Category Archives: Amy Rasmussen

My Workshop is Kind of Like Goldilocks and the Three Bears

Amy Rasmussen, AP English, Readers Writers Workshop September 29, 2013 Comments: 4

ocsWhen I first got my teaching assignment for this year, I was a little overwhelmed, although I probably shouldn’t have been:  I chose to have three preps. Yes, I chose three preps. Crazy, right?

I’ve never had the exact same assignment two years in a row, which definitely has its pros and cons. (I was recently diagnosed with ADHD–at 48–I know, right?–so the changes have worked pretty well for me.) I don’t mind the planning. I don’t mind the difference in student maturity. I do mind not feeling like I’ve ever done anything really really well.

It’s not like you can get everything perfect in every lesson in every class throughout a whole year. So I keep notes of what worked and what didn’t, and I make plans to bend and stretch, tweak and toss things the following year. I am rarely satisfied and always looking for improvement  I’ve just never had the chance to practice my new and improved plans.

Until now.

But it’s not what you are thinking.

It’s a bit daring, and I appreciate my administrators for trusting that it will work, but I am teaching all three of my preps the same lessons in the same way–almost every day. My Pre-AP English I class gets the same instruction and the same assignments as my Pre-AP English 2 classes and my AP Language and Comp classes. See, I have my own built in vertical alignment, and I can teach the same skills–sometimes a little slower, and usually with a different expected outcome–to all of my students at all three levels.

“What about the differences in the standards?” you might say.

Well, look at them. They really aren’t that different. The real differences are in the depth and the complexity of how our students show us mastery of a skill. Reading and writing is still reading and writing at any level, advanced or otherwise.

Mine is a readers/writers workshop, and students lead with choice. They choose what they want to read, and they choose what they want to write about in their assignments. I facilitate discussions around mentor texts, and they model the professionals in their writing. I talk about books that beg to be read, and they open the pages and read them.

Take for example their first major writing assignment. We’ve been studying narrative. (Please do not say, “But there is no longer a literary essay on the STAAR test.” Yes, I know.) Think about the power of story. It’s the thread that wraps us all together, the binding that prevents our civility from turning to chaos. And, oh, the relationship builder our stories become as we share our souls in our learning community! We learn to relate and empathize with people who might be vastly different than we are. We grow as individuals and as peers. Not to mention the feelings of accomplishment students have when they produce a piece from the heart and are successful at it at the beginning of the year. Every literary device we want students to know, understand, and use can be modeled in narrative mentors. Every literary device we want students to be able to produce and analyze for AP English exams can be taught in a narrative unit. Why would we jump right into rhetorical or literary analysis, when we can get so much growth from passionate personal essays?

I know it’s early in the year, and I haven’t been trying this approach out for too long. I get that my high hopes might deflate and plop right on my desktop. But right now, my students are engaged. They are reaching to meet my expectations. They are thinking. And that’s what I really want.

If I can get my students to think–well, that is my personal definition of rigor. And isn’t that what an advanced class is supposed to be?

So about practicing and improving my plans? This year I get to do that every single day while the learning is happening instead of my reflection afterward. It’s kind of like Goldilocks and the Three Bears, except better. My students get to taste a rich and authentic approach to learning, and I get to differentiate depending on their individual needs: too hot or too cold until I get it just right.

Websofsubstance.com by Harry Webb

I spoke to a good friend this morning. She, too, has three preps, and she’s trying to streamline. She and I share the same perfectionist tendencies, and planning and planning and planning to come up with the “just right” instruction for all three levels is exhausting. There has to be a better way.

I’m pretty sure I’ve found it.

What do you think of using the readers/writers workshop model to teach all levels the same skills in the same way at pretty much the same pace?

Reel Reading for Real Readers: Outliers by Malcolm Gladwell

Amy Rasmussen, AP English, Book Trailers, Books, Readers Workshop September 26, 2013 Comments: 2

20130207-190708If we invite author’s into our classrooms, they can become personal coaches for our students. I will introduce the book Outliers to my students with this CNN interview between Anderson Cooper and Malcolm Gladwell.

First of all, Gladwell’s an interesting looking character that’s for sure, and really, who wouldn’t want to read a book by a guy who is so interesting AND articulate?

