Category Archives: Writing

Learning from Other Teachers

5054c4145eaf8a4c41c3bbd1d1954cdd.jpgI have so much hope for our profession, our students, and our society.

In a pretty pessimistic world, want to know why I’m so optimistic?

Because I believe in our future teachers.  After an entire school year of working with preservice educators, I have seen so much energy, excitement, and engagement from every single one of my students.  Every challenge that comes their way–whether in the form of an assignment, a tough reading, or grappling with a seemingly unsolvable education issue–only reaffirms their desire to help their students.  They just careso much.

A fantastic conference I attended last week was a wonderful reminder of all of that hope I have for teachers and teaching and learners and learning.  We’re here because of love–love for who and what and how we teach.  Yesterday, I shared my learning from the morning sessions of that conference, and today I’d like to share the ideas, quotes, and joy I heard in my afternoon sessions.

Session Three:  On Teaching Writing & Knowing Our Students

This amazing session was led by three preservice teachers who interned in high school ELA classrooms in our community.  Each of them spoke about their struggles and successes with so much passion that I was left feeling proud to be a teacher by the end of their talks.

Idea:  Audio Recording Peer Feedback–I absolutely loved Katie N.’s idea of having students record their feedback to peers.  After a semester of struggling to get her students to view themselves and one another of being capable and worthy of giving authentic, valuable feedback, she hit upon the idea of having students read one another’s papers ahead of time, prepare some comments, and then record a few minutes of thoughts, responses, suggestions, and connections.  I can’t wait to have my students try this idea!

Quote:  “When I conferenced with my students, so many of them really surprised me!!”  Danielle focused on looking for patterns in her students’ extracurricular involvement and how it might connect to their engagement, motivation, and success in schools.  She had lots of preconceived notions about how her athletes, club members, or student body leaders might act in the classroom, and many of them were wrong.  She loved the experience of being surprised by her students when she took the time to confer with each of them multiple times.

Just Joy:  Katie P. was interested in taking a whole class novel study far beyond the book.  While reading A Separate Peace with her students, she encouraged her students to read the novel through a critical literacy lens, identify social issues they could connect to their own school community, and then take action to improve the state of those issues.  As a result of her teaching, the students in her class created a club focused on improving mental health by participating in mindfulness activities like meditation, yoga, and deep breathing.

As she spoke about this new awareness of mental health issues in a school that had been plagued by student suicides, Katie teared up–as did many of us in the room listening to her speak.  I was so impressed and inspired by the power this young teacher realized she had to change a school community.

Session Four: On Evaluating Ourselves

In this session, led by a mix of teachers and school leaders, speakers presented on ways in which they looked at their own teaching, their whole classroom, or their entire school community; identified a problem; and then attempted to fix their issue.  Many of their inquiries resulted in some amazingly ambitious goals–one principal wanted to find a way to improve her students’ poor attendance, which was often caused by factors stemming from a community plagued by poverty; a group of teachers formed a committee to implement more responsive, sensitive discipline into their elementary school; and an academic coach shared ways she’d aggressively procured free technology into her school for teachers and students to use to improve learning.

I loved all these school leaders’ ideas, but I found one presenter’s approach to strengthening pedagogy incredibly effective and easy to implement.  Josh Karr, a high school math teacher, simply emailed his colleagues and invited them to form an informal PLC to evaluate themselves.

Idea:  Record Your Teaching–Josh invited his whole faculty, via email, to video record one of their lessons, watch it alone, and then bring a small clip to share with a partner in their mini-PLC after school.  Thirteen teachers agreed to participate, and showed up, quite nervously, with their recordings.  They paired up, regardless of content area or grade level, and worked together to analyze their videos, give and get feedback, and talk through some questions they had.  I loved this super easy, low-stakes idea to self- and peer-evaluate our teaching in such a welcoming way.

Quote:  “We laughed at how many teachers didn’t even have students in their videos.”  Josh told a funny story about how several of the teachers’ video cameras had only been pointed at the teachers themselves, and how they didn’t realize this narrow-minded view until they started talking with colleagues.  It was a real revelation for many of these teachers to realize that, wow, their worldview wasn’t very student-centered.  I was so uplifted by hearing Josh speak about how this simple activity prompted these teachers to stop looking at themselves for evidence of good teaching, and to begin looking at their students instead.

