provide for each other, there are those times that we are just plain “stuck”.  When students approach me with this, I no longer ask, “Why?”  Instead, I ask, “What is the reason?”  or “Let’s identify what’s happening here.”  Even in those moments when we’re not sure we even know why we are stuck, I’m asking students to own, articulate, and start problem solving their moment of frustration to alleviate the feeling of intensity.  Once I started probing, students realize there’s a reason they are at a standstill.  As we move through the recognition and pinpoint the issue, we are off and running (again).

Hearing students playing with language, context, and dialogue is magical.  A lot has shifted this year.  Students are continually showing me what they need from me to support them in their growth.  Whether it’s asking a scholar what piece of literature he will be embarking on next or setting dictionaries on every group of desks for easy access to research; students are asking me to support them in their launch.  As we continue to progress together, I am looking forward to recognizing what else needs to be said differently because, wow, what a difference a word makes!

What language do you use that propels your students?  What shifts have you made to support higher levels of learning and engagement?  

Reel Reading for Real Readers–Transatlantic by Colum McCann

ReelReading2One of my favorite books is Let the Great World Spin by Colum McCann. This book altered my thinking more than any single book I’ve read before or after. I am grateful for the insights this book gave me. I am a better person because of it.

When I saw Transatlantic, I knew that it belonged in my library.

This clip gives us a glimpse into the author’s thinking, and he reads a bit of the story.

(Oh, and I LOVE his chair.)