Converting the Fake Reader

Amy Rasmussen, Books, Readers Workshop September 25, 2013 Comments: 6

I’m trying something new this year:  my students are reading every day. Last year I reserved Friday for independent reading. Students did okay with that, but few read as much as I had hoped they would. This year I dedicate the first 10 minutes of every class to silent reading. We’ve been in school a month, and I have many students who have finished a book–some have finished three and four.

The first week of school I set the expectation, and I talked about books a lot. Every day I introduced a book and its characters to my students. I read passages and book covers. I testified to the importance of a book in my life. I read reviews and showed book trailers. I worked at getting a book in every single student’s hand. And it’s paying off.

Even for Ever.

Ever is that one student. You know the one. He grabs the first book off the shelf and pretends to read it. He does this every day for a week. You know he’s a Fake Reader. You’re just waiting for the right time to talk with him about it. Then one day he leaves The Invisible Man by H. G. Wells in the classroom–you know he’s not reading this book anyway. What normal sophomore would? So you hide it just to see what book he’ll choose to Fake Read next. He doesn’t. He sits. And does nothing.

Finally, you make your way to talk with Ever. “What’s up with this Fake Reading?” you ask.

He mumbles something that you don’t understand.

“If you tell me what you’re interested in, I can help you find a book,” you offer.

He shrugs but walks to the bookshelves, soon returning to his seat with a bright non-fiction paperback. You don’t see the title, but you watch to see if Ever’s reading.

Nope. He’s an Advanced Fake Reader.

Then he surprises you. He asks for help finding something real and historical, so you offer a stack of memoirs with authors from Cambodia, Iran, and South Africa. He doesn’t even bother to pick them up, but he’s drawn to the shelf they came from. You can see it in his eyes.

You’re pushing but not too hard. You barely know this child, and you know the first three weeks can make or break the relationship with a student for the whole year. Then you see him. He’s got a thin book–historical fiction. And he’s reading. He’s really reading Once by Morris Gleitzman.

The next day Ever is one of the first students in class. You glance over, and Ever is reading, and the bell hasn’t even sounded yet. You walk over to offer a bit of praise.

“Hey, Miss, I’ve read 120 pages since yesterday!” he tells you. And inside you’re grinning so widely your cheeks hurt.

Ever finishes that book the next day and reaches for Then.

Then You know you’ve got him when he turns the pages in Now.

And maybe, just maybe you’ve converted the Fake Reader.

 

How do you get your Fake Readers to give a book a try?

A Book Talk and A Writing Lesson in One Easy Go

Amy Rasmussen, AP English, Books, Readers Writers Workshop, Writers Workshop September 23, 2013 Leave a comment

Since I try super hard to not work on the weekends, I wasn’t sure how I was going to be completely prepared for my lesson on Monday. I locked my classroom door on Friday, knowing I was short a mentor text.

Then, while sitting by the lake, enjoying the breeze and this novel a friend recommended, the text blurred my eyes, and I did the unthinkable: I crimped down the corner. Then I did it again and again and again.

I love it when the stars align, and the tools I need to teach writing appear in my own independent reading. I notice things and want to share them with students. And I know that they will see what I want them to see and understand why it matters because they see my passion in the discovery of something I want to show them. Studying author’s craft becomes easy when I share from the books I am currently reading.

Here’s a slice from Night Film by Marisha Pessl, a hauntingly beautiful book that’s written in multi-genre. (You want to check it out. I promise.)

The sagging green couch along the far wall was covered with an old blue comforter where someone had recently crashed–maybe literally. In a plate on the coffee table there was an outbreak of cigarette butts; next to that, rolling papers, a packet of Golden Virginia tobacco, an open package of Chips Ahoy!, a mangled copy of Interview, some emaciated starlet on the floor along with a white sweatshirt and some other clothes. (As if to expressly avoid this pile, a woman’s pair of black pantyhose clung for dear life to the back of the other beach chair.) A girl had kissed one wall while wearing black lipstick. An acoustic guitar was propped in the corner beside an old hiker’s backpack, the faded red nylon covered with handwriting.

I stepped over to read some of it: If this gets lost return it with all contents to Hopper C. Cole, 90 Todd Street, Mission, South Dakota 57555.

Hopper Cole from South Dakota. He was a hell of a long way from home.