Just Joy:  Josh talked about what an inspiring thing it was to be part of this tiny community of teachers within his school, which included teachers from all content areas, and even the band director.  He gave me such hope when he shared how the teachers’ video recordings had evolved over the weeks to include more students, more difficult class periods, and more and more vulnerable learning.

I loved hearing how teachers of all levels of experience and expertise were willing to open themselves up to their colleagues for the sake of improving their students’ learning opportunities.  It’s a hard thing, in this profession, to invite criticism of our teaching when our  work can sometimes be thankless.  I can’t wait to try this idea with my students and colleagues alike.


Check out Part I of this post from yesterday, and then please leave us a comment:  what strategies, ideas, or frames of mind might you try out in your classroom?  Will you share some fantastic lessons you’ve gleaned from good conferences in the comments?

Shana Karnes lives in West Virginia and teaches sophomore, junior, and senior preservice teachers at West Virginia University.  She finds joy in all things learning, love, and literature as she teaches, mothers, and sings her way through life.  Follow Shana on Twitter at @litreader.

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Getting Invigorated by Good PD

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I love this accurate graphic about PD by Sylvia Duckworth.

Last Friday, I was fortunate enough to attend some of the best professional development I’ve been to in a while–and it was free!

At the end of the day, I left my 3TT friends a seven-minute WhatsApp message of out-of-breath enthusiasm, describing my day’s learning.  That’s how you know it’s been a good day.

The conference I attended is held annually to celebrate our Masters’ students’ impending graduation and entry into the field of teaching.  The all-day event features presentations by both preservice and practicing teachers, academic coaches, and principals.

Before the conference, speakers are invited to conduct an inquiry into one aspect of their practice, then present on their methods, findings, and insights.  I attended four absolutely wonderful sessions, and filled up six pages in my notebook with ideas and quotes and just joy–and I’d love to share them with you all.  Today I’ll share ideas gleaned from my morning session, and tomorrow I’ll share what I learned from the afternoon portion of events.

Session One:  On Independent Reading

In my head, I called this session “What you do after you’ve read Book Love,” because it was full of amazing ideas that I’m certain would be Penny Kittle-approved.  One presenter, Andy Patrick (@MrPatrickELA), absolutely blew my mind with the ways he’s clearly innovated independent reading.

Idea:  Reverse Reading Rates–Andy explained that when students chose a challenge book, they took a new reading rate and then used their findings to determine how long it would take them to finish the book.  The students could set a completion goal, Andy could touch on this goal in his conferences with them, and when the book was finished, students reflected on their reading process.  Since I’ve struggled with reading rates and accountability, I just loved this idea.

Quote:  “I never let them off the hook” when they tell me they don’t like reading.  Andy followed this fantastic one-liner up with his philosophy that they just weren’t reading the right books, and it was his job to help his students find them.

Just Joy:  I left this session absolutely impassioned thanks to Andy’s flurry of ideas.  He tossed out strategies like using quotes about the joy of reading as quickwrite prompts, his determination to get colleagues on board with teaching reading across the curriculum, and how great teachers of reading cannot excel unless they are real readers themselves.  YAAAAAAAASSSSSSS was the prevailing word in my notebook after that session!

Session Two:  Strategies for Reading, Writing, and Grammar

After leaving the first session, I had no idea how any other speakers could top that.  Luckily, I was just as inspired by three preservice teachers who’d done their internships in middle school ELA classrooms, and who shared their optimism for our profession in the form of their research.

Idea:  Say Something Journals–Sierra shared that many of her seventh graders weren’t engaged in reading independently or as a whole class, and she wanted a way to spark their interest in their texts.  She created journals, simply folded out of notebook paper, in which students could practice recording their internal reactions to something while reading during class.  When they were reading shared texts, she had students trade journals and giggle about the similarities and differences in their reactions.  The journals culminated in getting the reader to “say something” about the “something” they believed the writer was trying to “say.”  I loved Sierra’s emphasis on the transactional nature of reading, rather than a linear interpretation of a book’s message.

Quote:  “Why don’t they just capitalize their i’s?!” said Tori, who struggled with getting her 8th graders to use grammatical conventions in their writing, even after conferences and practice sessions in which students proved they knew what they were supposed to be doing.  Tori’s presentation was characterized by her sheer love of grammar and her bewilderment about why the heck kids could study mentor texts, send flawless text messages, and yet still refuse to obey the conventions of standard English.

One student’s response?  “Well, I just think capital I’s aren’t very cute.”

Just Joy:  Charity brought sophistication and high expectations to her 8th graders by teaching them about what critical literacy is and then working with them to practice it when reading nonfiction texts.  She focused on helping students develop discussion skills to practice thinking, reading, writing, and speaking within a critical literacy framework, all while reading place-based texts they helped her select.

I think my jaw was on the ground throughout the whole of this brilliant young teacher’s presentation–I want my daughter in her classroom someday, I kept thinking to myself.  What a treat to end my morning by feeling so hopeful about the new talent entering our profession!

Stay tuned for Part II of this post tomorrow, and please share with us in the comments–what have you learned from strong PD sessions you’ve attended?

Shana Karnes lives in West Virginia and teaches sophomore, junior, and senior preservice teachers at West Virginia University.  She finds joy in all things learning, love, and literature as she teaches, mothers, and sings her way through life.  Follow Shana on Twitter at @litreader.

 

Writers Workshop at the College Level

I have had so much fun reading student work this week.

There. I said it. I actually ENJOYED grading…for once!

Like Amy, I learned about the world, my students, and their funds of knowledge.  Grading has been going well for me this week.

Well, I wasn’t really grading so much as giving students feedback on their final papers, which are due on Monday.  We’ve been engaging in a virtual writing workshop, in which I start a dialogue with students about their writing via comments on their Google Docs, and they reply, revise, and we re-read.

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I taught a mini-lesson via email on what I noticed the whole class might need to know (shorter paragraphs, most recently, as well as the power of the single-sentence paragraph).

In class, I’ve taught mini-lessons on seamlessly weaving in references to outside texts, developing a writing voice, and crafting an “I believe” credo statement.  We’ve read each other’s writing, as well as our course readings, not just for content but for craft.

Students had choice in their topic, genre, and process.  They described their teaching philosophies, educational experiences, and literacy histories through cartoons, lists, stories, essays, pictures, and poems.

We worked for about six weeks this semester on this writing, all of which was ungraded.  It will eventually constitute 10% of their course grade, and when I calculate that number, I’ll factor in student growth, effort, and style–not just the final product.

With great success, my students engaged in writers workshop–at the college level.

I knew that this was a new experience for them for several reasons.  Many students emailed me to ask if they could send me extra drafts, or began their pleas with an apology for being a bother, or panicked when they first saw the sheer volume of my comments.

But when they realized my feedback was a balance of suggestions, praise, or exclamations of delight, they relaxed.

When they realized that I would read as many drafts of their writing as they wanted, and that we had built-in class time for peer review, they relaxed.

When they realized that questions were welcome, and not an indication of ignorance or a lack of preparedness, they relaxed.

They relaxed into becoming teacher-writers, which is something we all believe every teacher should make a part of her practice.

imgresWriting–at every level, from kindergarten to college and beyond–should be therapeutic, pleasurable, engaging, challenging, and every bit of the art form that it is.

Writing should not be painful, terrifying, or crippling.  It should serve as a way for our students to continue their learning, rather than as an end measure of what they know.

By keeping these values at the heart of my teaching, I’ve felt like I was back in my high school English classroom for the past few weeks.  There was fun, noise, creativity, debate, and even dance parties and craft supplies when we assembled portfolios, in my college classroom.  In addition to being enjoyable for everyone, this workshop mentality helped produce some outstanding writing that I’ll be so proud for my students to showcase in their final admission portfolios.

Shana Karnes lives in West Virginia and teaches sophomore, junior, and senior preservice teachers at West Virginia University.  She finds joy in all things learning, love, and literature as she teaches, mothers, and sings her way through life.  Follow Shana on Twitter at @litreader.

A Lot of Dancing, Please — Guest Post by Billy Eastman

My beautiful and vivacious and pernicious six-year-old daughter frequents a Kindergarten class. She pretends her way through life these days; it’s a problem. But, a problem I refuse to address. Because, one day, that problem with vault her to success in something.

Violet uses a wheelchair. She doesn’t use it all the time. Most of the time, she traverses time and space with arm crutches — but at school, she uses her wheelchair so she doesn’t become fatigued from chasing other small people around.

The other day, an adult at Violet’s school admitted something to me:  she caused Violet to school hallwaytip over in her wheelchair in the hallway (Don’t worry, no daughters were harmed in the making of this short narrative). Really, Violet wasn’t hurt, but the big person was distraught.

I thanked her. For tipping my daughter’s wheelchair over in the hallway. You see, they were dancing. An educator was dancing with Violet in her wheelchair. They were spinning and twirling and tipping and falling. I prefer that.