Scribbled above that, beside a woman named Jade’s 310 phone number and hand-drawn Egyptian eye, were the words: “But now I smell the rain, and with it pain, and it’s heading my way. Sometimes I grow so tired. But I know I’ve got one thing I got to do. Ramble on.”

So he was a Led Zeppelin fan.

Oh, the details, the description, the diction, the syntax. You can see it, too, right?

If I want my students to become effective writers, I have to show them effective models. It’s as simple as that. It’s even simpler when I can show them models from books I’m reading. Then they get a book talk and a writing lesson in one easy go.

I love it when that happens.

Reel Reading for Real Readers: The Good Soldiers by David Finkel

Amy Rasmussen, AP English, Book Trailers, Books, Readers Workshop September 19, 2013 Leave a comment

20130207-190708My own sons love to read books on war. That’s the main reason I have so many in my classroom library.   My twin sons Zach and Chase both plan to enlist in the military after they serve two year missions for our church. Every once in a while they will come home from Barnes and Noble with a new book. Chase brought this one home just yesterday:

Every once in a while I come across a book that I surprise them with, and usually they argue over who gets to read it first. Good Soldiers by David Finkel is one of those books.

My sons were reluctant readers in middle school and most of high school. The majority of their teachers stuck to the required reading of classical literature and rarely talked about books other than those they were reading for class. Chase finally found books as a way to escape bullying, and Zach found he liked a lot of the books Chase was reading. They became readers on their own, which I am grateful for, but I still think “what if?” What if a teacher had taken the time to learn of their interests in the military, in war stories, in patriotism? What if a teacher had let them read where their passions lay? Maybe they would have had a much more enriching experience in high school English.

I haven’t read Good Soldiers yet, but Chase has. He read it in a day.

Good Soldiers Audio Book Review:

David Finkel reads an excerpt:

Reel Reading for Real Readers: Behind the Beautiful Forevers

Amy Rasmussen, AP English, Book Trailers, Books, Readers Workshop September 12, 2013 Leave a comment

20130207-190708This one is still on my TBR list, but just reading this excerpt at NPR has made me think of the many ways I can use Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity by Katherine Boo in my English classes this year. Look at the sentence structure, the word, choice, the imagery, the power and beauty of the language. Oh, wow!

Many of my students know next to nothing about life outside of Carrolton, TX–or if they do, it’s the best exits to take for fast food and restroom breaks on their long drives from here to Mexico where they go to visit family. It’s not all their fault. They do not come from families of world travelers. They do not even come from families of readers.

One goal I have this year is to read more world literature myself. If I read it more, I will talk about it more, and I can hopefully get my students reading it more. There are so many wonderful stories, heartwarming and heart-wrenching stories, and I want my students to experience them.

Here’s Katherine Boo explaining her book. I just love her!

Digital Novices vs Digital Natives

Amy Rasmussen, Technology September 11, 2013 Comments: 2

“For today’s young people, using technology is as fundamental as reading was for their parents and grandparents. It underlies and supports everything they do.”

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Marc Prensky tweeted that comment the same day I thought I’d pull every last gray hair out of my already aching head.

Fundamental? Oh, Marc, you do not teach my students. Getting them to use technology is laborious, tiresome, and one I’m-sorry-no-I-cannot-remember-your-password-either kind of torture.

Do I do it? YES. Every year I spend days teaching students how to create email addresses and use them appropriately. We create blogs and links to each other’s blogs, and we post various types of writing to them all year. We register for Twitter, and we use it for class discussions and for sharing information. This year my students will also be generating infographics and digital stories. And more. See? We use a lot of technology.

But it is not fundamental to my students. What I teach them is fundamental. All they know how to do is text their friends and watch YouTube videos. They have hundreds of dollars worth of smart phones in their teenage hands, but they don’t have a clue about how to use these devices for learning or anything close to productively–you know, like they might in a job or even in college.

Let’s talk about the digital divide. We already know that students in poverty have lower literacy rates as a result of the lack of books and reading in their early years. Vocabulary acquisition is tens of thousands of words behind their affluent peers. Now, we add the lack of access to and training with technology, and the gap grows gigantic. Digital literacy in our ever changing digital world is a have to.

I have to teach my students how to use technology. Heck, we transform our learning through our use of technology. But, please, can we stop making it sound like all teenagers will pick it up in a snap and a wink and be good to go?

It’s hard work to get them comfortable. Hard work that takes a lot of time and a lot of patience. Yeah, yeah, I know, the pay-off’s worth it, and I’ll keep at it. Every year I just have to remind myself to take it slow, provide lots of structure, and take good notes because I will have this conversation many times:

Me:  “Yes, I have your username right here. Could you pull out your phone and put it in your notes?”

Them:  “I have notes on my phone?”

Me (muttering maniacally):  “Yes, dear, and so much more.”

These things keep me awake at night.

So, I’m wondering. How do you deal with students who are supposed to be digital natives but are more like digital novices? And what more can we do so the digital divide doesn’t damage our already struggling populations?

Starting Close Reading with Mexican White Boy

Amy Rasmussen, Readers Workshop, Strategies to Add Some Zip September 9, 2013 Leave a comment

Matt de la Pena is scheduled to speak at TAIR in Denton, TX on September 30. If things work out, he’ll be coming to my school to speak on the 28. I am excited for my students to hear Mr. de la Pena’s story. It is so similar to their own.

Mexican White BoyMexican White Boy is the first de la Pena book I’ve read. Ball Don’t Lie, We Were Here, and I Will Save You are rising on my TBR pile. I imagine my students might get at them first.

A passage from Mexican White Boy made me take note. It’s a great read aloud, but it’s also a great piece for a text study. It’s packed with literary and rhetorical devices and would be ideal for close reading for concrete vs. abstract details. Or, tone. Or, syntax, Or, all of them.

It all hits him as he stares at a half-finished love letter. No matter how many words he defines or love letters he composes or pieces of junk mail he reads aloud to his grandma while she waters spider plants potted in old Folgers coffee cans he’ll still be a hundred miles away from who he’s supposed to be.

He’s Mexican, because his family’s Mexican, but he’s not really Mexican. His skin is dark like his grandma’s sweet coffee, but his insides are as pale as the cream she mixes in.

Danny holds the pencil above the paper, thinking:   I’m a white boy among Mexicans, and a Mexican among white boys.

He digs his fingernails into his arm. Looks up to see if anybody’s watching him. They aren’t.

Sometimes he’ll just watch his family interact in the living room. The half-Spanish jokes and the bottle of tequila being passed around with a shot glass and salt. The laughing and carrying on. Always eating the best food and playing the coolest games and telling the funniest stories. His uncles always sending the smallest kid at the party to get them a cold sixer out of the fridge and then sneaking him the first sip when Grandma isn’t looking. But even when she turns around suddenly, catches them red-handed and shots, “Ray! Mijo, what are you doing?” everybody just falls over laughing. Including Grandma.

And it makes him so happy just watching. Doesn’t even matter that he’s not really involved. Because what he’s doing is getting a sneak peek inside his dad’s life (89-90).

My students will start the year with a study of narrative writing. Thanks, Mr. de la Pena for this accessible piece to get us started.

Do you have any similar short texts that you use for close reading? Please share.

Reel Reading for Real Readers: Pride and Prejudice

Amy Rasmussen, AP English, Book Trailers, Books September 5, 2013 Comments: 2

20130207-190708.jpgSome of my colleagues might think I am anti-classics, but this is assuredly not so. I just hate how we commit what Kelly Gallagher calls Readicide by reading them to death in English classes. Pride and Prejudice by Jane Austen is my all time favorite:  book and movie. The characters speak to me, and I’d know them on the street; I’ve read of them so many times. I even fantasize about living in turn of the century rural England. Well, maybe not fantasize, but I would like to travel to the English countryside someday.

Official Movie Trailer:  Pride and Prejudice

I want students to read this book. I do not want them to hate it. Therefore, I will talk it up. Quote some characters, show them this movie trailer, and offer a bribe or two if I have to: “I’ll bake you tiny cakes and bring you tea.” Whatever.

“My good opinion once lost is lost forever.” — Darcy, Pride and Prejudice

Do you remember that scene in You Got Mail? Meg Ryan’s character has praised Elizabeth Bennett and in subtle ways thrown down the challenge to Tom Hank’s character to read the book. He tries. For her. It’s the sweetest thing ever.