So, this is what we should prefer in our classrooms as well:  possibilities, no limitations, risk and reward, fear and excitement, falling down, getting up and saying “I’m OK, and some dancing (at least on the page). A lot of dancing, please.

Random undiscernibly identifiable adult:  please continue to dance with Violet in the hallways.

Teachers:  dancing is better than walking in straight lines with bubbles in your mouth.

And, this clearly applies to reading, writing, and thinking—which is what I was writing about this whole time.

Billy Eastman is a curriculum coordinator for English Language Arts and World Languages and Culture in League City, TX. He enjoys talking with folks and finding ways to make smart ideas happen. Follow Billy on Twitter @thebillyeastman

 

Goodbye Days: a Craft Study and a Gorgeous Grand Slam

I love language. I love sharing my love of language with students.

When I read a book, I often dog-ear the pages, thinking of how I might use a passage to help my writers. Sometimes a book just does me in — so many beautiful words I cannot keep up. It’s a bonus if the story does me in.

Like Goodbye Days by Jeff Zentner. 30649795

If you haven’t read this book, oh, you’ll want to. Zenter’s first book, The Serpent King, kissed my soul. Goodbye Days took a hammer to it.

In a good way.

I started marking passages at page 36. I think because I forgot to think about it. Just read the first line of this YA novel:  “Depending on who — sorry, whom — you ask, I may have killed my three best friends.”

Mini-lesson opportunity one (whom), two (parenthetical with the dash), three (participial phrase), and four (voice)– all in one sentence.

The first time I really thought about using language from YA novels to teach my writers was in a class at UNH Literacy Institute taught by Penny Kittle. She showed us mentors of sentences and passages, pulled from the books she introduced to her students. She talked about how these craft studies also could serve as quickwrite prompts and book talks. A triple play.

Since then, Shana (who sat with me in Penny’s class) and I upped the ante:  some of our favorite mentors are hard-hitting home runs. But the following passage from Goodbye Days –It’s a gorgeous Grand Slam.


Excerpt from Goodbye Days by Jeff Zentner (p36)

     I feel like I’m watching something heavy and fragile slide slowly off a high shelf. My mind swirls with mysteries. The eternities. Life. Death. I can’t stop it. It’s like staring in the mirror for too long or saying your name too many times and becoming disconnected from any sense of yourself. I begin to wonder if I’m even still alive; if I exist. Maybe I was in the car too.

     The room dims.

     I’m tingling.

     I’ve fallen through ice into frigid black water.

     I can’t breathe.

     My heart screams.

     This is not right. I’m not fine.

     My vision narrows, as if I’m standing deep in a cave, looking out. Spots form in front of my eyes. The walls are crushing me.

     I’m gasping. I need air. My heart.

     Gray, desolate dread descends on me — a cloud of ash blocking the sun. A complete absence of light or warmth. A tangible, mold-scented obscurity. A revelation:  I will never again experience happiness.

     Air. I need air. I need air. I need air. I need.

     I try to stand. The room pitches and tosses, heaving. I’m walking on a sheet of Jell-O. I try again to stand. I lose my balance and fall backward, over my chair, thudding on the hardwood floor.

     It’s one of those nightmares where you can’t run or scream. And it’s happening to me this moment in the dying light of this day of dying. AND I AM DYING TOO.


What writing mini-lessons could you teach with this passage?

Why I Returned to Hard-Copy Grading

tumblr_maccshmi241rvog5q.gifGrading, grading, grading.

Sigh.

As the kids say, I literally cannot even.

Where do I begin?

Grading, to me, is one of the necessary evils of education–along with mandatory monthly fire drills, whole-building staff meetings, and standardized tests.  I have disliked it for the duration of my teaching career, as I have disliked all of those things, but I still have not found a way to avoid it.

When I left the high school classroom last May, one of the things I was happiest to let go was grading.  (That and those damned fire drills.)

But I didn’t expect to come to loathe grading even more when I began teaching college students.

There were a few reasons I disliked grading in my new job:  first, I found that, by dint of the course designs I inherited, that the only “grades” given were at the very end of the semester.  This meant that what little formative feedback was built into the course wasn’t seen as valuable–by the students nor the other instructors I was working with.  I sat in meetings where a colleague complained about “having to do all that reading and write all those comments for nothing” (“nothing” being no grade).  I thought to myself, wow, you’re missing the whole point of formative feedback.

Another thing I loathed was that most everything was electronic.  Any assignment due was expected to be turned in via email/eCampus/Google Drive two days prior to the class meeting, and the instructor was to give feedback and a grade before class began on Friday.  This meant that the only feedback about a student’s work was always only given by the instructor, and that students never saw one another’s work.

So, as the semester moved along, I began to make some changes to the course design:  more formative feedback, more frequent turn-in checkpoints for large assignments, lots of ungraded, low-stakes drafting of ideas in class.  We all hobbled to the end, adjusting assignments and expectations as we went.

But over the winter break, as I reflected and gathered the many post-its of ideas I’d stuck here and there, seeking to refine our syllabus and clarify our goals, I thought of one major change I could make that would solve a lot of my problems with the course.

Return to paper.

img_7291Good, old-fashioned, print-it-out-and-bring-it-to-class-and-turn-it-in assignment submission.

This practice has had a few key benefits for me so far this semester.  First, I am seeing much more clarity of thought in my students’ talk in class–I suspect because they’re treating their weekly one-pagers as first drafts of their thinking, and then re-reading them, as evidenced by their frequent typo corrections or asides to me in the margins.

Second, the issue of opacity between students’ assignment submissions is gone.  Each class meeting, I try to build in a time to share our writing, whether by trading papers, using our papers as an artifact to support some talk, or asking students to comment on one another’s work.  I ask students to read not just for content, to glean multiple perspectives, but also to read for structure, to see how other writers think through the issues we’re grappling with.  As a result, I’ve seen a great deal of growth in how students structure their writing, as well as a transformation in the confidence of their writing voices as they engage with (and often question) the ideas in the texts we read.

Third, we’ve been reading Visible Learners this semester, which encourages the practice of documentation for the purpose of reflection.  By having concrete documentation of our thinking in the form of hard-copy papers, as well as hard-copy documentation of responsive thinking in the form of my comments or their peers’ in the margins, it is much easier to trace patterns and progress in our thinking.

Fourth, I’ve found that removing laptops or tablets from the equation when students share work actually improves the quality of their conversation.  I’ve been reading widely about how detrimental our devices can be to our talk, so I’ve made a conscious effort to reduce our screen time in class.  Fewer devices lead to more robust dialogue, which leads to better thinking and writing and time together overall.

Finally, my students are now accustomed to receiving frequent formative feedback and have come to expect and welcome it.  Initially, the students were a little wary when they saw my scribbles, assuming they were all corrections, but then were delighted when they actually read the feedback a peer or I had left.  Now, they hunger for the moments when a friend hands them back their paper with a handwritten note, or I return assignments the next class.

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Switching to hard-copy grading has improved a great deal of my work with my students, and although I still haven’t come to love grading, I am enjoying it a lot more this semester.

Now to tackle that huge stack of one-pagers that’s been staring at me all morning…!

Shana Karnes lives in West Virginia and teaches sophomore, junior, and senior preservice teachers at West Virginia University.  She finds joy in all things learning, love, and literature as she teaches, mothers, and sings her way through life.  Follow Shana on Twitter at @litreader or join her for the Slice of Life Writing Challenge here.

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Quick Writes That Work

QUICK WRITE

It appears daily on my agenda and often sparks great writing, discussion, and even revision. My bestie Erin said it beautifully: “Quick writes produce pure honesty and they’re a good place for me to “talk” with my students.” The writing is low stakes, the creativity can be high, and we can “talk” with our kids and provide feedback on issues and ideas, over syntax and conventions. Plus, it helps with the endless struggle for volume, volume, volume.

But sometimes, quick writes can end up feeling a bit routine, which is not cool as I am trying to keep writers excited about their writing and producing more and more of it.

writers-block

So, because I’m sometimes known to Google my life (Last weekend my foot hurt after a run and the Mayo Clinic suggested I might have cancer, so there’s that.) I often head to the internet for curricular inspiration.

There are countless sources online that will lead you to quick write topics, if that’s what you are in the market for, and I am often in the market for someone’s fresh thinking to get my students writing when I haven’t left enough time to plan or the same old quick write feels bland.

graves

Quick writes are just the start! 

For example, I was inspired to write this post after I saw our friend Gary Anderson tweeting a journal topic of the day on Twitter. I’ve used several, and loved writing along with my students on his thought provoking prompts.

Here are a few reflections I have on quick writes. The process, their power, and providing writing opportunities to our kids every day.