My daughters and I love all things Jane Austen. When the movie Becoming Jane came out, we were on a girls’ trip in Florida where the drivers love their horns, and we shook hands with a young man named Mr. Stubbs who was missing half a finger. The four of us walked into the movie theater, and we waltzed out humming the score and discussing literature. This mother’s perfect evening, surrounded by loving daughters who talk about books.

I’m all about building relationships with my students. By sharing my love of Pride and Prejudice with them– and why I love it, they will see a glimpse into me. The me outside the English class. The me who loves being a mom. Who goes to the movies. Who takes her girls to Florida on vacation. Who finds irony in people’s names.

If my students know me, I have a better chance of knowing them. Books and literature are so much more than reading material.

So, let’s play a bit here. What’s your favorite CLASSIC text, and why?

Students Want Simple Things from Teachers

Amy Rasmussen, Readers Writers Workshop, Writers Workshop August 31, 2013 Comments: 6 
"Love all, trust a few, do wrong to none." ~William Shakespeare

Our Compass Shifts 2-1Start slowly. Ease into it. Take the time to let them trust you. Breathe. Relax. Make sure they know that more than anything they matter. I’ve told myself these things every August as the new school year starts, but I don’t listen. Ever. I am always in a rush. Jump in. Get them working. Show them who’s in control.

No wonder the past few years have been rough:  I took too long to build relationships.

This week I’ve done it differently, and I can already tell a difference.

I have not done the get-to-know you bingo games, the list-your-favorite-things cards, the 2 true/1 lie, or the numerous other “relationship building” activities that rise in the back-to-school Google searches.

I have asked students to write. And I’ve written with them. And we’ve shared.

The first day of school I showed the beautiful video of Shane Koyczan’s poem “To This Day.” We didn’t talk; I simply asked students to respond. They wrote on note cards for five minutes and told me what they thought about name calling, bullying, loving the inner person. I then asked them to flip the card over and on the back tell me why they think I chose that poem, of all the millions of poems available, for the first day of school. They thought and wrote, and I set the expectation that we are a community of writers on the very first day.

I read their responses that evening, and I learned a few things, and a few things made me cry:  the death of a father this summer, the loss of a brother, and the abuse experienced by not one but two of my girls when they were younger. The hurt is still raw. I felt it in their words, and I am honored. They trusted me with their hearts the very first day.

Every day this week I’ve read a poem or a quote or a story, and I’ve asked students to write their thoughts in their notebooks. I wrote along with them. I modeled re-reading and revision. I shared my thinking, and I shared my words on the page. Then I asked if students felt comfortable sharing. Many did.

Yesterday we read the poem “Days” by Billy Collins. I did a quick mini-lesson on imagery and personification, and then I asked students to think about a day in their lives that, if they could, they would live over. Sad day. Happy day. Any day. Just choose one and write. We wrote for five minutes.

I shared first. Or, I tried to. I wrote about my mother, and I got so choked up in first period I could not speak. My students saw me vulnerable. They saw my hurt, and they poured out their sympathy. If there’s anything magical about my mother’s illness, this was it. The bond of our relationship cemented with my tears.My notebook Days

During 5th period, one of my girls volunteered to read her response. She began with something like “It was the day I saw my mother for the first time in three years. We hugged and laughed and cried.” Then she began to sob. The class stilled. Silence. Silence. And then soft snickers. I know students were uncomfortable; they are freshmen after all. I cautioned them about respect, and reminded them of the safe place we are developing as readers and writers–the place where we take risks and trust others to understand. I spoke gently but sternly as I made my way to my sobbing young woman and rested my hand upon her back. “Be kind,” I said, “and please be patient. Let me tell you about my experience in first period. I cried . . . because I miss my mother.” My tears spilled over, and this group of 14-year-olds saw my hurt, too, and we all grew as a community.

It’s Friday afternoon, the end of the first week of school. My feet ache, but I am happy.

Students want simple things from teachers:  kindness, patience, a listening ear. They want to share their hurts, fears, hopes, and dreams. They need to know we care enough to let them.

And, guess what? Students will WRITE when we give them the opportunity to write what they feel. I can do a lot of teaching with what they’ve started in their notebooks this week.

Best blessings all my teacher friends. I hope your school year looks to be as bright as mine.

If you have other ideas for relationship building, please share. I’d love to know what works for you.