  1. Link your quick write to what you’re work on in class that day, an essential question you’re studying, or relevant topic to your study. Or don’t! Quick writes can lead naturally into a mini lesson. They can also put that mini lesson on hold as students take off into small group and then passionate/uproarious/contentious whole class discussion. I’ll often have my students go back into their notebooks after discussion to add to their thinking, so even if they didn’t share, they are working with the ideas that class is chewing on and writing more.
  2. Let students write about what inspires them. At the beginning of the year, many students balk at the “opportunity” to write about whatever they like, but by the time you’ve established a rapport and let your students know that they belong to a community of writers, many are excited to be given time to get their thoughts on paper. And when you have them take some time to revise at the end of the writing and share their ideas or powerfully written lines with others, they take more seriously the production of that work.
  3. Give limited choice to guide writing toward a necessary discussion for that day’s mini lesson or topic of discussion. When I do want the quick write to lead into the mini lesson, I try not to lead too much. I want kids to write and discover. I don’t want to slip back into old habits of guiding students to a fixed answer. They feel duped, I feel cheap, the whole thing is a mess. So, when I am heading in a specific direction, I really try to give choice in these instances. Our mini lesson in American Literature the other day was on bias for our argument writing unit. I could have had them write about where they see bias and how it impacts an argument’s credibility. Totally fine. Instead, I asked them to choose:
    • Write on any topic from the perspective of someone who is heavily biased toward a particular outcome. Then, write the same appeal from the opposing viewpoint.
    • Consider the bias of an author you’ve read or a story you know well. How did the bias serve the author? How did the bias impact the story?
    • Defend, challenge, or qualify the idea that media bias is detrimental to a functioning democracy.
  4. Early on, I stole something I heard Amy say during the professional development she and Shana ran at Franklin last year. I always remind my students to “write as much as you can, as fast as you can, as well as you can.”Amy taught me that kids need to outwrite their inner critics, and I’ve coupled that with the discovery that, often times, a student’s inner critic sounds an awful lot like…a teacher. We need to help retrain kids to see the first quick draft of anything as just that, a quick draft. I scrap half of what I write when I consider it for revision. This is something new to most kids, who train themselves to pour writing out on a page and see that as the first, last, and only draft. We work to write quickly, revise in the moment, and later, choose some pieces for further expansion, refinement, and polishing. But in the six or seven minutes I am giving them to write, their job is to write in that moment and to keep moving.
  5. Remind students to write and respond as they see fit. Students can write, jot, draw, change colors, compose a poem…Students often limit themselves unconsciously by the “rules” they have been taught over the years. Quick writes are a place to explore, not fit in the lines or a box. Unless you want to write in boxes.

  6. Have students respond to quotes, images, poems, videos, their own writing (we are doing this today!), the writing of other students, current events, lists, song lyrics, letters to the editor, overhead conversations…You get the idea. Students can creatively explore just about anything and should. Their opportunities for creative expression are often too few and far between. We can be the place where questions, emotions, fears, innovations, and discoveries find a safe place to take root.

Some of my recent favorite topics are below. These are quick writes that generated some fantastic discussion in small groups and whole class debriefs.


From Gary Anderson a few weeks back, I had students choose one and write:

Today…
I am concerned about…
I am upset about…
I do not understand…
I wish I could change…
I am grateful for…


From Austin Kleon’s blog that I started following last week, students took this image in a thousand directions and one class even had a collegiate level discussion on the implications these suggestions (directives? nudgings?) could have for society:

goethe


I will sometimes choose several images and have my students respond to one, or try to tie them together, or imagine they are the photographer, or…whatever best suits our purpose for that day. The exploration of the human condition is reason enough to put pen to paper. “Tell this story” is a great search term to yield a wide variety of results.

tell-this-story-2


Quick writes can even be 2-3 minute reflections on the simplest of reading adventures. At the start of the new calendar year, I had my kids search for what their lives would hold in 2017, according to their independent novels.

quick-write

Have a favorite quick write topic that gets the pens moving in your classroom? Please share your ideas and insights in the comments below! 

Lisa Dennis teaches English and leads a department of English educating gods and goddesses at Franklin High School near Milwaukee. She has no fewer than six quick write journals going at once, mostly due to her inability to settle on spiral vs. bound. She added to Goethe’s list that we should smile at the thought of someone each and every day. Follow Lisa on Twitter @LDennibaum 

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